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Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

2-LP set
180g Black Vinyl
Mastered by Chris Malone
Tip-on gatefold jacket
Limited edition of 750 units

Premiere complete vinyl release of Steven Spielberg’s delightful fantasy-adventure classic YOUNG SHERLOCK HOLMES (1985)!

!!! Classic 1971 Peter Fonda film soundtrack from Dylan side-man & folk scene impresario. Beautifully melancholy score performed with guitars, tonal effects, fiddle, banjo, sitar, and more that evokes high plains drifting, lonesome cowpokes. “It’s The West seen as Purgatory, its characters endlessly moving on, but Langhorne conjures beauty from the pain.”—The Wire. New edition of 500 copies.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Fluorescent Purple Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Glass weaves together the unforgettable narratives of Unbreakable and Split in one explosive comic-book thriller. Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within him, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men. The film also stars Sarah Paulson as psychiatrist Dr. Ellie Staple.

Composer West Dylan Thordson reunited with Shyamalan for the Glass score. “I wanted to find sounds that felt brittle and sharp,” Thordson said. “Violin and metal percussion became clear voices for me to build from. Mainly, I wanted the combination of melody and dissonance in Glass to play to Elijah’s thrilling and playful energy. The longer gnarled sounds combined with the pristine orchestral elements seemed to work well to represent the melding of light and dark. To me, the score for Glass is largely about discovery and acceptance.”

West Dylan Thordson is an American film music composer. He is best known for his original scores to Joy, The Jinx: The Life and Deaths of Robert Durst, Foxcatcher, and M. Night Shyamalan's Split and Glass.

First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

- The Complete Film Music Available For The First Time On Vinyl- 180 Gram "Satanic Rite" Colored Vinyl- Exclusive Liner Notes By Rob Zombie- 16 Page Booklet Featuring Unreleased Photography- Bonus Black Metal Live Album By Count Corgan Pressed To 180 Gram Black Vinyl With B-Side Etching//Waxwork Records Is Proud To Present Rob Zombie's The Lords Of Salem Original Motion Picture Soundtrack. Available For The Very First Time On Vinyl And Pressed To 180 Gram "Satanic Rite" Colored Vinyl, The Music Of The Lords Of Salem Features The Velvet Underground, Rick James, Rush, Leviathan The Fleeing Serpent, John 5, And More.The Lords Of Salem Is A 2012 American Supernatural Horror Film Written, Produced, And Directed By Rob Zombie. The Film Stars Sheri Moon Zombie (The Firefly Trilogy), Meg Foster (They Live), Bruce Davison (X-Men), Dee Wallace (E.T., The Hills Have Eyes), And Patricia Quinn (The Rocky Horror Picture Show). The Plot Focuses On A Troubled Female Disc Jockey, Heidi (Sheri Moon Zombie), Who Is A Recovering Drug Addict Living In Salem, Massachusetts. Her Life Becomes Entangled With A Coven Of Ancient Satan-Worshipping Women After Receiving A Strange Wooden Box And Listening To The Album Inside It By A Band Named "The Lords".The Soundtrack Features Classic Songs By The Velvet Underground, Lou Reed, Manfred Mann's Earth Band, And Several More. The Score Features Original Cues By John 5 And Griffin Boice. In Line With Other Zombie Soundtracks, The Album Features Intermittent Dialogue Tracks From The Movie.Waxwork Is Thrilled To Present The Debut Vinyl Release Of The Lords Of Salem As A Deluxe Album Package Featuring 180 Gram "Satan Rite" Colored Vinyl (Blood Red And Blue Butterfly Effect With White Splatter), Exclusive Liner Notes By Rob Zombie, New And Original Art By Robert Sammelin, A 12"X12" 16-Page Booklet Including Unreleased Set Photography From Zombie's Personal Archive, A Heavyweight Art Print, Printed Inner Sleeves, And Old-Style Tip-On Gatefold Jackets With Satin Coating. Also Inclu...

Second volume of music from the hit Fox TV show. The Emmy-winning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time by TV Guide. In addition to the show's cast, the album features high-profile guests, including Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). Bob's Burgers audience is wide-ranging: strong performance with 15-25 year olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of females in the same group. Campaign will include promotion from the cast and show production team. Past seasons are in heavy syndication and available on major streaming platforms. The Bob's Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone," or do whatever you're gonna do to "Sexy Little Tiger" but don't miss the Bob's Burgers Music Album Vol. 2. Fans, your order is up.

Dark red vinyl version!

Quartet Records presents the premiere vinyl edition of killer soundtrack by Ennio Morricone for the 1975 police thriller IL Giustiziere (aka THE Human Factor).

Directed by Hollywood veteran by Edward Dmytryk, the film stars George Kennedy, John Mills, Raf Vallone and Rita Tushingham. The plot is about John Kinsdale (Kennedy), a computer engineer whose family gets brutally murdered while he is working in Naples on a top secret project. Aided by fellow engineer Janice (Tushingham), Kinsdale uses a combination of his expertise as well as brute force to take revenge on the left-wing terrorists—Charles Bronson style!

Morricone’ score comes from the composer’s fertile period of poliziotteschi thrillers and “Years of Lead” dramas that he approached in a similar manner. The music features several variations on the beautiful family theme which eventually gains new meaning as Kinsdale must carry the burden on his own. The music for the terrorists features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his poliziottecshi titles.

The score of IL Giustiziere hasn’t ever been previously released on vinyl. This premeire edition has been produced and mastered by Chris Malone using the first-generation analogue stereo master tapes and pressed in 180 GM audiophile black vinyl.

Repressed. "In addition to his day job transforming pop music with his own records, as well as those of Gastr del Sol, Loose Fur and Sonic Youth over the past few decades, Jim O'Rourke has been contracted for several dozen film scores over the years as well. It makes sense -- his abilities as an improviser, composer and producer allow him to interpret cinematic moments with a unique understanding for their construction and how they work. It doesn't hurt that Jim's a well-versed cineaste, a complete and total fan of watching films, which has given him a preternatural understanding of the role of music in movies. What doesn't make sense is how Hands That Bind is the first film soundtrack of Jim's to ever receive worldwide release! He's worked with filmmakers of international repute, like Olivier Assayas, Allison Anders, Werner Herzog and Kôji Wakamatsu! He served as music consultant on Richard Linklater's 2003 laff-fest, School of Rock! He's played in ensembles of award-winning documentaries and films alike! ... Made for an indie film that's been seen by festival audiences and not enough others, the soundtrack for Hands That Bind is a moody, atmospheric delight. Jim's roots in composition via tape-editing have evolved into a sophisticated assembly of found-and-processed sounds that achieve highly musical, near-orchestral majesty as they hang in the very air of the drama that unfolds in Kyle Armstrong's Hands That Bind. Described as a 'slow-burn prairie gothic drama' set in the farmland of Canada's Alberta province, and starring Paul Sparks, Susan Kent, Landon Liboiron, Nicholas Campbell, Will Oldham, and Bruce Dern, Hands That Bind is a spellbinding trip to the existential bone of rural working life in North America. As conflict rises over the hard-worked patches of land that provide a mere and mean existence, a desperate air settles in, as a series of mysterious, often supernatural occurrences rock the small community. O'Rourke's vaporous, serpentine musical backdrops and atmospheres reflect the obsessions and distractions of the film's principles; moods of all sorts seen or otherwise implied. Additionally, the music highlights cinematographer Mike McLaughlin's closely observed accounting of the farmers' environment, as well as the striking widescreen images of the big sky country with unnerving flair. For fans of Jim's ongoing steamroom series as well as collectors of soundtracks, Hands That Bind will provide hours of engrossing listening..."

She’s more than just a toy. She’s part of the family.

Waxwork Records is proud to present M3gan Original Motion Picture Soundtrack by Anthony Willis. From Universal Pictures and Blumhouse, the record-breaking hit centers on M3gan, a marvel of artificial intelligence: a life-like doll programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out’s Allison Williams), M3gan can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3gan prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

About the composer:

Bafta-nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring, quickly becoming one of the most highly sought after new voices in Hollywood. Anthony composed the score to Oscar-winning writer/director Emerald Fennell’s drama thriller Promising Young Woman starring Carey Mulligan, which was nominated for Best Picture and earned Anthony a Bafta nomination for Best Original Score.

Willis grew up in London and began his musical training as a chorister of St. George’s Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice Beach.

Waxwork Records is thrilled to release M3gan Original Motion Picture Soundtrack as a 2xLP album featuring 180 gram pink & white swirl vinyl (Disc 1) and blue & white swirl vinyl (Disc 2), new artwork by Susi Vilchez, and deluxe packaging including heavyweight gatefold jackets with matte satin coating and an art print.

M3gan Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer Anthony Willis 180 Gram 2xLP Colored Vinyl Pink & White Swirl (Disc 1) Blue & White Swirl (Disc 2) New Artwork By Susi Vilchez Deluxe Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

Waxwork Records is beyond thrilled to announce the debut vinyl release of Evil Dead Rise Original Motion Picture Soundtrack by Stephen McKeon. Written and directed by Lee Cronin (“The Hole in the Ground”), the movie stars Lily Sullivan and Alyssa Sutherland.

Moving the action out of the woods and into the city, Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sullivan and Sutherland, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.

Evil Dead Rise is produced by longtime franchise producer Rob Tapert (Ash vs Evil Dead, Don’t Breathe) and executive produced by series creator and horror icon Sam Raimi and cult legend and “Ash” himself, Bruce Campbell.

About THE Composer

Stephen McKeon has been composing music for film and television for more than 30 years. A highly versatile multi-instrumentalist, he has scored over 100 feature films and numerous award-winning international television drama series and documentaries, including Black Mirror (“Fifteen Million Merits”).

McKeon, an admitted ‘huge horror fan,’ discussed his approach to the film’s soundtrack. “Lee liked the idea of something offscreen laughing and delighting at the suffering and terror of the characters, so I recorded two female vocalists performing 'taunting' sounds and vocal effects.

(Lee) wanted a score that was visceral, immersive and confrontational, while still leaving room for an emotional theme. So, I began to create sounds and textures based on guitar feedback; guitar strings stretching and breaking; strings being ripped with knives and scissors; and many other weird effects. Many of these made it into the score as part of the texture and tapestry. But ultimately, for the signature, we hit upon an idea we called 'the meat grinder.' I spent a week creating lots of sounds using a variety of methods, but eventually, the one that worked was the result of me dragging carving knives along the strings of my beautiful grand piano and then chopping and stretching the audio into something that eventually sounded like a demonic meat grinder being revved up.”

McKeon also recorded various stringed and percussion instruments, “being tortured, broken and slowly dismembered. Then, these recordings were chopped up, bent and stretched before being fed, screaming for mercy, into the score.”

Evil Dead Rise Original Motion Picture Soundtrack Features:

The Complete Soundtrack By Stephen McKeon 2xLP 180 Gram "Deadite & Blood" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Built In Pages From The Book Of The Dead New Artwork By Steve Reeves Printed Inner Sleeves

Die Musik zur Netflix Serie von Mike Myers. Aus der Feder von Paul & Phil Hartnoll, den legendären, kultigen, britischen Elektronik-Pionieren ORBITAL.
ORBITAL hat Musik beigesteuert zu: The Saint, Event Horizon, xXx, Spawn, Test Drive 4, Mortal Kombat, Mean Girls, Peaky Blinders, The Beach, Wipeout, Hackers, Teen Spirit, American Ultra und vielen mehr.

Der OST des zweifach GRAMMY-/BAFTA-nominierten Komponisten Benjamin Wallfisch zum US-SciFi-Action-Film 'The Flash' von Regisseur Andy Muschietti mit u.a. Ezra Miller, Michael Keaton, Sasha Calle, Ben Affleck und George Clooney. Die zweite Verfilmung der Comicfigur The Flash aus dem DC Extended Universe kam im Sommer 2023 auch hierzulande in die Kinos. Wallfisch adaptiert darin auch Batman-bezogene Themen wie z.B. Danny Elfmans 'The Batman Theme'. Beide Formate umfassen 42 Titel mit über 80 Minuten Musik. Die Farbe des Triple-Vinyl basiert auf dem ikonischen rot-gelben Anzug von The Flash, während das Triple-Gatefold mit The Flash, Batman und Supergirl verziert ist.

THE FALL OF THE HOUSE OF USHER Music From The Netflix Original Series By The Newton Brothers. The Fall Of The
House Of Usher is an American Gothic Horror Drama miniseries created by Mike Flanagan (The Haunting of Hill House,
Hush) and starring an ensemble cast led by Carla Gugino (Gerald’s Game, Sin City), Kate Siegel, Bruce Greenwood, Henry
Thomas, and Rahul Kohli.
Loosely based on various works by the 19th century author Edgar Allan Poe into a single narrative taking place from 1953 to
2023. It recounts the rise to power of Roderick Usher and his
sister Madeline Usher, and the events leading to the deaths of all
six of Roderick’s children.
The series score by Flanagan’s long-time collaborators, The
Newton Brothers, features sweeping and dark orchestral cues
expertly crafted to accompany the gothic, Poe inspired storytelling. While melancholic and brooding, the music is also beautiful and playful at times. Massive orchestral swells are met with
bombastic percussion which then pull the listener into haunting and fright inducing territory.

2xLP on Solar Orange and Lunar Blue Vinyl
Featuring Music by Eric W. Brown and Yasunori Mitsuda
Album Art by Bryce Kho
DESCRIPTION

Magnificent music is what takes an RPG from “great” to “one of the classics,” and one thing’s for sure: Sabotage Studio understands what makes the classics. On top of their in-house composer Eric W. Brown working full time on the brilliant music for their modern RPG opus Sea of Stars, they enrolled Yasunori Mitsuda as a guest composer. Anything less than a legendary score simply wouldn’t do.

We at iam8bit are humbled to play a part in bringing that score to life, here for you. This is the Sea of Stars 2xLP, a veritable epic on Solar Orange and Lunar Blue wax. It’s the score to Sea of Stars, with all the swelling highs, whimsical diversions, and touching twists present in the game, forever enshrined on vinyl for your home listening pleasure. Put it on to focus on work or just relax after a long day of grinding.

And of course, no iam8bit album would be complete without stunning cover art. Bryce Kho’s character design is as stunning as the music itself; simple, yet immediately evocative and recognizable - just the way a modern classic should be.

Spotlight Records is proud to announce the release of the original soundtrack for Bruce LaBruce’s new film, The Visitor. Composed by the acclaimed UK-based DJ and producer Hannah Holland, the soundtrack presents an eclectic mix of cerebral soundscapes and pulsating dance floor anthems, a defiantly bold score for a truly provocative narrative. The deluxe limited edition double vinyl package comes with a guerilla sticker sheet.

The Visitor sees the legendary filmmaker and photographer continue his decades-long creative journey with a transgressive reimagining of Pier Paolo Pasolini’s 1968 classic Teorema, set against the dystopian backdrop of a paranoid, xenophobic post-Brexit London. Washed ashore from the sea in a suitcase, a mysterious refugee disrupts the lives of a privileged white family, leading them through a series of explicit and transformative encounters. The film, which features performance artist Bishop Black amid a series of explicit, hardcore sex scenes, premiered at the 2024 Berlinale Film Festival.

With reverence and reference to Ennio Morricone’s iconic score for Teorema, Hannah Holland has crafted a soundtrack that both honors the original and brings a contemporary twist. The album features collaborations with a stellar lineup of artists from both the queer and electronic music underground, including Ghost Culture, Jonjo Jury, Josh Caffé, Joy Joseph, ROY INC, and Ziah Ziah.