Search "nas+life+is+good" 152 Items

Eevee: "here's my new ep called seeds

I want to say thank you, it's amazing how you all support my music it means a lot to me <3

there happened so many bad things in my life and I always felt depressed in my youth when my dad died I felt like I was dead inside but that opened my eyes to see what I was doing with my life and it turned into a period of beautiful transformation my mind state changed, I enjoy all the little things in life and let everything come on my path I'm so thankful for all the good things that happen to me the last couple months I feel much more happy and free

I wanted to share this because I always felt alone in my fight but you're not alone, there are many people who feel the same good things will come to you, if you focus on the positives and let go of the negatives I just hope that everyone at some point in life, find their way to be happy <3"

Flight is a collection of music from American beat maker Artifakts featuring a continuous mix of widespread emotion tied together with a warm, genuine aesthetic. From the opening synth arpeggio, Flight will have the listener engaged in a sonic journey that blends golden era hip-hop drums, space-traversed synthesis and trance inducing sample selections.

THE Sounds OF Flight feature various samples of the soul genre, while a larger portion revolve around a particular series of music created and licensed in the mid 70’s to late 80’s. With collections such as April Orchestra, KPM Music and Bruton Music Library, many of the selected samples (better known as "Library Music") were originally recorded to evoke a particular mood for accompanying other media (movies, television, etc). While much of the Library Music genre remain uncirculated, abandoned in an era with a consumer of a smaller caliber, Artifakts breathes new life into each with every passing beat. Focusing on minimal methodology, Flight utilizes a prime selection of samples and classic MPC style drum programing, all woven with vintage sounding synthesis.

As it was birthed, Flight is best enjoyed with a glass of whiskey or smoke of choice in a low lit atmosphere.

Surrender to the calming essence of summer with Saturday Chillin’! Allow yourself to unwind and cherish the weekend with the soft rhythms and soulful harmonies of our latest compilation. Transport yourself to a place where time seems to slow down, enveloped by warm sunlight and fragrant flowers, escaping the bustle of city life. Let these soothing melodies set the perfect tone for your ideal summer days.

Immerse yourself in the delicate melodies of the piano with 'Peaceful Piano', a captivating Lofi Girl compilation curated for tranquility and introspection. Featuring 38 tracks from 28 artists, this collection invites you to unwind in a spring park, offering a moment of calm amidst the chaos of everyday life. Let the gentle melodies of each track wash over you, transporting you to a place of inner peace and reflection.

Inspired by the music of one of the most iconic pop culture licenses of all time, main composition was assigned to Tee Lopes, the talent behind the music of Sonic Mania and Streets of Rage 4: Mr X’s Nightmare. His musical vision echoes the spirit of the turtles and this specific game specificities: tributes to classic Tmnt tunes with a good dose of fun and switching fluidly between 80s/90s electro, funk, rock, and jazzy tunes with chiptune vibes.

On top of that, prestigious guests were added to the line-up. Kid Katana Records are proud to host legends such as Raekwon The Chef and Ghostface Killah from the legendary rap band Wu-Tang Clan, and Mike Patton, frontman of Faith No More and Mr Bungle. They all performed exclusive tracks recorded specifically for the game and the OST.

It's rare to see Nassau, Covid and Grace Jones in the same sentence, but they were indeed part of the creative basis for DJ Vadim's brand new album, Feel UP.

As a busy international DJ, this was nothing short of armageddon for Vadim. The skies were darkened, but rather than sink into inactivity and hibernation, DJ Vadim created within himself his own tropical music festival, an alternative universe that would share some kind of kinship with the recordings made at Compass Point Studios, orchestrated by Chris Blackwell for Grace Jones (1980-1982), James Brown, Ac/dc, and many others...

It was a melting pot of world-class musicians, blending reggae, pop, soul and African rhythms and sounds... together creating one of the most influential albums of the period, and it was in this spirit that the inspiration and title of DJ Vadim's new album, Feel UP (literally 'Feel good' / 'Have the strength, the courage'), was born.

Forty years after those sessions at Compass Point Studios, the same quest for discovery took place in Vadim's Barcelona studio. The desire for growth, self-discovery and the creation of new sounds took hold. The dubcatcher with its 80s digital sounds went out and came back with a wide variety of musical tapas.

Inhale, exhale, Feel UP is the soundtrack you've been missing without even knowing it!

Mad limited edition of 300 copies on colored wax!

Cormega "Mega Philosophy" Instrumentals is entirely produced by Large Professor. This album is positively inspiring, conscious and incredibly deep. Large Professor’s tracks hit hard with his authentic “Boom Bap” sound. A Hip Hop instrumental masterpiece that is sonically appealing to beat junkies and Hip Hop purists alike. In the years in-between releasing this new album Mega’s viewpoint has been further honed by being involved in efforts for political and social change. Some of these events include being active in the protest of Trayvon Martin’s murder, going to Haiti to help with the earthquake relief efforts and a life-changing trip to Africa for Uganda Empowers. As Mega states with this new album, “Hip-Hop used to be journalistic; people spoke on what they saw and what they felt. So much has happened in the last few years, but a lot of artists aren’t talking about anything. I’m fighting for our culture.”

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Limited Edition of 100 records on green vinyl. Exclusive run for HHV. On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

On Ol' Burger Beats' new albumWelcome 2 Norway, the Norwegian beatmaker delves into Norway's rich music history and has created a record that might be his most accomplished to date. On the best beat tapes throughout history, a story is told through the samples used, and this is truly the case with Ol' Burger Beats' new album, his first on Jansen Records. Norwegian Ol' Burger Beats (Ole-Birger Neergård) has been a mainstay on the international beats scene ever since his debut album High Rhodes was released in 2014. On that record we were introduced to the Oslo-based producer, DJ, and record collector's ability to create magic from old jazz and soul records. On Welcome 2 Norway, he re-discovers many national treasure, both well-known and forgotten ones. Among other things, he has had free access to the catalog of the legendary Arne Bendiksen's old record label, he’s sampled songs by Norwegian greats Jan Erik Vold, Kåre Virud, and Åse Kleveland, and chopped and pasted forgotten ballads from old-time dance bands, along with some Christian gems from dusty basements. The result is a record that both showcases the venerable history of Norwegian music, and also highlights Ol' Burger Beats' ability to create fantastic instrumental hip-hop tunes from old and dusty classics. The last albums by J Dilla might be the biggest inspiration for this album and are good examples of storytelling through sampling. The title Welcome 2 Norway also refers to Welcome 2 Detroit, a Dilla album that introduced the listener to the various musical styles in Dilla's hometown. In addition to delivering brilliant solo albums in rapid succession, he is also keen to collaborate with other artists on different levels. There are projects where he is the producer–Mind Games from 2017 and Out of Sight, Out of Mind from 2018 – where he works with some of his favorite rappers like Quelle Chris, Pink Siifu, Fly Anakin, Maxo, and Illa J. But then we also have the magical Loft from 2022, where the12 tracks explores the world of jazz together with other jazz enthusiasts like Ralph Thomas and Wendell Harrison, and the very successful albums with the Norwegian rapper Vuyo–All Yours from 2020 and Dialogue from 2021 When talking about the new album, Welcome 2 Norway, Neergård himself says: «After doing a few collaborations with rappers that’ve dragged out a bit, with more emailing and coordinating than music production, this has been an album where I've banged out a lot of beats, and just had some fun again. The samples I've used tell stories from my life over the past few years, and I've been searching for a Norwegian sound reminiscent of the typical soul and jazz samples found in American hip-hop–and I think the result turned out quite unique!»

Krisengebeat (born 1980) is a Beatmaker, DJ, Rapper and Graffiti artist born and raised in Berlin, Germany. His strong passion & love for the Hip-Hop culture emerged in the early age instantly after hearing his big brother spinning many oldskool rap albums like "Raising Hell" by RUN DMC...

When Onyx "Bacdafucup" was released in '93 this LP had a strong influence on Krisnegebeat. Hardcore Hip-Hop along with black hoodies became his thing! In 1997 he started to drop bombs on the neighbourhood walls with chrome & black letters.

Krisengebeat experienced his first grooves by playing the real drum set back in the days. His first analog sampler / multitrack recorder was a Roland SP-808 combined with "two turntables and a mic" and some other studio gear. After trying to combine sounds for the first time on a borrowed MPC 2000XL it became his passion! He is surrounding himself with dusty drums and samples until this day!

In the early 2000's he started to record his first rap album "Nur die Besten Überleben" as a member of the German rap group Kritische Disstanz. This project was released 4 years later in collaboration with Berlin based Teroa Label by Akte One. This was also the first LP mastered by Chillerdt in the BKStudio (Berlin) and many more followed after! This collaboration tightened over the years and last until now!

One day at the beginning of the recent worldwide mix up which affected most of us, this led to a decision between moving to the studio and chill with the closest ones or just let it flow and push the pads on MPC Renaissance and start to release some instrumental music using extra free time in a productive way. That was definetely a good decision and after a plenty of motivating feedback it became the master plan to create the “ILL Vibe” instrumental LP!

Krisengebeat's - "ILL Vibe" album as a whole piece is a 34 minutes long journey through dimension of sounds inpired by the 90's Boombap golden era and filled with pure Hip-Hop flava which is now alive more than ever! Hard hitting drums combined with 12 bit samples and original noises of analog machines like the Akai S950, real vinyl crackles and all that highlighted with analog mastering! Enjoy the ride y’all!

This project is dedicated to all beatmakers & graffiti writers wordwide!

Traditionally the liner notes of an album take on a kind of third-party address, where a writer is delivering their thoughts about how an album makes them feel without breaching that space where they are representing themselves or the moment in time directly to the reader. The goal is typically a kind of timelessness, but as we live in unprecedented times, unconventional methods take on new life, and hopefully importance. In the spirit of that idea... man, is this the kind of album we all need right now. So many of us feel like we're constantly walking a tightrope, are feeling like we can't unwind, are in genuine need of a few moments of respite. Every so often an album emerges from an artist that most likely did not realize when they were composing how timely the results would be, and Lofi Dimensions is exactly that kind of record. It doesn't really matter why it's coming when it is, what's important is that it's here, offering peace to the perturbed and inspiration for the downcast. The American Dollar have long been one of those artists operating in a kind of middle ground, a band with a long history of creating moving instrumental rock that has somehow avoided ever becoming synonymous with modern American post-rock acts. They retain a sort of autonomy in a valued position just outside the boundaries of classification. Blending electronic textures with moving guitar and keyboard melodies, their music has always traveled somewhere in the spaces between trip-hop, electronic, post-rock and ambient, and this inability to be defined is ultimately what sets them apart from the trappings of genre, allowing them to be whatever they want The American Dollar to be in a given moment, always on their terms.

In honor of the 15-year anniversary of Glen Porter's debut album "Blessed by a Young Death," we are thrilled to present it as a limited edition 2xLP. This marks the first time the album has been available in its entirety on vinyl, with only 200 copies worldwide courtesy of Audio Recon, HHV, Inner Current Recordings, MISM, and Ooohh! That's Heavy.

“Blessed by a Young Death" holds a special place in our hearts and we’re sure many feel the same. The album's haunting melodies and compositions have captivated the listener since its original release in 2008. It's an album that evokes a wide range of emotions, from melancholy and introspection to moments of hope and tranquility.

In addition to celebrating the album's anniversary, this release serves as a tribute and 5 year memorial to the late Ryan Stephenson (Glen Porter). The album resonates with themes of loss, acceptance, and the bittersweet beauty of life, making it a perfect tribute to our friend and collaborator.

Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū Iii” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites listeners into the innermost sanctums of Meitei's existence — a passage filled with serenity, self-discovery, and the triumphant conquest of personal demons.

Meitei's journey has been deeply intertwined with his surroundings. His move from bustling Kyoto to the tranquil rural town of Onomichi in Hiroshima wasn't just a change of location but a profound shift in his life. Navigating through the ebbs and flows of mental well-being, Meitei found solace in the quiet, low-key energy of Onomichi, where he began creating his distinctive brand of "ambient" music dedicated to resurrecting ‘lost Japanese moods’.

"Kofū Iii" is not just a collection of songs; it's a window into Meitei's mind, where he reflects on ‘the Japanese mental landscape,’ as experienced during the period of his return to his hometown. This album stands as a testament to Meitei's evolution, from his tentative inner quest to a state of deep healing.

"Kofū” and its precursor, "Kwaidan,” germinated in the solitude of Onomichi, embodying the mysterious, vanishing essence of Japan that Meitei unearthed in the shadows of his hometown. With "Kofū III," this exploration reaches its zenith, weaving musical landscapes that transcend temporal bounds. Each track vividly paints bygone eras and vignettes, all while drawing on the rich tapestry of Japanese literature and mindscapes.

Meitei introduces listeners to the tranquil Hiroshima countryside in 'Reimei,' while 'Hiroshima' reflects upon the city's transformation. It explores Meitei's intricate relationship with the city and contemplates the ever-changing visage of contemporary Japanese progress.

Within the sonic fabric of "Kofū III," "Shisei" brings listeners to Japan's past, when tattoos bore the name "Shisei." Fueled by Junichiro Tanizaki's "Shisei" narratives, the song paints a sensual tale of a tattooed man adorning a woman with a spider tattoo.

Meitei's authenticity shines through in "Kofū III," where complex emotions metamorphose into a kaleidoscopic fusion of lo-fi bliss. In "Yume-jūya," Meitei recounts a peculiar dream and the lingering anxiety it left behind. Also, inspired by the famous Japanese writer Soseki Natsume's "Yume-jūya," Meitei's interpretation offers his own perspective on this comical and bizarre tale.

"Edogawa Ranpo" stands as a mind-bending loop track that pays homage to the genius of the lesser-known Japanese author Edogawa Ranpo, a pioneer of the mysterious and bizarre. This experimental piece melds folklore, electronic rapture, and distortion, echoing Meitei's fascination with Ranpo's work since his elementary school days.

At the core of "Kofū Iii" lies "Heiwa," originally titled "1945," encapsulating Meitei's profound reflection on peace education in his hometown and the weighty significance of acknowledging historical tragedies. Its renaming as "Peace" symbolizes his personal odyssey towards understanding and reconciliation.

As Meitei concludes his Kofū trilogy, global listeners are invited to embark on this voyage to unearth the hidden treasures of Japanese culture and the depths of the human soul. "Kofū Iii" is a meditation on the intangible threads that bind us to our past - a portal to Japan's veiled history, capturing the essence of Japan's elusive spirit through the enigmatic landscapes of Meitei's inner terrains.

"Kofū Iii" is slated for release on December 1, 2023, in 180g LP, CD, and digital formats via Kitchen. Label. Both LP and CD format are presented in a debossed sleeve with obi strip and include an accompanying 32-page booklet. This album is mastered by Chihei Hatakeyama in Tokyo, Japan.

You have to know how to move away from the rich, strong and noisy streets, if you want to discover another Havana. A Havana far from the tourist circuits and preconceived images. A Havana where one discovers bucolic, but hard and stripped too after slow journeys in the crowded buses, a Havana with which Al Quetz maintains a passionate history since more than fourteen years.

Installed in one of those neighborhoods that can only be reached by going deeper into the alleys, from the open window of the studio comes the sound of banging drums and thumping bass. The sound reaches the streets on which the day rises.

The place wakes up in a growing tumult, with some rare engines coughing, conversations under the windows, songs of the street vendors , an urban ballet sets up as the sun darts its rays. Far from the musical clichés with percussions and horns, Cuba is an island bombarded with influences that one discovers. An island which vibrated for the jazz, the soul, the psychedelic rock , from the waves coming from the Caribbean to those of the bulky neighboring ogre. A musical flowering as varied as abundant that the glorious post-revolutionary label Areito has on thousands of recordings, and that Al Quetz has designated as the sole source of his samples to compose Habanologia.

From the ambiences that punctuate the local daily life caught by his samplers, he let the melancholy infiltrate his hip hop beats, the nostalgia melting in the depths of his grooves. Nostalgia in the Cuban air, even during moments of intense laughter, which never totally disappears.

Habanologia restores these moments when the song of the birds has extinguished those of the cars. Where, sitting on a doorstep, we comment on the life of the neighborhood, we watch the women's swaying at eye level. The whole day if necessary, the coffee at one peso, after a certain hour, which leaves its place to the Planchao rum. Wandering through its streets where a chance encounter can itself bring others and lead to the essence of the habanera life. From Regla, after a short trip on the bus-boat that crosses the bay, savor the end of the day, observe the capital from afar, let the nocturnal insects ensure some arrangements and drift towards mysterious horizons, bringing to the contemplation of the place and the moment.

A flute, a keyboard, percussions or a voice. Al Quetz also invited his friends from the island or elsewhere to decorate his productions with their live touch. To share with him this Havana for which he covered his tracks, mixed times and distorted space-time to make it timeless. To write with Habanalogia, a declaration of love to the Cuban capital, to make Havana, His Havana.

The out of print vinyl debut album from Poldoore, originally released in 2015, is now getting a repress on colored vinyl. Now you don't have to pay $240.00 on Discogs to get it. Street Bangerz Volume 6: Playhouse comes from Belgium resident Poldoore, an instrumental immaculate album blending elements of Funk, Soul and Lounge. ‘Shrooms’ kicks things off with a feel good vibe and beats at about 96bpm, a smooth bumping sub bass line, funky horns, and soulful vocal samples, resonating and charming. ‘Banana Hammock’ is a unique tune with Reggae Dub influences; a crooning reggae singer sings sweetly over a velvety generous bassline and high staccato notes, and an easy going beat all bring appeal. ‘But I Do’ uses clever production, slight beat repeats with soulful organ, sincere vocals, weighty drum breaks and sweet electric guitar notes that move the listener. ‘Cali Sun’ is a song with bright tones, crescendo trumpets, steady drums, percussions and funky vocal snippets create an airy feeling of sunshine and vintage 70s influence. ‘Industry Of Love’ starts with alluring drums, a smooth snare and silky melody, an infectious rhythm with a sexy sax freely purring and adding flair. Ending the album is ‘Long Walk Home’ featuring Roselien beginning on a chill vibe with a fatty bassline and subtle percussions, the female vocalist singing earnestly, a fuzzy guitar soloing, the singer and strings seducing. Continuing the legacy of high quality street banging tunes, Poldoore creates an enticing warm atmosphere you won’t want to miss with Street Bangerz Volume 6: Playhouse.

Tenno is climbing up to the heights of his imagination in ‘Mind Temple’. Influences of East Asian instruments sound in between cinematic drums and sweeping melodies that lift your soul higher than the clouds, whilst playful chimes and organic textures sweeten the air like petals. As you ascend the staircase, you notice the air feels lighter and stiller - this is the gateway to calmer realms, where the most innovative of ideas are waiting to be discovered.

For the creation of the 3rd Bulgarian Beat Wave, we chose a small village tucked away in the northern part of the country. Dobrevtsi, located in the Lovech Province, has a population of less than 500 and is home to some pretty good rakia (a national drink you must try) based on our short, but sweet interaction with one of the locals.

This time the weather wasn’t on our side (4 days of non-stop rain), but that’s the beauty of those experiences – you go with the flow. The beat heroes you already know were joined by a new name – Vladko, who added his signature brass/groove energy to the mix. The compilation is a perfect reflection of what we all experienced – a healthy blend of feel-good cozy chill and dark/mellow vibes.

Just like the country’s diverse natural landscape, the idea behind Bulgarian Beat Wave compilation is to offer a non-linear sonic experience and guide listeners through the unique and varied sound of some of the most talented local beatmakers.

There’s nothing better than a good friend - except a good friend who shares your taste in music! ‘Better Together’ by Sátyr and marsquake is a creative, jazz-infused project born from trips back and forth between studios in Munich and Berlin, from jamming sessions in early summer afternoons into the late night. Relaxing pianos, drums, cellos, ukuleles and a few familiar faces contribute to the sound of good vibes and lasting memories.

Now, imagine this: your hopes, dreams, greatest aspirations and favourite childhood memories... That is what the new album ‘Blue Note’ sounds like, by dream duo HoKø and Lucie Cravero. A refreshingly unique lofi project, with jazz and classical influences from piano, strings and woodwinds that breathe life into every track, like a gentle breeze on a hot summer day. Who are you sharing this special moment with?

It's not officially Fall until Chillhop Music releases Essentials Fall.

Providing a fresh new soundtrack for the chilled months ahead, Essentials Fall is a 28 song 2xLP project. Featuring plenty of familiar names like Aso, Blue Wednesday, Ian Ewing, Philanthrope, SwuM, Chris Mazuera, Birocratic, Psalm Trees, Leavv, Nokiaa, as well as new trio Enough Cereals (check out their debut project with Chilhop, if you haven't already). This release confirms a new season is upon us, so spin this one well into winter, as well as the many autumns to come.

Whether you're taking a stroll through nature or reading by the fire. Whether you're enjoying some coffee or baking a pie. Whether you're meditating or picnicking or studying or stargazing. Whatever it is that highlights your life, we hope you enjoy Chillhop Music's newest compilation as a backdrop. One to blast as you put on your hoodie and cozy up for the season.

For those keeping count, this is our 35th (!!!) Essentials release. Maybe we'll do something special when we hit 40. We started this special compilation series back in 2016 with a release for every season of the year. Providing a fresh spin on the artwork every time, each calendar year presents a cohesive world-building storytelling mode and narrative arc. For 2024, our Raccoon returned to the countryside where they grew up and has spent the year catching up with family, reconnecting with old friends, taking plenty of naps, and reflecting on childhood. A time that was so long ago yet feels just like yesterday. As a result, Essentials Fall 2024 is nostalgic and steadily reminiscing on the past while also enjoying the present and all of the exciting things to come in the future.

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

Chillhop Music closes out the year with Essentials Winter 2020, a seasonal compilation featuring 25 curated tracks meant to soundtrack the cold months ahead.



Beginning back in 2016 and continuing with four releases a year, Chillhop Music’s Essentials series welcomes its 20th compilation in the form of Winter 2020. What better way to end a stressful and chaotic year than with 66 minutes of comfort and relaxation?



The 2xLP features 25 hip-hop instrumentals showcasing the best of Chillhop Music. From lofi to jazzhop to funk and ambient, this curated selection provides over an hour of atmospheric soundscapes and cozy beats.



Wherever you are in the world – whether up north experiencing snowfall or down south with a heatwave – we hope that this compilation helps to close out your year. A tough year for everyone, but we’re happy to still be here, enjoying good music with you.

A new series starting via Grilchy Party to further expand its reach into the instrumental HipHop world. Providing Lush soundscapes and highlighting up and coming producers who may not yet have broken through to the masses. We pride ourselves on being early when it comes to shining a light on talents which may have been overlooked by both the underground as well as the mainstream.The series continues with Grilchy Party Favors vol 2 Letters From Tomorrow.The album combines kerrek’s signature synthesizer and sample based soundscapes with the raw sounds that come from working mostly outside of a computer on vintage samplers. Listeners will find touch points in many of kerrek’s genre spanning set of influences, from Ohbliv and Afta-1 to My Bloody Valentine. The album is a journey through kerrek’s mind and an intimate glimpse into the process of creating an album, staying true to one’s goals, and the struggles that come along with the paths we choose to follow as artists and as people.Vocal interludes, heavy headnod energy, and sublime sample selection puts Letters From Tomorrow in good company alongside any beat tape or instrumental hip hop playlist.

"Following the release of Locations USA in 2017 and a few life situations along the way, The Jazz Jousters have finally completed the second addition to what is aimed to be the five part limited edition Locations vinyl series.

So allows us to reintroduce 'Locations: Russia', as the collective gathered once again to explore the sounds, influences and styles of Jazz music in different regions of the world.

In this session we hear the result of each Jouster as they were challenged to focus on the sounds and styles of Jazz that originated from Russia, and come up with an instrumental in their own style. See what you think of the outcome.

If you're new to these projects check out some of the previous Locations if you like what you're hearing.

As always, keep Jousting!!"

MJM

The genesis of "Nosthaigia" is as fascinating as the music itself. Onra spent several years living in Thailand, immersing himself in the vibrant culture and scouring local record shops for rare gems. The result is a collection of Thai songs from various genres, all sourced on 7 inches. These short instrumentals serve as time capsules, transporting listeners to a bygone era filled with nostalgia and longing.

Produced entirely on the Mpc1000 in 2017 and revisited in 2020, "Nosthaigia" is a testament to the power of serendipity and artistic evolution. What began as a casual exploration of unfamiliar musical territory blossomed into a deeply personal and meaningful project for Onra. Amidst a series of unfortunate life events, he found solace and inspiration in the beats he had crafted years prior.

Each track on "Nosthaigia" is a reflection of his journey, a sonic expression of longing and introspection. Onra describes the process of creating the album as a cathartic release, a way of letting go of old memories and embracing the present.

Despite the somber undertones, there is a quiet beauty to "Nosthaigia" that is impossible to ignore. Onra's vintage production skills breathe life into each track, infusing them with warmth and depth. From the haunting melodies of "Until The End" to the hypnotic rhythms of "Close Your Eyes And Remember" every moment feels poignant.

Onra's decision to "remove all the bangers" from the album speaks volumes about his artistic integrity and dedication to authenticity. "Nosthaigia" is not about flashy beats or catchy hooks; it's about raw emotion and genuine expression. It's a reminder that music has the power to heal, to uplift, and to connect us to something greater than ourselves.

In the end, "Nosthaigia" is more than just an album; it's a testament to the human experience. It's a reminder that even in our darkest moments, there is beauty to be found, if only we're willing to listen.

Instrumental version now available. AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE & FELA SOUL, brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl in full picture sleeve, limited to 500 copies.

Originally from Brussels, now based in Montreal, Senz’s first approach to cutting up records was in '98 as a DJ on a pair of Technics 1200s that he shared with his best friend, one month each. Flash forward to 2020, with close to 20 years spent producing on a variety of MPC models, Senz began making beats on his phone by bringing app-based Koala Sampler into his production arsenal, opening up a whole new chamber for him. He has worked with Da Buze Bruvaz, Giovanni Marks, Elucid, Beans (formerly of Anti-Pop Consortium), Dave Dub, Megabusive, Juga-Naut, Dibia$e, Duke Westlake, Uncommon Nasa, PremRock Brainorchestra & more.

Regarding his first official Grilchy Party release he presents "The Dream Juice Machine" the object is to bomb the senses yet make a smooth enjoyable listen. A record you can put on on a Sunday afternoon or as soon as you wake up. It just feels good. Senz set to work on what would become Dream Juice Machine after sifting through 100s of beats over several years, then Senz & MarQ Spekt selected 20+ bangers which Senz then stitched together into a seamless, trippy, boom-bap, jazz, jungle tapestry that represents the Grilchy Party Favors series properly. We are proud to present it to you on 4/19/24.

Certainly one of the core figures in the beat scene of Sofia, Bulgaria, Bojidar Vasilev – Trombobby combines his long-time passion, the trombone, with peculiar beats for a truly contemporary sound. Studied jazz trombone at Conservatorium van Amsterdam, he’s also part of acts like Southwick, Dayo, and Android Ethics. Trombobby has played with and produced for numerous musicians in Bulgaria’s thriving soul, r&b, and instrumental hip hop scenes and also teaches music production at Sound Ninja Music Academy.

Born in New Brunswick, New Jersey, TromBobby’s collaborator on Pause vol 1 – Jermaine Holmes began embarking on his musical career at the age of four as a member of his grandfather’s choir of Mount Calvary Baptist church. Jermaine performs as lead singer for Pete Rock and The Soul Brothers, and appears alongside artists like Nicole Bus, Keyon Harrold and many others on albums and stages around the world. Previously he had become an active member of the group The Vanguard since 2012 with popular R&B/Soul artist D’Angelo.

4 years ago Bojidar Vasilev embarked on a journey that’s both solo and packed with friendships. Indebted to Dilla, Knxwledge, and a whole galaxy of influential beat makers, the the fresh-out-of-Amsterdam-studies musician released his debut album Run.

With more than 100k streams on all major DSPs, the world saw TromBobby solidifying his place in the production scene and another example for the rise of the producers as lead artists. While he was already a household name in the Bulgarian r&b / soul and instrumental scene, it was Run that put TromBobby on the path of self-discovery and growth as a musician.

TromBobby’s new approach is a juxtaposition to the Forest Gump inspiration behind Run (2018) and while running did save Forest before, this new record channels his last 4 years of experience and learnings into a more laid-back and grounded destination.

On his new EP, Pause VOL.1, Bojidar, now 27, expands his attitude to beat music with neo-soul, jazz and r&b elements, going beyond sampling and with focus on live instrumentation and vocals as a production element. All that designed to create complex multi-layered music with vast emotional horizons. The take-everything-from-life-and-don’t-stop-for-a-second energy is now transformed. Still there, but somehow matured due to the realization that you really need to focus on certain things in order to achieve your goals.

It is that focus that translated into TromBobby’s ever-growing desire to play more and more instruments. Something that’s not only evident in the album’s artwork and credits, but when experiencing his music live.

On the new record TromBobby manifests the 4 years of exploration and love for collaboration with friends and same-energy people. That leads him to crossing paths with Jermaine Holmes who is an active member of the group The Vanguard since 2012 with artist D’Angelo. Their 2 collaborative tracks “longing” and “tony’s Lament” don’t only cross borders, but genres and sensations.

A big leap forward to TromBobby is utilizing his singing abilities on “box OF Chocolates” and “sunday”. Being fearless is that Run energy that translates into Pause VOL.1 and what’s going to carry on in VOL.2.

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

cxlt. and Nuver invite you on an out-of-this-world getaway with their latest album “A Moment Away”. Cinematic piano, synth and drums finished off with crisp sound design immerse you fully in this strange new environment. As the night progresses, the terrain comes to life with spirits of all kinds, and they call out to each other in a strange language. This is a whole new world teeming with stories, you’re a mere visitor - tread carefully so as not to disturb the creatures hidden in the rocks and undergrowth.

In the middle of the night, amidst the city landscape of cold, deepening blue, the warm orange glow emitting from a solitary window is a comforting sight and holds the glimpse into a story within. DLJ invites you to the top floor to experience future nostalgia with his new album ‘After Life’, the sequel to ‘Time Capsule’. Enjoy silky guitar chords, intertwined with mellow piano and muffled drum loops that resemble sweet remembrances of the past - while you gaze out into the starry sky and ponder on what the future holds.

The music of v i v (they/them) is a shuttle for your mind to a state of complete zen. Ultimately, the album you are experiencing is about a personal self-acceptance.

As a label and creative individuals, our team is excited to welcome them to the family and share this beautiful and intimate album with the world.

Tear Dance goes beyond the realm of v i v’s struggles with anxiety, depression, and insomnia. The album, which is scheduled for a release on artists’ 30th birthday, tells stories learned so far.

You need to have “Patience” with yourself to understand the “Essence” of life and go through its “Cadence”. That’s why those three songs are placed in that manner in the album, as intro, midtro, and outro.

“In ‘Patience’, you can hear me breathing slowly in the background trying to calm myself down. Mindful breathing is one of the few things that has helped me manage my anxiety. This is the reason why I tried to incorporate breath sounds in most of the songs, to symbolize that I’m still alive and fighting through my struggles. At the end of the song, I whisper to myself that ‘everything’s going to be okay’, hoping that I’d eventually fall asleep. “When The Lights Go Off” is exactly about that – the moment I fall asleep and start dreaming about the magical world of music. Almost all the songs on the album came from my dreams, so I thought it’d be fitting to open the album with this track.”, shares v i v.

“Time” is a collaboration with another Stereofox Records artist – Norwegian producer fnonose.

“Most of my late 20s, I’ve spent worrying about running out of time. This, of course, exacerbated my anxiety, and I kept feeling that time was constantly going against me. I definitely realized in the past year, after we were all forced to slow down by the pandemic, that time is actually on our side, and that we can all learn to calmly move with its flow. The faint ticking clock sound in the background, which used to trigger my anxiety, has now become a part of this lovely relaxing tune ‘Time’ that I’ve had the honour to make with one of the kindest, most talented producer I’ve met on this musical journey, fnonose.”

“Essence depicts how I hear my music ideas and what I feel when I hear them. Everything is stripped down. No fancy gear; It’s just me and the piano in the room. The focus is solely on the sound of the melodies. There’s nothing to cover up the imperfections. I try to capture those imperfections by recording this in one-take, without correcting anything. There’s beauty in having flaws. It took me a while to understand, but now I know how to embrace them. That to me is the essence of life.”

Album’s centerpiece is the pillar of v i v’s and it reveals the most intimate part of artists’ soul.

“Tear Dance tells a story of my younger self, who fell deep into depression and struggled with insecurities and self-doubt. Making music started off as a means to cope with my mental issues, but I quickly realized that that’s where my passion lies. Unfortunately, my family was against the idea of me becoming a musician. I ended up going the usual route of studying something “safe”, just to not disappoint anyone. I felt that I was always entertaining to make people happy, without them seeing the sadness that I’ve carried along with me. In a way, it’s a story about being misunderstood and invisible.”

Album’s last 2 tracks focus on different people in v i v’s life and how one person’s presence in your life can completely change your life.

“‘The Rain in Your Eyes’ is a song about having and showing empathy. It’s about myself no longer feeling invisible. I felt understood because someone could finally see the rain in my eyes and choose to stand in that rain with me. I learned that in life, we don’t have to go through the hard times alone. We can share our burden; we don’t have to act tough all the time. There is strength in being vulnerable, and that’s something we need to be proud about. On this track I’ve partnered with the amazingly talented Imelda Lizal, who has believed in me from day one and convinced me that I had it in me to complete this project. This album wouldn’t have been possible if it’s wasn’t for her. From the bottom of my heart, I thank you, Mel.

“On the other hand, ‘Cadence’ is a song I wrote for my best friend, who is featured on the track. Her dad had recently been diagnosed with Alzheimer’s, and she took upon herself to care for him and spend more time with him. As a friend, all I could do is to listen to her when she vents her frustrations to me. I felt so powerless, imagining how awfully painful it must be for her to witness her dad slowly slipping away from her. That’s when this song just flowed out of me. Through her experience, I learned that your loved ones are far more important than chasing after materialistic things, that having regrets is one of the saddest things you can experience in life.”

Birds of a feather, flock together. It is a very old saying; It means that people with the same interests 'move' the same way. Fate, to some, is but a mere theory human beings adopt to try and make sense of the world around them. To others it is something solidified in the belief of serendipity, luck or good fortune if you will. Whatever the listeners personal concept of the term, the results of two musical minds from foreign lands meeting by accident is something I find difficult to believe happened by chance.

During a cold winter in Innsbruck, while snow slept on the early morning streets, something was happening between the four walls of Philanthropes’ top floor apartment, as the rest of the city slumbered. Was it the mix of caffeine, lost love and their fondness of jazz? Or simply the right time and place, that gave way to these artists embarking on this instrumental journey together? I guess that is a question for the listener themselves.

Whatever the conclusion, I’m sure you will enjoy the fruits of their musical labour during those times. Sit down, relax and take flight; let this record give you a time for contemplation, reflection and peace.

-Eugene Saunders New Musical Times

Samus & Chill is the music of Metroid if it had a lofi hip hop soundtrack.

Samus & Chill is a tribute to the music of Metroid, Nintendo’s beloved sci fi video game series. Producer Tune in with Chewie transforms the dark, atmospheric Metroid soundtrack into laid back lofi hip hop, featuring soft piano chords, smooth vintage synths, and expressive guitar.

Samus & Chill is a carefully crafted homage to the music of Metroid.

Samus & Chill marks Tune in with Chewie’s first release with video game record label GameChops. Exploring a wide array of tracks from the Metroid series, Chewie remixes tunes ranging all the way from the series’ debut on the Nintendo Entertainment System in 1986, through Super Metroid, Metroid Fusion, and the Metroid Prime trilogy.

Chewie, real name Nestor Estrada, is a guitarist and music producer native to Los Angeles, California. Producing and composing music for over a decade, he’s also the lead sound designer at Output, a software instrument company. Chewie produced Samus & Chill with Logic Pro using custom-built synthesizers, orchestral sound libraries, and vast textures created from his eurorack and guitar. While Chewie’s been a guitarist most of his life, his piano chops also shine through across the album.

Samus & Chill features 12 tracks from the Metroid game series, including tracks from Metroid, Super Metroid, Fusion, Prime, Prime 3, Other M, and Samus Returns. Compositions by Hirokazu Tanaka, Kouichi Kyuma, Kenji Yamamoto, Minako Hamano, Masaru Tajima, and Akira Fujiwara. Compositions are licensed and used with permission.

Limited to 600 copies. A one-time pressing with this cover. An exclusive only available at Fatbeats in the US and HHV for rest of the world. For all DJs, graffiti enthusiasts and collectors. In celebration of the 20th anniversary of Non Phixion’s seminal LP, The Future Is Now, Uncle Howie Records is pleased to announce the release of a special instrumental edition 2xlp.

Comprised of group members ILL Bill, Lord Goat (f/k/a Goretex), Sabac Red and DJ Eclipse, The Future Is Now remains the group’s sole full length effort, garnering much acclaim among both critics and fans alike. Considered by many as an underground classic, Tfin boasts a production dream team that includes DJ Premier, Pete Rock and Large Professor, who had yet to appear credited together on the same album since the release of Nas’ Illmatic.

With additional production supplied by JuJu of The Beatnuts, Dave 1 of Chromeo, T-Ray and Necro, this special edition instrumental offering is sure to be a treasure for both fans of the group, as well as true school audiophiles the world over. To boot, this release marks the first time the instrumentals have been made available on vinyl in nearly 20 years!

Production aside, the LP jacket will be adorned with an overhauled version of the left half of the never before seen ‘final’ mural illustrated by Mear One. Why just the left half, you ask? Well, Uncle Howie Records will also be releasing an acappella version of the album for the first time—also as a 2xlp—which will feature the right half of the mural, making this a true collector’s edition to reel in the milestone!

This 20th anniversary instrumental edition of The Future Is Now is set for release on March 24th via Uncle Howie Records in partnership with Fat Beats Distribution.

First time, the instrumentals have been available on vinyl since 2003! Production supplied by an all-star line-up of DJ Premier, Pete Rock and Large Professor, among others. When purchased with the acappellas, both album covers will form an overhauled version of the ‘final’ Mear One designed mural, making this a true collector’s piece

When was the last time music saved your life? Yasumu has his own story to tell in ‘Escaping Reality’, a 13-track album that examines his relationship with music growing up; which shaped him into the skilled musician he is today. The German composer translates deep-rooted feelings of loneliness and uncertainty into sounds, through carefully composed drums and signature piano compositions. Intertwined with the melodies are orchestral elements that evoke the underlying beauty in his journey of self-discovery.

Fiendsh returns to Cold Busted with Hayashi Reborn, the Bangkok-based producer’s long-awaited follow-up to 2016’s To The End. The title refers to the Hayashi, a group of instrumentalists in Japanese Noh theater. Noh often revolves around themes of life, so with this album the Fiendsh alter-ego takes on the role of the Hayashi of the young beat-producer’s life. The album’s sounds are introspective and rich, combining deep rhythms and warm melodies. Sometimes a hint of Fiendsh’s Thai culture drops in, but mostly the influences are straight from the well of hip-hop, soul, and jazz classics.

"Teklife presents Afterlife, the first release on the new Teklife Records label. The album is a celebration of the life and music of the late, great DJ Rashad and features 15 previously unreleased tracks, each a collaboration between DJ Rashad and friends from the Teklife crew and beyond. A limited edition double vinyl will accompany the digital release.

Afterlife is testament to an incredible breadth of influences and love of music with soul, hip-hop, house, techno and many more all brought together at 160bpm. Rashad's presence is felt throughout in the boundless energy and creativity which run through the album, whilst each collaborator brings their personal touch to the compositions.

With such a prolific body of work as both a solo artist and in collaboration with other musicians, it would be impossible to present a definitive collection of DJ Rashad's music and many many classics will remain unreleased for ever.

Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad.

A percentage of the profits from the album will be donated to Rashad’s family.

KingUnderground Records present the instrumentals version of Lewis Parker’s sought after hip-hop record ‘Frequency Of Perception’ - a record that continued to cement Parker as a stalwart of the 90s hip-hop sound, think Tribe, Slum Village, The Pharcyde et al.

The prolific UK born hip hop legend, proves to be as tapped into the feel of a pocket as he was when he came on the scene in the 90s. “All I Got”, the album's first track, has a groove to the bassline that you won’t forget. The spacey keys show themselves early in the record and are a constant that give the record a dreamy feel, adding a mystical and psychedelic energy. Whereas “All My Life” is a well executed balance between that energy found in the flute held up by a taught backbeat, allowing it to maintain a free spirit.

The attention to detail and the intent in the sequencing and production on “Frequency of Perception” is best noticed when listening front to back. The whole album touches on dynamics in line with the iconic sound that Parker built his reputation on for decades. All while finding new ways to tell stories by further exploring instrumentation. Lewis remains consistent in his craft, continuing to cook up beats and productions with classic techniques and fresh ingredients. There is no sense of reaching, the productions exude an attitude that reaps a true passion for his craft.

Wolf’s Clothing is the culmination of a years-long undertaking into what beatsmith, Batsauce refers to as “Dark Jazz” – moodier textures; muted instrumentation; whispers within the kaleidoscopic rhythms; untold stories coming to life by way of bending bass and drums. This Is an intentional body of work inspired by the legends that Batsauce discovered during crate-digging expeditions to be repurposed into his familiar environs. Across 20 instrumental tracks, Batsauce assumes the duality of bandleader and sideman, pulling from the archives of the greats to present what is as true a representation of Jazz and Hip-Hop’s long standing synergy in the present day. Presenting to your ears and souls, Wolf’s Clothing.

Reginald Omas Mamode IV follows last year's self-titled debut album with 'Children Of Nu', set for release on 3rd November 2017.

The 20 track album draws influence from the world around us, everyday life. As we witness rising poverty, global events, political and ethnic divisions - these factors prompt some of Reginald's themes and call for humanity to recognise we are all interconnected.

We are all related. We're all brothers and sisters with common ancestry, common history and a common origin regardless of race, geographic location or belief systems. Love and compassion are universal feelings/practices we all should embrace and apply to all aspects of our lives, our interactions and our relationships, regardless of the kinship'. - Reginald Omas Mamode IV

'Children Of Nu' encompasses Reginald's musical and sonic influences - Afro Roots music through to jazz and soul. It draws from Africa as much as the west, an attempt to make a record that can exist in many contexts, the present, the future and past.

Recorded with freedom - most tracks remain from the first take - the process of creating 'Children Of Nu' was an open ended development from a natural, intuitive, starting point. Made with minimal thought of how tracks would end up, the music was led through the creative process. Born of a moment, each track is an attempt to capture that instance, mood, feeling or subject.

On the outskirts of Bratislava, in the pulsating shadows of a refinery's burning chimneys, on the plot of a family house, there stood a small shack. Initially, it housed trials in domestic mushroom growing. Later, after a makeshift acoustic touch-up - lining the walls with old cardboard egg cartons - it became a shelter for music. Sensitive, evocative, nostalgic, lo-fi music by a man named Cadillac Face.
Today we would probably use the term 'safe space', but back then it was (in Cadillac's words) kutica, a cubbyhole. He hid there from a world that ached. Here, Cadillac secretly smoked, sang, and composed. And tried not to go crazy from anxiety. He wrote music unlike anything during his time.
Here, he struggled. With sound (unable to adjust it to his liking), with instruments (which he couldn't bring himself to play), with the world (with which, understandably, he was at odds).
Cadillac Face was a man who didn't belong here.
He wrote and sang in English (in a post-socialist and early-capitalist Slovakia, when command of English was no matter of course); he also wrote in Slovak (blogs and diaries, which, due to a stream-of-consciousness and surrealist style, were as incomprehensible as they were immersive and intimate); gave advice to teenagers (to their quasi-banal questions on talking forums [about relationships, life and adolescence], where they were often met with ridicule and mockery); he composed electronic and noise music (at a time when no one had a clue what the abbreviation DAW meant).
This Cadillac's compilation album is not aiming to compete with/replicate Noizy Days - a compilation of Cadillac's contributions to the project Noize Konspiracy. Underground compilations circulated through a local proto-social network. Borderline music without rules - open but often inaccessible. There, Cadillac contributed mostly with experimental-electronic compositions. Noizy Days was compiled by Ďuro Ďurček, one of the initiators of Noize Konspiracy. Both Ďuro and Cadillac have been dead for years.
Songs For The Trees is a selection from Cadillac's songwriting. The most intimate of his intimate recordings. Cadillac at his most fragile, brittle, and quiet. The most romantic, the most tormented, the most painful and direct of his songs I know.
Cadillac became an anthropomorphic grotesque tree. Neither broadleaf nor conifer. Or perhaps it's a candle slowly incinerating – bored, sad, playing the guitar. A tragicomedy. Sometimes it kindles what it doesn't mean to, and it can't put itself out. Or can it?

What began as competition between two hip hop producers turned into a 30 day beat making challenge from Seattle’s Paces Lift and St. Louis’ Ben Bounce. The result became the framework for their collaboration LP, Quick Trigger. Two years of fine tuning, mixing and mastering and their masterpiece was finally ready for consumption. The result is fourteen lo-fi, psychedelic, beat driven tracks sprinkled with bits of spaghetti western and old vinyl crackle.

Limited edition of just 100 (hand numbered) copies worldwide

Step into the world of "Sun City" by Duan Wasi, where jazzy summer vibes meet a playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

The album title refers to a well-known graffiti piece by the french street artist Victor Ash from 1986, and musically ties in with the current discourse on how the modern polis of the future must be designed and constructed. As a living space, as a dynamic system, a creative center of an open society. Duan Wasi gives a musical suggestion for this idea.
The central metaphor here is the sun as the main element by evoking wide open spaces and room for light and carefree feelings, akin to lay back on jazzy summer vibes meeting playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

Playful notes dance effortlessly, imbuing the composition with a delightful sense of joy and ease. Soft melody weaves on their way through the tracks, intertwining with subtle jazz elements, infusing the beat with a sophisticated and laid-back ambiance.

"Sun City" embraces the essence of a sun-soaked vibe, where worries melt away, and a lightness of being takes over. It paints a vivid sonic picture of welcomeness. It's an invitation to relish the easy way of life.

"We are back! One year after the release of the "Dusty Cave" album, the DSC returns with "Elements of Survival".

Flowing through the ups and downs, the good and the bad in life we are striving to find balance and the right tools that will help us keep moving forward. One of these empowering tools is definitely music. Technic 1200's, drum machines, keyboards and records like the four elements of nature (earth, wind, fire and water), are the essential elements giving us strength in this journey.

So we are giving you this album. Enjoy the ride!"

DSC...Da Saga Continues.

The roots of Leo Anibaldi's sound. “Pro Pop” (2023) is his first instrumental hip hop album, or an incredible mix of different musical genres, always among his favorite listens, as well as a constant source of inspiration during his 'early life' as an electronic producer. The 'second' starts now. Over the months of the pandemic, the historic Italian artist has literally centrifuged blues, funk, jazz, r 'n' b and, of course, hip hop sounds within eleven brand new songs. The idea behind the project entrusted to Neo Life Records is simple: create music that can be enjoyed by everyone and listened to in company in all circumstances. A choice that also coincides with an 'old school' recording technique with old 60s microphones and tape recorders in order to obtain an apparently 'dated' sound with a melancholy background. “Pro Pop” thus embodies a different style than the noisy glories of a rave past, revealing his desire to get back into the game once more and, above all, to continue experimenting. After branding the history of made in Italy techno, experimenting with acid, breakbeat and house sounds, here is a more intimate Leo Anibaldi and, as always, against the tide.

Since our first contact with NYC based producer Thavius Beck in 2018, he sent us over 100 unreleased tracks, or beats, as he calls them. 25 of them have been selected for releases on U-trax, good for over 2 hours of music, across this album and the Lovesick EP.
Growing up in LA, Thavius Beck entered the hip-hop scene as member of Global Phlowtations, and released several solo albums under the Adlib moniker. In later years, he released five albums under his own name on labels like Mush, Big Dada and Plug Research, and also produced albums for artists like Saul Williams and K‑the‑I???, and did some remixing for amongst others Nine Inch Nails. Nowadays he combines making music with a career as a succesful certified Ableton and Bitwig trainer and as a music teacher at Berklee NYC.
The tracks vary in style a lot, but what they have in common is that they either are moody – in U-trax lingo: deep - or they are drum heavy. The common denominator would probably be 'experimental/instrumental hip-hop', reminiscent of producers like Flying Lotus. People have tried all sorts of comparisons to pinpoint Thavius' sound, ranging from 'between DJ Shadow and Orbital' and 'a mix of Massive Attack and The Orb'. None of these are spot on, yet quite a few of these tracks feel like a happy marriage between hip-hop beats and techno sounds.
Despite the fact that some tracks are 20 years old and have been made with widely different gear (one track was even made on a PlayStation 2), this selection sounds remarkably balanced, yet diverse.
From the irresistible single 'Lovesick/Still Sick' to the dark and massive 'Birdsong' (that echoes the sound of his popular song 'Atmos'), and from the head-nodding 'Work!' to the soothing 'Reunited With The All' - if this collection showcases anything, it's Thavius' brilliant production and composing skills, as well as his wizard-level sampling techniques. The result is a luscious electronic music album with a broad appeal.
Available on double 180 grams colored vinyl vinyl, comes in gatefold picture sleeve.

In an effort to try to do some good in the world, we gathered the fam to put together a mega compilation in order to raise some money to help people in Syria. 100% of proceeds will be donated to help support the White Helmets, people dedicated to saving lives affected by the ongoing war.

Hosted by Inner Ocean Records + O-NEI-RIC Tapes + Saikei Collective, we gathered 111 lofi tracks from 111 different artists. The compilation spans 2 fully loaded tapes with approximately 100 minutes per tape, totalling almost 4 hrs of super chilled beats.

We present the third instalment of our mega compilation album, FUTURES Vol. 3, containing 46 artists with 44 tracks running in at 82 minutes. Fam unite on this ultra chill release, featuring the quality grooves of some lo-fi community favourites and some fresh faces to the scene.

This is one for the people, all the studio dwellers lighting up their SP's providing the soundtrack to the forever chill life.

Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!

Eclectic Perth-based lifestyle brands and artistic communities, 823 and Butter Goods, join forces for “All Things Considered Volume 2,” a compilation spanning genres and continents.

If you’re like us, you prefer treats that can fit in your hand. The analog kind, broken free of the digital ether. Luckily, you can finally satisfy your real-world cravings with our Limited Edition Tape release of Lofi Snacks - Vol. 1.

Boasting over 1.5 hours of playtime, the compilation includes all 43 singles from the first round of the series and features tracks from some of the sweetest names in lofi. It is a well-balanced offering of yummy beats and is a feast for the senses wrapped in artwork from the juiciest illustrator in the game, Zom Kashwak.

An absolute must for anyone looking to fill up on the good stuff before the next round of snacks.

The vinyl album is limited to 300 copies. “Dreamwalks” as well as the other songs on “A Dive Into the Subconscious” musically reflect the emotional level of memories and experiences of the producer. Drips Zacheer deals with central issues of his life, such as family, friends, travel and also fears and tries to reach the subconscious of his listeners through this sound game. The appropriately playful cover designs come from the Berlin artist and illustrator Rahel Süßkind. Drips Zacheer is a real beatgeek on the midi controller. The 25-year-old musician has been producing hip-hop instrumentals for almost ten years, which are based on LoFi, Chill-Hop, BoomBap, jazz and also progressive rock and Bossanova. Until he was 19 he grew up in Chalkida, the capital of the Greek island of Evia, until he moved to Rhethymno on Crete to study audio engineering. He started out in 2011 as a producer for a befriended hip-hop crew, and in 2016 he began producing beats for himself. Since then he has established himself as one of the most relevant producers in the Greek beat scene and with his choice of sounds shows that he has a knack for vinyl samples and harmonic arrangements. His upcoming album “A Dive Into the Subconscious” makes it clear that instrumentals are not only used as a background for rappers, but have earned their own standing in the scene. Drips Zacheer produces beats to listen and linger - a little journey into your own subconscious.

Killer anthology of all the good one's Biggie was spitting over. Tip!

4 years after their groundbreaking debut album “Happily Confused”, Ghost In The Tapes return with a new full-length, “Holidays on Earth”. This new LP sonically expands multilingual hip-hop and rap towards spiritual jazz and uplifting electronica. Still following the same process of creation through international collaborations, they gathered 26 musicians and vocalists from all around the world, including Alabaster DePlume, Matt Gedrych (Neue Grafik Ensemble), Danalogue, Marysia Osuchowska (Levitation Orchestra), Susumu Mukai (Zongamin, Floating Points), Phil FMU (Vanishing Twin, Broadcast), The Brothers Nylon, Louis Treffel (ncy Milky Band), amongst many others. “Holidays on Earth” contains 13 new tracks that push the boundaries of hip-hop and jazz hybrids, 12 of which will be released on a limited edition of 300 LPs shaped by US designer Ruff Mercy (Nas, Thom Yorke, J Dilla, Nightmares On Wax…), via BMM Records on April 5th.

This regular LP edition does not come with the (Bandcamp-only) seeds!

Amsterdam's resident by choice, Torky Tork's Seed Tape Vol.1 is a reminiscences to his love for growing plants. Having created his own personal "music for plants" project, to keep flora and fauna entertained and triggering the blooming process.
Simultaneously to the album, Torky's own OK KUSH weed-strain will be introduced to the world. The lush & laid-back stimulating sounds and baselines are beneficial for the plants and the listeners cortex equally.
Torky's sound - even across various projects can be described with the broad spectrum of influences. The restless Berlin native has never stuck to one formula. His urge for ever new input is reflected by the constant change in the centre of his life - for some years now, he has been constantly traveling back and forth between his Berlin Bunker studio and Amsterdam, his home of choice. So the influence of weed has naturally been around him for a while, yet inspiring him to dive into the album TWO BE OK.
The illustrious line-up of musical guests on the album contains Germany’s most in-demand producers, the self-taught bedroom beatmaker FloFilz, Berlin’s bunker studio affiliate S. Fidelity, wine aficionado Dexter (also mastering engineer of the album), Wandl and more. This is the perfect soundtrack for watering your favourite plants while watching them grow.

It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others. Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.

“The womb is The Stargate of Humanity” says Ras G, relating to the concept of his latest proper full-length – an astral ode to woman. “Stargate Music is a record that I livicated to the Womb-man…to the Vagina, The Stargate from which beings emanate life on this planet. I gathered these sound pieces and presented it as a reflection of the life cycle of beings on this planet.”

G has always been more to us than an influential L.A. beatmaker, but rather the luminary with an infectiously heartfelt zero-fucks-given philosophy towards raw experimentation in the Los Angeles underground producer scene since the early 2000s.

“From The Primordial Water Formation we flow thru The Stargate….and one’s great journey reconnecting and returning to the sweet nectar that is The Stargate….and this is the soundtrack to the journey.”
-Ras G

Mutual Intentions is proud to present “Mutual Friends” - their first compilation. The compilation is put to life by Stian Stu from Mutual Intentions and features top notch, jazzy hiphop beats from producers such as FloFilz, Bluestaeb, Fredfades, Elaquent, Ol’ Burger Beats, SRAW, 10.4 ROG, Yogisoul and many more. Artwork by Boiler Room’s own Joe Prytherch.

Corner Bump

It's not officially Fall until Chillhop Music releases Essentials Fall.

Providing a fresh new soundtrack for the chilled months ahead, Essentials Fall is a 28 song 2xLP project. Featuring plenty of familiar names like Aso, Blue Wednesday, Ian Ewing, Philanthrope, SwuM, Chris Mazuera, Birocratic, Psalm Trees, Leavv, Nokiaa, as well as new trio Enough Cereals (check out their debut project with Chilhop, if you haven't already). This release confirms a new season is upon us, so spin this one well into winter, as well as the many autumns to come.

Whether you're taking a stroll through nature or reading by the fire. Whether you're enjoying some coffee or baking a pie. Whether you're meditating or picnicking or studying or stargazing. Whatever it is that highlights your life, we hope you enjoy Chillhop Music's newest compilation as a backdrop. One to blast as you put on your hoodie and cozy up for the season.

For those keeping count, this is our 35th (!!!) Essentials release. Maybe we'll do something special when we hit 40. We started this special compilation series back in 2016 with a release for every season of the year. Providing a fresh spin on the artwork every time, each calendar year presents a cohesive world-building storytelling mode and narrative arc. For 2024, our Raccoon returned to the countryside where they grew up and has spent the year catching up with family, reconnecting with old friends, taking plenty of naps, and reflecting on childhood. A time that was so long ago yet feels just like yesterday. As a result, Essentials Fall 2024 is nostalgic and steadily reminiscing on the past while also enjoying the present and all of the exciting things to come in the future.

Dressed in a powder blue suit with the frilly shirt to match, DJ Yoda invites you to be his +1 for ‘Prom Nite’, his new album promising retro Americana full of daydreaming reverie, international megastar guests, trip hop acknowledging the likes of Morcheeba and Nightmares on Wax, and the turntable extraordinaire’s bread and butter of cuts, beats and rhymes. Certainly no stranger to retro sounds having famously peppered his DJ and AV sets with the unexpected the world over, and his ‘How to Cut n Paste’ mix series going all the way back to the 30s, Yoda’s harp-laden puppy love vibe spreads from the sweet and mellow sound of 2019’s ‘Home Cooking’, an album described as ‘boundary-breaking’ by Mojo upon slotting nicely into the UK’s blooming jazz canon. Think deliciously harmonised doo-wop murmuring ‘Goodnight Sweetheart’ with an eye for dreamboats en route to Makeout Point – on ‘My Energy’, Eva Lazarus takes the form of an earth angel, with Yoda on jukebox cut-ups, taking it back to starry-eyed, clean cut days of wonder (or more recently, Little Mix’s ‘Love Me Like You’). Beginning enigmatically with the assistance of Hollywood A-lister (and former next-door neighbour) Lily James, ‘Breathe’ demonstrate Yoda’s continued evolution as a musician (not to mention shrewd decision maker), with James’ vocal confidence - a little Lana del Rey to her breathiness - returning on the velvet-smooth ‘Airplane Mode’. It’s a smartly executed soundclash accentuated by LA rapper Choosey, the star of the album’s straightest hip-hop shooter ‘Harder I Rock’. Homeboy Sandman adds some kick to the prom punch with typical wordplay sent down ‘Coconut Grove’, and Liam Bailey i s perfectly cast for the darkly cinematic sway of ‘Don’t Even Try It’. On an album of many talking points, the LP’s crowning glory is opening single ‘Feel Like Home’: featuring the vocal comforts of the House Gospel Choir, it’s your go–to pick-me-up when the chips are down, targeting the hairs on the backs of necks like a softer focus version of Jamie xx’s ‘Loud Places’. Extended into an alternative, equally uplifting form by Beardyman’s ‘Don’t Mean Thing’, summer festival season already has its homecoming anthem. With tongues wagging, the twists and turns step away from Heartbreak Ridge when O Love tucks into the mouthwatering shopping list funk of ‘Way Home’; and ‘Lesson 1956’, featuring Jamie Cullum and DJ Woody, jauntily pays homage to classic Cut Chemist alchemy, Yoda’s celebrated turntable tomfoolery back in full effect and extending the flavours found in ‘Home Cooking’. Again maximising the experience and enjoyment gained from recording live instruments and prioritising songs over beats, Yoda continues to progress with a mixture of risk-taking, elite musicianship, nostalgia brought bang up to date, and ultimately, good clean fun capable of stirring your soul, making ‘Prom Nite’ a date to remember. Magpie artwork supplied by London’s Endless, whose signature style has tagged Liberty and Lagerfeld as but two high profile clients, Yoda again maximises the experience and enjoyment gained from recording live instruments and prioritising songs over beats. His continued progress mixes risk-taking, elite musicianship, nostalgia brought bang up to date, and ultimately, good clean fun capable of stirring your soul, making ‘Prom Nite’ a date to remember.

LTF’s excursion into the unknown continues. Following the retrofuturistic Soviet jazz-funk sample madness on ‘Monolith,’ the productions on this album yet again spiral deep into dug-up sounds. To quote an article by Flea Market Funk about LTF’s music: “Sampling former Ussr wax and giving heads all around the world the chance to actually experience his version of that music—sample by sample—is what music is all about: sharing, learning, and preserving.”

For ‘Cinematic Wax,’ the producer from Omsk, Russia used rare records from countries including Russia, Georgia, Tarastan, Poland, Greece, and Hungary as his source material. “To this day, the 70s were the pinnacle years of musicians’ skill and imagination,” says LTF. “The only thing I can do is dig deeper and deeper into the crates and bring these masterpieces back to life.”

Since LTF’s first official record (2015’s ‘Light The Fuse’ on Black Milk Music), listeners kept telling him that his productions evoke a ‘cinematic feel.’ “I never really understood what they meant with that,” he admits. “I was just making jazzy, funky, boom-bap sh*t! Time went by, and people kept telling me how ‘cinematic’ my beats are. So this record is kind of an answer to the idea that was planted in my mind.”

Song titles like “Tbilisi City Walk” and “Tea Ceremony with Bamboo Monster” indicate the vivid approach to naming his funk breaks and boom-bap-minded productions. “I always try to put the feelings my production process evokes into the name of the tracks. To me, that’s quite hard to put into words. But in the end, finding the right way to describe those moods is extremely satisfying.”

There’s also a meaning to one of the vocal samples in the album’s intro track: a Secret Intelligence Agent from a Bond movie says how he “lights the fuse in any explosive situation.” A hint to the meaning of his artist name LTF (Light The Fuse), and a reference to his way of working with samples: explosive sounds of horn stabs, brass, bass, and breaks. Carefully digging for hidden material like a spy himself, distilling only the most treasured parts.

Roll the opening credits…