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Witches brew and cauldrons bubble, as Halloween stirs up an eerie trouble! Step into the world of spooky beats with Lofi Girl's 'Halloween 2024' compilation. Featuring talented artists from around the world, this potion of ghostly rhythms and haunting melodies sets the mood for a night of chills and thrills. Whether you're conjuring up potions or unwinding under the moonlit sky, let the witchy magic of these chilling beats take over your Halloween night!

Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

Your favorite toucan is approaching your neighborhood with hyper speed. Legend Wun Two is blessing us with an LP of unreleased beats from his analog MPC era of 2013-2014. The album is called Hawaii & Snow - some of the OGs might remember this from SoundCloud, but most of the beats are unheard and simply put - crazy dope.

The vinyl release will contain 4 beats that won’t be available on digital platforms, or anywhere else besides wax, just so we empower the culture of real heads & vinyl lovers as well. It is available in limited edition black & snow-white vinyl.

Your favorite toucan is approaching your neighborhood with hyper speed. Legend Wun Two is blessing us with an LP of unreleased beats from his analog MPC era of 2013-2014. The album is called Hawaii & Snow - some of the OGs might remember this from SoundCloud, but most of the beats are unheard and simply put - crazy dope.

The vinyl release will contain 4 beats that won’t be available on digital platforms, or anywhere else besides wax, just so we empower the culture of real heads & vinyl lovers as well. It is available in limited edition black & snow-white vinyl.

Releasing now for well over a decade - Neue Grafik: known to friends as Fred, has successfully transplanted from Parisian rookie to one- man London Institution. Beginning as a solo producer and DJ,Fred spread his wings upon relocating to South London - at first with his Neue Grafik Ensemble and later with his now iconic twice-weekly Orii Jam - the latter of which has given agency to an entire new generation of musicians; spawning an aesthetic, nurturing a unique sound and becoming a launchpad for countless artists.

Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of where the project began. I say “attempt” because he’s simply learnt too much and made too many friends along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.

This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.

Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School.

"Nap" is an EP by the German producer Twit One, known for his laid-back, jazzy beats and intricate sampling techniques. This project is a prime example of Twit One's ability to craft soothing, downtempo soundscapes that feel both nostalgic and fresh.

The EP, true to its name, creates a mellow atmosphere, ideal for a moment of relaxation or introspection. It blends elements of jazz, hip-hop, and lo-fi, characterized by warm, vinyl crackle, smooth melodies, and subtly complex rhythms. Each track on "Nap" feels like a short, dreamy interlude, encouraging the listener to take a break from the hustle of daily life and just vibe.

Twit One's minimalist approach to production allows the texture and emotion of each sample to shine, creating a cohesive and calming experience. "Nap" is a perfect listen for those who appreciate music that serves as a gentle, ambient background to their thoughts or a brief escape from reality.

Limited Edition of 100 records on green vinyl. Exclusive run for HHV. On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

The vinyl edition is limited to 300 copies and comes in a cardboard sleeve.

"Jazz Things" is the all new album by producer Shin-Ski repping Hyogo, Japan. 15 tracks in total fully dedicated to all things Jazz with dusty drums and grooves. The artwork shows Thalita D'Amore.

Next to the vinyl edition the album is digitally available on all major platforms.

Following in the steps of last year's mysterious "Beyond the Garage" 12 inch, L.I.E.S. throws another curveball with a 30 track continuous LP from veteran West Coast producers, Vinny+Charlie. Each side running 20 minutes, this can best be described as a smoked out, haze filled afterparty beat tape on wax. Obscure samples, dusty sp-12 crushed beats, head nodding loops, sweet low rider soul..chopped, sped up, slowed down and ready to wreck your system. Limited edition white label housed in a lp jacket with custom art by LA artist SOB Story. 300 copies worldwide.

South London producer and musician Fr1th, presents Mind Blossom - a 13 track album displaying his creative output of over two years. It draws on influences as wide as J Dilla to Ludovico Einaudi. A blend of piano beats based production that spans true lo-fi, chill, ambient, electronic, jazz and Hiphop. Hypnotic head-nodding rhythms from this brilliant debut. Kaleidoscopic • Lush Lo-Fi • Keys Driven • Night Sky Beats

NO Limits is a powerful compilation of old hard unreleased tracks by the Ukrainian machine, DJ Twi$t II. Recently teaming up with underground kings DoomShop Records and Sixset from the US.

The compilation features 15 heavy, hard-hitting beats with a blend of Boombap Instrumentals and Dirty South influenced Phonk with features of Sixset and Doomshop rapper ''Cursed'' as well as Occvlt, Ksetdex and Ned Bundy.

Professor Creepshow presents his newest LP - Dreamcast. At 17 tracks, this album is a soundscape of the dimension between dreams and reality. Enter the journey in the defined experience of Playawave.

The vinyl edition is limited to 300 copies and comes in a cardboard sleeve.

We are very pleased to present the all new album "February Sepia" by Moose Dawa, a very talented beat entrepreneur from Malmö, Sweden. The full-length includes 15 tracks sparked with mellow vibes full of Jazz, dreamy melodies and drums that will make your head nod. Featured artists include Aidinity and Dogbite and the artwork shows Moose' adorable mom Nathria Awad.

Next to the vinyl edition the album is digitally available on all major platforms.

German Lofi Icons Wun Two and Made in M Unveil Collaborative Album "Sole Spirito"

Renowned for their distinctive contributions to the global lofi beat scene, Wun Two and Made in M, two of Germany’s most delicate producers, announce their collaborative album, "Sole Spirito," set to release on June 28th, 2024.

With careers spanning over a decade, both Wun Two and Made in M have left an indelible mark on the genre, pioneering its raw yet chill aesthetic. Wun Two, known for his signature lofi instrumental hip hop, has recently showcased his versatility through collaborations with acclaimed rappers such as Conway the Machine, Da Flyy Hooligan and Ben Beal and similarly Made in M who has garnered acclaim for his latest lofi house project, Flux LP, showcasing his prowess in creating genre crossing productions.

"Sole Spirito" marks the first full-length collaborative effort between the two producers, who have been long-time friends and mutual admirers of each other's work. The album, comprising 18 tracks, was largely conceived during a songwriting producer camp in southern France in late summer 2023. It was there that they also crossed paths with L.A.-based rapper Yungmorpheus, who features on two of the album's tracks.

With a lot of nostalgic charm of 70s Italo wave, "Sole Spirito" transports listeners to an era of Italian cinema characterized by lush lifestyles, eroticism and vintage nostalgia.

Stay ready for the release of "Sole Spirito" on limited vinyl edition and streaming on June 28th, 2024.

Camminami sulla spina dorsale, divorami come raggi di sole, sei balsamo per il mio spirito in quei notti insonni e pieni di ricordi. Non potrò mai non sentire la tua mancanza. Ricordo sempre tutto.

Special limited edition with a vinyl postcard with an exclusive song only on this postcard (playable on a record player!) - 200 copies.

Renowned for their distinctive contributions to the global lofi beat scene, Wun Two and Made in M, two of Germany’s most delicate producers, announce their collaborative album, "Sole Spirito," set to release on June 28th, 2024.

With careers spanning over a decade, both Wun Two and Made in M have left an indelible mark on the genre, pioneering its raw yet chill aesthetic.
Wun Two, known for his signature lofi instrumental hip hop, has recently showcased his versatility through collaborations with acclaimed rappers such as Conway the Machine, Da Flyy Hooligan and Ben Beal and similarly Made in M who has garnered acclaim for his latest lofi house project, Flux LP, showcasing his prowess in creating genre crossing productions.

"Sole Spirito" marks the first full-length collaborative effort between the two producers, who have been long-time friends and mutual admirers of each other's work. The album, comprising 18 tracks, was largely conceived during a songwriting producer camp in southern France in late summer 2023. It was there that they also crossed paths with L.A.-based rapper Yungmorpheus, who features on two of the album's tracks.

With a lot of nostalgic charm of 70s Italo wave, "Sole Spirito" transports listeners to an era of Italian cinema characterized by lush lifestyles, eroticism and vintage nostalgia.

Doctor Zygote is an alter ego I use for hip hop tempos alongside The Maghreban for the dancier stuff. I have a lot of beats lying around that I keep meaning to use for something. File under "Beats to Use". I thought I'd put them together on a little beat tape.
In my folders, my beats have random names like "beats 114 S_Z - 82" so in needing to give these ones names and in homage to "Special Herbs" I have named them all after drugs. Broadly these beats are pretty menacing, and have a big electronic influence. I use all the same sounds for this slower stuff and The Maghreban material.
I thought they sat well together and alongside the vocal feature from Jam Baxter. Some beat tapes are full of vocal samples or play continuously. I wanted this one to hark back to some of the beat albums of the late 90s that were meant for beat juggling with, cutting or rapping over. So here we are.

Kaito, an out cold skater as well, has a couple of self-releases you can find on his Bandcamp page, which are solid & sound at home alongside his pop’s ( Todd Osborn) Ghostly International releases. This 7” EP outing spins at 33 1/3 to pack in as much as GSC can squeeze in & is straight up beatloverz heaven. What is impressive, for this old timer, is how clearly deep Kaito’s musical knowledge goes. He clearly has learned well from his father & all the good music he certainly has had at his fingertips. From Madlib to Os Mutantes to Fela Kuti to J Dilla & other artists who were not afraid to dig deep & unearth beats & melodies to tickle your fancy, Kaito’s tastes are as refined as anyone in the game. I know a number of the original source materials that comprise each track, but that I leave to you to dig out for yourself. Here I encourage you to open your eardrums & listen deep with your fav pair of headphones & let each track wash over you. From straight forward head-nodding hip-hop thumpers to beautiful Brazilian femme fatale vocals that lure you into the loop, to a Afrobeat driver that’ll break ya neck, to a mellow, soulful MPC hopper that will lovingly recall a Arlo Parks joint, to then closes out with a synth-laden spaced-out dreamy loop to end credits.

Introducing 'Planet Sp1200' by Klim. Klim, the producer and beatmaker based in Kyiv, draws inspiration from classic hip-hop, chill music, and boombap to craft music that combines fresh soulful vibes with a hard-knocking style. With over 4 million streams across various platforms, including lo-fi beat staples such as 'Night Café' and 'Butterfly,' Klim returns with fifteen tracks created using the EMU Sp-1200 and Akai S900 samplers, infusing a '90s vibe throughout the project.

Influenced by artists like Pete Rock, Lord Finesse, Jay Dee, George Fields, and Mr. Brown, Klim's music is a reflection of the magic found in everyday moments that surround him. It's a product of the emotions that stir within him, where the world serves as his artistic canvas, and each sound and melody is a heartfelt attempt to capture his experiences and thoughts. In his words, "My music is a bridge between my soul and the world, and I hope it can touch the hearts of others, just as it touches mine". Join Klim on this musical journey, where the past and present harmonize in a symphony of emotions and experiences.

On the outskirts of Bratislava, in the pulsating shadows of a refinery's burning chimneys, on the plot of a family house, there stood a small shack. Initially, it housed trials in domestic mushroom growing. Later, after a makeshift acoustic touch-up - lining the walls with old cardboard egg cartons - it became a shelter for music. Sensitive, evocative, nostalgic, lo-fi music by a man named Cadillac Face.
Today we would probably use the term 'safe space', but back then it was (in Cadillac's words) kutica, a cubbyhole. He hid there from a world that ached. Here, Cadillac secretly smoked, sang, and composed. And tried not to go crazy from anxiety. He wrote music unlike anything during his time.
Here, he struggled. With sound (unable to adjust it to his liking), with instruments (which he couldn't bring himself to play), with the world (with which, understandably, he was at odds).
Cadillac Face was a man who didn't belong here.
He wrote and sang in English (in a post-socialist and early-capitalist Slovakia, when command of English was no matter of course); he also wrote in Slovak (blogs and diaries, which, due to a stream-of-consciousness and surrealist style, were as incomprehensible as they were immersive and intimate); gave advice to teenagers (to their quasi-banal questions on talking forums [about relationships, life and adolescence], where they were often met with ridicule and mockery); he composed electronic and noise music (at a time when no one had a clue what the abbreviation DAW meant).
This Cadillac's compilation album is not aiming to compete with/replicate Noizy Days - a compilation of Cadillac's contributions to the project Noize Konspiracy. Underground compilations circulated through a local proto-social network. Borderline music without rules - open but often inaccessible. There, Cadillac contributed mostly with experimental-electronic compositions. Noizy Days was compiled by Ďuro Ďurček, one of the initiators of Noize Konspiracy. Both Ďuro and Cadillac have been dead for years.
Songs For The Trees is a selection from Cadillac's songwriting. The most intimate of his intimate recordings. Cadillac at his most fragile, brittle, and quiet. The most romantic, the most tormented, the most painful and direct of his songs I know.
Cadillac became an anthropomorphic grotesque tree. Neither broadleaf nor conifer. Or perhaps it's a candle slowly incinerating – bored, sad, playing the guitar. A tragicomedy. Sometimes it kindles what it doesn't mean to, and it can't put itself out. Or can it?

4 years after their groundbreaking debut album “Happily Confused”, Ghost In The Tapes return with a new full-length, “Holidays on Earth”. This new LP sonically expands multilingual hip-hop and rap towards spiritual jazz and uplifting electronica. Still following the same process of creation through international collaborations, they gathered 26 musicians and vocalists from all around the world, including Alabaster DePlume, Matt Gedrych (Neue Grafik Ensemble), Danalogue, Marysia Osuchowska (Levitation Orchestra), Susumu Mukai (Zongamin, Floating Points), Phil FMU (Vanishing Twin, Broadcast), The Brothers Nylon, Louis Treffel (ncy Milky Band), amongst many others. “Holidays on Earth” contains 13 new tracks that push the boundaries of hip-hop and jazz hybrids, 12 of which will be released on a limited edition of 300 LPs shaped by US designer Ruff Mercy (Nas, Thom Yorke, J Dilla, Nightmares On Wax…), via BMM Records on April 5th.

Here we go again with the flow again. Drunkenstein is back on his stone cold 7inch saga. This time it goes deeper with these two slow burners. The A side rocks the instrumental track as usual and Fatlip got remixed on the B. This is a must for every jukebox owner and beyond!

The Boston MC I9ON (Part of the DOOM BROTHERZ Project), cooporate with Dublin Superproducer DJ M-1.

Iron vs Steel is an 8 Track EP with all Instrumentals on Side B.

Limited Edition of 150 Copies, Silver Clear Vinyl – Boom Bap Baby