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"Tonjen One" is an explosion of tasteful sounds and imagery. Deeply setup into modern electronic it mixes ambient robotic bleeps and soulful jazz hip hop beats. It's a multi-genre composition going easily from one world to the other and playing with the contrast between the two in a very satisfying way. The album flows as a continuous stream of sonic pleasure and comes out of the mind of Swiss producer YZNO (formerly known as Jazzo) releasing his first LP complemented by Isabel Seiffert's incredible artwork and under the Swiss label Boyoom Connective in collab with Urban Waves and HHV.

Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 2 A: “Gamin’” (120 BPM) - Broken beat inspired drums and soaring chords lay the groundwork for this exceptional jam about approaching a woman with respect and care. With a sick solo and some vocoder peppered into the mix, this is a winner in more ways than one.

B: “Enjoyable Sunburn” (116 BPM) - XL crafts a playful yet smooth instrumental that would sound at home in an Outrun video game or on the Beverly Hills Cop soundtrack. But it isn’t just the nostalgia factor that will keep you coming back to this one, it’s the compositional finesse, amazing synth sounds, and heart.

Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 1 A: “Nervous” (112 BPM) - Making a lasting impression out the gate, “Nervous” is a modern funk anthem for anyone who’s struggled with the confidence to approach someone romantically. On top of the endearing and refreshing songwriting, the instrumentation on this one is crisp and way funky.

B: “Digital Devils” (113 BPM) - Originally featured on the 2014 cassette compilation Is This The Future?, this irresistible instrumental is long overdue for the vinyl treatment. The slapping drums and wet, punchy bass on this one immediately demand attention. With lovely changeups and 16-bit style leads, this is an ace in the hole on any dance floor.

Vinyl with a couple of light scuffs. Cover has some light wear on the back. Witho Flexi 7". Overall copy closer to VG+

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

In a repeatedly rephrased metaphor of vinyl archaeologists digging for samples and re-constructing music from tiny pieces and fractions of long lost sounds, Weedy of 40 Winks is actually a rare example of this image being executed to perfection. His puzzling way of piecing together intricate beats, rich in details, breaks and variations, is rather analogous to surrealist art than to most of his fellow contemporary beat-smiths. On top he adds his own instrumentation to perfect these compositions, being like a conservator creating mosaics of rhythms, grooves and harmonies, giving the listeners imagination ample space to wander about.

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

Limited edition of 300 copies!

The music of v i v (they/them) is a shuttle for your mind to a state of complete zen. Ultimately, the album you are experiencing is about a personal self-acceptance.

As a label and creative individuals, our team is excited to welcome them to the family and share this beautiful and intimate album with the world.

Tear Dance goes beyond the realm of v i v’s struggles with anxiety, depression, and insomnia. The album, which is scheduled for a release on artists’ 30th birthday, tells stories learned so far.

You need to have “Patience” with yourself to understand the “Essence” of life and go through its “Cadence”. That’s why those three songs are placed in that manner in the album, as intro, midtro, and outro.

“In ‘Patience’, you can hear me breathing slowly in the background trying to calm myself down. Mindful breathing is one of the few things that has helped me manage my anxiety. This is the reason why I tried to incorporate breath sounds in most of the songs, to symbolize that I’m still alive and fighting through my struggles. At the end of the song, I whisper to myself that ‘everything’s going to be okay’, hoping that I’d eventually fall asleep. “When The Lights Go Off” is exactly about that – the moment I fall asleep and start dreaming about the magical world of music. Almost all the songs on the album came from my dreams, so I thought it’d be fitting to open the album with this track.”, shares v i v.

“Time” is a collaboration with another Stereofox Records artist – Norwegian producer fnonose.

“Most of my late 20s, I’ve spent worrying about running out of time. This, of course, exacerbated my anxiety, and I kept feeling that time was constantly going against me. I definitely realized in the past year, after we were all forced to slow down by the pandemic, that time is actually on our side, and that we can all learn to calmly move with its flow. The faint ticking clock sound in the background, which used to trigger my anxiety, has now become a part of this lovely relaxing tune ‘Time’ that I’ve had the honour to make with one of the kindest, most talented producer I’ve met on this musical journey, fnonose.”

“Essence depicts how I hear my music ideas and what I feel when I hear them. Everything is stripped down. No fancy gear; It’s just me and the piano in the room. The focus is solely on the sound of the melodies. There’s nothing to cover up the imperfections. I try to capture those imperfections by recording this in one-take, without correcting anything. There’s beauty in having flaws. It took me a while to understand, but now I know how to embrace them. That to me is the essence of life.”

Album’s centerpiece is the pillar of v i v’s and it reveals the most intimate part of artists’ soul.

“Tear Dance tells a story of my younger self, who fell deep into depression and struggled with insecurities and self-doubt. Making music started off as a means to cope with my mental issues, but I quickly realized that that’s where my passion lies. Unfortunately, my family was against the idea of me becoming a musician. I ended up going the usual route of studying something “safe”, just to not disappoint anyone. I felt that I was always entertaining to make people happy, without them seeing the sadness that I’ve carried along with me. In a way, it’s a story about being misunderstood and invisible.”

Album’s last 2 tracks focus on different people in v i v’s life and how one person’s presence in your life can completely change your life.

“‘The Rain in Your Eyes’ is a song about having and showing empathy. It’s about myself no longer feeling invisible. I felt understood because someone could finally see the rain in my eyes and choose to stand in that rain with me. I learned that in life, we don’t have to go through the hard times alone. We can share our burden; we don’t have to act tough all the time. There is strength in being vulnerable, and that’s something we need to be proud about. On this track I’ve partnered with the amazingly talented Imelda Lizal, who has believed in me from day one and convinced me that I had it in me to complete this project. This album wouldn’t have been possible if it’s wasn’t for her. From the bottom of my heart, I thank you, Mel.

“On the other hand, ‘Cadence’ is a song I wrote for my best friend, who is featured on the track. Her dad had recently been diagnosed with Alzheimer’s, and she took upon herself to care for him and spend more time with him. As a friend, all I could do is to listen to her when she vents her frustrations to me. I felt so powerless, imagining how awfully painful it must be for her to witness her dad slowly slipping away from her. That’s when this song just flowed out of me. Through her experience, I learned that your loved ones are far more important than chasing after materialistic things, that having regrets is one of the saddest things you can experience in life.”

Numbered LP w/ insert. Hot compilation out of the Irish underground. TIP!

The Irish independent music scene is thriving right now as emerging talents continue to make their unique voices and sounds be heard. Collectives and independent labels with a DIY ethic are in every city and major town in this country. Inspired by their fellow artists and musicians, the bar is continually being set higher each time.

This Way is a 13-track compilation of discovery of those sounds and hopes to preserve these moments in music. Irish neo-soul, jazz, fusion and rap all in one place, artists doing it for themselves, their way…This Way.

It is the year 2020, a year that addresses our awareness of diversity, tolerance and sustainability in an assorted, socio-cultural way. We translate this demand into music. “Nuthin’ But A She Thang” focuses on a marginalised view of instrumental beat music. This sampler, reflects a cross-section of the international female producer scene: 14 female artists, 8 countries, 4 continents, one language - music! The 14 instrumentals take the listener on a musical journey, which creates a tension between classic sample sound and modern current productions. The many facets of female beat producing are presented by exclusive contributions by Ainie (de) o Aygyul (at) o Courtney Hawkins (us) o Da Chick (pt) o Georgia Anne Muldrow (us) o Gnarly (uk) o Jillesque (us) o Josi Miller (de) o Julie Schatz (us) o Lisa Vazquez (us) o Sadiva (aus) o Saltyyyy V (de) o Sowall (kor) o Usagi (jp). Together with Stylefile as a cooperation-partner, we were able to persuade none other than Hera (de). She implanted an even more artistic approach and added an exclusive artprint to this piece of music. Our latest Release Ddct003 is in the end not only a musical project, it is a statement, it is an attitude.

As the nights get colder and longer, we often lose touch with those around us. Nights when loneliness takes hold of us as our only dependable friend, and our imagination becomes the universe; forever questioning the existence of our own reality, while perpetually stuck in an emotional limbo.. Delve into your thoughts with ‘Lonely Nights’, the latest Lofi Girl compilation featuring 31 artists worldwide. Soft beats, melancholic pianos, lulling guitars and a range of other instruments are knitted together like a warm blanket to bring ease and comfort for as long as you need. Focus on the ingressing dawn light, close your eyes, and breathe in - this feeling is only temporary, and better days are on their way.

Our most ambitious project to date, a massive compilation of talented young producers that are shaping the way forward. This release was conceptualized as a means to unite the music community together and be as inclusive as possible. An album by the people, for the people. With over an hour and a half worth of music you can sit back and vibe to this tape all day!

Chillhop Music closes out the year with Essentials Winter 2020, a seasonal compilation featuring 25 curated tracks meant to soundtrack the cold months ahead.



Beginning back in 2016 and continuing with four releases a year, Chillhop Music’s Essentials series welcomes its 20th compilation in the form of Winter 2020. What better way to end a stressful and chaotic year than with 66 minutes of comfort and relaxation?



The 2xLP features 25 hip-hop instrumentals showcasing the best of Chillhop Music. From lofi to jazzhop to funk and ambient, this curated selection provides over an hour of atmospheric soundscapes and cozy beats.



Wherever you are in the world – whether up north experiencing snowfall or down south with a heatwave – we hope that this compilation helps to close out your year. A tough year for everyone, but we’re happy to still be here, enjoying good music with you.

The Bless compilation series is our annual fundraiser to gather artists and beat makers together to raise money for the global community. Bless Volume 2 is a collection of 99 tracks from artists representing 25 different countries, the full album spans nearly 4 hours of incredible music! This year we wanted to do something special and curated a selection of tracks from the full album for this Limited Edition Double LP release.

100% of the proceeds from the sale ofBless Volume 2 will be donated to a variety of Micro Loan programs for Women, Sustainable Water and Agriculture projects, Refugees, Education, Health Care and the Arts. The funds from the Micro Loans are paid back over time and it’s our promise to the supporters of this album that we will perpetually reinvest those funds back into future Micro Loans. This way the funds can continue to support people who need it for many years ahead.

Beat Art Department releases an EP with remixes from the upcoming album of the Vienna DJ and producer Urbs by Retrogott, Brenk Sinatra and Cookin' Soul.
Retrogott aka Kurt Hustle from Cologne, who completely reshaped the track "10.000 Years Behind Me", is one of the most important representatives of
German Independent Hip Hop ever since the mid-2000s. Collectors spend a small fortune for his 2007 debut album “Jetzt Schämst Du Dich!”, which
has become the blueprint of German rap. He has remained popular, even when he changed his name.

It has been eleven long years since Urbs dropped his last album which was called “Toujours Le Meme Film”. Back then, the musician, DJ and producer created the soundtrack to a fictitious Film Noir, which was released on Kruder & Dorfmeister‘s G-Stone Label, but after touring Europe he almost completely retreated from public life. He does not consider his creativity as
being his career, but rather as a part of his life which rarely is subject to concrete planning, and that is why Urbs quite consciously took his time to create his latest –untitled- album.

Urbs: “A lot of people totally appreciated my last album “Toujours Le Meme Film”, and over the years I’ve learned that it really means a lot to some of them. Which was a burden, because, obviously, you do not want to disappoint these people. By now, I think enough water went down Danube river to perhaps surprise some of them with something completely new.
Those who know me know that I’ve always simply produced dope hip hop
tracks.”

This time, as a consequence, this is no all instrumental album but a collection of 12 soulful hip hop tunes that feature some handpicked vocalist
of the international rap, dancehall and soul scenes. On the album right next to EMC’s Wordsworth or R.A. the Rugged Man from New York, you will hear Ward 21 from Kingston, Jamaica, Voice Monet from New Orleans, One Self’s Blu Rum 13 from Washington DC, as well as long time companions like Skero from Vienna or Blabbwona from the group Abstract Art, who now lives in Munich by choice.

There also is a simple answer to the question of why the album has no title:
“This album, so to say, is my competitive exhibition in this field and owing to the endlessly long ripening process it is wonderfully and intensively boiled
down and on point. Therefore, no intros, no interludes, no title, no gimmicks, simply 12 good songs – period."

Former City is proud to share with you, the physical Re-release of Tyris White´s Album ''Flame & Elevation'' He is the originator of GJazz and well known for classic Beat-Tapes like ''Blacklight'' & ''WeatherMan'' or ''SeaThrough'' and many more.

''This tape is a huge checkpoint in my life. The tape created out of mystical sounds to represent the evolution of the spirit of Tyriswhite. ''

Former City is proud to share with you, the physical Re-release of Tyris White´s Album ''Flame & Elevation'' He is the originator of GJazz and well known for classic Beat-Tapes like ''Blacklight'' & ''WeatherMan'' or ''SeaThrough'' and many more.

''This tape is a huge checkpoint in my life. The tape created out of mystical sounds to represent the evolution of the spirit of Tyriswhite. ''

Samus & Chill is the music of Metroid if it had a lofi hip hop soundtrack.

Samus & Chill is a tribute to the music of Metroid, Nintendo’s beloved sci fi video game series. Producer Tune in with Chewie transforms the dark, atmospheric Metroid soundtrack into laid back lofi hip hop, featuring soft piano chords, smooth vintage synths, and expressive guitar.

Samus & Chill is a carefully crafted homage to the music of Metroid.

Samus & Chill marks Tune in with Chewie’s first release with video game record label GameChops. Exploring a wide array of tracks from the Metroid series, Chewie remixes tunes ranging all the way from the series’ debut on the Nintendo Entertainment System in 1986, through Super Metroid, Metroid Fusion, and the Metroid Prime trilogy.

Chewie, real name Nestor Estrada, is a guitarist and music producer native to Los Angeles, California. Producing and composing music for over a decade, he’s also the lead sound designer at Output, a software instrument company. Chewie produced Samus & Chill with Logic Pro using custom-built synthesizers, orchestral sound libraries, and vast textures created from his eurorack and guitar. While Chewie’s been a guitarist most of his life, his piano chops also shine through across the album.

Samus & Chill features 12 tracks from the Metroid game series, including tracks from Metroid, Super Metroid, Fusion, Prime, Prime 3, Other M, and Samus Returns. Compositions by Hirokazu Tanaka, Kouichi Kyuma, Kenji Yamamoto, Minako Hamano, Masaru Tajima, and Akira Fujiwara. Compositions are licensed and used with permission.

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

The instrumentals Hip Hop label CDR-SI has the honor of advertise the new double LP of the successful collections of Hip Hop instrumentals. Now is the turn for NOTORIOUS B.I.G. Here you have the most importants cuts and tracks of its trayectory in
instrumental version in a double lp format. This is a esential and powerful weapon for all the Hip Hop creators and DJ´s. This 2019 comes with a new limited version presented in Orange Crush Color Vinyl to enjoy in both ways of this wonderful LP.

"Following the release of Locations USA in 2017 and a few life situations along the way, The Jazz Jousters have finally completed the second addition to what is aimed to be the five part limited edition Locations vinyl series.

So allows us to reintroduce 'Locations: Russia', as the collective gathered once again to explore the sounds, influences and styles of Jazz music in different regions of the world.

In this session we hear the result of each Jouster as they were challenged to focus on the sounds and styles of Jazz that originated from Russia, and come up with an instrumental in their own style. See what you think of the outcome.

If you're new to these projects check out some of the previous Locations if you like what you're hearing.

As always, keep Jousting!!"

MJM

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and elements of technology.

The fifth edition of our “Faces“ series comes with double the amount of producers as usually. One side we find Greek brothers and production duo Tendts while the other side is shared by the two young artists Daixie and Hanami, from Australia and the UK respectively.

- gnothi seauton | nosce the ipsum –
The oldest masks are more than 9000 years old and have been a part of earliest ritual ceremonies.
A mask disguises our true emotion and can also give the impression of fake feelings or make us appear emotionless. Strangely contrasted like the painted face of a clown, we appear sad and happy simultaneously. Moods and temper change rapidly, while there is nothing visible on the outside. We reflect ourselves in the image of others, project our ambitions and wishes but also fears into them, caring more about our perception by others until we don’t recognize our own image in the mirror anymore, instead of focusing on self-awareness and knowledge of self.

Where is the thin line between the truth and a lie? Do we all wear invisible masks during our everyday life? A story fractured into million pieces of a puzzle, waiting to be put back together.

If you were an idea, would you be a static one? An idea that never changes ?
An idea that tends to become something else ? An idea that becomes an obsession?
An idea can be an object, can be a sentence or just one word.
“Tendts“. What kind of word is that ? Could it be two words merged into one ? Or was it one from the beginning ? Let’s just say that the idea behind the word came up when two people were writing music in a room. In this particular room the only window that had a view of the outside world was always blocked by a rusty, dusty tent. Was this annoying tent worth becoming their artistic totem ? Maybe. But the one thing sure needed was a change. They had to transform the word into something else. They had to add something else. One letter.
Tent. Tend. TENDTS.

Hertfordshire based producer ‘Hanami‘ is set to stir things up in the coming months for the UK electronic music scene.
Now moving away from his days of working in a live electro band, Ryan Newton has decided to embark on an ambitious solo project. A direction that he has been meaning to pursue for some time. Whilst still keeping the use of sampled instruments and drum sequencers he is looking to bring a new lease of life to the increasingly generic sounds the scene continues to produce as the music becomes more popular.

Only 19 years of age and only producing for seven months now, Alex Xie, alias Daixie, is a young producer from Australia with a Chinese and Cambodian background. While drawing influences from many artists, his main inspiration comes from nature and his everyday personal interactions. His music, based heavily on field recordings, is a way of expressing his emotions – something that he has trouble doing in his day to day life. It is his release which allows him to feel more deeply about things he can not express by other means.

Bioniq is an artwork designer, DJ and producer from St. Petersburg in cold Russia and Project: Mooncircle’s special KGB agent. With his drawings he aims to create new horizons on paper and draws inspiration from historic tales, events of the present age but also possibilities the future might hold.

Limited 12” vinyl for serious collectors, DJ’s and record addicts only!

From its opening notes ‘You, Me, Temporary’ announces itself as music from the soul reaching for the soul. The album recounts a modern day love story through the musical eyes of its protagonist, Sweatson Klank. It’s a story of love in the fast lane that touches on the good – innocence, romance, lust, sex – and the bad – drugs, debauchery, loss of self, despair – before closing with the peaceful beauty that comes with total acceptance of what is. ‘You, Me, Temporary’ is Sweatson Klank’s third full-length album in 10 years, and it shows just how extensive the Los Angeles native’s artistic growth has been. The music tight ropes between electronic, hip hop and futuristic R&B, sidestepping obvious boxes while finding its own effortlessly. ‘You, Me, Temporary’ transcends genres, balancing the vulnerable and sensual with the rough and jagged. The album has an emotive and sometimes pressing quality, in direct opposition to today’s disposable music mania. The hypnotic interplay of chords, melodies and rhythms draws you in and is equally effective in headphones as it is on the dancefloor. The warmth of analogue equipment flirts with expert sampling and chops that evoke the playful soul of ‘90s R&B and the heartfelt angst of classic hip hop while remaining forward thinking.

A wide cast of vocal guests help recount the different tales and stages of this story: Vikter Duplaix, Ango, Selfsays, Doc Illingsworth, Deniro Farrar, Anna Wise of Sonny Moon and Pat Parra. Upbeat and energetic songs sit next to hypnotic ballads, the sort most conducive to ‘baby making’ you might even say. The music is often elating, sexy and at times dreamy but also progresses to show melancholy and despondency in the sincerest way. Sometimes playful, sometimes serious the vocal tracks add a human dimension to the story that ‘You, Me, Temporary’ tells, completing its message and taking the album to that proverbial next level.

With this third album Sweatson Klank puts aside self-indulgence for simple honesty and the maturity that only comes with being a seasoned artist. ‘You, Me, Temporary’ tells a timeless story in a compelling way, and while its title hints at the trials and tribulations behind relationships, the overt concept lies in the impermanence of everything around us.

With over ten years’ experience in the music game, including three full length albums and a slew of EPs, Sweatson Klank – formerly known as Take – is one of L.A’s longest standing producers working at the periphery of hip hop and electronic music, a man who had a direct hand in shaping L.A’s beat scene in the 00s through the Sketchbook night alongside Kutmah. Whether or not you’ve heard his music before you’ll n have felt the impact of his work. After a two-year hiatus Sweatson Klank returns with the Elevate Me EP on Project Mooncircle, five tracks that further cement him as one of the nicest and most articulate producers in the game today. Elevate Me is both a departure from Sweatson’s previous output and a continuation of what has made him a unique voice in L.A’s thriving instrumental hip hop and electronic scene.

From the opener Always You the bar is set high with music that could only come from someone with musical savoir faire born of experience and hard work. The music is intricate and playful, the rhythms are hard to resist and the melodies perfectly match the uplifting mood, qualities that are carried throughout the EP.

Own almost feels like a band is playing yet it’s all coming from one man’s mind. The track references both Sweatson’s hip hop lineage and a deep understanding of the emotional potentials of electronic dance music. The tempo might surprise you at first but once you let the music take you in you’ll be pressing play again in no time.

I Can’t Explain is an ode to Sweatson’s love of hip hop, of the beat. The crunchy breaks will make your head nod before you’ve even realised it while the melodies and samples evoke images of sunny, lazy L.A days.

All of these ideas are further explored on My Love Is Here where certain tropes of popular dance music are put to use in a way that is rarely heard today. Instead of being the all-consuming focus of the song, the bass is used to reinforce the rhythmic foundations and combined with a beautifully emotive vocal sample that can seem jarring at first yet makes perfect sense. There is a subtlety to the music that really shines through on repeated listens.

In Between closes proceedings, winding things down with a smoother mood that’s still full of musical intricacies. Combining melancholic vocal samples with uplifting melodies and intricate rhythms, Sweatson manages to push through emotions that seem to burst out of the music, rendering any discussion of genre or style irrelevant.

Elevate Me is genuine, honest music born of emotions and offered to the listener with no disguise. It’s subtle and beautiful and it lets Sweatson Klank’s experience shine through in a way that will no doubt appeal to both old and new listeners. Jump aboard and let yourself be taken on a ride.

12" EP clear vinyl - Limited edition

Swarvy presents his new album “Bop” on Paxico Records

"Songs of love sung by robots."

From the moment this machine is booted BOP begins buzzing with kinetic warmth. This is something characteristic of Swarvy's sound, the LA-by-way-of-Philly musical polymath with a vast catalog including sun-soaked live instrumentals, jazz-infused loops and lo-fi gems. With BOP, he is musical mad scientist, flaunting his technical finesse as he plunges into the realm of abstraction.

Swarvy makes his mark in BOP even while grappling with its colder, industrial elements. With broken rhythms and jagged textures, he pieces together tunes of emotive beauty. The result is undeniably playful and delightfully odd, something like songs of love sung by robots.

Through its wavy ambience runs a current of aural ephemera - bits of speech samples, bossa riffs, and R&B with opaque origins. BOP's genre-bending tracks will take you to ten compelling dimensions, forming an archeology of cyberspace and musical artifacts that'll leave your cold robotic heart melting in the LA sun..

A download code is included.

Suff Daddy (578k monthly listeners on Spotify), is one of the legendary beatmakers who shaped a whole era of bedroom producers. His unique approach and musical understanding sets him apart from all the other fish in the pond. He has released countless genre-defining albums and EP’s over the past 15 years building a loyal fanbase. Suff Daddy's songs have previously been featured in many editorial playlists including Spotify's "Jazz Vibes" (2.1M Likes), "butter" (770k Likes), "Sweet Soul Chillout" (1.2M Likes) and many more.

Introducing "Hair Of The Dog," Suff Daddys musical journey that blends instrumental hip-hop, electronic, and dance genres. This captivating album, produced with his own Suff Style invites listeners to unwind From start to finish. Once again a Suff Daddy album thrives on the pure brilliance of his on way to create music. The album's cover art, masterfully crafted by the renowned painter Mitch (@itsallinsideus, 165k Followers), adds an intriguing visual dimension to the experience. Both artists have known each other for a long time and are currently preparing their audiovisual release- event for August 18th in Berlin. Bringing their art together as a unique experience for their audience.

The phrase "Hair of the dog that bit you" commonly denotes consuming alcohol as a remedy for a hangover, aiming to alleviate its effects. Suff Daddy plans to introduce his own hangover solution, which will be plant-based and devoid of alcohol. Through all of his career he frequently played with alcohol references and now its the perfect timing to release his own hangover cure. Additionally, this endeavor will serve as a social media catalyst for the entire project.

Stro Elliot has risen to prominence as the percussionist for The Roots and was previously a producer and MC for The Procussions.

Long before being a nightly part of The Tonite Show with Jimmy Fallon as a part of The Roots, Stro released a collection of vaulted tracks called “Stro’s Old Beat Farm”.

This collection of tracks were created between 2004 and 2010, and gave a glimpse of greatness to those that scoured the internet for the best in beats.

SCM presents Stro’s Old Beat Farm in physical form for the first time, ten years after its release. It is a document of a man who would soon be well on his way.

KingUnderground presents the debut album - Instrumental beat tapes Volume 1-2, produced in 2008-2009 from Swedish producer Sun Raw aka SRAW.

The ”Beat Week” concept came about in 2008 when Myspace still was the main internet platform for spreading independent music. SRAW wanted to use the social media platform to his advantage and make a release that was adapted to the specific ways of posting music and maintaining an audience on Myspace. He came up with the idea to publish one song a day for the duration of a week so that it would exist as a whole in the Myspace player after the week had passed.
The beats were simply named after the day it was published, making the final beat tape hold 7 tracks. Beat Week #1 was received very well so a year later Beat Week #2 was released in the same way. Around this time Myspace had lost most users to Facebook, and Soundcloud slowly began to take over as the new platform for musicians.

“I guess this is my tribute to the (for many of us) important MySpace days!” - SRAW

In autumn 2019 the label Beat Art Department released Soia's third album "Where Magnolia Grows" with great success. With "Where Magnolia Grows Remixes" the album gets a new coat of paint. A handful of greats from the European hip-hop scene were won over for the remixes. L One (atp Crew, Beat Art Department) and C.O.W.? (Compost Records) from Munich, Moo Latte (U Know Me), Copenhagener by choice, from Warsaw, Franchise and MEZ, both from Vienna and Fvlcrvm from Bratislava.

Moo Latte provides the first remix of Soia’s “Where Magnolia Grows” album, and took “Fractal Spirits” for a new ride! The two Hip Hop/Neo Soul/Jazz artists first met on Soundcloud and have been sending vibes through the ether between Copenhagen and Vienna since then. The “Fractal Spirits” Remix is a first taste for their upcoming EP called “Spiritual Housekeeping".

The second “Where Magnolia Grows” Remix EP teaser re-work comes from C.O.W. ?. Running with the cows. Soia’s sound is so exceptional that the German-Chinese producer collective didn't have to think twice when asked to remix her success single Running With Wolves. This chilled but pressing version is another highlight in the collective's career…

As the third remix comes the smooth, laid back “My Tiny” Remix by Bavarian beat smith L One.

For the new remix from Soia's "Where Magnolia Grows" album, Bratislava-based house producer Fvlcrvm has taken on "Hoe For Love". Fvlcrvm made a real floor filler out of the slow jam "Hoe For Love" with a mixture of house, glitch and broken beat.

SOIA's happy place is "Where Magnolia Grows". This is where her paradise lies, where she can bloom and blossom. Adorned with playful melodies, the soundtrack fuses HipHop, R&B, NuSoul and Jazz over saturated and ample beats. The downright lyrics offer deep insights into SOIA’s soul. Together with her producer Mez she revives her musical roots of the nineties. The songs range between sensual soul and expressive contemporary R&B, neatly packed in a shell of electronic synths and keys. Throughout the nine tracks the beats make your head nod while SOIA’s voice makes you close your eyes in delight.

The first track, a boom bap tune called RUN WITH WOLVES, gently introduces you to the album. In her paradise world she runs from nothing and determines her own pace. SOIA's high-pitched vocals are a deliberate alienation, a stylistic break from her two predecessor albums, which she also uses in HOE FOR LOVE and LOOMING STORM.

VACANT PARADISE employs deep 808 kick drums and rolling hi-hats. In PAY FOR PIZZA, SOIA not only shows her love for HipHop, but also urges everyone to pay for their bills them damn selves.

Released on Beat Art Department, a new sub-label of the well-renowned Munich-based record label Compost Records, WHERE MAGNOLIA GROWS is SOIA's third solo album. Her two previous albums MOOD SWINGS and H.I.O.P. were published by the Philadelphia-based label Record Breakin' Music.

Her pre-productions have been nominated for the Austrian music award Amadeus twice and enjoy a loyal international fan base. She has appeared live at festivals such as SXSW, Sonic Visions, Electric Spring, Waves Vienna or Popfest Vienna, as well as at numerous club gigs from Cape Town to Vienna. Thanks to NASOM programme (The New Austrian Sound of Music) she is currently on tour with her band of four.

Quotes:

„Soia delivers sensual, abstract lyrics while effortlessly moving between spoken-word rhymes and melodic singing.“ - OKAYPLAYER / USA

„Soia & Mez have grown immensely over the years musically pushing the boundaries of soul & jazz within an electronically tainted spectrum. Brilliant Album!“ - JAY SCARLETT / SOUND SUPREME / SPACEK

"Soia and Mez have had a unique musical vibe from the start, but on this record they truly came into their own. Trusting each others talents and instincts enabled them to expand their sonic universe while staying 100% true to their path." -TRISHES / RADIO FM4

Italian producer So.Lo and Swedish multiinstrumentalist Goson have found a path in the woods for you to follow with their latest album “Quietpath”. A soundtrack of soul-stirring pianos, reminiscent guitars and immaculate sound design gradually form a calming lullaby to accompany you on a peaceful and introspective journey. As you follow the trail, take a moment to appreciate the beauty of nature and how there’s a hidden message in the treetops, under every leaf. Who knows - maybe you’ll even encounter a special creature along the way.ay?

The contributions of the late Detroit producer James DeWitt Yancey - better known to the world as J Dilla- to the world of hip-hop can’t be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the groups distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. After the success of Slum’s 1997 studio debut, Fan-Tas-Tic Vol. 1, the group went to work on their follow up. Though the project was completed in ‘98, label turmoil kept the project on ice until 2000. By the time Fantastic Volume II hit, Dilla was well on his way to his status as a hip hop legend having produced cuts for Common, Busta Rhymes, Erykah Badu, A Tribe Called Quest and many more. Later works from Slum Village may have had more of an impact sales-wise (in the immediate) but Fantastic Volume II had fans and many critics saying that Slum Village, and Dilla in particular, may single-handedly save rap music. Perhaps that statement is hyperbole but many consider Fantastic Volume II to be Slum Village’s, and J Dilla’s, finest work ever. Ne’Astra now presents the complete Dilla instrumentals from this landmark release.

After winning many beat battles (Beat Cinema, Beast of the Beats LA, etc.) and touring with Dirty Science all stars, Blu & Exile, Dag Savage, Choosey and more--So Cal beatsmith and Exile’s protégé, Sirplus is ready to make his Dirty Science Records debut with a 7", followed by the digital release of "Brandy vs. Moesha." This instrumental 45 is just an introduction to what he has in store but is the perfect way to get the party started or just to throw on and vibe. After producing for the likes of: Blu, Med, Planet Asia, Cali Agents Edo G and more,
Sirplus is dropping this beautiful solo limited instrumental 45 to show you how his beats can stand alone and hold a standard even without vocals.

Shuko´s new LP is something different. He and the producer Basti (Kanye West, Joey Badass, Timbaland) spent the last 3 years creating samples, learning vintage recordings and putting their knowledge of vintage soul jazz, 60´s and 70´s composer and r&b music into crafting this 31 track album. What makes this release so special is that you now are able to use those samples for your own music and recreating something new without the hustle and pain of clearing samples. Just visit tracklib, pay a little licence fee and register your new work with them. And even if you are not into creating music, this LP is a perfect soundtrack for a calm start into the day or something you will love to relax to.

Shuko Unveils Highly Anticipated New Album Jazzterfield 3 – A Masterful Blend of Hip-Hop, Soul, and Jazz

Celebrated producer Shuko returns with his latest album, Jazzterfield 3, a captivating fusion of hip-hop, soul, and jazz that continues to showcase his signature sound. The third installment in his critically acclaimed Jazzterfield series, this album is a sonic journey that bridges classic jazz influences with modern beats and soulful rhythms. Known for his collaborations with major artists and his standout solo work like Anderson Paak, Kanye West or Chance The Rapper, Shuko’s latest release delivers tracks that feel at home in both intimate listening sessions and vibrant playlists. Whether you’re a fan of golden-era hip-hop, rich jazz textures, or soul-soaked beats, Jazzterfield 3 brings these worlds together in a cohesive, organic sound.

Still in shrink but opened. Tiny wear.

Fifth volume of the “Cookies & Cream” Instrumental Hip-Hop series that started on Jakarta Records and now finds it’s grand finale on Shuko’s own For The Love Of it label. Shuko is a veteran beatmaker who worked with national and international greats like Anderson Paak, B-Real (Cypress Hill), Talib Kweli and many more, and partners up with his longtime friends and partner in crime F. Of Audiotreats once again.

Alive on Arrival is the new album by Danish producer Shatter Hands. The album was made over the course of 2022 when Johan got together in intervals with a few of his musician friends to collaborate in its creation. Each track was a specific shared moment between the artists and has a special meaning. While inspired by Electronica, Jazz and House music the foundations of the album are built with new techniques compared to Shatter Hands former works. Making „Alive on Arrival“ a brand new chapter in the producer’s musical career. The album originals are 7 impactful songs that are complimented by 4 remixes each as meaningful as the others. The project all together explores a lot of different genres that complement each other very well. Ranging from Hip Hop, R&B, Jazz, Electronica, Disco and House music, the listen flows in a very pleasant and familiar way. A lovely experience from start to finish with the touch of a talented bunch and their respective styles and vibes that were all masterfully curated and produced/mixed by Shatter Hands. The result is simply put delightful.

With Sgjazz, Dundiff pursues his passion for jazz. SG stands for supergroup. The quintet plays jazz with a hip-hop state of mind. Classically trained jazz musicians – multi-instrumentalist Idris Frederick, Patrick Denney on bass, Anthony Keenan on guitar, Noah Reed on alto and tenor saxophone – are jamming with certified rap cats. Sgjazz are not a random group of session players but five long-time friends who go way back.

Zelda properties are trademarks or registered trademarks of Nintendo Co., Ltd.. Curaga Records / Materia Music Inc. and the artists on this album are no way affiliated, associated, authorized, endorsed by, or in any way officially connected to Nintendo Co., Ltd. with respect to this album. Musical compositions are © Nintendo and are used with permission. Sound Recordings ©2021 Materia Music Inc. Lofi VGM is a trademark or registered trademark of Materia Music INC. All Rights Reserved.

Reggie B returns with his much awaited NBN release "Tinky's Jam.” This is his first full length album since “Soulofunkaquarian” released with INnatesounds. The album was most definitely worth the wait. It takes the listener through a personal and musical journey inspired by the birth of his son, who he affectionately calls “Tinky,” and the connection they share. Tinky was a major part of this album, oftentimes found in the studio during the conceptions of many of the songs. This album is unlike any other record released by the Kansas born producer, multi instrumentalist, singer and arranger. After the birth of his son, he was inspired and encouraged to get back into the musical game by the head of NBN, Onra. "Tinky's Jam" is something of a family affair with friends and old collaborators playing their part.

Born into a musical family to parents who were two sides of the same coin, a father who was one of the most renowned drummers in Topeka, Kansas funk and jazz fusion scenes and a mother who was one of the most prominent gospel singers in the city. The apple didn't fall far from the tree and Reggie has spent his life performing and playing with a healthy slew of releases.

This album is the result of countless days in the studio which yielded scores of a dozen slabs of head nodding funk.

Mostly instrumental and showcasing Reggie's many styles from the heavy bounce of "Futuristic Slow", to the George Clinton nod on "P For Life", and the crafted soul of "Gone Fishing" with Dominique Sanders to the cool street jazz feel of "Realize" with Donald Hates's sax adding flare as well as the beat of "Nose Dive" providing the nod factor for the heads.

Closing out the LP ``Tinky's Dance" - a raw soulful jam that lies somewhere between Prince and Larry Heard - for Reggie "the whole project felt like a gift to me and my baby boy Tinky! I wanted to let him know he’s always in my heart and soul and I love my Tinky man infinitely! It’s a children's album for the elevated child like Tinky!”

To be an artist is to search for balance and harmony in a world that so often appears cruel and merciless. It is to find beauty through honesty and description, to bring forth an affirmative answer to the question of existence, to welcome all that is to come.

Ranskukoira is an artist – someone whose supreme effort is to channel what life brings his way. Hence the music is very much like him. It is visual as it is auditive. It is seasoned while new.

So out of the blue, while Ransukoira's debut album "Good Simulation" is dropped, the sun is finally making an appearance in the northern hemisphere. Here are the tunes, let's dance!

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Birds of a feather, flock together. It is a very old saying; It means that people with the same interests 'move' the same way. Fate, to some, is but a mere theory human beings adopt to try and make sense of the world around them. To others it is something solidified in the belief of serendipity, luck or good fortune if you will. Whatever the listeners personal concept of the term, the results of two musical minds from foreign lands meeting by accident is something I find difficult to believe happened by chance.

During a cold winter in Innsbruck, while snow slept on the early morning streets, something was happening between the four walls of Philanthropes’ top floor apartment, as the rest of the city slumbered. Was it the mix of caffeine, lost love and their fondness of jazz? Or simply the right time and place, that gave way to these artists embarking on this instrumental journey together? I guess that is a question for the listener themselves.

Whatever the conclusion, I’m sure you will enjoy the fruits of their musical labour during those times. Sit down, relax and take flight; let this record give you a time for contemplation, reflection and peace.

-Eugene Saunders New Musical Times

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

The genesis of "Nosthaigia" is as fascinating as the music itself. Onra spent several years living in Thailand, immersing himself in the vibrant culture and scouring local record shops for rare gems. The result is a collection of Thai songs from various genres, all sourced on 7 inches. These short instrumentals serve as time capsules, transporting listeners to a bygone era filled with nostalgia and longing.

Produced entirely on the Mpc1000 in 2017 and revisited in 2020, "Nosthaigia" is a testament to the power of serendipity and artistic evolution. What began as a casual exploration of unfamiliar musical territory blossomed into a deeply personal and meaningful project for Onra. Amidst a series of unfortunate life events, he found solace and inspiration in the beats he had crafted years prior.

Each track on "Nosthaigia" is a reflection of his journey, a sonic expression of longing and introspection. Onra describes the process of creating the album as a cathartic release, a way of letting go of old memories and embracing the present.

Despite the somber undertones, there is a quiet beauty to "Nosthaigia" that is impossible to ignore. Onra's vintage production skills breathe life into each track, infusing them with warmth and depth. From the haunting melodies of "Until The End" to the hypnotic rhythms of "Close Your Eyes And Remember" every moment feels poignant.

Onra's decision to "remove all the bangers" from the album speaks volumes about his artistic integrity and dedication to authenticity. "Nosthaigia" is not about flashy beats or catchy hooks; it's about raw emotion and genuine expression. It's a reminder that music has the power to heal, to uplift, and to connect us to something greater than ourselves.

In the end, "Nosthaigia" is more than just an album; it's a testament to the human experience. It's a reminder that even in our darkest moments, there is beauty to be found, if only we're willing to listen.

The genesis of "Nosthaigia" is as fascinating as the music itself. Onra spent several years living in Thailand, immersing himself in the vibrant culture and scouring local record shops for rare gems. The result is a collection of Thai songs from various genres, all sourced on 7 inches. These short instrumentals serve as time capsules, transporting listeners to a bygone era filled with nostalgia and longing.

Produced entirely on the Mpc1000 in 2017 and revisited in 2020, "Nosthaigia" is a testament to the power of serendipity and artistic evolution. What began as a casual exploration of unfamiliar musical territory blossomed into a deeply personal and meaningful project for Onra. Amidst a series of unfortunate life events, he found solace and inspiration in the beats he had crafted years prior.

Each track on "Nosthaigia" is a reflection of his journey, a sonic expression of longing and introspection. Onra describes the process of creating the album as a cathartic release, a way of letting go of old memories and embracing the present.

Despite the somber undertones, there is a quiet beauty to "Nosthaigia" that is impossible to ignore. Onra's vintage production skills breathe life into each track, infusing them with warmth and depth. From the haunting melodies of "Until The End" to the hypnotic rhythms of "Close Your Eyes And Remember" every moment feels poignant.

Onra's decision to "remove all the bangers" from the album speaks volumes about his artistic integrity and dedication to authenticity. "Nosthaigia" is not about flashy beats or catchy hooks; it's about raw emotion and genuine expression. It's a reminder that music has the power to heal, to uplift, and to connect us to something greater than ourselves.

In the end, "Nosthaigia" is more than just an album; it's a testament to the human experience. It's a reminder that even in our darkest moments, there is beauty to be found, if only we're willing to listen.

The genesis of "Nosthaigia" is as fascinating as the music itself. Onra spent several years living in Thailand, immersing himself in the vibrant culture and scouring local record shops for rare gems. The result is a collection of Thai songs from various genres, all sourced on 7 inches. These short instrumentals serve as time capsules, transporting listeners to a bygone era filled with nostalgia and longing.

Produced entirely on the Mpc1000 in 2017 and revisited in 2020, "Nosthaigia" is a testament to the power of serendipity and artistic evolution. What began as a casual exploration of unfamiliar musical territory blossomed into a deeply personal and meaningful project for Onra. Amidst a series of unfortunate life events, he found solace and inspiration in the beats he had crafted years prior.

Each track on "Nosthaigia" is a reflection of his journey, a sonic expression of longing and introspection. Onra describes the process of creating the album as a cathartic release, a way of letting go of old memories and embracing the present.

Despite the somber undertones, there is a quiet beauty to "Nosthaigia" that is impossible to ignore. Onra's vintage production skills breathe life into each track, infusing them with warmth and depth. From the haunting melodies of "Until The End" to the hypnotic rhythms of "Close Your Eyes And Remember" every moment feels poignant.

Onra's decision to "remove all the bangers" from the album speaks volumes about his artistic integrity and dedication to authenticity. "Nosthaigia" is not about flashy beats or catchy hooks; it's about raw emotion and genuine expression. It's a reminder that music has the power to heal, to uplift, and to connect us to something greater than ourselves.

In the end, "Nosthaigia" is more than just an album; it's a testament to the human experience. It's a reminder that even in our darkest moments, there is beauty to be found, if only we're willing to listen.

‘The Path’ is a progression from my previous record ‘Inner Worlds’ and the focus on searching for the musical voyages is still very relevant in the building of this album. During the process of this album I moved from a vibrant city atmosphere to a rural sea town. This move played a big part in terms of influences, being close to the sea and nature brought a calming effect on the development. ‘The Path’ represents the search for a musical progression, focusing more on the smaller details and textures to create a broader dynamic sense, allowing the different elements to breathe more.
During the process of making this record there was a curiosity to explore new ways of making music, experimenting more with hardware synths, different recording techniques and including more live instrumentation as an alternative to sample based techniques. ”

‘The Path’ comes out worldwide on limited double vinyl (including download code) and limited cassette.

Radio Juicy proudly brings back o k h o with his new and thrilling album 100 Grey Hounds. A very close and personal journey to the core of the artist. Sharing his own tale and life path through the course of this album that in many ways is unique and distinguished from anything he previously released and anything you've heard so far on our scene. The entire album is sample less, every sound designed and recorded by o k h o himself to bring you even closer to his inner sanctum. The album tells a story and could be seen as the soundtrack for a coming of age movie. It has a very nostalgic and retro vibe while being very new at the same time.
This is why we're so happy to bring this unique album to you today. A little nudge away from what everyone is pushing nowadays and since we've been having this Summer heat wave hit us, we also thought a breath of fresh air could only be a good thing.
It comes with a very nice looking color vinyl, a marbled silver/white/black tri-color mix that will certainly impress you.

All Tracks Produced, Mixed and Mastered by o k h o
Vinyl mastering and additional mastering by sterilOne at Staub Audio Engineering, Vienna
Artwork by Alexander Dueckminor
Vinyl graphic layout by Alex Brade
Published, manufactured and distributed by Urban Waves