Search "shearwater+animal+joy" 10721 Items

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Sunshine Super Frog

20,99 €*

LP | 1964 | US | Reissue (Vee Jay)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynton Kelly

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1960 | US | Reissue (Vee Jay)

Wynton Kelly

Kelly Great

19,99 €*

LP | 1981 | JP | Reissue (Vee Jay)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1964 US reissue.

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Wynton Kelly

Wynton Kelly!

18,99 €*

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

X. A. Cute /Ethnique Punch

Fasih / Sligo

7" | 2019 | EU | Original (N/A)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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LP | 2021 | EU | Original (Factory Benelux)

X-O-Dus

English Black Boys

28,99 €*

12" | 2022 | UK | Original (Breaks N Pieces)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy). Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville. Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl. The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.

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Xander

Restless EP

Swan Storm | The Quiet After The Storm

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Over And Out label head and all-round speed garage bubbler Xander joins the Breaks ‘N’ Pieces family with his sights firmly set on deep and dark 2-step grooves following a string of killer Bandcamp releases through his own Digi series. Those with a keen ear for the emerging producers sound will have heard lead track ‘Restless’ across the BBC Radio 1 airwaves as part of Jaguar’s show; Looney Tune inspired sound effects give a whacky feel to the growling bassline and crisp percussion, before Break-a-Dawn provides a glimpses into a previously unexplored side of the Xander sound - dreamy atmospherics mould with playful vocal samples and rolling breakbeats in a killer blend of warm-up and UK energy. ‘Untitled (Afterhours Mix)’ is designed specifically for the club; large wubs and stipped-back production make for a minimal wobbler designed to set dancefloors alight, while ‘Don’t Stop, Won’t Stop’ maintains the darkness with flashes of screw-face brilliance. Finally, Main Phase comes through with a massive speed garage remix of ‘Don’t Stop, Won’t Stop’ crafting for sweaty hugs and beautiful moments on the dancefloor.

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Xczircles | Aamir

2CD | 2011 | US | Original (Ooohh! Thats Heavy)

Release: 2011 / US – Original

Genre: Hip Hop

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Via Negativa (In The Doorway Light) Black Vinyl Edition

Xeno & Oaklander

LP | 2024 | US | Original (Dais)

Via Negativa (In The Doorway Light) Ruby Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

12" | 1990 | EU | Reissue (Bless You)

Release: 2024 / US – Original

Genre: Rock & Indie

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Ruby Red Vinyl. The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feel...

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Xiaolin

Romance: Afterwards

18,99 €*

LP | 2019 | US | Original (Mofunk)

Release: 1990 / EU – Reissue

Genre: Electronic & Dance

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After seeing her cover of Mariya Takeuchi's "Plastic Love" flying off the shelves (earlier on Blessyou0021), Xiaolin is back with another cover version, this time a refreshing take on Hong Kong 80's pop starlet icon Prudence Liew's work - "Afterwards" - originally released in 1990. Xiaolin prepares another tasty recipe for the ear, clearly exposing her seasoned studio knowledge which serves as the foundation over which her powerful vocals can shine. If that wasn't enough, this release also comes with a Dub version and two remixes by non other than Tornado Wallace and Androo. A very generous package - hard to go wrong here, buy on sight.

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XL Middleton

2 Minutes Till Midnight

CD | 2019 | US | Original (Mofunk)

Release: 2019 / US – Original

Genre: Hip Hop

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After making serious noise in the modern funk world, XL Middleton makes a return to the g-funk/hip hop sound that marked his earlier work with "2 Minutes Till Midnight." It’s a funked out, synth-heavy excursion with an equal amount of appeal for modern funksters or the underground legions of g-funk fans that put XL on the map originally. Those familiar with his most recent albums, “Tap Water” and “Things Are Happening,” will recognize the signature synth leads and intricate analog bass lines. Those unfamiliar with Middleton as an MC will find that he challenges standards in the worlds of both underground and mainstream rap, eschewing the backpack as much as the Bentley, falling into a space that few can. XL’s lyricism is cerebral and well-read, yet it’s clear that he comes from a part of the world that relishes khakis, Chuck Taylors & Zapp records. "2 Minutes Till Midnight" stands firmly rooted in the funk tradition of Los Angeles, showing reverence for the music that inspired it by bringing g-funk legends Kokane & Domino ("Getto Jam") into the fold as guest artists and by featuring album artwork from Joe Cool, who designed the iconic "Doggystyle" album cover for Snoop Dogg. XL's contemporaries, such as labelmates Zackey Force Funk, Moniquea, & I, Ced, also join in and help to remind us that the album is not just a self-indulgent tribute to a bygone era of music. As modern funk grew largely out of hip hop, XL takes that growth backward, and moves the music forward as a result.

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XL Middleton

2 Minutes Till Midnight

16,99 €*

LP | 2024 | Original (Energy Exchange)

Release: 2019 / US – Original

Genre: Hip Hop

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Xpress Point

Been Remindin' Me

24,99 €*

12" | 2024 | UK | Original (Delusions Of Grandeur)

Release: 2024 / Original

Genre: Electronic & Dance

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After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.

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Xtal & Keita Sano

The Sun EP

17,99 €*

LP | 2022 | US | Original (Half A Million)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Keita Sano joins forces with fellow Japanese producer Xtal and makes a welcome return to Delusions following last years amazing Love Is Emotion EP.

Those familiar with Keita’s production will know that his sound is a unique blend of raw, crunchy disco beats, touches of acid and a left-field sensibility which creates an intense and captivating atmosphere on the dance floor. A vibe that has seen his tracks become secret weapons for DJ’s as diverse as Ivan Smagghe, Pablo Fierro, DJ Nature, Frank Tope and Hot Toddy.

Kicking off the EP we have a track called Broken, a high energy and uplifting slice of loopy filter disco which hits all the right notes. Things roll along perfectly, building to a crescendo as a full on string break cuts loose, everything dropping away before slamming in with timbale fills joining the party.

Let Us Have Nice Days, The Sun is up next and makes great use of a classic Italo bassline to drive the track along whilst dub delay FX and side chained pads keep the energy bubbling. Bending bass synth notes bring an extra bit of drama without upsetting the flow and rolling 16th note intensity from the bassline. Feel the love!

Closing the release, we have Time Passing which slows the BPM slightly for a chugging slice of string-drenched gorgeousness. Drop this at sunset and watch as this melancholic gem creates a little bit of magic on the dance floor.

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The Basement Tapes

27,89 €* 30,99 € -10%

LP | 2023 | EU | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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"'Free punk' that's by turns playful, absurd, weirdly funny, oblique, and catchy as hell. Always on the verge of falling apart, or actually doing so, though these recordings are imbued with a certain warped vision and propulsion that holds up the Shaggs-ish disorder. We're mega psyched to be releasing one of our favorite current bands."

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Xylouris White

The Forest In Me

No Place Like Alone Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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More in tune now with the rhythm of the sun and moon, Xylouris White (Dirty Jim White and George Xylouris) speak to each other across great distances with the intuition and fellowship that can only be found over years in each other"s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.Once you set the needle down on the record and hear for yourself, the intimacies and impressionism, abstraction and unfiltered emotion found in The Forest In Me, you may wonder what was the mood of the room in which this music came to be. George, Jim and long-time producer (and secret third member) Guy Picciotto share their thoughts:Guy Picciotto: "In late 2019, we had begun taking steps to working on new material. In a haphazard fashion, Jim and I started tracking drums in my basement, cutting them up into shapes with no set landing in mind. Some of it we sent to Giorgos in Crete - he responded with his lyra and his lute. Without intention we had initiated a process that would soon become more ruthlessly mandated by the world events that separated and isolated us to three corners of the globe in the following year."Giorgos Xylouris: "While we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered."Jim White: "The idea emerged, naturally nourished and nourishing a record with none of our usual angles and themes, no verbal language, no angst nor sudden dynamics, a more subtle structure. And we found The Forest In Me."The first revelation from The Forest In Me is "Latin White", in which Jim"s jaunty pattern sets the stage for George"s Cretan lyra and lute figurations, giving this short dance piece the feel of a welcome hoedown around the campfire, warding off the encroaching darkness of an emptied world. The repetitions, gathered to induce joy, have a glassy-eyed mechanical drive to them;...

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Xysma

LP | 2023 | EU | Original (Svart)

No Place Like Alone Turquoise Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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The pioneering metal band Xysma ends 25 year hiatus with new album announced

Since the late 1980's when a new form of metal started to emerge from the ashes of the speed and thrash metal movement, Xysma were there making a racket. They've gone a long way from the pus-oozing grindcore of Swarming Of The Maggots (1989) to the death rolling groove of Deluxe and Lotto a few years later, becoming an internationally revered cult band over the years. Recently the band thought it best to end a 25 year sabbatical and announced that there's a new album in the works. Titled No Place Like Alone, the album will be released on Svart Records in early 2023.

The first slice of things to come drops this week. The single Well Seasoning will be released on all digital platforms this Friday. The short and to-the-point song is eerily reminiscent of classic mid-nineties Xysma, making the quarter of a century that separates us from those classic albums disappear. Well Seasoning is actually the first song the band finished after the decision to start working on new material. Xysma's sound has varied greatly from album to album, and No Place Like Alone is no exception to that golden rule. In addition to straightforward hard rocking numbers the record has its share of heavier moments but surprising elements abound as well.

The single Well Seasoning, a two and a half minute metal ode to the joys of cooking, will be out on Friday 7th of October and the band will play a single release show at Tavastia in Helsinki, Finland on October 15th.

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Xysma

LP | 2023 | EU | Original (Svart)

28,99 €*

LP | 2024 | EU | Original (Stereofox)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Y A N A & Gena

Under My Skin

14,39 €* 23,99 € -40%

Release: 2024 / EU – Original

Genre: Hip Hop

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Y-Bayani & Baby Naa & The Band Of Enlightenment, Reason & Love

Asembi Ara Amba

7" | 2019 | EU | Original (Philophon)

LP | 2022 | EU | Original (Pingipung)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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With his third single release, Y-Bayani (pronounced like Why-Bayani) shows clearly that he is the most intriguing roots-reggae sensation coming out of Ghana. He is backed again by the lushly grooving Band of Enlightenment, Reason and Love.
Asembi Ara Amba, sung in Fanti language, is an old Fanti story about having bad luck if you see a vulture up in the sky. As Y-Bayani sees one suddenly and for no reason he gets in trouble with the police. Being hold back in the police station he finally takes his chance to escape into freedom while the police men taking a nap.
On We Are The Band of Enlightenment, Reason And Love the group presents their personal anthem. The song is a cinematic journey starting with a mighty horn theme, followed up by a mantric chant and enters finally into a wall of sound in double time. It's a small symphony for sure.

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Y Bülbül / Yumurta

Not One, Not Two

27,99 €*

12" | 2000 | CH | Original (Friendship)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. Pingipung introduced the London based artist in 2020 with his psychedelic, synth-laden debut “Fever”.

“Not One, Not Two” is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak, Istanbul to another one in Tottenham, London, where Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music, where the groove and harmonies are mystically interwoven, yet somehow manage to stay on the brink of collapse. Although the sessions were non concurrent and scattered over two continents, the collaboration evokes scenes of a telepathic communion where individual perspectives, circumstances and stories are exchanged between the two.

Resembling Moondog, Holy Tongue or Luis Paniagua in the sense that they favor the raw over the polished, holistic presence over conceptual perfection and questions over answers, the duo’s focus on bare sounds and repetition guides the listener throughout the album. The ride cymbal opening the minimalistic “I’m This”, for instance, briskly disarms the listener who might have been looking for more traditional songwriting or production clues. There are plenty of immediately rewarding moments too in “Not One, Not Two,” like the organic acid bassline in “Maurin Quina”, the euphoric drum fills of “Big K” and the intoxicating groove of the hypnotic vibe-setter “Jah Oto”.

Bülbül is Turkish for a singing bird while Yumurta simply means egg. Which one is first? Who is to follow? It’s this enigmatic entanglement between the two artists which creates the lurking tension, emphasized by the Zen Kōan-like title. The beauty in this album is a peculiar one, and it certainly is a rabbit hole too. Dissonance is fluid as everything moves, and whenever two sounds collide, a third one emerges.

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Equilibrium

4,99 €*

Release: 2000 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

10" | 2019 | US | Original (Tender Loving)

Y La Bamba

Entre Los Dos

22,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (Transmission)

Y-Nøt

Structures EP

16,99 €*

Y Society (Insight & Damu The Fudgemunk)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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We are proud to finally present you the first release of our label. Starting with a powerful vinyl by Dutch newcomer Y-nøt.

The melodic, more modern A-side is a mix of classic synthlines and modern drums, while the B-side consists of two pure, timeless peaktime tools. The EP already gained early support by DJs like Amelie Lens, Shdw & Obscure Shape, Klangkuenstler and many more.

Remixes by: Cynthia Spiering, Jayat & Lamin

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Never Off (On & On) / Pyramids To The Ghetto

7" | 2017 | US | Original (Redefinition)

Y Society (Insight & Damu The Fudgemunk)

Release: 2017 / US – Original

Genre: Hip Hop

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The lead single from the highly sought-after “Travel At Your Own Pace” features the exclusive, previously unreleased B-side, “Pyramids”. This song includes a rare vocal appearance from Damu The Fudgemunk.

This the song's first official reissue and its first appearance pressed on a 45. Both songs packaged in full color double sided cover art.

Known to many as the group Y Society, Insight the Truncator and Damu the Fudgemunk celebrate 10 plus years of friendship and a creative partnership that hold the two in high esteem of their fans. The MC & producer's new 7" is a compelling display of why the duo have always been at the top of their game despite their reserved output since debuting as a team in 2007.

Surprising the world at the top of the year with their full length, "Ears Hear Spears" was a great way to sound the alarm for the excitement of new activity. Selective by nature, Insight and Damu's calculations have served advantageous in making moves and presenting listeners with the right music at the right time. The latest incarnation of this truth can be heard in the previously unreleased b-side track entitled "Pyramids to the Ghetto." Although it was recorded in 2008, it was archived and remained unreleased until now. Now in 2017 this particular song couldn't be any more relevant in how the artists analyze the effects racism of the past & present and its correlation to black plight throughout the Americas (both Insight & Damu drop verses on this track).

Continuing narratives of such legends as Public Enemy and Jeru the Damaja in which the track title quotes, the group individually presents short essays in rhyme form that give a candid account of what they've witnessed as black U.S. citizens living in the 20th and 21st Century. Not only are the social effects on the table for examination, but the positive and negative impacts a racist society has had on black contributions to art and culture are discussed. For the songwriters, "Pyramids to the Ghetto" is therapeutic in which harsh realities are confronted in an unapologetic manner contrasting the previous socially charged material in Insight and Damu's back catalog.

For the listeners, it's a history lesson and a call to motivate us all that history doesn't always have to repeat itself even when it's been the norm for centuries. Adversity and oppression historically have hold some back and made some stronger, but acknowledgement is the first step of progression.

The A-Side, "Never Off (On & On)" speaks on just that. It's a roadmap to dealing with everyday adversity, maintaining faith in self and striving to reach your full potential. Insight presents sermons of encouragement to the everyday person over the Fudgemunk's uplifting beat. The producer chimes in on the chorus with a few words of his own that insists to keep on your path and never fall off. The old saying goes, "Life ain't easy", but the group knows success is not unrealistic. "Never Off (On & On)" was the debut single from the debut album, "Travel at Your Own Pace" which has remained a staple in Insight the Truncator's and Damu the Fudgemunk's legacy.

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Travel At Your Own Pace Instrumentals Picture Disc Edition

LP | 2018 | US | Original (Redefinition)

Yesterday & Today Live Lilac Marbled Vinyl Edition

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition picture disc of the “Travel At Your Own Pace “instrumentals!

Redefinition brings us the long-awaited instrumental versions of ”Travel At Your Own Pace” by Y Society aka Insight & Damu in conjunction with the “Travel At Your Own Pace 10 Year Anniversary Vinyl Edition”. The album was entirely produced by the Damu The Fudgemunk. This high-quality picture disc pressing is limited to 700 units only worldwide.

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Y&T

2LP | 2023 | EU | Original (Metal Blade)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Time Is Now)

Y U QT

5 A Day

15,99 €*

12" | 2022 | EU | Original (Time Is Now)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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- 2022 repress -

It was surely a matter of time before Leicester natives, darlings of the UKG revival Y U QT graced Time Is Now with a release. Cooper and Darryl Reid have been repping the Midlands' oft-forgotten 2-step and bassline scene since being picked up by Riz La Teef's South London Press in 2019; since dropping two EPs on Warehouse Rave and getting picked up for a remix by Conducta's award-winning Kiwi Rekords. For Time Is Now, the duo have put together five tracks of dynamic, cheeky garage that takes influence from the full breadth of the genre.

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Y U QT

Sweet Fantasy

Exordium Ep Transparent Magenta Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Y U QT are back on Time Is Now, and with them they're bringing the sun. "Sweet Fantasy" EP sees the Leicester duo return to what they do best: capturing UKG at its least po-faced, and most energetic.

And who better to help kick off proceedings than the one of the most recognisable voices in today's UKG revival? Ell Murphy's smooth-as-syrup vocals add another level of dynamism to the already-buoyant 4x4 garage banger "Fantasy", coming complete with a hook just as irresistible as the ones which shot their previous releases to success. "Buss Down" picks up the energy with propulsive kickdrums and old school MC vocal chops before "Leaving All Your Cares Behind" follows suit, adding a feel-good vocal melody for an extra serotonin hit. It's up to the more light-footed "Just Be Friends" to leave a sweet taste in our mouths. Euphoric Korg organ stabs give a sense of nostalgia whilst a meandering bassline lends it plenty of swing.

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12" | 2024 | EU | Original (Fundaments)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | Original (Asphalt Tango)

Ya Tosiba

Love Party

Release: 2017 / Original

Genre: Electronic & Dance

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7" | 2014 | EU | Original (Pingipung)

Ya Tosiba

Mollah The Machine

Yabass Yaba Radics Meets T-Jah / Ft.Mono Elekin

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Ya Tosiba is a Berlin-based duo producing bass-heavy riddims with energetic female vocals. On the mic we have Zuzu Zakaria, the versatile singer who uses mainly found, historical lyrics in her mother tongue Azeri. On synths and drum machines we have Mesak.

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Thanks And Praises / Horns Praises

7" (Infinite Density)

15,99 €*

Genre: Reggae & Dancehall

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7" | 1981 | UK | Reissue (Pressure Sounds)

Yabby You

Beware / Lazy Mood

9,99 €*

Dread Propecy Crucial Cuts

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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Hypnotic and the jewel in Yabbys musical crown. A side taken from the Beware dub Lp and the flipside is the same off key but still charming keyboard cut of the same rhythm.

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Yabby You

LP | 2024 | US | Original (Shanachie)

35,99 €*

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Yabby You / Jah Fingers All Stars

Mighty Counselor, Dub Mix 1 / Dub 2, Inst.

12" (Jah Fingers)

Genre: Reggae & Dancehall

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Jah Vengence Dub Plate Mix / Version

Yabby You

7" | 2017 | UK | Reissue (Pressure Sounds)

Yabby You Meets Mad Professor & Black Steel

Release: 2017 / UK – Reissue

Genre: Reggae & Dancehall

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Deep spaced out cut of the classic Jah Vengeance from Yabby and the Prophets. A side lifted from the Deeper roots 2 set. The version from the Beware dub set.

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In Ariwa Studios

LP (Ariwa)

2LP | 1975 | UK | Reissue (Pressure Sounds)

Genre: Reggae & Dancehall

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sealed

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Yabby You & The Prophets

Conquering Lion

41,99 €*

Release: 1975 / UK – Reissue

Genre: Reggae & Dancehall

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Conquering Lion Expanded Edition

Yabby You & The Prophets

2LP | 2021 | UK | Original (Pressure Sounds)

27,99 €*

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Jah Over I / United Africa Dub

Yabby You & The Prophets

7" | 2022 | UK (Pressure Sounds)

LP | 2020 | EU | Original (XL)

Release: 2022 / UK

Genre: Reggae & Dancehall

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Conscious lyrics on this lesser known Yabby track. Never before pressed on 45 and comes with the correct version on the flipside. Comes in a printed Yabby bag. Tommy McCook on flute Sly and Robbie on rhythmic duties.

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Yaeji

What We Draw Mixtape

27,99 €*

Release: 2020 / EU – Original

Genre: Pop

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LP | 2015 | EU | Original (TÔt Ou Tard)

Yael Naim

Older

17,99 €*

LP | 2024 | EU | Original (Road Trip / Lawson Entertainment, Inc.)

Release: 2015 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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Yahho

Yahho No Tanoshimikata

30,99 €*

Yair Elazar Glotman & Mats Erlandsson

Release: 2024 / EU – Original

Genre: Pop

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"Limited to 300 copies. Okayama's 8-bit hardcore punk band Yahho has released their 1LP, 45rpm, 39-track ""Yahho no Tanoshimikata"" on analog!

Okayama's Yahho, who has played numerous legendary live shows at the All Senses Festival hosted by Juusangetsu/GEZAN, Meteo Night hosted by Less Than TV, and more, will release their first album "" Yahho no Tanoshimikata "" (4-disc set: 3 CDs + 1 DVD)in August 2023. Despite not being distributed nationwide, they sold hundreds of copies through their own live merchandise and their own online shop. And one year after the release, "" Yahho no Tanoshimikata "" is finally being released on analog for nationwide distribution! The vinyl version also includes two new songs not yet released on CD! Limited to 300 copies pressed, so hurry up! ----------------------------------------------------------- We have received comments from everyone regarding the release of the vinyl version of YAHHO's "" Yahho no Tanoshimikata ""! ----------------------------------------------------------- (Yahho) That's why it's fun, and that's why it's lonely. (Together with someone) That's why it's fun, and that's why it's lonely.

Asano (wetnap, GAME&chips) ----------------------------------------------------------- My image of Yahho is him stumbling around on his own over 8-bit sounds, and he's also a friend who often invites me out. He recently performed overseas. I think he's an artist who doesn't fit into a box. It's great to archive his work! He makes me feel free. Yahho of the World

Moto Kawabe ----------------------------------------------------------- The first album by Yahho, the greatest punk rocker born at Kurashiki University of Science and the Arts, has finally been released on vinyl. Yahho is here to rewrite and update the view of Japanese punk history!

Kawakami Konosuke (Author of ""Punk no Keifugaku"") ----------------------------------------------------------- On ""How to Enjoy Yahho"" Hey, Yahho! Isn't this first album packed with the romanticism of Yahho, music, and love for friends? While laughing, I read the lyrics and it hits me hard, and there are various gradations of blue. Seriously, no matter what mood I'm in, Yahho always responds with the best Yahho at that time. He'll be stupid with me and get depressed with me. Yahho's Yahho is bottomless! Infinite! Look, just saying Yahho makes me feel like I'm floating. Then I hear Yahho! from far away. After that, I can jump really high. It's a dream to have this sound source become a record! Come a little closer, Yahho! Please keep shouting and letting us hear it to each other. I love you forever!

THE Guays Captain Ryosuke ----------------------------------------------------------- He may look ordinary, but he's a weirdo. I love Shintaro's way of life.

Goto(MASTERPEACE) ----------------------------------------------------------- Yahho Analog Record Release! I was asked to comment, but when I hear Yahho, it's just a nightmare.

Contrary to Hamai's appearance, Yahho's charm is its over-the-top performance and sound, but when they visited Miyazaki Prefecture on a live tour, this caused a disaster, and they were banned from both the live house they performed at and the bar where they had their after-party. Rumors about their performance and sound spread to the Chamber of Commerce, and they were banned from all live houses and bars in Miyazaki Prefecture, and on top of that, all the bands they played with that night were also banned, which was a nightmare-like bonus. The rumor spread like wildfire among the prefecture's residents, and if a hiker shouts ""Yahho"" at the top of a mountain, they are looked at with disdain and spat on, and they can't stand it anymore and rush down the mountain... It has developed into a situation like this.

Yahho, congratulations on the release of the analog record!

Hiroaki Sakai ----------------------------------------------------------- 「Don't Forget Youth Memories,Forever.」

Boredom is the reason why I'm constantly irritated. Boredom is also the reason why I'm constantly spacing out.

Of course, boredom is also the reason why any mathematical formula, no matter how important, slips in one ear and out the other. That winter when I was 16 years old. I wanted something to destroy the saturated negative emotions. And I found it. It was undoubtedly the music of ""Yahho"".

Loud 8-bit sound and booming guitar. Screaming vocals writhing on the rough waves of that sound. In ""Extra Yahho"", the 8-bit sound is transformed into a hardcore band sound, with blast beats and screaming vocals exploding. What follows are unique raps and acoustic pop masterpieces. A fast-paced legend of 47 songs and 40 minutes. (*These comments are based on the CD version. The LP version contains 39 songs.) From the day I pressed the play button on my player, ""Yahho"" music became a part of my life.

When I listen to ""Yahho"" music, I feel the urge to scream. I'm sure I'm not the only one who feels that way. ""Ya-ho"" shouts out the boredom and frustration we've been holding inside, using it as a springboard. The poetic, yet endlessly straightforward lyrics really bring that home.

I pack all my boredom and endlessly overflowing frustration into a backpack and start running. I don't need to decide where to go. Just look ahead. This album gives me the push I need. I hate it. No, I'm totally against it. It's okay if you're bad at it, just keep going. I'm convinced that becoming an adult isn't that hard. "" Yahho no Tanoshimikata"" taught me everything.

It was a winter when I was 16, not sure if I was an adult or a child. Alone in my messy room, I pumped my fist into the air and said, ""I hope this album will help me become an adult.""

Shokudou (door TO Door) ----------------------------------------------------------- Hitting your forehead on the strap. Earphones and sighs leaking out as the train moves slowly. The music that plays when you take that first step to transfer from one crowded train to the next.

Nishioka (Peoples) ----------------------------------------------------------- How to enjoy Yahho I said out loud, ""This is the ultimate Famicom hardcore punk!!!!!!!!!!!!!!""＼(^o^)／ I love how the song ends so quickly＼(^o^)／ I love how it's gentle and tenacious＼(^o^)／ More than anything, I love how it's fun＼(^o^)／ In the end, I was lucky to be able to listen to a variety of music＼(^o^)／

Nozawa Dive Kinshi (Niji no Tasogare) ----------------------------------------------------------- For the vinyl release of Yahho's ""How to Enjoy Yahho"", I asked people around Yahho who are close to me and have always looked after me for comments, and they all replied promptly and readily agreed, which really made me realize how charming Yahho is and how charismatic he is as an artist. *From the beginning, Yahho said he felt bad about asking for comments from everyone, so I took the initiative and did it on my own.

It wasn't easy to get to the point where we decided to release it, but I was driven by a mysterious sense of mission that even Yahho himself probably didn't want, that made me reach this project. Yahho released a CD last year and sold hundreds of copies individually without national distribution, so I took a selfish action that even he didn't want at all, in order to put him in a more interesting situation. Yahho has already established a solid position in the underground, but we approached Yahho with the idea of releasing this album with the sole desire that more people listen to their music, that they come to their live shows and get excited and laugh, and that we want them to become a part of everyone's lives.

This is a wonderful album that you should listen to and experience for yourself if something isn't going right every day and you're struggling and wondering if things are okay. Once you've listened to it, all that's left to do is gather in the mosh pit at the live venue.

Thank you Yahho!

Hiracchi (manga Shock) ----------------------------------------------------------- I think if you listen to this album on vinyl you'll want to run out the door as fast as you can. Awesome!! Mikuru (ANORAK!) ----------------------------------------------------------- To Hamai Congratulations on the release! The three of us used to go to coffee shops together Do you remember? Don't you remember? I hope we can go again someday

Y.I.M. Omiru Asu chan ----------------------------------------------------------- That packs a punch!

Watson (Dotsuitarunen) -----------------------------------------------------------"

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Emanate

LP | 2020 | UK | Original (FatCat)

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Release: 2020 / UK – Original

Genre: Classical Music

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Both prolific composers in their own right working within the field of modern composition/ new electronic music, Berlin-based Yair Elazar Glotman and Stockholm-based Mats Erlandsson have been collaborating since 2015. ‘Negative Chambers’, their first joint album together was released on Miasmah Recordings in 2017, and saw them exploring new approaches to the use of traditional acoustic instruments. Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, the pair’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a ‘displaced sound’ – combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.

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Yalla Miku

32,99 €*

Yam Who? Featuring Christian Fontana

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bongo Joe Records is pleased to announce the release of Yalla Miku"s debut album. It is a new way of combining African, European, electronic, acoustic and electric music and cultures. The project was launched by Cyril Cyril duo, then joined by Simone Aubert and Vincent Bertholet from Hyperculte and three musicians with migrant backgrounds: the Moroccan Anouar Baouna, the Eritrean Samuel Ades and the Algerian Ali Bouchaki.

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Wrap You Up

12" | 2005 | US | Original (Ubiquity)

4,99 €*

Release: 2005 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Love Session Feat. Maika, Kaja / Drivin' Feat. Maika

Yamashiroll & P.O.P

7" | 2025 | JP | Original (Urban Discos)

18,99 €*

Yami Bolo / Natural Black

Release: 2025 / JP – Original

Genre: Pop

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Preorder shipping from 2025-01-17

A 7-inch single from the collaborative project by guitarist “YamashiRoll” and “P.O.P.” will be released! In addition to his ally Deejay / Human Beat Boxer “kaja”, singer-songwriter “maika” will also join in the fun. Both sides of the song are a rare party tune that intersects YamashiRoll's quintessential, robust sound with positive lyricism.

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Conspiracy / It's A Joy

7" | 2004 | UK | Original (Blood & Fire)

3,99 €*

Release: 2004 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2019 | EU | Original (Arts)

Yan Cook

Hammerhead

LP | 2019 | EU | Original (Wah Wah)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2022 repress

Yan Cook join the Core of the label with a release that confirms one more time his amazing technical skills, Hammerhead is a non-stop heavy punding release that relocates Yan experience on high levels, for a sure-shot result on any rave dancefloor.

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Yan Tregger

To The Land Of No Return

18,69 €* 21,99 € -15%

LP | 2024 | EU | Original (Local Tree Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the legendary ARP 2600 synthesizer, To The Land Of No Return was an outrageous and nightmarish collection of sound vignettes that pushed the instrument's capabilities to the limit. Thrilling, uneasy, surreal, spellbinding or just plain spaced out - an album "whose theme is the departure of a psychedelic train on a trip with no return to a lost world, leading its only passenger to unreal adventures" according to composer's words. An essential slice of musical lunacy coming from the most experimental fringes of the french library world!

First time ever reissued on vinyl, remastered from the original tapes in a gimmick cover and a limited edition of only 500 copies!

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Yann Jankielewicz

Keep It Simple

22,99 €*

Lagos Paris London EP Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Keep It Simple! That's what Tony Allen told me, whether on stage, in the recording studio or when we were working together on the album "The Source"(Blue Note 2017) in my studio. Obviously, if he repeated it at will, it's because it's so difficult, to express the essential, not to scatter, over-play, over-arrange. So natural for him, so constraining for others! For years he pushed us, the members of his group to develop our projects. I had something in mind, necessarily with him, unfortunately his unexpected demise decided otherwise. It took a moment to accept his departure, to accept being a voice, to find a new path. The desire to continue the work started together, that of mixing styles, sounds to appropriate them and create new, authentic. The desire also to meet new people, another energy. After composing music for this project, I asked my friend Ben Rubin, musician and producer to help me record it. I found in NYC what I was looking for, a sense of urgency, that of doing, generous and committed musicians. I knew Jason Lindner, a musician that I have been following for a long time and he was the first person I thought of for pianos and synthesizers. He has this ability to find new and powerful sounds, with a direct and unadorned playing. For the drums, I didn't especially thought about a musician whose playing could come close or far to Tony's. Ben suggested Josh Dion to me, I've been following him since his "Paris Monster" project, I love his ability to make his drums sound like a new instrument by playing the bass synth with his right hand, that forces him to keep it simple! He also plays 2 tracks in drum/synth mode on the album. I'm also happy that he agreed to sing a song on this album. So we recorded at the Figure8 recording studio in Brooklyn, Eli Crews providing the sound recording, we decided with Ben to create a powerful and assumed sound from the take. Many biases on the tones, whether on the drums and the keyboards. Back in my studio in Paris, I continued to search, to dig while recording additional saxophones, percussions and keyboards. I met Tchad Blake during a week-long mixing seminar. His work on the album on is radical. Keep it simple? Difficult but I try to remain so on all the phases of evolution of this project, from writing to production, in the improvisation parts. Where I feel it the most is in the immediate joy of playing with Jason and Josh, of tweaking a few sounds in my studio to create the unexpected, surprise in the structures, authenticity. Simple as the desire to go towards something essential, to seek oneself, to find oneself, to doubt but also to invent oneself

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Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lagos Paris London EP Red Vinyl Edition

Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Lavalava)

Yao Bobby & Simon Grab

Nyagblodi / Church

2LP | 2022 | UK | Original (Lavalava)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Edition of 100 - printed sleeve, hand-stamped centre labels.

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Yao Bobby & Simon Grab

Wum

34,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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CD | 2022 | EU | Original (Palto Flats)

Yasuaki Shimizu

Kiren

Yasunori Mitsuda & Masato Kato

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Acclaimed saxophonist, producer and composer Yasuaki Shimizu will release Kiren, his unreleased album from 1984, on the Palto Flats record label on February 25, 2022. Liner notes by music historian Chee Shimizu, and credits in both Japanese and English.

By the early 1980s Yasuaki Shimizu had established himself on the Japanese new wave scene, producing many important experimental pop records and releasing several albums as the bandleader of Mariah. Following the release of his widely regarded solo classic Kakashi, from 1982, and the otherworldly Utakata No Hibi, by Mariah in 1983, he went into the studio the following year with frequent collaborators, producer Aki Ikuta and Morio Watanabe (bassist of Mariah), to record a mystifying collection of experimental dance music. Utilizing cutting-edge technology and studio trickery, Kiren showcases Shimizu's trademark playfulness, marrying richly layered production techniques to off-kilter, sometimes traditional sounding rhythms and melodies. Portending his work with the Saxophonettes as well as forecasting trends in techno, new wave, and futuristic rhythmic music, this formerly lost album represents an important period of Shimizu's artistic expression, an artist at his peak, while successfully exploring the intersections of fusion, synthpop, new wave, and jazz.

As Chee Shimizu (no relation) writes in the liner notes, Kiren, and his concurrent release Latin were “born out of a free environment of collaboration that existed between Yasuaki and Aki Ikuta ... (exemplifying) his most energetic works.” In listening to Kiren, we might share with Yasuaki Shimizu the joy and excitement of experimentalism and movement that went into the making of this album, now released for the first time many years later.

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Kirite

2LP+Book | 2023 | EU | Original (Wayo)

59,99 €*

Release: 2023 / EU – Original

Genre: Soundtracks

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12" | 2023 | EU | Original (Genie In A Bottle)

Yate & Badmango

GIABR005

Release: 2023 / EU – Original

Genre: Electronic & Dance

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So A - This song, written during the Covid-19 pandemic, carries a distinct Ghetto House atmosphere and reflects my dreams of freedom. It contains elements of utopia and was created in a dawless mode, like a timeless song. It's a solo creation. "Jakivgusto" - Another solo song of mine, composed during the pandemic, also carries the spirit of the ghetto. This song reflects my contemplations about the moment and our inner strength during challenging times. In collaboration with Yate, we crafted the songs "Black Camel" and "Sun Day." "Black Camel" is a musical journey that narrates a cosmic rally, bringing excitement and energy to the listener. "Sun Day" is a musical message about a bright future before the onset of wartime events, reminding us of peace and harmony.

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Remember Your North Star Blue Vinyl Edition

LP | 2022 | UK | Original (Big Dada)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Ten Fold Black Vinyl Edition

LP | 2024 | UK | Original (Big Dada)

28,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Ten Fold Red Vinyl Ediiton

LP | 2024 | UK | Original (Big Dada)

31,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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The Things I Can't Take With Me

Tape | 2021 | UK | Original (Big Dada)

12" | 2020 | EU | Original (Audionik Ltd.)

Release: 2021 / UK – Original

Genre: Organic Grooves

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„The Things I Can't Take With Me“ ist die neueste Veröffentlichung der multidisziplinären Künstlerin und Singer-Songwriterin Yaya Bey. Die selbstproduzierte, sechs Tracks umfassende EP folgt auf ihr letztes Album, das intime und politische „Madison Tapes“ aus dem Jahr 2020, das von Pitchfork (7.7), Fader, Afropunk, Noisey und anderen Medien gelobt wurde. Dem gleichen Geist ihrer früheren Projekte folgend, sucht „The Things I Can't Take With Me“ nach den zutiefst persönlichen und erfrischend ehrlichen Wahrheiten des schwarzen Frauseins und der Liebe.

Geboren und aufgewachsen in Queens/ New York, betrachtet Bey sich selbst hauptsächlich als „East Coast girl“, da sie ihre prägenden Jahre als Erwachsene in der DMV-Region (Washington DC, Maryland & Virginia) verbrachte und dort kreativ tätig war. Es war der aus Wahington DC stammende Produzent Chucky Thompson (bekannt für seine Arbeit mit Notorious B.I.G. und Diddy), der Bey ermutigte, ihre eigenen Songs aufzunehmen, nachdem sie jahrelang für andere geschrieben und Spoken Word Poetry vorgetragen hatte. Wie ihr Vater, Old-School-Rap-Legende Grand Daddy I.U., machte Bey das Beste aus dem, was sie als autodidaktische Musikerin mit einer Vorliebe für Storytelling und einem Ohr für Sampling hatte.

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Yaya & Nacho Bolognani

Flantastic EP

Release: 2020 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Laguna Raw)

Yaya & Nacho Bolognani

LGNRV02

11,39 €* 11,99 € -5%

12" | 2023 | UK | Original (TRMNL)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Returning with our anniversary vinyl, the flamingo present us with a release with the legends Yaya, Nacho Bolognani, alongside with remixes from our good friends that recently playing and party with us Dimmish and Rich Nxt. Enjoy

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Yaya

Para Siempre EP

16,99 €*

12" | 2022 | EU | Original (Tresor)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Tamango Records boss Yaya heads to Trmnl Records as he unveils his latest EP on the imprint, backed by remixes from Salty Nuts head honcho Fabe and label resident Vito. Heading up his Tamango Records imprint while serving up killer cuts and remixes on Desolat, Moan, Revival New York and more, Yaya is a man in high demand across the globe. With his take on house music bridging influences from Africa to Italy, his percussive-driven and slick sound has made him a favourite for those looking for productions leaning towards the more energetic yet minimal end of the genre. That style is on show once more as he adds a new label to his catalogue. Joining the likes of Djebali, East End Dubs, Ray Mono and Samu.l, late July brings the release of his new EP ‘Para Siempre’ on UK imprint Trmnl Records, accompanied by a slick pair of remixes from Fabe and Vito to shape up the package. Title track ‘Para Siempre’ is a skippy and bouncy lead effort as crisp drums, a zippy bassline, and warped vocals go to work to showcase a production bursting full of vigour, while ‘Umbrella Corps’ leans towards more organic, rolling percussion arrangements, shuffling rhythms and elastic melodies guide things towards the later hours. On the flip, Fabe steps up for the first remix as he brings his signature groove-led style to proceedings for a swingfuelled slice of funk, before Vito’s crisp take on ‘Umbrella Corps’ closes the show with a final injection of early hours goodness.

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Yazzus

Black Metropolis

2LP | 2020 | US | Original (L.I.E.S.)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yazzus follows up her appearance on the Tresor 30 compilation with a new EP named Black Metropolis. Within its, at times, rough-hewn textures lies a core that explores joy and energy within the roots of black techno. In her words: “I want this release to be black and beautiful, to be queer, and playful, a nostalgic nod to the 90s but also reimagining it in the current times.” The Ghana-born, London-bred, now Berlin-based producer’s research into afro-futurism, envisaging a path forward for science, technology and culture through the black experience, has impressed a deep vision on this EP. Yazzus sets like a cartographer, using her tracks to explore a technologically advanced world, each representing dierent regions and environments. Human Error Processor introduces an ear-worming percussion pattern nearly swamped by distorted bass drums and a vocal sample screwed just beyond recognition. Perforated leads with a 150bpm four to the floor stomp, infectious and supercharged. Gluey synth motions soak in an otherworldliness, where industrious, mechanical rhythms map out futurist structures in all directions. Metro City Bay Area exhibits a ghettotech soul, lean and bouncy - this part of the galaxy is an infinite source of fun, with the heart of groove at it’s core. Three Deities brings adventurers of its region towards higher powers, its ravey synths and an engulfing bass provoke a complete NRG release, ascending into a spiritual trance where dense melodies bubble and fizz. Digital-only track United By Fate meddles busy vocal samples with searching melodies, a fitting end to the kaleidoscopic that is Black Metropolis.

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Ye Gods

Demah

23,19 €* 28,99 € -20%

7" | 2011 | UK | Original (First Word)

Release: 2020 / US – Original

Genre: Electronic & Dance

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With prior releases on the legendary Den Hague label Bunker Records, Antoni Maiovvi now debuts on L.I.E.S. with his occult industrial electronics project, Ye Gods. Through two discs Maiovvi paints a grim sonic picture of a decaying world straddling the line of strange fiction, fokelore and ancient history. Apocalyptic and very appropriate for these modern times, this lp is unrelenting in its presentation of absolute heavy modern electronics...think gothic industrial electro-doomcore that doesn't let up.

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Ye Mighty

Fuse

6,99 €*

Release: 2011 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Ye Vagabonds

Hare's Lament

LP (River Lea)

17,24 €* 22,99 € -25%

Genre: Rock & Indie

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LP | Original (River Lea)

Ye Vagabonds

Hare's Lament

LP | 2024 | US | Original (Dandy Boy)

Release: Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Includes original inner sleeve.

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Yea-Ming And The Rumours

I Can't Have It All

31,99 €*

LP | 2022 | US | Original (Dandy Boy)

Release: 2024 / US – Original

Genre: Rock & Indie

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I Can’t Have It All is the third studio album by Yea-Ming and The Rumours and marks a new line-up and creative era for the band. Frontwoman Yea-Ming Chen has masterfully curated her self-proclaimed “pop record.” Weaving melancholy narratives with catchy hooks in a sound that is more surfy, more punk and more indie than anything the Rumours have done before. Fuller sounding production heavily influenced by groups like Yo La Tengo, Camera Obscura and other early '90s underground college radio favorites, I Can’t Have It All marks the band’s continued evolution.

Alongside the usual beautiful imagery, Yea-Ming’s songwriting remains as introspective as ever, but I Can’t Have It All marks a changing point both creatively and personally in the songstress’ life. Written during a difficult period in which she struggled to identify and painfully shed a “false-self" imposed by the outside world, the album follows the personal and relatable journey of accepting loss and making changes. “I realized one day that I have spent most of my life pretending to be someone that other people wanted me to be, and that was probably the source of my anxiety and depression.” Recalls the songwriter. “So I made changes that were really hard and I experienced a lot of grief in letting go of people and situations that held a lot of power over me emotionally—even if it wasn’t intentional—and I became someone that is closer to who I want to be. In that transition, I discovered that it is completely possible to experience total sadness and extreme happiness simultaneously within the same body." These complicated feelings are clearly reflected in the new record—especially in ‘Pretending’, ‘Somebody’s Daughter’, ‘I Can’t Have It All' and ‘Ruby’.

The title track and the first single, “I Can’t Have It All”, describes the ugly journey of accepting unrequited love. Brutally honest and painful, the narrator confesses to finding solace in a night of drinking and a stranger in their bed as they accept they can’t have it all. The lyric video features animated drawings offering an innocent and playful take on the somber and sobering realization that everything might not work out in the end and a bit of distraction helps ease the pain.

Produced by Chen, the album was mostly recorded and sculpted in her home studio after basic tracks were recorded with Meric Long (The Dodos) at Tiny Telephone Studios and Mike Walti at Wyldwood Studios. As usual, the record is performed by Yea-Ming with the help of long-time Rumours collaborators Eóin Galvin on lead guitar, lap steel and backing vocals and Sonia Hayden on drums and percussion on several of the tracks. New Rumours members Jen Weisberg (Hits) and Luke Robbins (Latitude) also make their debut and appear on bass and drums throughout the record. I Can’t Have It All is a new album with a new line-up and a new perspective, signifying Yea-Ming and The Rumours’ entry into a new era.

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Yea-Ming And The Rumours

So, Bird...

40,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Yea-ming AND THE Rumours swing, shimmer, and whisper through a confessional map of the landscape of heartbreak on their new album, So, Bird… Yea-Ming Chen has a distinctive, whispery alto that delivers the kind of confident melancholy—a matter-of-factness about her own emotional ghosts—that shows itself in varying opacities, from psychedelic dream-logic to the nakedness of a psychotherapist’s notepad. Touching on everything from American indie pop, twee and jangle pop to country, folk, and even a bit of Brill Building pop, So, Bird... offers 11 more broken hearted songs to fall to pieces over. The perfect record for solo adventures and long drives with no specific destination. The Oakland based four piece features Yea-Ming Chen on vocals, guitar and keys, Anna Hillburg on bass and backing vocals, Eoin P. Galvin on guitar and lap steel and Sonia Hayden on drums. Chen and Hillburg have been playing together since their college indie pop group, Dream Date. So, Bird... is their second album following their self released digital album I Will Make You Mine and their self released 7" single Baby Blue.

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Cool It Down Black Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

24,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs' most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like "Maps" or "Zero" or the latest addition to their canon, "Spitting off the Edge of the World featuring Perfume Genius" _ an epic shot-to-the-heart of pure YYYs beauty and power. A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013's Mosquito. The eight-track collection, bound to be a landmark in their catalog, is an expert distillation of their best gifts that impels you to move, and cry, and listen closely.

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Cool It Down Yellow Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

Release: 2022 / US – Original

Genre: Rock & Indie

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Fever To Tell Remastered Edition

LP | 2017 | EU | Original (Interscope)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2009 | EU | Original (Polydor)

It's blitz

Love Them, Dub / Elfy, Part 1 & 2

Release: 2009 / EU – Original

Genre: Rock & Indie

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Disco-Pop infused new album by Karen O and her bunch. As catchy as it gets.

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Yehoud I / Ras Divarius

12" (Kanka)

Genre: Reggae & Dancehall

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LP | 2020 | EU | Original (Smash)

Yell-O-Yell

(Still) Warm Like Worms

22,94 €* 26,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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12" | 2003 | UK | Original (Ai)

Yellotone

Geen Mayo EP

3,99 €*

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Yellow Magic Orchestra / Weeks & Co.

Computer Games (Theme From The Invaders) / Knock, Knock

12" | UK (K. M. A.)

3,99 €*

Release: UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Yellowtail Feat. Mark Murphy

Seasons In My Mind" (Remixes)

12" | 2024 | EU | Original (Right Tempo)

25,19 €* 27,99 € -10%

Close To The Edge Atlantic 75 Series

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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RT PRO is the new Right Tempo line “for professional use”, addressed to a discerning audience and released on 12” Single housed in a curated packaging. This first instalment is a follow-up to the internationally acclaimed "The Congregation - Jazz Alliance International" compiled by Jazzcat. It features never previously released remixes of the slammin’ "Seasons in My Mind" track by Japanese producer Yellowtail feat. legendary jazz singer Mark Murphy. In addition to the Original, come remixes by Further Out Recordings’ head Richard E feat. saxophonist/flutist Jake Telford, by Frankson (one half of the British electronic duo Part Time Heroes), and by all-round musician and producer Emanative, who invited his longtime friend and collaborator, keyboardist Jessica Lauren, to join him for this special project.

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Yes

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Close To The Edge Atlantic 75 Series Sacd

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

180g 2LP 45rpm
Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

7" | 2024 | EU | Original (Meakusma)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Yes Indeed

King Of Blue

12,79 €* 15,99 € -20%

LP | 2023 | EU | Original (Devilduck)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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King Of Blue by Yes Indeed sees Laurie Tompkins and Otto Wilberg take their eclectic stance on cosmic jazz and electronics to further uncharted and dreamlike territory, encompassing a unique logic of what is harmoniously absurdist.

King of Blue by Yes Indeed sees members Laurie Tompkins and Otto Willberg further dive into their melismatic take on cosmic jazz and new electronics, by way of their highly eclectic and at times nonsensically sensical modus operandi. Their work is defined by an eloquent flurry of ideas, spheres, and signifiers, creating a musical universe of surprising longevity and depth. Treating musical convention with gentle disdain, Yes Indeed take on a variety of genres and moods and switch them around into a beautifully melismatic and dreamlike state of being. King Of Blue is a mini- album of fragmented beauty and warmth. It puts the illogical center stage and gives space to abruptly miniaturist musical ideas, allowing them to take on a meaning bigger than one would expect. It is cosmic music for modern times. A brazen descent into the execution of a fundamentally diversified musical stance.

'Yes Indeed' are Laurie Tompkins & Otto Willberg. Live, they play keys, bouncy bass and sing over tactile, emotive samples. Their music is epic and also somehow wrong, with space for delicacy, straight-up joy and soaring licks. Since 2022’s ‘Rotten Luck’ - their first proper album, on Bison - YI have played across the UK and Europe. Solo, Laurie co-ran the Slip label and has put out CDs on Entr’acte, 33-33 and Hyperdelia. Otto is a roaming bassist in groups like Historically Fucked and Abstract Concrete and his LP of “wildly singular, wickedly trippy and sensual set of fusion jams” (Boomkat) was recently out on Black Truffle.

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Yes We Mystic

Trust Fall

19,99 €*

LP | 2016 | EU | Original (AFD. O)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yes We Mystic has been many things in its decade of existence. In the beginning, it was a group of high schoolers making music on borrowed instruments in a basement in Winnipeg, Manitoba; in a few short years it had become an internationally-touring musical powerhouse being praised as "art pop transformers" (Julijana Capone, BeatRoute Magazine) charged with a "fearless creative energy" (Exclaim!). By 2019, for the release of their sophomore album Ten Seated Figures, they had reinvented themselves as a performance art collective (an alternate version of the band played by artists and actors did interviews, starred in videos, and hosted live performances as the band prodded at the nature of memory). Shortly thereafter the band"s longtime rehearsal space, reborn as House of Wonders, became the beating heart of off-kilter indie music in Winnipeg as frontman Adam Fuhr became a sought-after producer-producing work from JayWood, Virgo Rising, Amos the Kid, Julien"s Daughter, among dozens more. And now, they return as art-rock veterans for the release of their third and final album, Trust Fall.

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Yesterday's Breed

Jin 06 EP Cleveland & Eden Burns Remixes

Release: 2016 / EU – Original

Genre: Rock & Indie

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The faces behind Yesterday's Breed are two 'older' guys who should know better than jumping around, sounding like frustrated teenagers with urgent needs, but they can't help it. They really like the stuff from America's '60s garage-scene, which is showcased by these haircurling ballads, floating popsike outings, poundering fuzz-rocking dancetunes, folky jingle-jangle guitar tunes, smooth vocals and swirling organ parts.

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Yetsuby

12" | 2022 | EU | Original (Jin)

Yeyo Pérez, Lasai, George Palmer

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release. On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra. Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all. B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party. For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2. On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

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Raggamuffin / Old School Is Cool

10" | 2023 | EU | Original (Infini-T Music)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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7" | 2024 | EU | Original (Infini-T Music)

Yeyo Perez

Tiempos Ruff

Yi-Kwei Sze, Nancy Lee Sze

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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This first single is not only available on digital platforms, but also as a 7” record on a limited edition press, with Tiempos Ruff on the A side and its instrumental riddim version on the B side.

A musical bomb, inspired by the great Mikey Dread, that will shake the ground while talking about the nowadays struggle and inequality.

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Chants Chinois

LP | FR | Original (Guilde Internationale Du Disque)

12" | 2023 | EU | Original (Yes I Am)

Release: FR – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on top spine

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Yia

Slices Of Life

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Rabbit That Hunts Tigers

Yin Yin

LP | 2019 | EU | Original (Les Disques Bongo Joe)

24,99 €*