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Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

O Samba, it’s time to dance. JIM starts this summer with his Música Popular Brasileira EP debut. He blends old-school Hip-Hop production design with live recordings and Latin American styles and influences. Pachanga is the perfect mélange of a groovy and head nodding beat and catchy Brazilian piano and guitar vibes. Get ready for a warm day at the beach with friends, drinks, and dancing!

O Samba, it’s time to dance. JIM starts this summer with his Música Popular Brasileira EP debut. He blends old-school Hip-Hop production design with live recordings and Latin American styles and influences. Pachanga is the perfect mélange of a groovy and head nodding beat and catchy Brazilian piano and guitar vibes. Get ready for a warm day at the beach with friends, drinks, and dancing!

Beats: Spaze Windu Mix: Hast Master: Paul Bärwald | MP Audio Cover: Philipp Panhey Design: Kaja Poestges

“Everything is mellow and gentle. Whether you’re with someone special or enjoying some time alone, or even just relaxing in a beautiful outdoor setting or in your bedroom—take a moment and listen." Uyama Hiroto

Seven years after ‘Freeform Jazz’ and ten years since the release of ‘Freedom of the Son,’ Uyama Hiroto has created the next chapter of his story. Just as all things in the universe rely on balance—light and shadow, yin and yang, movement and stillness—'Freeform Jazz’ was an expression of his outward emotions and energy, while ‘Breath of Love’ represents the flip side: his inner calm and gentle emotions. This album expresses a unified mood, with all the sound elements carefully chosen to maintain a consistent atmosphere. Uyama Hiroto plays nearly every instrument on the album, including the S.SAX and T.SAX, as well as guitar, bass, and beats. Collaborating for the first time on one of his own albums, Uyama Hiroto features artists like Substantial from Virginia, Marter (known for his vocal contributions on ‘magicnumber’), and Coma-chi, who participates under the name Reinaria. Each track is melodious and romantic, yet the album’s overarching narrative creates an emotional, gentle, and nostalgic journey—one that reflects the era and influences behind the music. This is a deeply internal work, showcasing Uyama Hiroto’s new artistic direction. Don’t miss out on experiencing this serene and profound album.