Search "the+presets+pacfica" 438 Items

Radio Juicy proudly presents blnkspc_ the collab project by two very talented producers B-Side and Tesk. Queens is their debut album together, an ode to the fabulous and regal, where strength meets elegance. You can feel the influence of both producers on the music if you are familiar with their respective work, and blnkspc_ is a luxurious taste of both worlds. Queens plays out as an intrepid escapade into the heart of the city, where cultures blend together and inhibitions are left behind. Come in for a while and enjoy the smooth beats with this unique selection.

The vinyl edition is incredible for this one, the art is printed on the reverse uncoated side to give the colors a more pastel feel, almost like a painting. The vinyl itself comes with a white with red marble also giving a pastel feel. The entire piece is literally like a work of art. Specially with the perfected mastering which will give the best possible audio experience!

Note the vinyl is a limited edition and the shipping will start at the end of August due to annual holidays. The safest bet is to expect it at the start of September.

Where the Crawfish Sing' is all about finding your inner oasis. An anchor point to recharge, chill and find peace and serenity.

LeVirya and Broey. have worked on this project for months. They took their time as it needed to be right. They only worked on it when they were in the right mindset. To really capture the vibe some bits on the EP were recorded in nature.

The result is an incredibly chilled out Electronic/Hip-Hop EP with gorgeous guitar melodies, amazing soundscapes and loads of field recordings. Every instrumental sound is self-recorded and completely original.

Limited to 100 copies.

Tokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz & hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.

Jazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.

This spring, acclaimed abstract hip-hop producer and cofounder of Anticon Records, Odd Nosdam, will release MIRRORS - a new LP via Alien Transistor. Composed entirely of found sounds, most of them sourced from rare and private press vinyl, MIRRORS’s instrumental beats and sound collages pulse with a sense of exploration and rediscovery that has been Nosdam’s calling card since the turn of this past century. Its every track presents a treasure trove of unique aural gems, each nestled in atmospheric textures that swirl like a cloud of dust just blown off of some once-overlooked heirloom.

Designed specifically for vinyl, the record’s A and B sides play out like a pair of cohesive psychedelic dreams. Yet even a skilled psychoanalyst would struggle to categorize these reveries as either pure seraphic bliss or full-on nightmare. By sneaking strategic bursts of beauty into MIRROR’s more sinister beats (“MIRRORS I”) and by lacing its largely angelic compositions with foreboding tones (“THE BURN”), Odd Nosdam has crafted a record that is not only engrossingly nuanced, but that captures a highly specified, often hypnogogic, mental state with breathtaking accuracy: cognitive dissonance.

The sensation of experiencing an emotion that runs in direct opposition to one’s circumstantial narrative - a sense of melancholy when things are ostensibly fine, a smile as the world seems to crumble - may once have been predominately the stuff of dreams. But in our current age of ebullient social media fac¸ades, and at a sociopolitical moment when joy feels like an aberrant blip in an up-scrolling sea of horror, MIRRORS provides an unsettlingly apt soundtrack to the waking experience of the modern era.

Oneric interpretations aside, at its core MIRRORS is simply a stunning and dynamic beat tape. As he has for two decades - whether in crafting instrumentals for avant-rap legends cLOUDDEAD and art-rapper Serengeti, soundtracking skate videos for Element Skateboards, or adding to his prolific catalog of solo recordings - Odd Nosdam uses his special knack for marrying monolithic, lumbering drum arrangements with novel melodic flourishes to create a breed of experimental hip-hop music entirely his own. An evocative record that seamlessly blends transcendence with menace, MIRRORS is a captivating addition to the producer’s body of work and one that will continue to leave listeners awed by his creativity, versatility, and his singular vision.

guerrer@ represents the revolution that must occur (and keep occurring) within oneself, so that it may also occur outside oneself.of looking backwards and forwards, simultaneously and always. of accounting for present and potential material makeup. of accounting for the contemporary abhorrent and luminous actions of the flesh. a pledge towards infinitely malleating--and, thus, the necessary deliberate reconfiguration of--identity. the necessary deliberateness of movement and becoming. the possibility of convalescence.insomanywords: faith, hope, affliction and anger, daggered at oppression, wherever it may be found.

An ambitious collection of veteran musicians, Cross My Heart Hope to Die is the eclectic multimedia project of legendary Cypress Hill founder DJ Muggs, producer Andrew Kline, vocalist Brevi, and artistic curator Sean Bonner.

Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

Yo yo! Another Krisengebeat sure shot takes you back to his 90s childhood. A world consisting of retro games (nba Jam), streetball challenges and skateboarding. Accompanied by the classic boom bap sound of the golden era he grew up with. Put this tape in your Walkman and do your homework kid!

All beats produced by Krisengebeat

Two Scents emerges as a noteworthy producer in the jazz-hop scene with ‘Lately’, his debut album with the label, a novel project about self-reflection. Nostalgic, jazz-inflected keys combine with lilting tenor saxophone melodies to guide the listener through their own memories of places, people and experiences. Layers of grainy textures are reminiscent of dusty record players and old letters in boxes. Slip into your thoughts and enjoy the drowsy, late-afternoon tunes on repeat..

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

Originally announced before J Dilla’s death in 2006, "Jay Love Japan" was finally released in ’07, giving fans of the revered hip-hop producer (aka Jay Dee, born James Yancey) another sampling of his emotive and inventive aesthetic. Much of the posthumous album is steeped in Dilla’s vintage soul sound, as best exemplified by the cinematic “Can’t You See,” making it an intriguing addition to his impressive but tragically brief discography.

Krisengebeat (born 1980) is a Beatmaker, DJ, Rapper and Graffiti artist born and raised in Berlin, Germany. His strong passion & love for the Hip-Hop culture emerged in the early age instantly after hearing his big brother spinning many oldskool rap albums like "Raising Hell" by RUN DMC...

When Onyx "Bacdafucup" was released in '93 this LP had a strong influence on Krisnegebeat. Hardcore Hip-Hop along with black hoodies became his thing! In 1997 he started to drop bombs on the neighbourhood walls with chrome & black letters.

Krisengebeat experienced his first grooves by playing the real drum set back in the days. His first analog sampler / multitrack recorder was a Roland SP-808 combined with "two turntables and a mic" and some other studio gear. After trying to combine sounds for the first time on a borrowed MPC 2000XL it became his passion! He is surrounding himself with dusty drums and samples until this day!

In the early 2000's he started to record his first rap album "Nur die Besten Überleben" as a member of the German rap group Kritische Disstanz. This project was released 4 years later in collaboration with Berlin based Teroa Label by Akte One. This was also the first LP mastered by Chillerdt in the BKStudio (Berlin) and many more followed after! This collaboration tightened over the years and last until now!

One day at the beginning of the recent worldwide mix up which affected most of us, this led to a decision between moving to the studio and chill with the closest ones or just let it flow and push the pads on MPC Renaissance and start to release some instrumental music using extra free time in a productive way. That was definetely a good decision and after a plenty of motivating feedback it became the master plan to create the “ILL Vibe” instrumental LP!

Krisengebeat's - "ILL Vibe" album as a whole piece is a 34 minutes long journey through dimension of sounds inpired by the 90's Boombap golden era and filled with pure Hip-Hop flava which is now alive more than ever! Hard hitting drums combined with 12 bit samples and original noises of analog machines like the Akai S950, real vinyl crackles and all that highlighted with analog mastering! Enjoy the ride y’all!

This project is dedicated to all beatmakers & graffiti writers wordwide!

"Where The Rainbow Begin" - Koscielski's long awaited beat tape is finally here, ready to be streamed with your stereo or any other device which will translate it from digital form to your speakers or headphones!

Dusty sounds sampled from vinyl directly to Mpc2000, accompanied by assorted drum patterns, creating together a perfect combination to listen to during this time of the year....

"Zapis" (Record) is a nostalgic Lo-fi journey contained in fourteen tracks, inspired by people, places, events from the past and those more recent ones that have left a permanent mark on the subconscious. Plushka completely took care of executing this project in every aspect, drawing cover by himself, adding the guitar riffs he played combining them with selected sounds which he mastered to create a coherent whole.

Check the content that perfectly matches the aura of the season and take a trip down memory lane with us!

Peace!

Life is a journey. It's about growing and changing and coming to terms with who and what you are and loving who and what you are. Without music, life is like a walk through a desert. That is why Plushka once again provided some organised sounds, specially selected for your ears.

"Days On The Pads" project is a diary, memories of everyday life, various events and emotions contained in sound sequences. Jazzy, Lo-Fi trip in which you will not regret participating...

Peace!

Yo! Mob Of Drummers Tape Vol.2 - Theosophy is here!

Big respect to everyone who contributed his sounds, helping out with putting this dope project together! Peace, love and unity! The whole planet is a huge fam and we are representin' it to the fullest standing strong and united!

Check those boom bap soundz bruvaz and sistarz! 60 minutes of pure flava which will send your speakerz out to the outerspace!

Separate respect for preparing the graphic concept goes to: Killa Kos!