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The clans of Activision, FromSoftware, and Laced Records have come together to release the majestic music of Sekiro: Shadows Die Twice on deluxe quadruple vinyl.

Set in a fictionalized 16th Century Japan, players take on the role of the shinobi Wolf in trying to protect the young Divine Heir Kuro from the remnants of the Ashina clan. Progression requires a mastery of stealth combat and extreme precision while battling some of From’s most iconic boss encounters to date. No one forgets the first time they bested Genichiro atop Ashina Castle...

The vinyl set features 50 tracks by lead composer Yuka Kitamura (Bloodborne, Dark Souls Iii) and co-composer Noriyuki ''α'' Asakura (Tenchu series.) The dramatic score features traditional Japanese instruments, orchestral and choral elements, and outlandish, mysterious sounds that transport listeners to a war-ravaged Japan during an alternative history Sengoku period.

All music has been specially mastered for vinyl and will be pressed onto audiophile-quality, heavyweight 180g discs (cream and black LPs for the Limited Edition, exclusive to Laced Records’ store; and traditional black for the Standard Edition.) These will be housed in spined inners sleeves that slip into a deluxe Wibalin wrapped case.

Original sleeve artwork was created by illustrator and concept-artist Anato Finnstark (DeviantArt profile.)

Panzer Dragoon: Remake is a faithful recreation of the 1995 Sega Saturn 3D rail-shooter with brand new graphics, updated controls and new features. The game offers both the original 1995 soundtrack, composed by the late Yoshitaka Azuma, as well as newly arranged tracks by composer Saori Kobayashi, whose previous works include the soundtracks for Panzer Dragoon Saga and Panzer Dragoon Orta. Kobayashi respects Azuma’s work while adding her own style to the arrangements.

Laced Records und das Komponisten-Traumteam Yoko Shimomura (Street Fighter, Mario RPG), Grant Kirkhope (GoldenEye 007, Viva Piñata) und Gareth Coker (Minecraft, Halo Infinite) erwecken die preisgekrönten, galaktischen Grooves des neuesten Mario + Rabbids-Spiels zum Leben. Unter der Leitung des legendären Nintendo-Komponisten Koji Kondo und des Super Mario Galaxy-Mitkomponisten Mahito Yokota entstand ein bemerkenswert zusammenhängender OST, unterstützt durch gemeinsame Orchesteraufnahmen in Tokio. 3LP auf 180g Triple-Vinyl.

Laced Records, Motion Twin and Evil Empire are going for one more run to bring you additional music from the metroid-souls-rogue-lite-like-vania smash hit, Dead Cells.

The breakout indie sensation has sold over 6 million units since its early access launch in 2017, winning Best Action Game at The Game Awards 2018 and picking up a Golden Joystick (Best Indie Game.) Its ‘Overwhelmingly Positive’ lifetime Steam reviews rating speaks volumes, and extensive DLC drops, generous free updates and additional platform releases have kept players coming back.

Yoann Laulan has been associated with developer Motion Twin since the game jams from which Dead Cells was born. As the game has grown, so the soundtrack has deepened with Laulan creating longer and more progressive tracks featuring more electric guitars, piano and choral elements.

This triple vinyl features several tracks from DLC expansions Rise of the Giant, The Bad Seed, Fatal Falls and The Queen and the Sea. On top of that, there are score tracks from the brilliant Dead Cells animated trailers, an 8-bit ‘demake’ version of “ClockTower”, several remixes and other tracks from post-launch game updates (“Distillery” and “Corrupted Prison”.)

26 tracks have been specially mastered for vinyl by audio wizard Joe Caithness, and tracks will be pressed onto audiophile-quality, heavyweight discs in green, ochre and light blue. LPs come in a deluxe gatefold sleeve.

Front and back cover sleeve art is by Boris Moncel of Blackmane Design (instagram.com/blackmane_design), with the gatefold panel by Michel Donzé

A potently multithreaded horror film: What seems like the contemplation of grief becomes a tale of unspeakable and enigmatic terror. Complementing this twisted tale is the haunting score by Polish composer Wojciech Golczewski (mohawk, Beyond THE Gates) and three otherworldly rock numbers by Slow Moses and Kleen Kut. Golczewski’s deft compositions embrace the story’s rich dynamic but never try to overstep it.

As we experience the trials of the Sacchetti couple, who’ve moved into an old farmhouse in an inhospitable New England town, Golczewski treats us to a host of equally delicate and indelicate passages. Dry, creaky strings, an ominous electronic hum, and the searing burn of the synths all leave an indelible mark with each suspended breath of foreboding and every histrionic blaze. Phoenix-based Slow Moses’ dreamy “Gas Station” and hallucinogenic “Teenage Sun” are bruised-and-battered songs that add a whimsical counterpoint to the beautifully terrifying tapestries that Golczewski weaves. New York-based Kleen Kut’s rare “Running Out of Time” is a dark, disembodied rocker with phantasmal melodies unfurling from ancient truths. It carries propulsive, raw energy that codifies the sentiments of the film into a guitar-driven, minor-key strut of otherworldly enchantment. Even after the last note fades, we are still here for another spin.

Witchboard, the innovative project of horror film director Glenn McQuaid, is set to unveil their latest album, "Incidental Goth Club Music for Television and Film," Seamlessly blending post-punk, new wave, electro, and dark wave, this album channels the vibrant yet shadowy energy of the New York post-punk scene, offering a fresh take on a classic sound.McQuaid’s music captures the raw, pulsating energy of a city that never sleeps, infusing it with the dark, brooding atmosphere of a neon-lit underworld. As described by 'Pentagram Home Video': "Night music for night people... McQuaid soundtracks a neon-lit club where the dance-floor is teeming, and the corners glisten red. Darkwave through a krautrock dry-ice haze, this is dream music for the creatures of the night, and their prey."

Enjoy The Ride Records in conjunction with WaterTower Music, Warner Bros. Games, and NetherRealm Studios proudly presents the Mortal Kombat 1 (Original Video Game Soundtrack).

It's In Our Blood. Mortal Kombat 1 is the latest title in the acclaimed Mortal Kombat video game franchise developed by award-winning NetherRealm Studios. The game introduces a reborn Mortal Kombat Universe that has been created by the Fire God Liu Kang, featuring reimagined versions of iconic characters as they’ve never been seen before, along with a new fighting system, game modes, bone krushing finishing moves, and more. Mortal Kombat 1 (Original Video Game Soundtrack) showcases the game's music by Wilbert Roget, II and features stage music composed by Dan Forden, Stephanie Economou, Nathan Grigg, Dan Negovan, Dean Grinsfelder, Casey Edwards, and Joel Corelitz.

Wilbert Roget, II is a veteran composer in the video game and film industries. He joined LucasArts as a staff composer in 2008, where he scored several games in the Star Wars universe, including Star Wars: The Old Republic and Star Wars: First Assault. He later became a freelance writer, scoring Mortal Kombat 1, Star Wars: Outlaws, Call of Duty: WWII, the Emmy Award-winning Star Wars: Vader Immortal, and many other high-profile game scores. He has also written for Japanese anime, scoring the upcoming Gundam: Requiem for Vengeance. His work has earned him several awards and nominations from ASCAP, the Game Audio Network Guild, the Academy of Interactive Arts and Sciences (D.I.C.E. Awards), and others. Roget also co-founded Impact Soundworks, a successful music software company, and is an accomplished lecturer on game music. He frequently gives online masterclasses and tutorials on music composition and production and has a passion for teaching the craft. He is an avid multi-instrumentalist, performing solo flute, keyboards, world instruments, and guitar on many of his scores.

Available on vinyl for the first time, Mortal Kombat 1 (Original Video Game Soundtrack) is a 3xLP, housed in a soft touch gatefold jacket with spot gloss accents. It includes a full-color double-sided 12"" x 24"" poster

For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

Triple 180g Colored Vinyl (clear blue with black marbled), comes in a trifold cover with printed inner spines. "Asterigos: Curse of the Stars" is an action role playing game inspired by the glory of Greece and Rome. You will play the role of Hilda, a Northwind legion warrior, who enters Aphes, a lost city from legends, to look for her missing father.The enchanting original soundtrack was created by Weifan Chang, a well-known Taiwanese composer for indie games. But "Asterigos" is so much more than just orchestral music depicting a mythology or some dark electronic sounds delicately designed for a dungeon. In Aphes, you will even hear bards' songs, that Chang especially composed for this world."Golden Olive", the main theme of "Asterigos", is performed by Asja Kadric, who sang in "Guild War 2", while the lyrics for "Nostalgia", the theme song, were written by Matthew Yen, a well-known Taiwanese lyricist and novelist. Furthermore, "Nostalgia" is sung by Emi Evans, whose vocals are also featured in "NieR:Automata". In the world created by "Asterigos", many songs are re-arranged and performed by Percival Schuttenbach, who is famous for his works in "The Witcher 3". In some mysterious corners in the game, you can even hear the beautiful voices of Pinling Chen, who sang in the games "Detention" and "Devotion" and Anna Stolarczyk, a Polish soprano who sang in the game, "Father & Son".Besides the orchestral music recorded by Budapest Symphony Orchestra, the soundtrack is also a collection of wonderful original music by Taiwanese performers, including Hsinyu Yang, Yachun Yang and Szuhui Tui, an English violinist, Dominika Latusek, a singer, Adiescar Chase, a Scottish guitarist, Joseph Stevenson, a Japanese pianist and composer, Aruto Matsumoto, and an Italian composer, Fabio Amurri. Dive in into a mysterious new world with this outstanding soundtrack and beautifully designed vinyl edition.

Label variaton.
Sticker on label.

Still shrink wrapped but opened.
Small light scuff on side D.

They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.

Welcome to the third part of the Tele Music saga, the label founded by Roger Tokarz. He deeply marked the era with his audacity and his vision of music on film. This irresistible new selection tells the story from 1968 to 1985 of a prolific label that sometimes produced ten albums a year, and which delighted many French and foreign film directors who, to 'flavour' their films, drew on this sumptuous catalogue. In this volume 3 Tele Music, we have highlighted legendary artists who have left an indelible mark on the history of the music bookshop and on the history of music in general: • Janko Nilovic (also known as Yanko Nilovic, Anady Loore, E. Orti or Alan Blackwell), • Jean-Jacques Debout with his irresistible “Mitsuko” released in 1967 and re-released in 1969 on “Music Bazaar”, • Bernard Lubat, the impressive percussionist, vibraphonist, multi-instrumentalist and very good “scator” (Bernard played in the Doubles Six with Quincy Jones and Eddy Louiss), • Gabriel Yared, the man with a hundred film scores. Arranger and composer for Johnny Hallyday and Charles Aznavour, among others! • Hervé Roy conductor and writer for Nancy Holloway, • George Chatelain, pianist, guitarist, clarinettist, founder of the famous studio “cbe” created in 1966 with his sister Janine Bisson and his high school friend Bernard Estardy. All these composers were renowned for their acute sense of composition, arrangement, conducting and inter- pretation, and in their own way left their mark on many sound recordings of musical illustration "made in France! CBE, the Chatelain, Bisson and Estardy studio is located in the 18th arrondissement of Paris. Still in operation and run by Julie Estardy, it has been receiving major artists for over half a century. It is a place of reference. At the time: Johnny Hallyday, Claude François, Sheila, Carlos, Françoise Hardy, Nino Ferrer recorded their hits there. Now it's the turn of Sebastien Tellier, Bertrand Burgalat, Keziah Jones, Tony Allen, Jeff Miles to name but a few. CBE and its giant Bernard Estardy put Tele Music in the best conditions to produce an atypical and powerful sound. Bernard Estardy had a custom- built mixing console built by his German friend Gunther Loof, offering the perfect tool for recording 4 and then 32-track Arp 2000, Moog, Korg, Prophet synthesizers and all acoustic instruments. The field of experi- mentation was limitless. Until now, the titles of this collection were only available in vinyl format, via rare and expensive prints that collectors sell for a high price on dedicated websites. This volume 3 gives you access to the "crème de la crème" of the legendary repertoire made in France!