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Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

Shuko Unveils Highly Anticipated New Album Jazzterfield 3 – A Masterful Blend of Hip-Hop, Soul, and Jazz

Celebrated producer Shuko returns with his latest album, Jazzterfield 3, a captivating fusion of hip-hop, soul, and jazz that continues to showcase his signature sound. The third installment in his critically acclaimed Jazzterfield series, this album is a sonic journey that bridges classic jazz influences with modern beats and soulful rhythms. Known for his collaborations with major artists and his standout solo work like Anderson Paak, Kanye West or Chance The Rapper, Shuko’s latest release delivers tracks that feel at home in both intimate listening sessions and vibrant playlists. Whether you’re a fan of golden-era hip-hop, rich jazz textures, or soul-soaked beats, Jazzterfield 3 brings these worlds together in a cohesive, organic sound.

Anthony "Ant" Davis' production style is often regarded for its rich, textured soundscapes that blend vintage and soulful elements with a deep emotional resonance. The second installment of his instrumental series, Collection of Sounds: Vol. 2, features smooth beats, intricate sampling, and lush, jazzy layers that create an immersive atmosphere. Here, he masterfully incorporates sly riffs and funk-laden grooves, evoking o senfimentality that highlights his ability to craft emofive and engaging music. The result is a sonically complex album where Ant seamlessly blends a mixture of funk, soul, classic R&B and hip-hop influences, awakening a nostalgic sense of bygone musical eras.

Limited Edition of 100 records on green vinyl. Exclusive run for HHV. On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

Following in the steps of last year's mysterious "Beyond the Garage" 12 inch, L.I.E.S. throws another curveball with a 30 track continuous LP from veteran West Coast producers, Vinny+Charlie. Each side running 20 minutes, this can best be described as a smoked out, haze filled afterparty beat tape on wax. Obscure samples, dusty sp-12 crushed beats, head nodding loops, sweet low rider soul..chopped, sped up, slowed down and ready to wreck your system. Limited edition white label housed in a lp jacket with custom art by LA artist SOB Story. 300 copies worldwide.

Transport yourself to the enchanting Brazilian seaside with our latest release, Bossa Lofi Compilation! Each track in this collection embodies the spirit of summer, immersing you in the rhythmic sway of sambas and the soulful strumming of guitars. Picture yourself at a lively beach party, dancing beneath the stars, or relaxing with friends on sun-kissed sands, savoring each moment. This compilation promises a perfect soundtrack for unforgettable experiences, filled with warmth, joy, and the timeless charm of Brazil's musical landscape.

Surrender to the calming essence of summer with Saturday Chillin’! Allow yourself to unwind and cherish the weekend with the soft rhythms and soulful harmonies of our latest compilation. Transport yourself to a place where time seems to slow down, enveloped by warm sunlight and fragrant flowers, escaping the bustle of city life. Let these soothing melodies set the perfect tone for your ideal summer days.

Legs Akimbo, the latest offering from the eclectic producer and DJ, Skwirl, released by Cold Busted, is a vibrant tapestry of sound that dances boldly across genres, much like its title suggests a stance of uninhibited exuberance. The album is a playground of audacious sounds and rhythms, each track splayed out with a creative audacity that's both refreshing and exhilarating. From the space-age funk of "Ur M8's Jetta," with its electrified beats and wisps of harp, to the orchestral cut-ups and synthetic soul of "Inside," Skwirl crafts a soundscape that is as diverse as it is cohesive. The album is an open invitation to experience the world through Skwirl's genre-agnostic squiggles, blips, and booms, where musical conventions are playfully disregarded. "We'll Be Here" encapsulates this ethos perfectly, blending a snazzy rhythm with snatches of jazz-infused flute, creating an ambiance akin to a midnight fog enveloping city streets. The music, much like the artist himself, is an amalgamation of varied influences and experiences, from teenage roots in the Atlanta suburbs to transformative encounters in Berlin's vibrant music scene. Each track on Legs Akimbo is a testament to Skwirl's unique approach to music-making, where disparate musical universes don't just meet; they dance together in perfect harmony.

qu’s debut album where did the sun go? presents his sonic transformation from a producer to a producer artist in his own right, not only engineering beats, but writing songs, arranging instrumentation and directing his own vision onto a full length album. where did the sun go? features prominent artists like Jay Prince (uk) and Serious Klein (ger), emerging artists Josh Kye (uk) and Malaya (us) as well as Kabul Fire artists agajon and Ninja Kidsoul. on 15 tracks qu proves his versatility in creating an alternative sound that is inspired by the music traditions of hiphop, rnb & jazz.

Limited edition of 300 copies on colored vinyl.

Paris-based producers Alcynoos and Parental team up again for "Night Shift", another beautiful instrumental outing delivering that mellow vibes to make your head nod. 13 delights with features by Soul Intellect, Lawiss and Dan Amozig. Tip!

In Emanuele Triglia's 'Moon Kin' we embark on a captivating journey where the worlds of Contemporary Jazz, Hip Hop, and Global Rhythms converge in a seamless tapestry of sound. Inspired by the likes of Karriem Riggins, Herbie Hancock, J Dilla this album pushes the boundaries of traditional jazz while embracing the raw energy of hip hop and the diverse textures of worldwide music.

At its core, "Moon Kin" is a celebration of the synchronicity between musicians and listeners, where every note, beat, and rhythm feels like a shared experience. Each track serves as a testament to the interconnectedness of musical expression, weaving together intricate melodies and infectious grooves that resonate with the soul. From the hypnotic rhythms of the drums to the sultry melodies of the trumpet, the album is a testament to the power of organic instrumentation. Layers of live instrumentation create a rich sonic landscape, where every instrument has its voice and contributes to the overall narrative of the music. "Moon Kin" is more than just an album—it's a testament to the power of music to bring people together and create moments that transcend any musical language or culture. With its innovative blend of Jazz, Hip hop, and World Music influences, this album is sure to leave a lasting impression on listeners everywhere.

The foundation stone for DC+ (lp) was laid in spring 2020 during the lockdown. The studio in the Deltaareal in Langendorf near Solothurn, Switzerland became a place of refuge and making music together became a creative outlet.The two Musicians often met by chance for sound sessions in which the first sounds of the instrumental LP were created. Electronic and yet acoustic. Relaxing and yet driving. Sometimes abstract, sometimes straightforward. With influences of jazz, hip-hop, soul, funk and electronic sounds. In collaboration with Waynemaster Studio in Bern, an album with a warm, mellow sound and high dynamics was created which stands out pleasantly from the current "loudness war" of over-compressed productions. Two Artists, close Friends of many years and masters of their trade have been enlisted to design the album cover. With the release of DC+ (lp) in winter 2023, Delta Collective is setting a first sign and inviting the listener to immerse themselves in to their cosmos.

After scoring a surprise hit in 2006’s red-hot 7” funk market with their cover of “C.R.E.A.M.,” El Michels Affair quickly turned around another smash 7” double-single of re-imagined takes of the Wu-Tang Clan. “Duel of the Iron Mics” sees the hypnotic piano hook of the “Liquid Swords”-classic elevated to intriguing heights with dramatic strings and Catch the blast of a hype version on the b-side, where “Bring Da Ruckus” is brought to life in imaginative ways not hinted at on the bulletproof original. The raw sample stabs and sub-bass of the stripped-down Wu-Tang stunner are replaced with mind-bending bass notes, and the re-played organ hook turned way up. Both of these tracks would eventually feature prominently on El Michels Affair’s landmark LP “Enter the 37th Chamber,” celebrating its 15th Anniversary in 2024.

The new LP by cologne based beatmaker Midan: An Ode to the Metronom

In the heart of Cologne, amidst the bustling streets lies a time capsule called the Metronom—a haven for jazz enthusiasts and a sanctuary for soulful conversations. It was within these hallowed walls that Midan found inspiration for his latest sonic journey.

Introducing „Conversations in Blue“ an album that transcends the boundaries of time, paying homage to the jazz-infused soul of a bygone era. As the needle gently graces the vinyl, Midan‘s beats unfold like a modern-day symphony echoing the essence of classic jazz.

Kaito, an out cold skater as well, has a couple of self-releases you can find on his Bandcamp page, which are solid & sound at home alongside his pop’s ( Todd Osborn) Ghostly International releases. This 7” EP outing spins at 33 1/3 to pack in as much as GSC can squeeze in & is straight up beatloverz heaven. What is impressive, for this old timer, is how clearly deep Kaito’s musical knowledge goes. He clearly has learned well from his father & all the good music he certainly has had at his fingertips. From Madlib to Os Mutantes to Fela Kuti to J Dilla & other artists who were not afraid to dig deep & unearth beats & melodies to tickle your fancy, Kaito’s tastes are as refined as anyone in the game. I know a number of the original source materials that comprise each track, but that I leave to you to dig out for yourself. Here I encourage you to open your eardrums & listen deep with your fav pair of headphones & let each track wash over you. From straight forward head-nodding hip-hop thumpers to beautiful Brazilian femme fatale vocals that lure you into the loop, to a Afrobeat driver that’ll break ya neck, to a mellow, soulful MPC hopper that will lovingly recall a Arlo Parks joint, to then closes out with a synth-laden spaced-out dreamy loop to end credits.

Introducing 'Planet Sp1200' by Klim. Klim, the producer and beatmaker based in Kyiv, draws inspiration from classic hip-hop, chill music, and boombap to craft music that combines fresh soulful vibes with a hard-knocking style. With over 4 million streams across various platforms, including lo-fi beat staples such as 'Night Café' and 'Butterfly,' Klim returns with fifteen tracks created using the EMU Sp-1200 and Akai S900 samplers, infusing a '90s vibe throughout the project.

Influenced by artists like Pete Rock, Lord Finesse, Jay Dee, George Fields, and Mr. Brown, Klim's music is a reflection of the magic found in everyday moments that surround him. It's a product of the emotions that stir within him, where the world serves as his artistic canvas, and each sound and melody is a heartfelt attempt to capture his experiences and thoughts. In his words, "My music is a bridge between my soul and the world, and I hope it can touch the hearts of others, just as it touches mine". Join Klim on this musical journey, where the past and present harmonize in a symphony of emotions and experiences.

Hip Dozer embarked on its journey almost a decade ago, in 2015. Diggers and producers joined this adventure, bound by a shared dedication and passion for the 90s hip-hop music and culture. Nearly 10 years since our label’s creation, the beat-making scene has evolved significantly, tingering closely with its mother genres that are jazz, library music, funk and soul music. We’re happy to be able to illustrate this continuous evolution of the artists’ skills, now richer than ever.

Eight years after the initial release of our 1st Anniversary compilation, our goal remains unwavering and will always revolve around championing the beloved art of beat-making while supporting and highlighting the talents of emerging artists.

This year, we are delighted to collaborate with some of our long-time partners: Konteks, Mama Aiuto, Shuko, KaspaHauser, SoulChef, Emapea, and some new ones—Juan Rios, doidoi, Farhot, and Tremendous Aron.

A massive thanks to all the incredible artists who jumped on board for this project! Your enthusiasm has made the journey exciting from the start, and we have much more in store for you. Thanks to all the listeners who keep tuning in with us.

Known for classic collaborative albums with artists like J Dilla, MF Doom, and Freddie Gibbs, widely celebrated producer Madlib is a sampling savant who has crafted beats for the likes of Erykah Badu, Anderson .Paak, Tyler The Creator, Logic, De La Soul, and many more. The California artist’s latest project is Liberation 2, his second collaboration with hip-hop icon Talib Kweli. A global call for unity through space and time, the acclaimed album features appearances by Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu, and more. Now, the remarkable jazz-inflected Madlib instrumentals from Liberation 2 are receiving a proper vinyl release. Following in the footsteps of past Madlib instrumental classics, this limited-edition collection features 14 compelling tracks from one of the most gifted musical minds in hip-hop history.

Twentysix artists, lots of wine and pizza, no agenda. This compilation is a collection of vibes and memories from our PLYGRND Beat Retreat in Tuscany, Italy, wrapped in songs. Featuring tracks by Kiefer, Sara Kawai, Flozigg, Adia, Kaelin Ellis, Molly McPhaul, Burrito Eats, DAO, Desh, Dhanya, Elaquent, Elijah Fox, Glimlip, Joe Bae, K Le Maestro, Louk, Mad Keys, miamore, Miri, Nokiaa, Paul Grant, DEOVI, Relyae, Saltyyyy V, Sebastian Kamae, and Tom Doolie.

Driving up a hill lined with pine trees and grapevines, arriving at a beautiful arrangement of terracotta colored houses embedded in an unreal scenery made of grapevines and verdurous greens. Roaming this area, worrying about nothing but the day that lies ahead. Bumping into fellow creatives who share the same passion for music and art. Collaborative energy coming out of this; exploring new sounds with new souls. You capture yourself getting lucky, and think to yourself: Don’t take it too seriously, it’s not that deep. But also, make some beautiful stuff, if you can.

This year's compilation is a testament to the rich diversity of talent on display. The PLYGRND Beat Retreat Compilation 2023 is not just a collection of tracks; it's a celebration of the artists who brought their A-game to our event. Get your hands on this exclusive gatefold-vinyl, and immerse yourself in the sounds that defined the PLYGRND Beat Retreat 2023. Limited edition, high-quality, and a must-have for any music enthusiast.

Blue vinyl in gatefold sleeve.

The contributions of the late Detroit producer James DeWitt Yancey - better known to the world as J Dilla- to the world of hip-hop can’t be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the groups distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. After the success of Slum’s 1997 studio debut, Fan-Tas-Tic Vol. 1, the group went to work on their follow up. Though the project was completed in ‘98, label turmoil kept the project on ice until 2000. By the time Fantastic Volume II hit, Dilla was well on his way to his status as a hip hop legend having produced cuts for Common, Busta Rhymes, Erykah Badu, A Tribe Called Quest and many more. Later works from Slum Village may have had more of an impact sales-wise (in the immediate) but Fantastic Volume II had fans and many critics saying that Slum Village, and Dilla in particular, may single-handedly save rap music. Perhaps that statement is hyperbole but many consider Fantastic Volume II to be Slum Village’s, and J Dilla’s, finest work ever. Ne’Astra now presents the complete Dilla instrumentals from this landmark release.

Loneliness, networking, climate change, big data, the Anthropocene, science fiction. In 2022, musician and producer Sebastian Birkl, alias DOT, begins work on an instrumental, narrative music project that spans an arc between these themes and draws a dystopian climate fiction with an uncertain outcome. The interplay of electronic sound and warm jazz sounds creates a futuristic dualism, the avant-garde mood is repeatedly broken up, here and there the theme lapses into a frenzy of beats: powerful, gloomy, relaxed and driving. Synthesizer pads and poetic text fragments form collages that are repeatedly accompanied by jazz elements and trumpet solos. The poetic, dark thoughts and memories of the narrating voices accompany the listener through a world that once was and a tomorrow that is blurred behind glass curtains. The lyrics were recorded by the French-Egyptian vocal artist Doc Holiday and the Iranian singer Meshkat "Meshcut" Mosavat. The trumpet solos were recorded by the renowned Munich jazz trump artist Matthias Lindermayr. The album will be released digitally and on vinyl via the Berlin label Anette Records on January 31, 2024. In times of short-lived singles & streams, the artist has deliberately opted for the concept album format in order to counter the rapid consumption of individual tracks with a kind of deceleration.

Jazz drummer virtuoso Berlin Lama is likely to be found in the studio on any given day, adding his spice, kicks and snares to tons of songs and albums throughout Switzerland, or playing gigs as a drummer for a couple of big acts. On his free time he needs to relax his muscles and his mind, crafting incredibly smooth and at the same time banging beats for himself. Taking inspiration from the likes of J. Dilla, Q-Tip, D'Angelo, the Soulquarians and the whole Neo-Soul sound of the early 2000s, Berlin is an astute observer of drum patterns (of the above mentioned) but doesn't come short adding his own swing, complexity and density in a fashion only a virtuous drummer could. We have been banging these beats hard over the time they have been chosen from the artists archive, saved for you by us, hand picked for your enjoyment. Turn it up!

It's rare to see Nassau, Covid and Grace Jones in the same sentence, but they were indeed part of the creative basis for DJ Vadim's brand new album, Feel UP.

As a busy international DJ, this was nothing short of armageddon for Vadim. The skies were darkened, but rather than sink into inactivity and hibernation, DJ Vadim created within himself his own tropical music festival, an alternative universe that would share some kind of kinship with the recordings made at Compass Point Studios, orchestrated by Chris Blackwell for Grace Jones (1980-1982), James Brown, Ac/dc, and many others...

It was a melting pot of world-class musicians, blending reggae, pop, soul and African rhythms and sounds... together creating one of the most influential albums of the period, and it was in this spirit that the inspiration and title of DJ Vadim's new album, Feel UP (literally 'Feel good' / 'Have the strength, the courage'), was born.

Forty years after those sessions at Compass Point Studios, the same quest for discovery took place in Vadim's Barcelona studio. The desire for growth, self-discovery and the creation of new sounds took hold. The dubcatcher with its 80s digital sounds went out and came back with a wide variety of musical tapas.

Inhale, exhale, Feel UP is the soundtrack you've been missing without even knowing it!

Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū Iii” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites listeners into the innermost sanctums of Meitei's existence — a passage filled with serenity, self-discovery, and the triumphant conquest of personal demons.

Meitei's journey has been deeply intertwined with his surroundings. His move from bustling Kyoto to the tranquil rural town of Onomichi in Hiroshima wasn't just a change of location but a profound shift in his life. Navigating through the ebbs and flows of mental well-being, Meitei found solace in the quiet, low-key energy of Onomichi, where he began creating his distinctive brand of "ambient" music dedicated to resurrecting ‘lost Japanese moods’.

"Kofū Iii" is not just a collection of songs; it's a window into Meitei's mind, where he reflects on ‘the Japanese mental landscape,’ as experienced during the period of his return to his hometown. This album stands as a testament to Meitei's evolution, from his tentative inner quest to a state of deep healing.

"Kofū” and its precursor, "Kwaidan,” germinated in the solitude of Onomichi, embodying the mysterious, vanishing essence of Japan that Meitei unearthed in the shadows of his hometown. With "Kofū III," this exploration reaches its zenith, weaving musical landscapes that transcend temporal bounds. Each track vividly paints bygone eras and vignettes, all while drawing on the rich tapestry of Japanese literature and mindscapes.

Meitei introduces listeners to the tranquil Hiroshima countryside in 'Reimei,' while 'Hiroshima' reflects upon the city's transformation. It explores Meitei's intricate relationship with the city and contemplates the ever-changing visage of contemporary Japanese progress.

Within the sonic fabric of "Kofū III," "Shisei" brings listeners to Japan's past, when tattoos bore the name "Shisei." Fueled by Junichiro Tanizaki's "Shisei" narratives, the song paints a sensual tale of a tattooed man adorning a woman with a spider tattoo.

Meitei's authenticity shines through in "Kofū III," where complex emotions metamorphose into a kaleidoscopic fusion of lo-fi bliss. In "Yume-jūya," Meitei recounts a peculiar dream and the lingering anxiety it left behind. Also, inspired by the famous Japanese writer Soseki Natsume's "Yume-jūya," Meitei's interpretation offers his own perspective on this comical and bizarre tale.

"Edogawa Ranpo" stands as a mind-bending loop track that pays homage to the genius of the lesser-known Japanese author Edogawa Ranpo, a pioneer of the mysterious and bizarre. This experimental piece melds folklore, electronic rapture, and distortion, echoing Meitei's fascination with Ranpo's work since his elementary school days.

At the core of "Kofū Iii" lies "Heiwa," originally titled "1945," encapsulating Meitei's profound reflection on peace education in his hometown and the weighty significance of acknowledging historical tragedies. Its renaming as "Peace" symbolizes his personal odyssey towards understanding and reconciliation.

As Meitei concludes his Kofū trilogy, global listeners are invited to embark on this voyage to unearth the hidden treasures of Japanese culture and the depths of the human soul. "Kofū Iii" is a meditation on the intangible threads that bind us to our past - a portal to Japan's veiled history, capturing the essence of Japan's elusive spirit through the enigmatic landscapes of Meitei's inner terrains.

"Kofū Iii" is slated for release on December 1, 2023, in 180g LP, CD, and digital formats via Kitchen. Label. Both LP and CD format are presented in a debossed sleeve with obi strip and include an accompanying 32-page booklet. This album is mastered by Chihei Hatakeyama in Tokyo, Japan.

Statik Selektah embarks on another trip to Honolulu for the 2nd chapter of his Hawaiian instrumental series! Once again recorded at the Laylow Hotel in Honolulu and with the help of Aloha Got Soul Records, Boston made and New York based producer has crafted another beautiful set of tracks to enjoy a beautiful day in the crystal celar waters with a fresh pacific breeze!

Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū Iii” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites listeners into the innermost sanctums of Meitei's existence — a passage filled with serenity, self-discovery, and the triumphant conquest of personal demons.

Meitei's journey has been deeply intertwined with his surroundings. His move from bustling Kyoto to the tranquil rural town of Onomichi in Hiroshima wasn't just a change of location but a profound shift in his life. Navigating through the ebbs and flows of mental well-being, Meitei found solace in the quiet, low-key energy of Onomichi, where he began creating his distinctive brand of "ambient" music dedicated to resurrecting ‘lost Japanese moods’.

"Kofū Iii" is not just a collection of songs; it's a window into Meitei's mind, where he reflects on ‘the Japanese mental landscape,’ as experienced during the period of his return to his hometown. This album stands as a testament to Meitei's evolution, from his tentative inner quest to a state of deep healing.

"Kofū” and its precursor, "Kwaidan,” germinated in the solitude of Onomichi, embodying the mysterious, vanishing essence of Japan that Meitei unearthed in the shadows of his hometown. With "Kofū III," this exploration reaches its zenith, weaving musical landscapes that transcend temporal bounds. Each track vividly paints bygone eras and vignettes, all while drawing on the rich tapestry of Japanese literature and mindscapes.

Meitei introduces listeners to the tranquil Hiroshima countryside in 'Reimei,' while 'Hiroshima' reflects upon the city's transformation. It explores Meitei's intricate relationship with the city and contemplates the ever-changing visage of contemporary Japanese progress.

Within the sonic fabric of "Kofū III," "Shisei" brings listeners to Japan's past, when tattoos bore the name "Shisei." Fueled by Junichiro Tanizaki's "Shisei" narratives, the song paints a sensual tale of a tattooed man adorning a woman with a spider tattoo.

Meitei's authenticity shines through in "Kofū III," where complex emotions metamorphose into a kaleidoscopic fusion of lo-fi bliss. In "Yume-jūya," Meitei recounts a peculiar dream and the lingering anxiety it left behind. Also, inspired by the famous Japanese writer Soseki Natsume's "Yume-jūya," Meitei's interpretation offers his own perspective on this comical and bizarre tale.

"Edogawa Ranpo" stands as a mind-bending loop track that pays homage to the genius of the lesser-known Japanese author Edogawa Ranpo, a pioneer of the mysterious and bizarre. This experimental piece melds folklore, electronic rapture, and distortion, echoing Meitei's fascination with Ranpo's work since his elementary school days.

At the core of "Kofū Iii" lies "Heiwa," originally titled "1945," encapsulating Meitei's profound reflection on peace education in his hometown and the weighty significance of acknowledging historical tragedies. Its renaming as "Peace" symbolizes his personal odyssey towards understanding and reconciliation.

As Meitei concludes his Kofū trilogy, global listeners are invited to embark on this voyage to unearth the hidden treasures of Japanese culture and the depths of the human soul. "Kofū Iii" is a meditation on the intangible threads that bind us to our past - a portal to Japan's veiled history, capturing the essence of Japan's elusive spirit through the enigmatic landscapes of Meitei's inner terrains.

"Kofū Iii" is slated for release on December 1, 2023, in 180g LP, CD, and digital formats via Kitchen. Label. Both LP and CD format are presented in a debossed sleeve with obi strip and include an accompanying 32-page booklet. This album is mastered by Chihei Hatakeyama in Tokyo, Japan.

Onda Tapes is proud to present you "Togetherness.", a compilation made with love and affection, showcasing a mixture of different beat-styles around the world. Onda is “bringing different people together”, as is the label’s motto, with this compilation by gathering friends, favourite producers and artists to make a beautiful collection of the “SoundCloud Era” beats from back in the day. It’s like a nascent dream before the label started back in 2017 while listening to all our favourite labels like Dirty Tapes, Paxico Records, Leaving Records, El Sereno Records, Burnt•tapes, Hot Record Societe and maaany many more! But the dream came true!

Sonically, the tape rides to a classic sample based hip hop instrumental album. A variety of moods, dynamics and unique touches of each producer appeared putting their craft and using ethical and sustainable sounds to serve you a very special and energetic project.

Big hug and thanks to all the artists who contributed to make this project happen.

Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Indeed, Argentinian artist Gas Lab has made a name for himself with his unique sound. Combining elements of jazz, neo soul, and hip hop in his recent creation "Vision", he skillfully merges samples with his own craftsmanship of remarkable keys and resonant bass lines. This homage to Cool Jazz and past music eras exhibits a timeless style, effortlessly balancing a contemporary tone with a laid-back vibe. "Vision" has been lauded for its emotive power, consistently drawing smiles from listeners and audiophiles while leaving them eager for more of Gas Lab's captivating music.

Hailing from Aarhus, Denmark, the quartet Clapper juxtaposes classic soul- and fusion jazz vibes with inspiration from instrumental hip hop and future beats. Their debut album "On Tempo" is showcasing the group’s knack for melodic improvisation and neck-snapping switch-ups, and, once and for all, underlining the potential on the young Danish scene today.

The four members - Frederik Emil Bülow (drums), Adrian Christensen (bass), Jeppe Lavsen (Guitar), and Malthe Jepsen (Piano & Rhodes) - are well-known faces in Danish music, also playing in acts such as Abekejser, Hvalfugl, Karmen Rõivassepp Quartet, Bangin’ Bülows Nice Jazz Quartet, and Casper Hejlesen Kvartet, respectively. Together, they’re able to strum out new music instinctively:

”It’s not important for us to adhere to any particular genre or style”, Jeppe remarks. “We just meet up, have fun, and improvise over riffs we’re digging. Having played together for so many years, it takes a very short time to click and move in the same direction. And from there, it’s simply a matter of picking and working with the best ideas from our improvised sessions.”

The same energy translates to their live shows - regular tour de forces in beat-focused jazz that, although the melodic cheerfulness might deceive new listeners, often end up in high-octane fusion workouts with crowds and musicians alike on their feet.

Village Live Records Presents: Dirty Hairy - 'Pegs'

After many moons of collaboration London-born producer and DJ - Dirty Hairy has released his debut LP titled "Pegs" under Village Live Records. However, this achievement was not easily unlocked. This bearded, meandering, low-key jazz enthusiast found himself incarcerated in a Turkish prison, where he endured regular beatings with XLR cables whilst sleeping on a bed of of slightly damp Jazz LPs

After being held at gun point for inconsistent periods of solo musical activity he was forced to cease feeding rappers and complete a comprehensive body of work to share with the world—apparently, that's what some people wanted. His family and friends staged an intervention, leading to his release on conditional bail. The condition was “ make a record “

The entire process proved to be an uncomfortable journey. However, over time, Hairy emerged from various cramped and dimly lit, international locations swamped in pungent aroma of old cardboard record sleeves as he struggled with his inability to remain still. The result is an offering of his essence encapsulated in vinyl.

Pegs hangs out to dry 9 seamlessly soulful workings combining dark hip-hop instrumental grooves with his signature jazzy undertones. The themes explored in "Pegs" range from the chaotic pandemic times to personal anecdotes recounting recent tragic experiences. The album is deeply littered with profound messages, skillfully integrated samples, and heartfelt acknowledgments directed at friends, legends, and OG’s he encountered on his journey.

In this inaugural solo endeavour as a producer, Hairy invites you to embark on an eccentric and textured voyage through his meticulously curated vinyl collection, a testament to his ardour for record digging and a discernible dash of wit. Notably, all instances of vinyl crackle are authentic and unaltered. So, whether your heart leaps for Bombay mix, corduroy moccasin slippers, or translucent teapots , this LP is bound to capture your affection. And if you happen to harbor an aversion to Hairy's countenance but find yourself in possession of the record, fear not, for you likely have a rap-inclined acquaintance who will revel in its auditory delights.

High Focus Records is proud to announce the First Official instalment in our brand new ‘Producer Spotlight’ series across digital and a Super Limited run of 50 cassette tapes. Following swiftly in the footsteps of lead single ‘I Been Surfing On A Marshmallow’, ‘Echo Of The Hidden Spruce’ is a collection of exquisite instrumental works, taking in a spectrum of styles ranging from soulful lo-fi beats, Ethereal head-nod hiphop to minimalist piano epics from the one-andonly Forest DLG. Sourcing inspiration from the likes of Portishead, DJ Shadow, J Dilla and Mobb Deep, ‘Echo of the Hidden Spruce’ offers an exquisite blend of exclusive instrumental works by Forest DLG, paired with a carefully curated collection of classic instrumentals from the High Focus highlight reel that include collaborations with Jam Baxter, Onoe Caponoe, Fliptrix and Truemendous.

Loud & Clear / N.O.R.E (Buttas Remix) b/w Cherry Blossoms (Love Notes Mix) by Strictlybutters | Galaxy Sound Co. – GSC 45-038 | Summer time vibes are here & @galaxy_sound_company is back at it with another sure-shot #hiphop donut via @strictlybutters. I got my hands on an advance copy of a limited-run test pressing & it is cut loud! Ya know ya will be boomin’ in ya, boomin’ in ya, boomin’ this in ya jeep!

Galaxy Sound Co. started taking these occasional fire #hiphopinstrumental interlude breaks from their 45 edit series to shine light on the Michigan skateboarder, cyclist, sneaker-head & bedroom b-boy beat maker Strictlybutters. With the 38th donut in the GSC 45 series, he is making his 3rd appearance on the label & it is another banger.

Side A1’s “Loud & Clear” is a straight-up, warm-up boom-bap banger. It effortlessly, teases along by MC royalty with a sweet soulful piano riff rolling along MPC delights. A joyful crowd is weaved through a familiar GWJ break calling you do get up & get down. A2’s “N.O.R.E. (Buttas Remix)” teases with a buttery-soul laced rework of with a snippet from Noreaga’s “SuperThug”. The only fault here being SB only gives us a taste at just over a minute long. More please.

Side B’s “Cherry Blossoms (Love Notes Mix)” is a killer joint in the vein of 90s hip-hop love jams, with the core sample being one of my fav sweet soul songs from Detroit, 1969’s “Maybe So Maybe No” by the New Holidays (Soulhawk Records 1008). SB lets this beat breathe to perfection, rolling fa-la-la-la’s that slide into a sexy outro.

Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”

Suff Daddy (578k monthly listeners on Spotify), is one of the legendary beatmakers who shaped a whole era of bedroom producers. His unique approach and musical understanding sets him apart from all the other fish in the pond. He has released countless genre-defining albums and EP’s over the past 15 years building a loyal fanbase. Suff Daddy's songs have previously been featured in many editorial playlists including Spotify's "Jazz Vibes" (2.1M Likes), "butter" (770k Likes), "Sweet Soul Chillout" (1.2M Likes) and many more.

Introducing "Hair Of The Dog," Suff Daddys musical journey that blends instrumental hip-hop, electronic, and dance genres. This captivating album, produced with his own Suff Style invites listeners to unwind From start to finish. Once again a Suff Daddy album thrives on the pure brilliance of his on way to create music. The album's cover art, masterfully crafted by the renowned painter Mitch (@itsallinsideus, 165k Followers), adds an intriguing visual dimension to the experience. Both artists have known each other for a long time and are currently preparing their audiovisual release- event for August 18th in Berlin. Bringing their art together as a unique experience for their audience.

The phrase "Hair of the dog that bit you" commonly denotes consuming alcohol as a remedy for a hangover, aiming to alleviate its effects. Suff Daddy plans to introduce his own hangover solution, which will be plant-based and devoid of alcohol. Through all of his career he frequently played with alcohol references and now its the perfect timing to release his own hangover cure. Additionally, this endeavor will serve as a social media catalyst for the entire project.

Having previously produced for many UK Hip Hop artists under the moniker LG, and as the bass player for The Cromagnon Band - Len’s first solo album is a funk enthused experimentation that weaves an ethereal path through jazz, break beats, folk, hip-hop and otherworldly flavours. Across the 11 track LP, the organic instrumentation sits in tandem with synthesized moments as Len’s musicianship shines through. Drafting in musical collaborators such as Oge for lead vocals on the sublime single ‘We Are Here’, Bert Page (The Cromagnon Band), Nathan ‘Flutebox’ Lee, his past cohort Biscuit (The Speakers Corner Quartet) and many more, the album takes you on a journey through Len’s musical influences while at the same time delivering something that you’ve never heard before. Like a half-developed polaroid picture or a memory faded through age, At Mothers Feet feels like the mind’s eye squinting for clarity, and leaving us unsure if these are our lived experiences or those from a past life

They all started small. But it all - the art - has become so big for very few of them. Dexter has: The Stuttgart native has been involved as a producer in the last 13 years on iconic albums by Deichkind, Cro and Casper, he was responsible for three successful Fatoni albums and, together with Max Herre, most recently put together a showcase of the GDR label AMIGA ("hallo 22"). With three instrumental albums of his own and later with the producer supergroup Betty Ford Boys, he led the way for the new self-confidence of an entire generation of local hip-hop beatmakers - fewer service providers, more attention.

The fact that Dexter himself had once started out as a rapper was often forgotten. It wasn't until "Haare nice, Socken fly" (2017) that he released his first rap solo album, and with "Yung Boomer" in 2020 he got to the heart of how his very own Grown-Man Rap works in the field of tension between trap and jazz. The fact that he brought old-school legend Lakmann on an album with Lugatti & 9ine is just one of many proofs of Dexter's exceptional position in the scene.

With his new project, Dexter goes back to the beginnings, more precisely to the era in which he celebrated his breakthrough with "Jazz Files". That instrumental album from 2010 remains a milestone in the genre-defining "Hi-Hat Club" series (Melting Pot Music). "Jazz Files" brought him overnight onto the iPods of favorite rappers and post-Dilla beat nerds, into clubs, festivals and beat fights, and into the collective consciousness of a German rap landscape in upheaval.

From this era comes a hard drive with about 400 beats thought lost, which Dexter was able to rescue a few months ago. Dexter is now releasing 25 of these instrumentals for the first time on the album "BABY STEPS (BEATS 2010-2013)", which will be available digitally and on vinyl from July 14, 2023. The productions flow and push, rumble and clatter, are remastered, but otherwise unchanged Dexter - full of jazz, psych rock and soul. And the artwork? That's by Dexter's kids and was laid out by Dexter's sister.

Family first!

Limited to 300 copies on purple vinyl, available at HHV only.

"Insomnia" is the third solo album of the Italian jazz beat maestro Koralle for Melting Pot Music. Without exaggerating, the Bologna-born producer's album can be described as his most mature and progressive work. On "Insomnia" Koralle unites a few of his favorite artists and musicians, exchanging sounds, ideas, beats, melodies and lyrics with them. The guest list consists of fellow producers FloFilz, Pachakuti, Figub Brazlevic, Kuranes, Phoniks and Brous One, as well as vocalists Kid Abstrakt, KeepVibesNear and Ryshon Jones.