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“Labyrinth” is a soundtrack album by David Bowie and Trevor Jones, released on cassette and vinyl in 1986 for the film “Labyrinth”. The first audio CD release was in 1989. It was the second of three soundtrack releases in which Bowie had a major role, following “Christiane F.” and preceding “The Buddha of Suburbia”. The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".

“Labyrinth” is a 1986 British-American adventure musical dark fantasy film directed by Jim Henson, executive-produced by George Lucas, and based upon conceptual designs by Brian Froud. The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop.

Original compositions for virtual game music recorded in 1995 by Los Microwaves founder David Javelosa. That period in the 90s was one of rare times that Los Angeles was sort of a fun. You'd go somewhere for a drink and hear the late 1950s-early 1960s quirky instrumental pop that became known that year by the "Space Age Bachelor Pad Music" sobriquet. Many of the 14 tracks you are ideally hearing now for the first time were inspired by that long-gone cocktail-glass-shaped crack in time. Made in a tiny Santa Monica studio, surrounded by bits and pieces of torn-apart game consoles, trashed Casios and forgotten keyboards, inventing this set of ephemeral computer-generated sounds. Javelosa remembers what begat the tunes. Thrasher in the Fast Lane, inspired by driving on Bay Area freeways, fast, after hours, an Astor Piazzolla melody blowing with the wind, a party in Mexico City, an exotic perfume, Chet Baker in the background. He's always been fascinated by the concept of computer-generated jazz – still is. The sound of uncertainty, musical cut 'n' paste, excitement when something occurs that maybe has never happened before.

* The soundtrack to Wes Craven’s cult classic from 1972
* Composed & Performed by David Hess (Elvis, Sal Mineo)
* Seventeen tracks of psychedelic Manson-style folk music & soundscapes
* Comes with insert containing EXCLUSIVE liner notes and pictures
* Available on black vinyl and as a limited color variant (300 copies solid BROWN vinyl)
* Also available as a Digipack CD edition with bonus tracks and 12 page booklet

Born in 1936 in New York City, David Hess began his career recording million-dollar chart toppers for the likes of Elvis Presley, Sal Mineo & Andy Williams in the 50ies & 60ies. His biggest hit is probably ‘Speedy Gonzales’ which ended up selling more than eight million copies worldwide. After a career as a record company executive the 1970s, Hess took on the role of actor, writer, director and producer in the movie industry. Writing and working with directors as Rainer Werner Fassbinder and directing the 1980 slasher “To All A Good Night” were only a few of his many accomplishments.

Most of us will remember him as Krug Stillo, the leader of a gang in Wes Craven’s classic 1972 cult shocker “The Last House On The Left” as well as portraying the villains in Ruggero Deodato’s “House on the Edge of the Park” (1980) and Wes Craven’s “Swamp Thing” (1982). Other movie roles include ’21 Hours At Munich’, ‘Hitch-Hike’, ‘Body Count’ and ‘Zodiac Killer’. David Hess also appeared regularly on the TV screen with appearances in shows such as ‘Knight Rider’, ‘The A-Team’, ‘The Fall Guy’ & ‘Royal Pains’.

Throughout his film career Hess’ love for music never waned. He continued to produce music, including several albums (“Caught Up In The Moment” and “Live & Unplugged in Hollywood, 2002.”). Some of his music can also be heard on more recent soundtracks, such as ‘Cabin Fever’ (2002) and ‘Manhunt’ (2008). On October 7, 2004 just two years after his role in the 2009 horror epic “Smash Cut” starring Sasha Grey, David Hess sadly passed away at the age of 75. He will forever be in our hearts.

David Hess composed the soundtrack for ‘Last House on the Left’ & his work here contains some truly beautiful songs, the discovery of which, for some, may be in stark contrast to the brutal displays of sadism and violence for which he was known to purvey onscreen. The fact that Hess could perform as both the poet, and the monster, is a testament to his skill as an artist. The soundtrack to Last House On The Left is a brilliantly unique and diverse mixture of farcical comedy, poignant, reflective folk music and instrumental experimentalism. Hess constructed a wonderful counterbalancing entity, which serves only to accentuate the impact of the movie.

One Way Static Records now proudly presents the complete 1972 soundtrack to Wes Craven’s ‘THE LAST HOUSE ON THE LEFT’ composed by David Alexander Hess. Available as a deluxe limited Black vinyl edition complete with insert containing rare pictures and exclusive liner notes. Also available as a limited color vinyl variant (300 copies solid BROWN vinyl).

In conjunction with The Criterion Collection’s special-edition DVD and Blu-ray release of David Byrne’s 1986 film True Stories, Nonesuch and Todomundo Records release a comprehensive soundtrack, collected for the first time in one package and in film sequence: True Stories, A Film by David Byrne: The Complete Soundtrack. David Byrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during preparations for its Celebration of Specialness. As shot by cinematographer Ed Lachman, Texas becomes a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings. In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals, and a singular variety show. Byrne calls the record “an immersive audio voyage into the little town of Virgil, Texas, in the mid-eighties.” He continues, “I always imagined that the music written for True Stories should be heard as it is in the film. It makes the most sense this way. Me singing the song that was written for John Goodman’s character, Louis Fine, always felt weird to me. It was written for that character, not for me.”

Blue dark translucent vinyl.

180 gram vinyl.
Still shrink wrapped but opened.
Inlcudes booklet.
Records are close to VG+

180 gram vinyl.

Records with just a few paper scuffs.
Cover with slightly dented corners and a worn upper edge.

Japanese pressing, comes with Obi and inserts. Record is closer to NM.

Picture disc!

Japanese pressing with obi.

Waxwork Records is thrilled to present THE Sandman Original Soundtrack Music From The Netflix Series by David Buckley. Based on the beloved award-winning DC comics series written by Neil Gaiman, The Sandman is a rich, character-driven blend of myth and dark fantasy woven together over the course of ten epic chapters following Dream’s many adventures.

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way.

About the composer:

Born in England, David Buckley's first involvement with film music was as a cathedral choirboy performing on Peter Gabriel’s score for Martin Scorsese’s The Last Temptation of Christ. He continued his musical education at Cambridge University. In 2006, David moved to Los Angeles where he began collaborating with Harry Gregson-Williams on film scores, including Shrek The Third and Gone Baby Gone. He has written music for films including Wonder Woman, all the Fifty Shades movies, Big Eyes and American Hustle, and his music was featured in David O’Russell’s Joy. David was honored as a ‘Brit to Watch’ by Bafta.

For television, David composed the music for the hit Scott Free/CBS drama series The Good Wife and continues to score the spin-off, now in its sixth season, The Good Fight (for which he received an Emmy nomination for Outstanding Title Music).

As well as film and TV, David has written the music for a number of games, including Batman Arkham Knight.

Buckley's soundtrack to THE Sandman is a lush and dynamic composition overflowing with analog synthesizers, full orchestra, sound design, and even usage of ancient instrumentation. It grants each character in the series their own theme, and effectively transports the listener to an otherworldly, dreamlike setting.

THE Sandman Original Series Soundtrack Features:

The Complete Soundtrack by Composer David Buckley 2xLP 180 Gram "The Sandman" Gold Swirl Colored Vinyl Heavyweight Gatefold Jackets with Matte Satin Coating 11"x11" Insert

Ayahuasca: Music for Film, by Luis David Aguilar (1978-1983) compiles works by Luis David Aguilar, one of the most prolific composers of film scores in Peru. It shows the great versatility and avant-garde style that has distinguished his work.Luis David Aguilar (Arequipa, 1950) occupies a fundamental place in the history of film music in Peru, not only because of the prolific nature of his work (which also includes music for television and advertising), but because of the singular, experimental style found in many of his scores. Aguilar's music blends modern academic composition with the use of native instruments, synthesizers, sound collages and a diversity of resources, which identify him as a key figure to understand a period of Peruvian music marked by the imprint of the avant-garde and the use of native sounds, which developed during the late 70's and the early 80's.Aguilar belongs to the so called "Generation of the 70's", along with Peruvian composers such as Walter Casas, Seiji Asato and Aurelio Tello, who were then immersed in the languages of contemporary classical music. But he also shares the spirit of renewal of a generation of musicians who came from the world of jazz and electronic experimentation such as Manongo Mujica and Arturo Ruiz del Pozo.Ayahuasca is an album that collects pieces from 1978 to 1983 and offers an overview of the different musical paths that Aguilar followed during his career as a soundtrack composer. The album opens with music from the film El viento del ayahuasca [The Wind of Ayahuasca] (1983), by director Nora de Izcue, performed by the National Symphony Orchestra and Choir of Cuba under the baton of Luis David Aguilar, with Chucho Valdés on piano. Recorded at the ICAIC studios (Cuba), it is an ambitious orchestral and vocal composition, in which you can hear the beginning of the famous melody of "Mujer Hilandera" [Female Weaver], popularized by the Amazonian cumbia group Juaneco y su Combo, which serves as an introduction to the sound world of the ju...

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

Waxwork Records is proud to present C.H.U.D. Original Motion Picture Soundtrack! In close partnership with the film's composers Martin Cooper and David Hughes, we located the original 1984 master tapes, restored them, and mixed and mastered the complete film music to create the definitive and official C.H.U.D. soundtrack album release.

Released in 1984, C.H.U.D. has gained a devoted cult following amongst B-Movie Horror fans. The film is widely referenced in pop culture via The Simpsons, Archer, and most recently, Jordan Peele's Us. C.H.U.D. has also served as a launching pad for several actors such as John Goodman (Roseanne, The Big Lebowski, Raising Arizona), Daniel Stern (Home Alone), and John Heard (Home Alone).

The primitive electronic score composed and performed by Martin Cooper and David Hughes captures the seedy, grim landscape that embodied early 1980s NYC via synth drones, sound design, loops, and arpeggiated notes.

Waxwork is thrilled to present the complete film music to C.H.U.D. as a deluxe LP package featuring "Toxic Waste Splatter" colored vinyl, deluxe packaging, art by Ghoulish Gary Pullin, old style tip-on gatefold jackets with matte satin coating, printed inner sleeves, liner notes by the composers, and more.

C.H.U.D. Original Motion Picture Soundtrack Features:

Re-Mastered From The Original 1984 Master Tapes "Toxic Waste Splatter" Colored Vinyl Artwork By Ghoulish Gary Pullin Liner Notes by Composers Martin Cooper and David Hughes Deluxe Old-Style Tip-On Gatefold Jackets with Matte Satin Coating Printed Inner Sleeves

Appearing for the first time on vinyl is this selection of music from the soundtracks to the hugely popular BBC TV series SHERLOCK. Featuring music from series 1, 2 and 3. The track listing represents the most popular themes from across all three series which brought composers David Arnold and Michael Price multiple awards and award nominations internationally.
The LP is pressed on 180g black vinyl and the cover features a specially commissioned painting of Benedict Cumberbatch in the title role by noted artist Alice X Zhang. A huge hit in the world of DeviantArt Alice’s prints are sought after by collectors – as a bonus this special artwork is also included inside the LP as an insert suitable for framing

The psychedelic French garage duo The Liminanas and german-french music composer & sound engineer David Menke wrote together 2 OST for documentaries . “The Ballad Of Linda L” for the Arte eponymous documentary about the life of Linda Lovelace. And “The Devil Inside me” for the Netflix serie “Monsters Inside : The 24 Faces Of Billy Milligan” . 100% new music, fuzz guitars & garage rock. Both are physically released for the first time as this 2 X Vinyl set, gatefold , collecting the 2 Ost.

Waxwork Records is proud to present C.H.U.D. Original Motion Picture Soundtrack! In close partnership with the film's composers Martin Cooper and David Hughes, we located the original 1984 master tapes, restored them, and mixed and mastered the complete film music to create the definitive and official C.H.U.D. soundtrack album release.

Released in 1984, C.H.U.D. has gained a devoted cult following amongst B-Movie Horror fans. The film is widely referenced in pop culture via The Simpsons, Archer, and most recently, Jordan Peele's Us. C.H.U.D. has also served as a launching pad for several actors such as John Goodman (Roseanne, The Big Lebowski, Raising Arizona), Daniel Stern (Home Alone), and John Heard (Home Alone).

The primitive electronic score composed and performed by Martin Cooper and David Hughes captures the seedy, grim landscape that embodied early 1980s NYC via synth drones, sound design, loops, and arpeggiated notes.

Waxwork is thrilled to present the complete film music to C.H.U.D. on CD package featuring art by Ghoulish Gary Pullin, gatefold jackets with matte satin coating, and more.

C.H.U.D. Original Motion Picture Soundtrack Features:

Re-Mastered From The Original 1984 Master Tapes Artwork By Ghoulish Gary Pullin

Picture Disc.180 gram vinyl.
Includes original inner sleeve.
Cover corners slightly dented.

Case has a few light scratches.

Includes original inner sleeve.
Copy is close to NM.

Still in shrink but opened with hype sticker.

The Mighty Monarch of Exploitation Cinema! These audacious adults-only radio adverts and trailers showcase all original counter-culture compositions from Friedman’s freaky frontal lobe! Includes a DVD!

Always a carny at heart, Friedman gravitated towards the sleazy independent film world, where he started a new company and ushered in a decade of his greatest films. Always brimming with bodaciously bare beauties and copious carnality – which became his tawdry trademark. From 1964-1975, he wrote and produced roughies, historical costume dramas (based on literary classics), counter culture time capsules, wild wanton westerns, various soft-X sizzlers, an elaborate jungle epic and perhaps the worst sci-fi movie ever committed to celluloid.

But what ties all of these films together is the ballyhoo. Friedman sure knew how to craft an auditory advertising campaign to got ‘em in the theatres. He was the king of alliteration and catchy taglines and his coming attractions were among the best and most entertaining of their time. Many of the trailers and radio spots utilized all-original compositions and scores from Billy Allen – a composer/conductor Friedman enlisted to set his films apart from all the other smut peddlers.

As “adults only” films were getting more explicit in the ‘70s, Friedman longed for the good old days of sin and skin. He only dabbled in the XXX world for a short time before retiring. So, listen up and get ready to have your ears spanked hard!

Blue dusk coloured vinyl. Insert included.

Waxwork Records is proud to release THE EXORCIST: BELIEVER Original Motion Picture Soundtrack by David Wingo & Amman Abbasi. THE EXORCIST: BELIEVER is a 2023 supernatural horror movie directed by David Gordon Green. The film is the sixth installment in The Exorcist franchise and serves as a sequel to The Exorcist (1973).

Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own.

But when Angela and her friend Katherine (newcomer Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.

For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before.

ABOUT DAVID WINGO

David Wingo got his start composing music for films on David Gordon Green's debut feature, George Washington, and since that time has maintained a consistent working relationship with Green, scoring the majority of his films. In 2010 he scored Jeff Nichols' Take Shelter, and has since scored all of Nichols' films, including the forthcoming Bikeriders starring Austin Butler, Tom Hardy, and Jodie Comer. Wingo has transitioned into television over the last several years, providing the score for FX’s Mayans MC, Showtime's Kidding and HBO's Emmy Award-winning Barry, for which he received an Emmy Nomination in 2019 for Outstanding Music Composition for a Series.

ABOUT AMMAN ABBASI

Amman Abbasi is a Pakistani-American writer-director, editor, and composer from Little Rock, Arkansas. Filmmaker Magazine listed him among the 25 New Faces of Independent Film in 2016. His film Dayveon premiered at the 2017 Sundance Film Festival, was an Official Selection of the 2017 Berlin Film Festival, and went on to get two Film Independent Spirit Award nominations in 2018, including in the coveted Someone to Watch category. As a music composer, Abbasi’s compositions have appeared in several commercials, films, and documentaries, and most recently he was a music consultant for Halloween (2018) and Halloween Kills (2020). In 2008, he and his brother’s debut album, Something Like Nostalgia, topped the charts in Japan.

Waxwork Records is proud to release THE EXORCIST: BELIEVER as a deluxe double LP featuring 180 gram Black & White swirl colored vinyl, heavyweight gatefold packaging, a four page booklet featuring an exclusive interview with director David Gordon Green and composers David Wingo and Amman Abbasi, layout and design by Matt Needle, and more.

THE EXORCIST: BELIEVER Original Motion Picture Soundtrack Features:

Music by Composers David Wingo and Amman Abbasi
180 Gram Black and White Swirl Colored Vinyl
Deluxe Heavyweight Gatefold Packaging
Exclusive Interview with the Director and Composers
Four Page Booklet
Layout and Design by Matt Needle

The Last Emperor is a lavish historical epic directed by the great Italian filmmaker Bernardo Bertolucci and starring John Lone, Joan Chen, and Peter O’Toole. The film tells the life story of Pu Yi, the last monarch of the Chinese Qing dynasty prior to the republican revolution in 1911. The score for The Last Emperor was created by an unlikely trio: Ryuichi Sakamoto, David Byrne, and Cong Su. The soundtrack is a theme-filled exploration of the sounds and musical traditions of Imperial China, filtered through some very contemporary sensibilities. Sakamoto’s contribution comprises nine cues and is focused around his main theme: a beautiful, lyrical melody for the full orchestra. It’s soft, wistful, and introspective, but becomes increasingly dramatic. Byrne contributes five cues, and the first one is the most recognisable, as it’s the main title theme playing over the film’s stylish opening credits sequence. It emerges from a set of evocative Chinese percussion items, with the melody being carried by a gorgeous, lilting erhu. It’s traditional and wholly steeped in Chinese classical music, but it has a real emotional weight that will connect with westerners. Cong Su’s contribution to the soundtrack album comprises just one cue – “Lunch” – but there is much more of his music in the film; Su was basically responsible for writing all the period-specific Chinese source music one hears in and around the imperial palace during Pu Yi’s childhood. All in all, Sakamoto, Byrne and Cong Su deliver an excellent score.

The LP comes with an insert with liner notes and photos.

Beautifully haunting gothic score to The Lodgers by Stephen Shannon, Kevin Murphy and David Turpin.

David Turpin’s first feature as screenwriter – the gothic fantasy premiered at the Toronto Film Festival in 2017, and was subsequently acquired for worldwide release by Netflix.

Film synopsis: A family curse confines orphaned twins Rachel and Edward to their home, in punishment for their ancestors' sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these rules will incur the wrath of a sinister presence that inhabits the house after midnight.

No obi.

Vinyl close to VG+

Pressing error on side D, piece of paper pressed in to vinyl, audible. Besides that vinyl is close to NM. Original inner sleeves. With booklet.

Record Store Day 2020 Release.

Featuring a never-before-released song collaboration with David Bowie and Kristen Young! This RSD exclusive also includes other inspired works from artists like Courtney Love and Empress Of created for the 2020 Horror / Mystery film The Turning directed by Floria Sigismondi.

David Bowie and Kristeen Young ''American Landfill'' Courtney Love ''Mother'' - Acoustic Sasami and Lawrence Rothman ''Take It To The Grave'' Dani Miller (of Surfbort) ''Fentanyl Smoothie'' Empress Of ''Call Me'' - Acoustic The Aubreys ''Getting Better (Otherwise)'' (Finn Wolfhard's band) Warpaint ''Melting''

180 Gram Audiophile Vinyl Includes Insert With Liner Notes 2022 Amazon Original Movie Featuring Harry Styles, Emma Corrin, Linus Roache, David Dawson AND Rupert Everett A.O.

Score BY Steven Price (gravity, Suicide Squad, Baby Driver) Black Vinyl

180 Gram Audiophile Vinyl Includes Insert With Liner Notes 2022 Amazon Original Movie Featuring Harry Styles, Emma Corrin, Linus Roache, David Dawson AND Rupert Everett A.O.

Score BY Steven Price (gravity, Suicide Squad, Baby Driver) Limited Edition OF 4000 Individually Numbered Copies ON Crystal Clear Vinyl

The Primevals belongs to a different time, a different place, an imagined world of monsters, myth and magic that has only ever existed within the confines of classic fantasy cinema. Even if its chief architect, David Allen, had lived and the film had been released in the 1990s, it would have still been out of synch with the zeitgeist. Fifty years ago, filmmaker David Allen registered the story for the film that would become The Primevals. His goal was to elevate the art of stop-motion animation into more serious, thoughtful storytelling. In the mid-1960s, the film had started as an homage to Edgar Rice Burroughs, reminiscent of the fantasy films by Ray Harryhausen that had impressed David as a child. He sadly died in 1999 and the task of completing the film fell to his visual effects colleague Chris Endicott. Award winning and Emmy nominated composer Richard Band is primarily known as a composer for Horror and Genre films. He was recently awarded the Mosma Film Music Festival’s “life Achievement Award” and the subsequent two nights of concerts in Malaga, Spain included an encore in which The Primevals main title for full orchestra had its live premiere. The music represents a glorious hark back to the classic scores that fuelled so many of the Harryhausen films of the 1950s and 1960s. A delirious thrill-ride through the joys of monsters, ray-guns, spaceships and good old-fashioned stop motion animation.

RSD First, Limitation: 1500; Angelo Badalamenti’s Music for Film and Television, a career-spanning compilation of iconic works from the composer, comes to vinyl for the first time, featuring themes from Twin Peaks, Blue Velvet, Mulholland Drive, Wild At Heart, and many more David Lynch classics. The album is pressed on Translucent Red vinyl, and features brand-new artwork by illustrator Brianna Ashby

Everything Everywhere All At Once Soundtrack by Son Lux. Nominated for the 2023 Academy AWARDr for Best Original Score. Includes "This is A Life," featuring Son Lux, Mitski and David Byrne _ nominated for Best Original Song. Also includes the songs ü"Now Weü're Cookinü' (with Randy Newman)ü" and "Fence (with Moses Sumney)". Limited Edition of 15,000 double albums, on black & white vinyl.

This album brings some of Hammer’s greatest music to vinyl for the first time. It’s an evocative and diverse collection of themes that are just as memorable as the remarkable films they accompanied. The release showcases a selection of classic themes from the film company's varied soundtrack catalogue from composers that range from the great James Bernard to David Whitaker and spans Hammer's golden years between 1958 and 1974.

This album brings some of Hammer’s greatest music to vinyl for the first time. It’s an evocative and diverse collection of themes that are just as memorable as the remarkable films they accompanied. The release showcases a selection of classic themes from the film company's varied soundtrack catalogue from composers that range from the great James Bernard to David Whitaker and spans Hammer's golden years between 1958 and 1974.

Based on Terry Pratchett and Neil Gaiman’s international best-selling novel, the first series of Good Omens was released in 2019 and became a worldwide hit. Good Omens 2 explores storylines that go beyond the original source material to illuminate the ineffable friendship between Aziraphale (Michael Sheen), a fussy angel and rare-book dealer, and the fast-living demon Crowley (David Tennant).

Multi-faceted composer David Arnold returns having received two Primetime Emmy nominations for the first series. His many awards include a Grammy (Independence Day) and a Primetime Emmy (Sherlock). Taking over the mantle from John Barry as the Bond composer he scored five in total ranging from Tomorrow Never Dies through to Quantum of Solace. Other film successes include Stargate, 2 Fast 2 Furious, Hot Fuzz and Made in Dagenham. TV highlights include Little Britain, Sherlock and Dracula. This debut vinyl edition is pressed on Pearl White and Transparent Green vinyl.

Waxwork Records is proud to release Lost Highway Original Motion Picture Soundtrack. In celebration of the film’s 25th Anniversary, the prodigious soundtrack produced by Trent Reznor and David Lynch is available via Waxwork on Friday, May 20th as a deluxe double LP featuring re-mastered audio, new design, 150 gram colored vinyl, high quality packaging, and more.

Released in 1997, Lost Highway is a neo-noir film co-written and directed by David Lynch and stars Bill Pullman, Patricia Arquette, Balthazar Getty, and Robert Blake. The film’s surreal narrative follows a musician who begins receiving mysterious VHS tapes of him and his wife in their home, and who is suddenly convicted of murder, after which he inexplicably disappears and is replaced by a young mechanic leading a different life. Director David Lynch has described it as “psychogenic fugue” rather than a conventionally logical story.

The film’s soundtrack features an original score by Angelo Badalamenti (Twin Peaks, Blue Velvet, Mulholland Drive) and Barry Adamson, as well as songs by artists such as David Bowie, Trent Reznor, Nine Inch Nails, The Smashing Pumpkins, Lou Reed, Marilyn Manson, and Rammstein. In New Orleans, Lynch collaborated with musician Trent Reznor. Two songs by Reznor and Nine Inch Nails, “The Perfect Drug” and “Driver Down”, were specifically composed for the film. Reznor then produced the soundtrack album. The album reached No. 7 on the Billboard 200 and reached Gold status in the United States.

Waxwork Record is thrilled to present the Lost Highway original soundtrack as a deluxe 25th Anniversary double LP featuring re-mastered audio, colored vinyl, old style tip-on gatefold jackets with matte satin coating, design by Matt Needle, and a heavyweight insert art print.

Lost Highway 25th Anniversary Original Motion Picture Soundtrack Features:

The Complete Soundtrack and Score

2xLP 150 Gram Splatter Colored Vinyl

Old Style Tip-On Gatefold Jackets

Design by Matt Needle

Heavyweight Insert and Art Print

The instrumental soundtrack was recorded by the band Toto (minus lead singer Fergie Frederiksen), accompanied by the Vienna Symphony Orchestra and the Vienna Volksoper Choir, conducted by Marty Paich, father of Toto keyboardist David Paich. "Prophecy Theme" was composed for the movie by Brian Eno, who is rumored to have composed an entire earlier Dune soundtrack, although only "Prophecy Theme" and some incidental background music survived in the final film version. The first release of the soundtrack contained select cues in their original film order, plus two pieces of dialogue from the movie that served as bookends for two tracks ("Prologue" and "The Floating Fat Man (The Baron)"). This first issue was released by Polydor Records. The album includes an alternative take of the "Main Title", that had not been used in the film. · Soundtrack to David Lynch's 1984 cult film. · Composed by Toto and Brian Eno. · Sourced from the original master tapes. · Limited "Spice" colored vinyl. · Includes 24 x 24 full color poster. · Audiophile Pressing at RTI. · Limited to 2000 copies.

They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”. We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing. Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.
Featuring the songs present on Peter Quill's mixtape in the film. A separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates, was also released.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Introducing BENCZE SCHAMANN QUINTETT — a groundbreaking collaboration between Munich's underground visionaries, Andor Bencze and Thomas Schamann. With their debut album, the artists invite you on an espionage mission in a twisted parallel universe where the hierarchy between melody and rhythm is turned upside down. Expect wild car chases, dangerous love and notorious villainy, directed by David Lynch.

Their debut is a testament to their creativity and an experiment in pushing the boundaries of what is possible with sound. It's an invitation to explore the unexplored, to embrace the bizarre, and to immerse yourself in a realm where sound is sculpted, warped, and reinvented.

Double vinyl LP pressing. Original soundtrack to the 2017 HBO TV series. Includes tracks by Michael Kiwanuka, Charles Bradley, Martha Wainwright, Agnes Obel, Irma Thomas, Zoe Kravitz and many others. Big Little Lies is an American dark comedy-drama HBO miniseries created and written by David E. Kelley, based on the eponymous novel by Liane Moriarty. The miniseries comprises seven episodes, all directed by Jean-Marc Vallée. The series stars Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern, Alexander Skarsgård, Adam Scott, and Zoë Kravitz.

Double vinyl LP pressing. The original score for Ken Burns's 2024 two-part documentary, LEONARDO da VINCI. The album features performances by the composer's longtime collaborators Attacca Quartet, S Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. LEONARDO da VINCI is directed by Ken Burns, Sarah Burns, and David McMahon. The film, which explores the life and work of the fifteenth century polymath Leonardo da Vinci, is Burns's first non-American subject.

Enjoy The Toons Records in conjunction with WaterTower Records, WB Games & DC Comics proudly presents Best of Batman: Arkham Knight, Music by Nick Arundel and David Buckley.

Curated by the games' composer, Nick Arundel, Best of Batman: Arkham Knight consists of 15 tracks from the 2015 video game. Each record comes housed in a 350gsm jacket with black inner sleeves and black flood printing inside the sleeve. Included with each record is a 12"""" x 24"""" foldout insert, featuring a collage of the game's main characters on one side, with a grand scale view of Arkham City on the other.

Enjoy The Toons Records in conjunction with WaterTower Records, WB Games & DC Comics proudly presents Best of Batman: Arkham Knight, Music by Nick Arundel and David Buckley.

Curated by the games' composer, Nick Arundel, Best of Batman: Arkham Knight consists of 15 tracks from the 2015 video game. Each record comes housed in a 350gsm jacket with black inner sleeves and black flood printing inside the sleeve. Included with each record is a 12"""" x 24"""" foldout insert, featuring a collage of the game's main characters on one side, with a grand scale view of Arkham City on the other.

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

Mondo, in conjunction with Konami, is proud to present the premiere vinyl pressing of the soundtrack to the Playstation 2 horror masterpiece: SILENT HILL 2.

SILENT HILL 2 is psychological horror by way of David Lynch; this classic evokes the more surreal and supernatural elements of TWIN PEAKS while following one man's journey into a hell of his own creation. Like the geographical differences between the maps of the two games, musically SILENT HILL 2 feels like somewhere you've been before, but somehow also mysteriously different and unique. It's haunting and beautiful at one moment, tense and spine-tingling the next. If SILENT HILL is a frightful jump scare, SILENT HILL 2 will haunt you in your dreams for years to come.

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

1LP Std Orange/Yellow Galaxy Color This is the 636 from Season One of the hit DC Comics and Syfy television series, Krypton, which puts a new spin on the Superman story. Set two generations before the destruction of the legendary Man of Steel's home planet, Krypton follows Superman's grandfather, whose House of El was ostracized and shamed as he fights to redeem his family's honor and save his beloved world from chaos. Based on DC characters, Krypton is executive produced by David S. Goyer (Man of Steel, Batman v Superman: Dawn of Justice and The Dark Knight trilogy). The 636 was composed by Pinar Toprak (composer for the crazy hot video game Fortnite, the film Justice League, and the upcoming Captain Marvel movie for Marvel and Disney).
The album will be released on colored vinyl. The highly anticipated second season will premiere in Spring of 2019. -

“Windows on the World” is a dramatic love story about a Mexican son's search for his father – a missing, undocumented worker in The World Trade Center on 9/11. On the morning of September 11, 2001, Fernando (Ryan Guzman - “Step Up” franchise, “Boy Next Door") and his family in Mazatlan watch their TV in horror as the Twin Towers collapse. Fernando's father, Balthazar (Edward James Olmos) works in the Windows on the World restaurant. But he does not call to say he is safe. And there is no way to contact him. As the family grieves for his apparent loss, Fernando’s distraught mother swears she sees her husband on news footage – escaping from the building ALIVE! Heroic Fernando decides to take the epic journey from Mexico to New York City to find his father and save his family. Along the way, he falls in love with empathetic Lia (Chelsea Gilligan), and befriends an eclectic group of international characters that help him restore his faith in humanity, as Fernando discovers the hard truths about his father, the melting pot of America, and the immigrant experience. The film also has memorable performances from Richard Cabral (“The Mayans”) Glynn Turman (“Cooley High,” “The Wire”) Julie Carmen (“In the Mouth of Madness,” “Gloria”) and Luna Lauren Velez (“Dexter,” “Oz.”) It was directed by Michael Olmos (“Filly Brown") - adopted son of Edward James Olmos, cinematography by Reynaldo Villalobos ("Risky Business,” “Urban Cowboy,” TV’s “Breaking Bad”), with a soundtrack that includes a new song with vocals and guitar by David Hidalgo (Los Lobos) and blues hall of famer Charlie Musselwhite on harmonica. Plus original jazz music from members of the SFJAZZ Collective (past and present), Eric Harland, David Sanchez, Edward Simon, Obed Calvaire, Robin Eubanks, Matt Penman, along with Taylor Eigsti and Ethan Iverson (The Bad Plus)...as well as tracks from Les Claypool (Primus) and Fela Kuti.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Killing Zoe is a 1994 crime / bank heist film written, directed and produced by Roger Avary and co-produced by Quentin Tarantino. Killing Zoe follows the story of a safe cracker named Zed who returns to France to aid an old friend in performing a doomed bank heist. The film was labelled by acclaimed film critic Roger Ebert as “Generation X’s first bank caper movie”. After the production of Killing Zoe, Avary and Tarantino continued their collaboration and produced both the iconic award winning movie Pulp Fiction and several radio dialogues in Reservoir Dogs. The score to Killing Zoe was produced by Tomandandy, aka Thomas Hajdu and Andy Milburn. This duo is best known for their horror scores like The Hills Have Eyes and The Strangers amongst others and many collaborations with great artists such as Lou Reed, David Byrne, U2 and Laurie Anderson. Killing Zoe is available on vinyl for the first time and includes an insert with liner notes.

Killing Zoe is a 1994 crime / bank heist film written, directed and produced by Roger Avary and co-produced by Quentin Tarantino. Killing Zoe follows the story of a safe cracker named Zed who returns to France to aid an old friend in performing a doomed bank heist. The film was labelled by acclaimed film critic Roger Ebert as “Generation X’s first bank caper movie”. After the production of Killing Zoe, Avary and Tarantino continued their collaboration and produced both the iconic award winning movie Pulp Fiction and several radio dialogues in Reservoir Dogs. The score to Killing Zoe was produced by Tomandandy, aka Thomas Hajdu and Andy Milburn. This duo is best known for their horror scores like The Hills Have Eyes and The Strangers amongst others and many collaborations with great artists such as Lou Reed, David Byrne, U2 and Laurie Anderson. Killing Zoe is available on vinyl for the first time as a limited edition on flaming coloured vinyl and includes an insert with liner notes.

Assignment K (with lots of pencil scribbles everywhere). The Strange Affair (with lots of pen scribbles everywhere).

As usual with Basil tapes / things there is little else to go on, no tracklist, no list of musicians, no singer names, no dates or anything. I have actually tried to establish the name of the singer on the song from Side One (we have called it “Love Is To Walk Away “ as it is unnamed) but having played it to a handful of knowledgeable collectors and enthusiasts who I would count as experts in this field, no one has a clue who it might be. If you think you know please get in touch. We know who it isn’t.

We can tell you that Assignment K dates from 1968, was a film about a toy maker who has a double life as an international spy. It was directed by Val Guest, who’d just finished trying to rescue the cinematic hotchpotch that was Casino Royale - he had been brought in by the Bond producers after Peter Sellers had walked off the movie. We imagine Assignment K may have been a slightly less stressful few months of shooting. As for the Kirchin score that we have here, we can tell you very little indeed, apart from the fact that the bass player was Ron Prentice (an ex blacksmith turned musician and craftsman) who worked on several Bond scores, but we know little else. And we only know this because it says so in the academic tome “Jazz On The Screen” by David Meeker.

The Strange Affair is also from 1968, and was not only controversial but also a reasonably unsuccessful movie. Directed by David Greene who also directed, amongst other films, I Start Counting and the quite brilliant Sebastian. In this rather grubby flick a policeman called Peter Strange (played by Michael York) falls for an underage girl (played by Susan George), finds himself compromised by a pair of pornographers and gets lured into an errand for a smack gang. We can tell you little else because I have no more information about it all.

But we do know that this music has all the classic Kirchin mid-period sonic hallmarks that have always set him apart.

Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.

Dive into the evocative soundscapes of the past with the first ever vinyl reissue of Piero Umiliani's 1972 library masterpiece, "Guerra E Distruzione." Known for his innovative and genre-defying compositions, Umiliani's work on this album encapsulates the raw emotions and tumultuous energies of war and destruction through a unique blend of orchestral finesse and experimental brilliance. This exclusive reissue has been remastered for vinyl by Davide "Bassi Maestro" Bassi to capture the full depth and richness of the original recordings, bringing to life every nuanced note and intricate layer. Presented in a stunning gatefold jacket with opening in the inside, replicating the original pressing, the album's artwork is a tribute to its historical significance and artistic value, offering fans and collectors a visual and auditory feast.

Limited to just 500 copies, this release is a rare gem for connoisseurs of library music, soundtrack enthusiasts, and vinyl aficionados. Immerse yourself in the hauntingly beautiful and profoundly stirring world of "Guerra E Distruzione," a timeless work that stands as a testament to Piero Umiliani's enduring legacy in the realm of cinematic soundscapes.

Double LP on 180 Gram vinyl!

Blue and Clear vinyl edition. Still sealed with hype sticker. 2021 reissue. Tiny wear, shrink wrap is partially opened.