Search "purpose+confidence" 4 Items

"Our Thang" is the instrumental revisit of a classic JB funk tune with extra guitar work,
trombone solo and vibraphone (courtesy of Jorun's "Espressolites" band) giving the tune
a new breath of life and color. A must have for the 45 collectors.

"Phungry" instrumentally combines a 90's Hip Hop classic together with reggae vocals
in the same musical key. You never heard it like this before!
The perfect addition to your record crate that will sit comfortably next to your original version
of "Passing me By" and will musically blend perfectly with it.

The return of the beloved Wrecka Stow series w/ DJ Spinna and J.Rocc is here! Full color jacket w/ OG colors theme. DJ Spinna, celebrated for his creative endeavors in music scenes world wide, has a history of refreaking classics. His remixes are staples to the DJ community! Truly a sign o the times! “Maple Syrup Jam” This Fresh remix by the legendary DJ Spinna impeccably blends a soulful groove with a timeless classic. Mixing Mazes’ “Before I let go”, this refreak weaves the Purple ones playful lyrics and bouncy melody of Frankie that echoes the smooth, feel-good vibes of Starfish. J.Rocc, founding member of the Beat Junkies from Los Angeles, on this reprise puts his producer powers to this influential refreak series. “RE: Purple Music” A posthumous release, but well-known among his Purple Royalness’ fans, J.Rocc captures the Purple ones exploration of highs of his early 80’s works, with a slowed tempo, multi-groove filled, yet minimalist track. J.Rocc takes the Purple Antidote to heart and carries us on a full bodied spiritual journey.

Tones 1.0 is a record specifically made for the purpose of melodic scratching,

although it is not limited to just that; it can be also used as a production tool.

Think of Tones 1.0 as a synthesized toolkit that blurs the lines between live

performance and production.



Side A consists of 16 locked modulating tones (8 bass tones and 8 lead tones)

that have been recorded from various analog synthesizers. They were recorded

live while manipulating cut-off frequencies, resonance and LFOs to a click track

at 133.33 BPM. This gives the tones extra rich sonics and more depth while

being scratched. Each bass tone is recorded at middle C (c3) while each lead

tone has been recorded an octave higher (c4).



Side B consists of musical phrases, chords, drums, experimental tones and

skip-proof atonal scratch sounds, all of which have been recorded at 133.33

BPM.



You’ll find a rich tapestry of ideas to choose from ranging from funk basslines/

chords and licks, soul chords and licks, drums, atonal scratch sounds and

experimental tones that create futuristic atmospheres. Major and minor 7th

chords follow the circle of 5ths so that they are all relative to each other,

perfect for creating music quickly. Once you’ve created a beat/sketch you can

then jump to the skip-proof atonal scratch sounds and solo over the top. Enjoy.