Search "record+storage" 355 Items

Over the last two decades, 20syl has crafted a unique, hip-hop infused, electro musical universe. He inherited a rich musical knowledge and a genuine understanding of analog and vintage sounds form years of classic beat making. He first got his start with Hocus Pocus, a band he founded in 1995. As the mastermind behind the band’s five LPs, including their Gold Record Place 54, 20syl has proved himself to be a visionary artist. A member of C2C - a turntablist quartet with whom he has won 4 DMC world titles – he took the genre mainstream with the groundbreaking album Tetra (2012). This successful opus was rewarded with 4 French Grammys and a Double Platinium Record.

In 2014, 20syl launched his solo career while still working with a few hand picked underground artists such as Grems, Raashan Ahmad and Blitz the Ambassador. In the recent years the prolific producer has taken his trademark overseas with popular remixes of ScHoolboy Q, Rihanna, and King Krule – setting up a booming environment for the 2014 release of his anticipated first solo EP, Motifs.

Co-founder of On And On Records, 20Syl has imposed himself as a flagship of the expanding new scene. Passionate about visual arts, 20Syl designs his artwork and direct his music videos.

A free electron, he seduces the public with his sharp identity and his ability to turn his own original creations into major musical trends.

Limited edition of 300 copies on colored vinyl in gatefold sleeve.

Dive deep into the new harmonics of 40 Winks. Field Recordings takes you on a new sonic journey. On the road with their favourite Tascam, accidental recordings get implemented perfectly to 40 Winks’ meticulously chopped signature sound. Jazz, soul and gospel influences float beautifully to the surface throughout this LP. Sit back and drift away on this trip...

Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

Originally released in 2007 on now defunct MERCK Records, ‘Sound Puzzle’ has never before been pressed on vinyl in its entirety and now also includes highly exclusive bonus material that has only been available on a very limited run of 100 cassettes back when it was first released.

A record that would foreshadow 40 Winks’ ascendance on the stage of left-field instrumental productions and paved the way for what has been an outstanding discography over the course of well over 10 years, ‘Sound Puzzle’, as the name implies, is the amalgamation of a myriad of samples, drums and loops, infused with film references, skits and humor, creating a release that begs to be listened to in its entirety.

‘Sound Puzzle’ is now available on vinyl for the first time. The exclusive remastered deluxe set includes previously unreleased bonus material and comes out worldwide on limited gatefold white vinyl and cassette.

Originally released in 2007 on now defunct MERCK Records, ‘Sound Puzzle’ has never before been pressed on vinyl in its entirety and now also includes highly exclusive bonus material that has only been available on a very limited run of 100 cassettes back when it was first released.

Limited edition of 500 copies on white vinyl!

A record that would foreshadow 40 Winks’ ascendance on the stage of left-field instrumental productions and paved the way for what has been an outstanding discography over the course of well over 10 years, ‘Sound Puzzle’, as the name implies, is the amalgamation of a myriad of samples, drums and loops, infused with film references, skits and humor, creating a release that begs to be listened to in its entirety.

‘Sound Puzzle’ is now available on vinyl for the first time. The exclusive remastered deluxe set includes previously unreleased bonus material and comes out worldwide on limited gatefold white vinyl and cassette.

"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

Adam Deitch, Grammy-nominated artist & world-renowned drummer of Lettuce and Break Science, has released his latest Producer album ‘take Your Time’ via his record label Golden Wolf Records. This is Adam’s third full-length Producer album, and showcases the multi-talented musician’s production prowess and beat-making abilities. The record offers a heavy dose of drumming (of course), but the tunes soar to new heights with dreamy electronic beats as the backdrop and genre-spanning undertones– hip-hop, soul, r&b, and funk to name a few. This release is sure to delight both fans of Adam’s multiple other projects and new electronic listeners alike.

The sixth album from legendary hip-hop group Souls of Mischief, There Is Only Now, is a unique cinematic 90s crime
tale of love, loss, and revenge. A conceptual collaboration with producer Adrian Younge and the first release on his freshly launched Linear Labs Records label, There Is Only Now gets its inspiration from a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto early in their careers. Set in 1994, There Is Only Now serves as a bookend to two decades of music since the release of their seminal debut album, ‘93 Til Infinity.

There Is Only Now sees the Souls of Mischief crew members trading bars with a cast of hip-hop and soul luminaries.
Narrated by A Tribe Called Quest member Ali Shaheed Muhammed—as DJ for fictional local Oakland radio station K-NOW—the album’s story unfolds under his all-seeing eye. Busta Rhymes makes an appearance as the story’s villain, Womack, on “Womack’s Lament,” while William Hart of the legendary vocal soul group, The Delfonics, lends his buttery falsetto to the contemplative “Another Side of You.” Snoop Dogg drops knowledge on the situation between Stoney and Womack with an ice cold verse on the title track “There Is Only Now,” and Scarub from Living Legends goes in on “Stone Cold.”

Souls of Mischief and Adrian Younge have created a hip-hop album like no other. The result of a special moment for all
involved, There Is Only Now proves that after two decades in the rap game hip-hop’s Fab Four remains committed to
the expansion of their legacy as hip-hop innovators and pioneers.

When Ajax Tow travels in his Pop Western landscapes, you can be sure there’s always a perfect 70’s road trip soundtrack. Italians cowboys meeting the legendary Miriam Makeba in Rennes suburbs... For his 3rd album The Soul Vegetable Orchestra, Ajax Tow is bringing us on a ten tracks sonic adventure, where many inspirations and references collide. The succession of tracks inspires many feels and moods from sipping a good old bourbon, dance in the kitchen, or gallops though the plains of Napoli. We can found the influence of Danger Mouse paying hommage to the late Ennio Morricone (Roma, 2011), a cinematic side of Shawn Lee and Misha Panfilov, from music library à la JeanClaude Vannier to the Band Voilaa, a little glimpse of pimped Ninja tune, a reworked organic Mo’Wax vibe, all mixed up and spiced up with a Tricky style. This album is also the result of a collaboration with Dan Voisin (Modul-Club, Eighty…) at the production and drums with Rennes city scene musicians who gives a hand on this album: Romain Baousson (Coupe Colonel, Bikini Machine…) on drums, Sax Machine and Racecar (Saxtoys Records) on horns and vocals, Dj Marrrtin (Funky Bijou, Lord Paramour) on beatmaking, Medline (My Bags) on Flûte. As a special guest, the late and legendary Miriam Makeba appears on “Magic Miriam”. “Feel it” is definitely setting a west coast on the LP with a Jurassic 5 inspiration, accompanied by a spicy rhythm, MC Racecar (Sax Machine) flows and lyrics brings even more energy to the track. On “Movie” and “Silence”. Ajax Tow give us a nice taste of his favorite psychedelic blends, romantic and intimate at the same time, where we found back Fuzz guitar with 60’s Eric Clapton style (Cream era) and Pink Floyd synths Flavors. The cinematic style and first notes of “So What” reminds Air first EP and the beautiful bass of “Melody Nelson”. For the dessert, “Smallville” is a kind of wedding cake with 70’s loops sprinkling that brings us to Phillipe Sarde’s La Grande Bouffe soundtrack, but with a more contemporary feeling.

Cover as new with slightly dented corners.
Record with just a few paper scuffs.

You have to know how to move away from the rich, strong and noisy streets, if you want to discover another Havana. A Havana far from the tourist circuits and preconceived images. A Havana where one discovers bucolic, but hard and stripped too after slow journeys in the crowded buses, a Havana with which Al Quetz maintains a passionate history since more than fourteen years.

Installed in one of those neighborhoods that can only be reached by going deeper into the alleys, from the open window of the studio comes the sound of banging drums and thumping bass. The sound reaches the streets on which the day rises.

The place wakes up in a growing tumult, with some rare engines coughing, conversations under the windows, songs of the street vendors , an urban ballet sets up as the sun darts its rays. Far from the musical clichés with percussions and horns, Cuba is an island bombarded with influences that one discovers. An island which vibrated for the jazz, the soul, the psychedelic rock , from the waves coming from the Caribbean to those of the bulky neighboring ogre. A musical flowering as varied as abundant that the glorious post-revolutionary label Areito has on thousands of recordings, and that Al Quetz has designated as the sole source of his samples to compose Habanologia.

From the ambiences that punctuate the local daily life caught by his samplers, he let the melancholy infiltrate his hip hop beats, the nostalgia melting in the depths of his grooves. Nostalgia in the Cuban air, even during moments of intense laughter, which never totally disappears.

Habanologia restores these moments when the song of the birds has extinguished those of the cars. Where, sitting on a doorstep, we comment on the life of the neighborhood, we watch the women's swaying at eye level. The whole day if necessary, the coffee at one peso, after a certain hour, which leaves its place to the Planchao rum. Wandering through its streets where a chance encounter can itself bring others and lead to the essence of the habanera life. From Regla, after a short trip on the bus-boat that crosses the bay, savor the end of the day, observe the capital from afar, let the nocturnal insects ensure some arrangements and drift towards mysterious horizons, bringing to the contemplation of the place and the moment.

A flute, a keyboard, percussions or a voice. Al Quetz also invited his friends from the island or elsewhere to decorate his productions with their live touch. To share with him this Havana for which he covered his tracks, mixed times and distorted space-time to make it timeless. To write with Habanalogia, a declaration of love to the Cuban capital, to make Havana, His Havana.

Anzola is a Toronto based Venezuelan-born recording artist and multi-instrumentalist, whose loop-based neo-psychedelic music incorporates elements of Instrumental Hip Hop, Electronic, Jazz, and Latin genres. Utilizing samplers, classic synths, drum machines, and live instrumentation, Anzola’s sound is groove-heavy and often depicts a laid-back landscape. Anzola is set to release his upcoming self-produced six-track EP entitled Bodega, on April 8, 2022. The record was developed throughout the course of 2020 and into early 2021 and was recorded at Anzola’s home studio in Toronto. Throughout the pandemic, Anzola continued working on music while re-building his home studio in a new physical space. This provided an opportunity to experiment with different layouts of his gear, which impacted the ways in which he interacted with the equipment. Bodega was born out of a manipulation of immediate loopable tracks for Anzola’s keys and synths, and fluid rhythmic changes that progressed as the songs themselves were created. Anzola’s previous 2020 release, Caracas, was a six-track EP that embodied his experience of growing up in the city of Caracas. The record celebrated his youth and explored the parts of himself that were left behind when he immigrated to Canada. Caracas was entirely self-produced and was created instrumentally utilizing drum machines, bass, synths, electric pianos, and samplers.

This is Apollo Brown's very first beat collection put together in 2007 a few years before winning the Red Bull Big Tune Championship in Detroit and then signing to Mello Music Group. The collection has been such a popular record around the Mello Music Group office for the past few years that we decided to make it available to everyone for a one time pressing on vinyl. Over 30 tracks from Apollo Brown.

Apollo Brown’s Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them. Includes bonus 5" feat. Roc Marciano!

Flight is a collection of music from American beat maker Artifakts featuring a continuous mix of widespread emotion tied together with a warm, genuine aesthetic. From the opening synth arpeggio, Flight will have the listener engaged in a sonic journey that blends golden era hip-hop drums, space-traversed synthesis and trance inducing sample selections.

THE Sounds OF Flight feature various samples of the soul genre, while a larger portion revolve around a particular series of music created and licensed in the mid 70’s to late 80’s. With collections such as April Orchestra, KPM Music and Bruton Music Library, many of the selected samples (better known as "Library Music") were originally recorded to evoke a particular mood for accompanying other media (movies, television, etc). While much of the Library Music genre remain uncirculated, abandoned in an era with a consumer of a smaller caliber, Artifakts breathes new life into each with every passing beat. Focusing on minimal methodology, Flight utilizes a prime selection of samples and classic MPC style drum programing, all woven with vintage sounding synthesis.

As it was birthed, Flight is best enjoyed with a glass of whiskey or smoke of choice in a low lit atmosphere.

"Dark Smoke" is the debut release from the Danish Jazz & Hip Hop outfit Athletic Progression. 9 tracks with the help of Minna Forouzandeh, Isatta Sheriff and Blacc El.

"When we recorded Dark Smoke in late 2016, Athletic Progression was a quartet featuring our main man Ole Koefoed Larsen on guitar. Our group composition and sound has changed since then, but reflecting our common background in hiphop, Dark Smoke is where our story began, and a fitting introduction to our musical universe." - Athletic Progression

Aver created the first draft of the album between finding out about Joey's passing and attending his funeral. He arranged musical collages out of voice messages and breaks he and Joey had sent one another alongside previously unreleased material he made during lockdown with Doron Segal. The process initially served as a form of musical therapy, but after completing it and sharing it with a few friends, Aver realised that it might also bring joy to other people that knew Joey, as well as introducing those that didn't to the lovely ginger fellow behind Village Live.

The finished album features cuts by Jazz T, Evil Ed and Omas, as well as additional voice messages donated by Kuartz and Matt Smith. Mr. Krum has done all the design work for the the booklet and the gatefold cover, which features a photo-collage by Aver of the Aroe piece outside Rarekind Records, as well as the huge blockbuster at Black Rock, Brighton.

RIP Joey Deez

B-Side is one of the cornerstones of the german Instrumental-beats scene and has been here for a minute. His unique approach for cutting and programming drums made him well known and gave his music a very distinct touch. His last LP came out three years ago and since then he released a number of collaborations with other international producers, rappers and singers. But now it’s time to show the world his interpretation of modern Instrumental-beats. Of course is he a man of the classic retro jazzsound but his record „Inner Life“ is pushing boundaries to the next level. Rhythmical Trap patterns clash with head nodding Boom-Bap vibes. B-Side really took his time. Three years of constant work on the right sound for this album did certainly pay off. This Record takes you on a journey that is not your average sleepy sound. It is hypnotizing and straight up futuristic, both sonically- and productionwise. It just sounds grown up, but in a good way.

He gathered a bunch of his friends for some partial collaborations. Devaloop, Tesk, OG Nuage, Ødyssee and Flitz&Suppe are really contributing to the whole picture of „Inner Life“.

While the world is busy chasing the right sound for playlists, B-Side made an album that will stand the test of time. Purely good music by an artist that is passionate about his art. He mixed and mastered every single track and also took care of the complete artwork himself with photos shot by Flitz&Suppe. Inner Life is released on The Breed's WE RUN This Records.

‘Oak Dreams’ is the third collaborative release from London-based lyricist Benny Diction and Melbourne producer Able8, following their ‘Spring' EP and ‘Life Moves’ album. The seeds of the project were sown one August, when Benny chose to swap the English summer for the Australian winter and essentially move in with Able for a month.

Between shows, tram rides and copious bowls of laksa, the pair set about putting together their third release. The process was different from previous projects as working in the same physical space facilitated a more direct dialogue between them, allowing Benny to have more input on production.

Although they initially had more fresh recordings, they eventually eschewed quantity for quality to narrow it down to these 6 tunes.

The EP begins with ‘Connected’, Benny’s opening bar serving as a concise comment on his climatical exchange at the time: ‘It’s scarves in August, so we warm it up’. This then segues into ‘Round Again’, where he delivers a double-time flow over a Wurlitzer-driven trap instrumental, concluding with the closing line: ‘In this short life, I spread love, knowing in due time, it comes round again’.

This is followed by ‘FFWD’, where Benny is joined by Perth-based emcee Mathas to analyse the advancements that have been made in society, along with the advantages and disadvantages that they entail. Benny’s focus is technology, whilst Mathas’ is medicine. The EP then takes a break from the vocal tunes with the haunting instrumental track ‘All Year Round’, again revisiting the ideas of seasons and cycles introduced earlier on.

The following tune, ‘Oak Dreams’, on which the EP is based, finds Benny drawing parallels between the growth of trees from seeds and the creative process, bringing thoughts and ideas to fruition and manifesting them in reality, inspired after Able sent Benny the euphoric, uplifting instrumental of the same name. The project then concludes with closing track ‘On Balance’, where Benny exchanges bars with longtime collaborator MNSR Frites about the proverbial plate spinning they perform as part and parcel of London living.

Oak Dreams also features cuts from veteran turntablists Rasp and Sugai, as well as contributions from musician friends who bring live flute, saxophone and guitar to the mix. Benny even plays keys on a couple of tunes!

Berlin Zoo’s debut LP "Super Bad Disco" is the result of a chance encounter between three Danish beatheads (I Kicked A Cloud Once, Shatter Hands, and Fou Fou) in the German capital. The record is steeped in Soul and Jazz, with an uncanny view to both the past and future of instrumental Hip Hop, and a deliciously obscure sample selection. Straight killer, no filler, carefully sequenced and arranged. Highly recommended!

This record is a soundtrack for imaginary movies, private documentaries and unreleased TV-series. Let yourself go and unleash your fantasies. Someone calls it library music

Ragoo Records is proud to welcome the outstanding DJ, producer and record collector Biga for Rgt07, the seventh installment of the cassette series curated by the label. "Meltin' Brain Loops" is a dope collection of beats composed in the scorching late May and early June of 2022. These 23 tracks are the result of a couple of weeks of studio time that Biga dedicated specifically to the rhythms. As the producer directly explains, "using exclusively an MPC, I developed the tracks starting right from the drums. I wanted the drums and bass to have a certain kind of groove, only inserting the samples later, just for the joy of studying and for the fun of twisting my workflow out of the comfort zone." While Biga's beats are hosted on side A, side B includes 10 creamy remixes packaged by JayBee Vibes, Astratto, Odeeno, J. Raise, Jr, Hzha, Looppolo, MstkVibes & Loodo, F.o.x, Pentola, Masneo.