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On June 23, 2023, Madonna will release a new rainbow-vinyl version of her sold-out 6-LP collection, Finally Enough Love: 50 Number Ones. Like the original, FINALLY ENOUGH LOVE: THE RAINBOW EDITION spans Madonna’s entire dance club chart reign with dozens of remixes by the world’s top producers. Along with fan favourites, the set also features several rare remix recordings that debuted commercially last year. Boasting more than 220 minutes of remixes, FINALLY ENOUGH LOVE: THE RAINBOW EDITION flows in mostly chronological order. It showcases the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time, including Peter Rauhofer, William Orbit, Honey Dijon, and Avicii.

Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a 50-track collection titled FINALLY ENOUGH LOVE: 50 NUMBER ONES which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled FINALLY ENOUGH LOVE.

"Forever Jan" packs 25 (!) years into the most comprehensive compilation possible - and, despite all the stylistic diversity, makes the common thread of this extraordinary career recognizable in every respect. Jan Delay himself has become an icon of German pop: He has shaped how music sounds in this country, and he has inspired entire generations to listen to their raveheart and consistently do their thing.

But above all, he has always remained a fan. Anyone who has shared a dancefloor with Jan at five o'clock in the morning or discussed the latest Soundso record with him, indeed anyone who has experienced him on stage even once, knows what music means to him, how it drives him, how it defines his work. The beats, the bass, the whole boom, that's his element. And he has always transferred this passion very directly into his own projects. Anyone who hears "Forever Jan" knows that this fire will burn forever.

"Forever Jan" comes with 2 new tracks, classics, rarities and floor fillers.

Limited hardcover book in vinyl format incl. 2 new tracks: 5-fold vinyl (colored, 180g) and 2 CDs with glued-in 20-page booklet and signed DIN A5 photo

Vinyl is close to NM.

One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

“Good Girl Gone Bad” is the third studio album by Barbadian singer Rihanna. It was released on May 2007, by Def Jam Recordings and SRP Records. Rihanna worked with various producers on the album, including Christopher "Tricky" Stewart, Terius "Dream" Nash, Neo da Matrix, Timbaland, Carl Sturken, Evan Rogers and StarGate. Inspired by Brandy Norwood's fourth studio album Afrodisiac (2004), “Good Girl Gone Bad” is a pop, dance-pop and R&B album with 1980s music influences. Described as a turning point in Rihanna's career, it represents a departure from the Caribbean sound of her previous releases, “Music of the Sun” (2005) and” A Girl like Me” (2006). Apart from the sound, she also endorsed a new image for the release going from an innocent girl to an edgier and more sexual look.

The album received seven Grammy Award nominations and one win in the Best Rap/Sung Collaboration category for "Umbrella" at the 2008 ceremony. The album debuted also at number two on the US Billboard 200 chart. Certified quintuple platinum by the Recording Industry Association of America (RIAA), it sold more than 2.8 million copies in the United States. As of 2009, the album had sold over 7 million copies worldwide.

Kazumi Nikaido is probably most known within Japan for her composition of the main theme song for Isao Takahata's Studio Ghibli birdsong "Princess Kaguya", but a dedicated career of fine tuning and experimentations fall either side, and her 2006 album "Nikaido Kazumi no Album" is exemplary of an artist in full creative flow and P-vine is delighted to be releasing it as a 2xLP for the first time. It is hard to match a genre to the work as it meanders through tracks filled with jazz rhythms and cabaret extroversion into halls of ambience and electronica, but Nikaido is always closeby with a hand to guide listeners through its various sharp weaves and turns. One of its lead tracks "Kyou wa Tou" throws the kitchen sink at listeners with a loving touch as a stream-of-consciousness outpour from Nikaido leads an orchestra of jazz, handclaps and turntable scratching as it builds to a wall-of-sound climax. Those who keep up to date with j-pop will be well aware of some of the guest contributors to the album with various members of Sakerock assisting with arrangement and Hoshino Gen playing guitar on a number of tracks. Japanese jazz pianist Takeshi Shibuya's support heavily features and there is a guest appearance by Tenniscoats' Saya.

Nikaido is also no stranger to activity in the west. Through her extensive career she has traveled far and wide, and in 2011 linked up with Tara Jane O'Neil to release a collaborative self-titled LP on K-Records that saw the two artists bridge across their respective cultural backgrounds, and meet in the middle with a work that dared the other to build anew. Other excursions lead to a collaboration with Bill Wells on Lemondale, his collaborative project with Japanese musicians, after meeting the Scottish composer at Glasgow's Celtic Festival. More recently in 2018 she also supported Mount Eerie at Kobe's Guggenheim House and continues to remain active as both a solo artist as well as performing alongside the Gentle Forest Jazz Band.

Things To Make And Do is the third album by the electronic/dance duo Moloko, originally released in 2000. It was a sonic departure for Moloko, with tracks less reliant on electronics and more on live musicians. In addition to the change in musical styles, the album featured new vocal technique, from the lead singer Róisín Murphy.

After the release of Things To MakeAnd Do, offers came in for Murphy to guest on others’ records, most notably The Psychedelic Waltons, Boris D. and Handsome Boy Modelling School. The album held the record as Echo’s fastest-selling UK Platinum record, until beaten by Feeder’s The Singles compilation six years later. It includes fan favourites “The Time Is Now”, “Pure Pleasure Seeker” and “Sing It Back (Boris Musical Mix)”. The track “Indigo” was featured on the soundtrack for Mystery Men.

Things To Make And Do is available as a limited edition of 2500 individually numbered copies on purple & red marbled coloured vinyl. It also includes a 4-page booklet.

Zeroes Collected Vol. 2 compiles some of the biggest songs, top ten hits and debut singles from the turn of the century. The millennium brought pop by MGMT “Kids”, rap by N.E.R.D. “She Wants To Move”, “The Seed (2.0)” by The Roots feat. Cody Chesnutt and rock by Queens Of The Stone Age “Make It With Chu”. Two time Brit Award and Grammy Award winning Joss Stone’s “Super Duper Love”, Maroon’s 5 International top charting hit “This Love”, The Zutons’ original version of “Valerie” and many others are included on this 2LP. The Decades Collected compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favourite tunes while uncovering new musical grounds at the same time. Zeroes Collected Vol. 2 is available as a limited edition on red coloured vinyl and includes an insert.

The Radio 2 Top 2000 is the largest annual radio event in The Netherlands. The audience of Radio 2 gets to vote for their favourite all-time songs. Literally millions of votes come together in the Top 2000. All these 2000 songs are broadcasted back to back from Christmas until a few minutes before New Year’s Eve, when they air the No.1 of the chart. The Top 2000 bridges the gaps between all musical generation from the Sixties to the present, making it the most eclectic chart out there, and keeping more than half of the country glued to their radio day and night for the whole week it’s broadcasted. And with a daily tv spin-off during its broadcast, it has reached an even bigger audience. Top 2000 - The 00’s contains the best hits from the century in which various styles of the late 20th century remained popular, such as in rock, pop, metal, hip hop, and indie. A variety of genres started to fuse in order to see new styles emerging. Artists like Amy Winehouse, Justin Timberlake, Alicia Keys, Duffy, Anastacia Pearl Jam, Keane, Maroon 5, and The Black Eyed Peas are featured on this 2LP compilation.

Want One was the third studio album by singer-songwriter Rufus Wainwright, released in 2003 and produced by Grammy Award-winner Marius de Vries. It contains the singles "I Don't Know What It Is" and "Oh What A World". Both songs were featured in season two of the television series Nip/Tuck. The album features guest vocals by Martha Wainwright, Joan Wasser (Joan As Police Woman), Teddy Thompson, and Linda Thompson, as well as a banjo solo by Wainwright's mother Kate McGarrigle.

Want One charted on the US Billboard 200 and ranked high in 2003 'end of the year'-lists of Mojo, Paste, Rolling Stone and more magazines.

Want One celebrates its 20th anniversary and is available as a 2LP.

It’s time to deck the halls and put up the Christmas tree as the yuletide season is upon us. Christmas Collected is the brand-new compilation with both traditional and modern songs celebrating the festive season. Artist and groups including Queen, Bruce Springsteen, Band Aid, Paul McCartney, U2, The Teskey Brothers, Frankie Goes To Hollywood, Amy Winehouse, Ariana Grande, Mud and many more are featured on the 2LP. Christmas Collected is available as a limited edition on translucent green (LP1) and translucent red (LP2) coloured vinyl and includes an insert.

Steven Dayvid McKellar, founder, singer and songwriter of South African indie rock stalwarts Civil Twilight, presents his solo album debut. A thematically-connected set of songs driven by warm, precisely arranged synthetic and acoustic tones, "ETHIO" explores reality within a single contemporary American neighborhood. The result is a singular work, one that elegantly captures the essential confusion of our times.

The British shoegaze pop band Engineers was formed in London in 2003 by Mark Peters, Simon Phipps, Andrew Sweeney and Dan MacBean. MacBean is also known as the guitarist in The Shining. After being signed to Echo Records, the band released their self-titled debut album in 2005. The album features the acclaimed tracks “Home”, “Forgiveness” and “Waved On”. The latter was produced by Tim Holmes, who worked with The Chemical Brothers, Primal Scream and multiple albums for Death In Vegas. Engineers is available as a limited edition on white coloured vinyl, housed in a gatefold sleeve.

Belgian Johan van Roy has had one of the longest careers in electro-industrial music, rising from humble beginnings in the '80s EBM scene to become a figurehead of the genre.
Suicide Commando's music is characterised van Roy's nasty, ultra-nihilistic worldview and his unflinching exploration of the dark side of human nature, combined with the intense, dancefloor-focused sounds in which it was packaged.
Now, exactly 20 years after its original release in 2003, Suicide Commando’s legendary Axis of Evil album is re-released with lots of brand new goodies.

Very limited private press.

The new record by Tropa Macaca brings together two pieces, Animais Sintéticos and Aerossol, which were previously presented in an exhibition context, at gnration in Braga and at Pada in Barreiro, in the years 2022 and 2020, respectively. Both exhibitions, which took the title of the pieces, presented themselves as immersive installations that allied music to Joana da Conceição's paintings and videos. These two exhibitions are different pacts between the audible and the visible, and of both with the world.

Here are the texts that accompanied the exhibitions, as well as links to visual report. Animais Sintéticos, gnration, Braga, 2022 The exhibition Animais Sintéticos exists like a landscape, the kind we remember when we are not there, alive, but suspended inside us. Enigmatic for us who created them, they accompany us, and if we imagine that one day they had a beginning, an original referent outside of us, the time they have already spent with us forces us to doubt that this is so. Time has uprooted them, torn them from that place. We look closer, we reflect, we examine, we meditate, and when, as in a quantum leap, we originate what becomes there, we believe that it has always been there, that we have crossed the glass, that we have come close to the mystery. It is a landscape like this that is offered in this exhibition. One of those that say more about us than about the world, at a time when we already know what we already felt, that we are not the world. An exercise in quantum paleontology, where the painting, the music, and the moving image are echoes of this place we inhabit, between promise and ruin. A confrontation, in the form of an elegy, in search of reconciliation.

180g vinyl including insert!

Classic 2001 collection from Detroit's Adult. 20th anniversary of the original release, 10th anniversary of the first vinyl pressing. Available for the first time in red & black marbled vinyl. "We've wanted to re-release this album for some time," says Adult.'s Adam Lee Miller, "but we weren't ready until now. We have some new material in the pipeline, and we thought this would be a nice way to reintroduce ourselves." It is indeed a nice way for the hugely respected Detroit duo to herald their return to the world of music, especially for anyone who missed out on Resuscitation the first time around _ the album was never available digitally until the 2012 re-release and vinyl pressing on Ghostly International. The reissue thus presented the chance to own one of the more influential records of the early 2000s: either on double 12" LP or, for the first time, as a digital release. Now, in 2022, the vinyl is available for the first time in a new red and black marble colorway. When it first dropped in 2001, Resuscitation served as a de facto introduction to the duo, collecting a bunch of songs on CD that had only previously been available on hard-to-find singles and EPs. Eleven years later, it does the same thing, except this time around, we can see just how influential its creators' work has been _ and Adult.'s music only sounds more remarkable with the benefit of hindsight. At the time, Resuscitation's combination of crisp beats, squelch-laden synths and Nicola Kuperus' detached monotone sounded like a broadcast from the future, steeped in the analog synth sounds of forebears like Kraftwerk but possessed of an ultramodern sheen all its own. The duo's visual aestheticwas just as important _ Kuperus' photography adorned all their album packaging (including this re-release), and their liveshows drew on a sense of what a reviewer once called "detached intrigue." Echoes of Adult.'s aesthetic can be heard today in everythingfrom today's surfeit of analog synth-toting minimal wave bands to the highly stylized divas who dominate the pop charts. But really, in 2022 Resuscitation still sounds like no-one else.

Color: Yellow. Limitation: 1000 copies.
Zeroes Collected Vol. 2 compiles some of the biggest songs, top ten hits and debut singles from the turn of the century. The millennium brought pop by MGMT “Kids”, rap by N.E.R.D. “She Wants To Move”, “The Seed (2.0)” by The Roots feat. Cody Chesnutt and rock by Queens Of The Stone Age “Make It With Chu”. Two time Brit Award and Grammy Award winning Joss Stone’s “Super Duper Love”, Maroon’s 5 International top charting hit “This Love”, The Zutons’ original version of “Valerie” and many others are included on this 2LP. The Decades Collected compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favourite tunes while uncovering new musical grounds at the same time. Zeroes Collected Vol. 2 is available as a limited edition on red coloured vinyl and includes an insert.

We all remember with mixed feelings the past two years of domestic isolation: a temporary anomaly in which the world had to adjust to a new routine, a new rhythm. In these daunting yet precious circumstances, Italian producer Markeno has found his rhythm back, dusting off old records and re-approaching his past musical love affairs that he believed to be long forgotten. Here, in the fertile limbo that connects past and future, “Dock lown (exploring)” is born: a 3-tracker release with a chameleonic nature and an undeniable groove, in which Markeno is able to tactfully combine different genres such as indie, post-rock, African mu- sic, electro and funk.

In the contemporary music scene, overly saturated with catchy melodies and seductive lyrics, it is refreshing to encounter a composition like “Fase 01”, which starts from a purely percussive structure. Just when the ear is settled and well inserted into the tangle of drums, here comes the melodic twist, no less than at the fourth minute, injecting an unexpected groove and chalking out the contours of a track with multiple personalities: a little esoteric, a little synth-wave, quirky and badass. The temperature rises with “Zona Ros- sa”, in which the electro hint sketched in “Fase 01” becomes more pronounced, opening the doors to a dense psychedelic scenario. A shamanic loop accompanies the electric bass and escorts us through the smoke of the bonfire, veils swayed by the wind and colored lights that sparkle in the night. The ritualistic humming of ‘’Zona Rossa”’ is still hearable, floating in the rarefied atmosphere, while the last track “Limbo” makes its entrance and confirms once again the poliedric but congruous essence of this release, whose percussive attitude lures you in and whose hypnotic and groovy body makes you stay. At least for one more dance.

Sara Berton

Hugging the bend and blowing kisses since 2012, Antinote has been a vessel of choice for lovers of left-of-centre dance music and retro-laced boogie. Covering a supremely wide range of styles, the Parisian outlet has carved out a musical lane truly its own by putting on a nonstop celebration of electronics’ inexhaustible power of enthralment. A pledge of quality-driven curation and never-ending search for the next thrill that’s proven untiringly relevant throughout the years and opens onto its second decade of existence with equal panache.

Toasting to its ten years splashing the game with continuously reasserted outsider bravura, label captain Zaltan has bottled some of the finest expressions out Antinote’s versatile vaults of sound to form the present “X” compilation, “ten years of loving notes and foolin around 2012-2022". From totem animal IUEKE’s oddball musique concrète (“fiano-church") to the candid synth-pop of Lithuanian outfit Domenique Dumont (“La Dolce Vita"), via Feminielli’s outré mix of ghetto-house and ominous croon (“Nobody’s Boy”) and Tel-Aviv vibist Alek Lee’s signature synth-splattered 80s wave (“Different Plans”), it’s a smorgasbord of colours and vibrations that prepares to avalanche across your sound system.

Take the esoteric shoegaze of Epsilove, Shelter and Thomas Riguelle (“From The Spaceship in My Room”) and prepare to move upstream a river of saturated guitars and all-engulfing reverbs; let Low Jack’s jagged floor aggressor drill a hole in your head (“Feel 2020”) or opt for further ankle-breaking UK-bass-influenced riddim traction from DK & Geena (“BelleTech One”). A further cosmic-friendly epic, Chimère FM (I:Cube!) embarks us on a ride near Saturn’s belt (“La Genèse du Monstre à Suze") whereas former Antinote apprentice River Yarra snipes a hail of Italo-informed arpeggios and giallo-esque bass murk to compelling effect (“Blooms”) and L.I.E.S. head honcho Ron Morelli goes all in with a formidable, old-school dusty house chugger (“Tribute”).

There’s obviously more to "Antinote X" than the sum of its parts, and Jean Luc’s post-Plantasia jazz hybrid (“La Truite”), Arabica’s decadent, anti-colonial spoken number (“Multo Storia") or fellow Antinote in-house visual designer Nico Motte’s vintage disco churner (“All The Money In The World”) are there to attest. Not to forget Panoptique, up with a lashing, dissonant treat for the senses (“Un Licenciement”), Leo Martelli under guise as Sammy Patanegra with a tribal jacking weapon (“Maria”), Pont Levis floating into emotional hyperspace (“L’Espace et le Coeur de L'Âme”), Trigger Moral in with a marvel of a hip-hop gem emerged from some retro-futuristic wormhole (“soul assssn”) and Laporte rounding it off downtempo, modular ambient style for good measure (“Sleepers”). Ten years on, Antinote still leading the pack.

produced by Christian Vogel

Cover is close to VG+!

Almut Klotz, may she rest in peace, became known as a musician through her work with the Popchor Berlin, the bands Parole Trixi and Lassie Singers, and as an author ("Aus dem Leben des Manuel Zorn", "Tamara und Konsorten" and most recently "Fotzenfenderschweine"). Together with Christiane Rösinger she ran the label Flittchen Records. The first two books were written with her partner, the universal talent Christian Dabeler (musician, songwriter on many records, not even all listed on Discogs, actor: Rollo Aller, Deichbullen, author, etc.). In "Fotzenfenderschweine", which Almut Klotz wrote about their love, you can get even closer to the couple. The original info text from 2007 says: "Klotz + Dabeler don't like to commit themselves and also leave the freedom to the listener. All the beautiful lyrics are embedded in the most wondrous glamour pop, which is not too shy to wander into the piepige and show everyone the bird. You can get pathetic: "Menschen an sich" is one of those rare albums that make you feel strangely understood and embraced right from the start - despite or perhaps because of all the unanswered questions. Bonus: The vinyl edition comes with an alternative cover photo!

CD with light scuffs

CD comes in a soft case, instead of the original crystal case. All booklets included.

CD comes in a soft case, instead of the original crystal case. All booklets included.