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Straight From The Decks Volume 4

Guts

2LP | 2024 | EU | Original (Pura Vida Sounds)

28,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-12-06

12" | 2024 | EU | Original (Organic Sounds)

Digitalis

The Fourth State

18,99 €*

12" | 2024 | UK | Original (Is It Balearic)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-21

For the fifth release of Organic Signs, we pay tribute once again, in an even more special way, to our beloved Digitalis, aka Seb Taylor. Two years ago, we launched the first EP of our label, Digitalis - Soma Junkies, recovering a gem from the British artist. This time, we wanted to go further by presenting a new album concept with impeccable sound, thanks to the mastering by Damian Schwartz. Comprising both released tracks and some unreleased material, The Fourth State serves as a tribute and evolution of Digitalis's only album released in 1998, reminding us of the urgent need to remain vigilant against the most insidious powers of social control.

Spacehop, the starting point. In 1994, after hearing a demo tape, Andy Guthrie (aka 100th Monkey / Funkopath) connected Digitalis with the team of the Spacehopper party at the Que Club in Birmingham. There, Digitalis quickly became a resident, dazzling audiences with his live sets. A premature first track from the early days of his career was never officially released, but many had the chance to enjoy it live on numerous memorable nights.

In Loup Garou, the exquisite taste and mastery of breakbeat rhythms manifest. It's an explosion of rhythm interwoven with trance patterns, and you can also listen to an unreleased digital version, exclusive to Bandcamp. Closing the first side of the record is Repeater, the first track ever released by Digitalis, which laid the foundations for his distinctive sound.One of the most surprising parts of the album unfolds on the B side. Just as we had finalized the selection of tracks, Seb surprised us with a message revealing that he had found old tapes.

This led to a collaboration with Hugh Newman, rich with influences from his alias Shakta, featuring vocal and acid synths that open the portal to a new dimension of auditory frequencies. Osho Drums combines live percussion from Osho, half of the Japanese group UNI, with psychedelic trance riffs and breakbeat rhythms that intertwine without relying on typical formulas.

Figments Of Reality (Trance Mix) would bring the vinyl album to a close, featuring nearly 146 BPM of trance and synth sounds that resonate like thrown objects falling from the sky, landing on the rhythmic grill.

As a final addition to the release, we also present Genetics, a digital exclusive track, another unreleased gem from his early days that deserved to come out of the vault of memories.

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Bo Wosticz

Suinga EP

12" | 2024 | UK | Original (Is It Balearic)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Bo Wosticz aus Nordschweden mixt mit "Suinga" elektronische und akustische Elemente. Der Remix von Jon Beltram verleiht dem Track eine zusätzliche Energie, während "Return to Fender" und "Gnallbulver" eine leichte, nordische Balearic-Atmosphäre bieten.

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Uomo Meccanico

Sintesi Perfetta

Samtvogel Transparent Yellow Vinyl edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

Uomo Meccanico, alias Nicola Altieri aus Neapel, begeistert mit "Sintesi Perfetta" auf IIB. "Odyssey" nimmt dich auf eine dunkle, hypnotische Reise mit. "Strange Interferences" ist ein säurehaltiger Track mit makelloser Sample-Technik. La Guardia De La Luz bringt uns mit ihrer Version in einen sanften Balearic-Sound.

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Günter Schickert

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

37,99 €*

Dis Bonjour A La Dame Orange Vinyl Edition

Release: 1974 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!

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Dis Bonjour A La Dame

LP | 1995 | EU | Reissue (Vinymatic)

31,99 €*

Live From Brooklyn Paramount

Release: 1995 / EU – Reissue

Genre: Organic Grooves

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A solid album produced by Fred Versailles (producer of NTM's first album) and mixed by Paul Borg (Urban Species, UFO, -M-, Mory Kanté), it bears witness to an era when the great acid-jazz and funky orchestras were making Paris groove, with Dis Bonjour À La Dame leading the way. Almost thirty years later, it's time to (re)discover Dis Bonjour A La Dame on vinyl (released only on CD in 1995). Ladies & Gentlemen, good times are back again!

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Black Pumas

2LP | 2024 | UK | Original (ATO)

31,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

LP | 2024 | EU | Original (Terra Atomika)

Alberta Balsam

One Way Trip To Gaia

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One Way Trip to Gaia, Alberta Balsam's debut album, propels listeners into uncharted territory, delivering a futuristic fairytale--a utopian world that serves as a sonic refuge from reality. Building on the electro-IDM foundations of her earlier releases, this record evolves into an odyssey of bass-driven beats, breakbeat rhythms, and dub-infused atmospheres. As her most vocal project to date, the album showcases her ability to merge pop sensibility with otherworldly sound design, all while maintaining that club-ready energy. Limited edition: pressed on a black and silver marbled vinyl. Sleeve design by Timaeus.

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Speed Is Relative Black Vinyl Edition

Cigar

LP | 2024 | EU | Original (Fat Wreck)

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

12" | 2024 | EU | Original (Flux White)

S.H.

Fxwl 24A

13,99 €*

LP | 1987 | EU | Reissue (Pias Catalogue)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Electro mechanisms from the new world.

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Great White

Once Bitten

28,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (ADA)

Von Hertzen Brothers

In Murmuration

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2x12" | 2022 | US | Reissue (Micron Audio)

DJ Stingray

F.T.N.W.O.

Release: 2022 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Pandemonium Humanitas Black Vinyl Edition

Keitzer

LP | 2024 | EU | Original (F.D.A.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Zingiber Audio)

Lose Endz

No Stress EP

Ivan The Tolerable & Bhajan Bhoy

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lose Endz is back on Zingiber Audio with No Stress ep, a relaxing happy feeling 2 club tracks and 2 remixes, the first one by Berghain’s anthem producer and legend of deep house music : sir Tony Lionni and the other one by the label boss Cor100.

Very limited copies of this exclusive vinyl release. Be quick !

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Infinite Space

LP | 2024 | UK | Original (Stolen Body)

33,99 €*

Motion Man feat. Kut Masta Kurt

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024

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Confidence / Professional Experts / Dat Ass

12" | 2005 | US | Original (Threshold)

7,99 €*

Ron Gelfer Feat. Adam Angelheart

Release: 2005 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Near Mint

tiny wear. vinyl is Close to VG+

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Don't Mention Love

12" | 2001 | DK | Original (Hypnotic)

13,99 €*

12" | 2007 | FR | Original (Roman, Photo)

Release: 2001 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has slight ring wear.

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Jin Choi

High Quality Schal

4,99 €*

Release: 2007 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2019 | US | Original (Terrafirm)

Liquid Earth

Microsmosis

19,99 €*

12" | 2019 | US | Original (Terrafirm)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small writing on label

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Liquid Earth

Microsmosis

12" | 2020 | UK | Original (Art Of Dark)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Small writing on label

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Alec Falconer

The Boat EP

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2011 | DE | Original (Hartchef Discos)

Audio Werner & Maruki

Can You Scratch

12" | 1995 | IT | Original (Out)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Last Rhythm

Last Rhythm EP

26,99 €*

Bangman Feat. Laurent N'Diaye

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record has light scuffs and surface marks, close to VG+. Small writing on labels.

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Bang Bang

12" | 1996 | DE | Original (Club Zone)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Oliver Cheatham Feat. B.N.Y.

Get Down Saturday Night

12" | 2001 | DE | Original (Dance Division)

12" | 1990 | IT | Original (Media)

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM.

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MC Fixx It

Let's Move

Release: 1990 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: G+

12" | 2000 | FR | Original (Fiat Lux)

Jess & Crabbe

Council

Release: 2000 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | DE | Original (X-IT Records)

Two Phunky People

Two Phunky Trax

12" | 1995 | UK | Original (Limbo)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

White Transparent vinyl

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Ritmo De Vida

Havara

5,99 €*

12" | 2022 | Original (Private Lane)

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split

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Noiro, DJ Void

Dream Drivers Ep

8,99 €*

Release: 2022 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2002 | CA | Original (White Leather)

Sean Kosa

The Dog City EP

Release: 2002 / CA – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1991 | IT | Original (Wicked & Wild Records)

DJ H. Feat. Stefy

I Like It

Release: 1991 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Cambridge Audio

Melomania P100

279,00 €*

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

UNIT-4 Wireless+ Single Unit

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AIAIAI

450,00 €*

Tape | 2024 | US | Original (Topshelf)

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AIAIAI introduces world’s first professional wireless studio monitor

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC

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Knifeplay

Pearlty

Mousse T. Feat. Emma Lanford

Release: 2024 / US – Original

Genre: Rock & Indie

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Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world.

Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.”

Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose.

Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions.

Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.

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Is It 'cos I'm Cool?

12" | 2003 | DE | Original (Peppermint Jam)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2004 | CH | Original (Morris / Audio)

Eriko Tanabe

I Like To Wear My Tanga

4,99 €*

Release: 2004 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

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7" | 2024 | JP | Original (Avex Infinity)

H Jungle With T

Going Going Home

Release: 2024 / JP – Original

Genre: Electronic & Dance, Pop

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H Jungle With t's mega-hit track "going Going HOME," one of Japan's earliest jungle music releases and a chart-topping sensation, will be available on a 7-inch vinyl!

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2x12" | 2024 | EU | Original (Mistakes Music)

Amandra

Brera Som Som

19,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Amandra, half head honcho behind Ahrpe Records, goes for subtly evolving and droning atmospheres. With releases spanning electronic genres and record labels: Nous klaer Audio, AD 93, Tikita or Semantica, just to name a few; the French producer ba with coherence his own vision of acid and tribal rhythms that can be presented with either bright and soft feelings or through a Brera Som Som EP

As always with Amandra, there is a blend of poetic and soft hidden touch given to the music through carefully crafted personal Som is a 4 tracker EP, recorded back when he lived in Warsaw Poland, showcasing the artists ability to navigate through nich double 12 package cherry topped with four intelligent and eclectic remixes from artists with their own unique identity: Shieldin Brainwaltzera.

Amandra on disc 1 Brera Som Som I want my music to breathe dirty so its alive to my ears, trying to stay away from surgical, clean, electronic music. The Prophet recorded by hand, with assumed offbeat imperfections, as always. I wanted to get a naive Asian mood out of it, just to try and c track. I tend to think a lot about my tracks and their meaning more in terms of feelings, art and techniques than in terms of dee dance floors or whatever. Brera Som Som is a try at using the chiaroscuro technique depicted in classical paintings for instance interesting focus on some very specific elements.

Cyborg Pelikana Recorded out of a jam on a Soma Pulsar 23 and some heavy distorted synths, it ended up sounding like no other recordings bit different as I wanted to have a more composed like approach here.

Fanfaron Here is a try at going jungle... with a Moog Dfam and a 303 processed through a Sherman Filterbank.

Prorokini This one belongs to a phase where I was exploring the sampling side of electronic music. Until that moment I was building 100 based on raw drum machines and some processing, then started feeling how it would feel to sample some raw external beats and process them my way. I didnt pursue that sampling lead much afterward because it felt like a boring approach to me that stood out anyway, like this one, which Im very proud of. The synths are clearly programmed on the Prophet 08, it cant go any Instruments than that, if you like them, go grab that synth

Remixers on disc 2 Cyborg Pelikana Shielding Remix I liked the dry and direct qualities of the original track and wanted to maintain that feeling while collaging it using my own proc Recorded in my old home studio in Stockholm.

Brera Som Som Brainwaltzera Remix no comment. Fanfaron Whylie Remix The remix was made using resampling techniques, the rhythmic noises were transformed into driving percussive layers pushi character. A more emotional overlay was added to the track based on the sentimental and personal approach I built through.

Brera Som Som Martinou Remix Interpreting Amandras work has been on my bucket list for a while. Theres something in it that is innately humanizing and raw capture in my remix. The melody line from the remix is just a snapshot of a small part of the full original track, but it stuck with my improvisation to what you see before you today. With this remix I wanted to make something that would swell slowly and ring o All original tracks written and produced by Amandra. Remixes written and produced by Brainwaltzera, Whylie, Martinou and Shielding. Mastered by Amandra. Artwork by Neurotypique.

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12" | 2024 | EU | Original (Shall Not Fade)

Marc Brauner

Sketchy Sidewalks EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berliner Marc Brauner returns to Bristol label Shall Not Fade with Sketchy Sidewalks EP, four tracks of Marc Brauner as his finest, top notch feel good house music, nothing more, nothing less.

Sketchy Sidewalks EP drops December 6th via Shall Not Fade.

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Work.Life.Money.Romance EP

Dukwa

12" | 2024 | EU | Original (Shall Not Fade)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Italian DJ // producer makes his debut for Shall Not Fade with the killer five track EP work.life.money.romance.

Dukwa showcases his dreamy take on modern House music, pulsating synths meet mesmiring vocals and rolling drum patterns, forming a stunning body of work.

work.life.money.romance EP drops December 6th via Shall Not Fade.

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12" | 2024 | EU | Original (Shall Not Fade)

Radio Cargo

Like You Move EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Parisian production duo Radio Cargo steamroll onto Shall Not Fade with the killer 'Like You Move' EP!

Like You Move EP showcases why the Paris duo are one of the most exciting names to watch in the current French dance music scene, their debut for Shall Not Fade is a luscious blend of groovy breaks, dreamy synths and warm basslines, all merging together to create a stunning body of work.

Like You Move EP drops December 6th via Shall Not Fade.

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Sasha & Jody Barr (Einmusik)

Phaxon

12" | 2024 | UK | Original (Last Night On Earth)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mystery Clear Vinyl Edition

Allen Stone

12" | 2024 | UK | Original (Ato (Uk))

22,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Franck Roger Feat Arnold Jarvis

Living My Life

12" | 2024 | UK | Original (Seasons Limited Us)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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This new 12" on US label Season Limited brings together two of deep house's most accomplished and tasteful names in French legend Franck Roger plus Arnold Jarvis who he last collaborated with in 2007, while UK mainstay and Freerange label boss Jimpster remixes. It is one the label has been cooking up for a while but proves more than worth the wait. 'Living My Life' is the one original collab and is smooth, buttery deep house with lush vocal tones. Jimpster brings a little more bounce and a fat bassline on one mix, then dubs things out to prefect for the second. A timeless set of grooves that will level-up any collection.

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Lustro: Five Years Of Super Spicy Records Part 1 Translucent Red Vinyl Edition

12" | 2025 | UK | Original (Super Spicy)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Super Spicy celebrates getting to five years old in the best way it knows how - with a new release, of course. This one comes on translucent re wax and brings together a blend of seasoned and fresh talent including Hotmood, Shalvoy, Diana Swan, Musta, Adam Nova and Uptown Funk. These tracks do a fine job of reflecting the label's dedication to innovation right from the off. Musta's 'Fresco' is a nice jumbled percussive disco funker, Hotmood's 'Ayaaa' rides on some electric synth waves and Shalvo's 'Dancin' is a smooth cruise for the midnight hours. On the flip side are three more vibrant and vivacious disco dancers for good times only.

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Just What The World Needs

Just What The World Needs 16

12" | 2024 | UK | Original (Just What The World Needs)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Running it back for another round of dance floor mayhem! We dove into the well for another cup!

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The Elements Series Part 2

12" | 2024 | UK | Original (People Of Earth)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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People Of Earth hits release number 20 with Part 2 of The Elements series again offering some super deep sounds from Patrice Scott, Allstar MotoMusic aka Dan Piu, Alton Miller & KemeticJust, which is a cut first released on the old Soco Audio label. Scott's 'Cycles' kicks off with super deep kicks and heady pads swirling up top, 'Not My Home' (feat Roger Versey) then brings some majestic jazz keys and spiritual vocals and Miller's 'Italio Love' is a strident cut with leggy kicks and celestial pads. KemeticJust's 'Taking Flight' shuts down with more heavy beats but still romantic moods.

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12" | 2024 | UK | Original (Soco Audio Us)

Hakan Lidbo

Sinful Sadie

12,99 €*

7" | 2024 | EU | Original (Roots Vibration)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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We've been doing some housekeeping and found this first release on the Soco Audio label hidden deep in our warehouse. It is the work of Hakan Lidbo and was first related in 2001. It opens with the 'Sinful Sadie' title track which is drenched in loved-up synth warmth and has a steamy female vocal coo floating above the shimmering deep house beats. 'Kung Pa Klubben' has more twisted synths and a vocoder vocal that brings a futuristic vibe and 'Scrubber' then closes out with some tight and percussive tech funk that still sounds as good now as ever.

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Glen Judah

Mr. Collie Man

Bs As Deep, Lucio De Rosa

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Heavy early 80s roots galore. Proper ganja tune with killer dub on the flip.

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The Tribe Sound Is Real

12" | 2024 | EU | Original (Onward)

12" | 2024 | EU | Original (Teist)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the third release for 2024, we arrive with a vinyl that only in four tracks represents our sound.

We firmly believe in cheerful rhythms for the dance floor, and also in musicals to listen to and enjoy in any environment.

On the A side, bs as deep shows his roots as a lover of Afro beats and his Latin influences.

For the B side, we have a collaborative work with an incredible musician who travels the world showing his skills on the keys. Lucio de Rosa participates with us for the first time, and in a forceful way.

Without a doubt, this duo will contribute a lot to contemporary music.

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Fat Dubs

Expressio

13,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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/ˈteɪst/

1. "The ability to perceive the good among the bad."

A Madrid-based label is set to release vinyl-only music, focusing on microhouse, rominimal, and deep genres. Our concept emphasizes the "simplicity" of minimal music, paired with classy and elegant designs and aesthetics.

The EP features three tracks, each embodying deep cultural and atmospheric elements, including Romanian lyrics and layered textures. Fat Dubs highlights his taste, resulting in a work rich in both cultural significance and personal expression.

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Where We've Been Where We Go From Here

Friko

LP | 2024 | US | Original (ATO)

46,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2025 | US | Original (Epic)

Mario

Glad You Came

34,99 €*

Release: 2025 / US – Original

Genre: Organic Grooves

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GRAMMY-nominated R&B hitmaker Mario returns with his sixth studio album, Glad You Came, produced by James Fauntleroy. Drawing inspiration from the timeless music of artists like Marvin Gaye and Michael Jackson, Mario commands his craft in a way that only a 20-year veteran can. With intimate storytelling and lush instrumentation, supported by emotive vocal performances, Mario invites listeners into his space and reintroduces himself as one of the genre's most game-changing artists.

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The Second Coming opaque Red Vinyl Edition

Little Richard

LP | 2025 | EU | Original (ADA)

25,99 €*

Release: 2025 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Ink Music)

Schmusechor

Schmusechor Live White

Release: 2024 / EU – Original

Genre: Pop

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3LP | 2021 | EU | Original (AFM)

39,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow vinyl version!

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3LP | 2021 | UK | Original (AFM)

44,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Drak green vinyl version!

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3LP | 2021 | SE | Original (AFM)

49,99 €*

Release: 2021 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Gold vinyl version!

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3LP | 2021 | EU | Original (AFM)

49,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl version!

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3LP | 2021 | EU | Original (AFM)

31,99 €*

75 Jahre Panik Limited Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Red vinyl version!

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Udo Lindenberg

2LP | 2021 | EU | Original (Polydor)

114,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Medium: Sealed, Cover: Sealed

2LP | 2016 | DE | Original (Warner Music Central Europe)

Udo Lindenberg

Stärker als die Zeit

24,99 €*

Release: 2016 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Too Tough To Die Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Ramones

LP | 1984 | US | Reissue (Vinyl Me, Please)

Raising Hell Vinyl Me, Please Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Ramones’ Too Tough To Die is often positioned as a return to form for the band, but today, forty years since its release, their eighth studio album seems worthy of a far more radical categorization. In the musical landscape of the mid-1980s, the album was incoherent — not in a pejorative sense, but in how it reflected the paradoxes of its time. Made without a steady compass, the album’s incongruity became its center, and it holds. As Joey Ramone said in a 1988 interview: “Around ’84, the world was changing drastically with Iran and Gadaffi and all this stuff. Things were getting scary. So, our songs started changing.”

Echoing the surrounding instability, the Ramones created an album so layered, complex, and challenging that it can still be hard to pin down, even after four decades to ponder its songs. Too Tough To Die’s legacy lives in its chameleon-like textures, moods, and vocal styles — from the lofty to the sneering, from the cynical to the sentimental. Too Tough to Die was a reminder that it was the Ramones who initially inspired and influenced the Sex Pistols, not the other way around. If the word could be claimed by anyone, punk belonged to them.

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Run D.M.C.

LP | 1986 | US | Reissue (Vinyl Me, Please)

10" | 2024 | UK | Original (Foundation Audio)

Release: 1986 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-12-13

Rap’s Big Bang, the action that made it the dominant musical force of the 21st Century, was helped along by Steven Tyler putting his mic stand through the wall in the video for ‘’Walk This Way.'' The metaphor was big and dumb and direct: the walls between rock stars and rap stars were coming down, and rappers were on the same level as rock ‘n’ rollers known for excess. But that moment doesn’t have the same kind of impact—Run-D.M.C. were immediate stars—if the album it came from wasn’t the first masterpiece rap album in the history of the music, an album so perfect, so aesthetically sharp, that it lead to everything that has come since. The shell toe Adidas sold out, Run and DMC and Jam Master Jay became legends, and Raising Hell became the first platinum rap album ever.

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Chad Dubz

Pipe Down / Pussyfoot

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lemmy (1981 Tour) - Ultimates! Action Figure

Motörhead

Super7

59,99 €*

James Curd & Marcellus Pittman

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Lemmy’s signature mutton chops, gravelly voice, and unique way of playing the bass guitar helped solidify Motörhead as one of heavy metal’s pioneering acts! This latest 7” scale, highly-articulated Motörhead ULTIMATES! Lemmy figure is inspired by the legendary rocker’s look on the band’s epic 1981 European Tour. Featuring intricate sculpt and premium paint detailing, this figure also comes with multiple interchangeable heads and hands, and an assortment of accessories including a black and white bass guitar with removable strap, whiskey bottle, and microphone stand. If you like to gamble, now is not your chance- order your 1981 Tour Motörhead ULTIMATES! Lemmy today!

Please note that this ULTIMATES! Figure will not come with a packaging sleeve.

Accessories:
• 3x Interchangeable Heads
1x Neutral Head
1x Snarling Head
1x Sunglasses Head
• 10x Interchangeable Hands
2x Fists
2x Gripping Hands (vertical)
2x Gripping Hands (horizontal)
2x Bass Playing Hands
1x Cigarette Hand (left)
1x Flipping the Bird Hand (right)
• 1x Bass Guitar with removable strap
• 1x Whiskey Bottle
• 1x Mic Stand

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Product Dimensions (in): 9.5 x 7.9 x 2.97
• Weight (lbs): 2.0 lb

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Atnosphere EP

10" | 2024 | EU | Original (Shall Not Fade)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

12" | 2024 | UK | Original (3 Feet Deep)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Ramu

Gargantua EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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7" | 2017 | US | Original (Third Man)

Jack White

Battle Cry

Tidal Vinyl Me, Please Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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The Official Warstic Anthem, 'Battle Cry,' written, produced, and performed by Jack White will be available on a limited edition, one-sided, gold colored vinyl 7' exclusively at Third Man's Nashville and Detroit storefronts and select independent stores. This song also features the talents of longtime friends and bandmates Daru Jones on drums and Jack Lawrence on bass. LISTEN: https://youtu. Be/5qFGsHxSxo0 Track list: 1. Battle Cry Third Man Records logo is etched on Side B

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Fiona Apple

2LP | 1996 | US | Reissue (Vinyl Me, Please)

43,99 €*

12" | 2024 | EU | Original (Chippy Chasers)

Release: 1996 / US – Reissue

Genre: Organic Grooves

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According to one strain of folklore surrounding the record, Fiona insisted that the name, Tidal, was taken in part because of its phonetic proximity to the funny emptiness of “Title.” But given the wild power of the thing that had come out her, she must have known this magnetism needed proper naming. What primeval force is more fitting than the tides to preside over such a magnificent airing out of wounds?

Nothing is quite solid on Tidal anyway, and despite the ferocity, it is always a peaceful album, like the lapping of waves. The hypnotizing pull of these highs and lows make Tidal even easier to sink into; it is a record that swells and rages on an instinctual level. It remains one of the most important artistic distillations of female trauma because of the way she harnesses her pain, transforming it into a quiet source of power.

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Fedo

Showcase A

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Kontra Musik White Label)

Frak

Safari Modules

12" | 2024 | EU | Original (Onset Audio)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Frak was the first act out on the Kontra-Musik White Label series. Back in 2012 the EP Triffid Gossip marked the return of both the band Frak and the label Borft. Now, 12 years later, Frak returns to Kmwl with the splendid and diverse Safari Modules EP. Machine produced by Frak, hand stamped by Ulf-Ulf.

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Offish & Attempt

White Beast EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Act Music)

Ida Sand

My Soul Kitchen

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2021 | UK | Original (Weird World)

Richard Dawson & Circle

Henki

44,99 €*

FIT Siegel + Tim "Love" Lee

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Exclusive limited light green double LP in spined gloss UV sleeve which comes with an exclusive embroidered Henki patch!

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Living Is Serious Business

12" | 2016 | US | Original (Fit Sound)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2010 | US | Original (Fit Sound)

Marcellus Pittman

Erase The Pain

7,99 €*

Release: 2010 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2012 | UK | Original (ArtfulDivision)

Rick Wade

Artfuldivision Vol1.

9,99 €*

Matthias Fiedler / Carlo Feat. Gjaezon

Release: 2012 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Kings & Queens EP

12" | 2015 | DE | Original (Blaq Numbers)

4,99 €*

2LP | 2016 | DE | Original (Warner Music Central Europe)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Udo Lindenberg

Stärker als die Zeit

28,99 €*

Richard Reed Parry And Susie Ibarra

Release: 2016 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Heart And Breath: Rhythm And Tone Fields Vinyl Me, Please Edition

LP | 2024 | US | Reissue (Vinyl Me, Please)

Feel Good Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Electronic & Dance

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Heart And Breath: Rhythm And Tone Fields was conceived of and created by multi-instrumentalist and composer Richard Reed Parry of Arcade Fire and world renowned percussionist and composer Susie Ibarra. Parry and Ibarra created an album of time-based pieces by focusing their attention and awareness on the rhythm and tone of their breath and heartbeats, using their pulse to inform the rhythm of their metronome. The compositions that emerged are hypnotic fields of sound that seem to float suspended in time and space, unfolding gently in a manner that is at once intimate and expansive, and which connects the listener to their own most primal, internal body rhythms.

While the global pandemic brought a unique poignancy to the artists’ focus on the universal human sounds, the music they created brims over with gentle, organic rhythm and melody and reflects the deeply introspective and inherently personal moment surrounding its creation.

This is an album that abandons predetermined musical forms and follows its own intuitive body-logic in a way that is beautifully tactile, uncategorizable music. It’s perfect for ambient, relaxing and meditative moments.

Limited to 300 copies, the VMP exclusive of Richard Reed Parry and Susie Ibarra’sHeart and Breath: Rhythm and Tone Fields (OFFAIR)is pressed on Cream & Red Galaxy vinyl at GZ Vinyl. The 1LP will arrive in a single, direct-to-board, foil stamped and hand-numbered jacket.

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Jamie Wyatt

LP | 2024 | US | Reissue (Vinyl Me, Please)

Ed Wynne (Ozric Tentacles)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Jaime Wyatt's third studio album Feel Good, recorded with Black Pumas' blurs the lines between classic roots, southern soul, and vintage R&B. "A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment,” Wyatt explains. “I wrote these songs as a way of letting go of all that, as permission to feel good."

Limited to 500 copies, the VMP exclusive version of Jaime Wyatt's Feel Good is pressed on White vinyl at The Vinyl Lab. The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Tumbling Through The Floativerse

LP | 2022 | EU | Original (Kscope)

25,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2010 | NL | Original (Be Real)

Coyu & Edu Imbernon

I Really Need You

Release: 2010 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2014 | DE | Original (Wet Cellar)

Wet Cellar #1.0.0.2

7,99 €*

LP+CD | 2015 | Original (Play It Again Sam)

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Balthazar

Thin Walls

23,99 €*

LP | 2012 | US | Original (ATO)

Release: 2015 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180 gram vinyl. CD included.

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Stars

The North

19,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue translucent vinyl. Original inner sleeve included.

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Marshall

Emberton III

179,00 €*