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Everything Changes is home to some of the group’s biggest singles and highest streaming tracks such as Relight My Fire and Pray. This Zoetrope Picture Disc will include animations of the group taken from the classic videos from the album. This is the first time this has been available on Zoetrope LP Vinyl as the previous vinyl release was a picture disc, and the first time on vinyl since its original release in 1993.

Copy is close to VG+!

Cover signed by the band, close to VG+

The vibrant genre Eurodance originated in the late Eighties in Europe and combines many elements of rap and rich melodic vocals with strong bass rhythms and cutting-edge synthesizers. The 2LP Eurodance Collected compiles the best hits from Eurodance, including Snap! ""Rhythm Is A Dancer"", Technotronic's worldwide smash ""Pump Up The Jam"", catchy sing-a-long self-titled Captain Jack track, Dutch group Vengaboys' ""Boom, Boom, Boom, Boom!!, Belgium's hit-wonder 2 Unlimited's ""No Limit"" plus 22 other guaranteed dancefloor fillers. Eurodance Collected is available on black vinyl and includes an insert.

Inspired by Front 242, Skinny Puppy and Clock DVA, Arno and Tibor were fellow students at the Center of Electronic Music (CEM) in Arnhem, Netherlands during the mid 80's.After getting a record deal with the Belgian Antler Subway, and started producing their first EP, originally meant as EBM. But since they were in the middle of proceeding, they took the chance to incorporate some of those influences in their first record, 'Force D'Inquisition', in 1990, which became one of the earliest Dutch house records.Track A2 is the legendary 'Apocalypse', which was quite a hit at the time both in the EBM and acid scene, with gentlemen like Frankie Knuckles playing it in his sets.Arno Peeters was later part of Random XS and Urban Electro and worked solo as Spasms on Djax-Up-Beats. In memory of Tibor Fülöp, 17-03-2010.

2023 reissue. Still sealed with hype sticker.

Tiny corner wear. Original inner sleeve. 2020 reissue.

Copy close to NM

Cover has water damage.

Simply The Best ist eine 18-Tracks-Sammlung mit einigen der beliebtesten Love-Songs von Tina Turner, darunter natürlich auch What's Love Got To Do With It, I Don't Wanna Lose You, Steamy Windows und Private Dancer. Ursprünglich erschien die Compilation bereits 1991 auf CD und erreichte rund um die Welt Multiplatin-Auszeichnungen. Es hielt sich über zwei Jahre in den UK-Charts und ist eine der meistverkauften Compilations aller Zeiten.

Price tag.

The Rarities is a compilation of fan favorites, rare songs and unreleased gems, all hand-picked by Mariah herself. Also included in this 4LP set is the full length audio from Live at the Tokyo Dome, Mariah's first concert performance in Japan in support of her 1996 Daydream World Tour.

Limited edition of 2000 individually numbered copies on silver and black marbled 180-gram audiophile vinyl. Expanded edition available on vinyl for the first time! The English jazz-funk outfit Level 42 released their ninth studio album Guaranteed in 1991. It was the first album with the new formation after the departure of Phil and Boon Gould and the passing of Alan Murphy. This expanded edition of Guaranteed includes ten bonus tracks, including special mixes of "Guaranteed" and "Overtime", and live versions of "Her Big Day", "The Sun Goes Down (Living It Up)" and "Guaranteed". Also, 5 additional bonus tracks that were previously unreleased on vinyl.

Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.

Limited edition of 500 copies on clear vinyl.

Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.

n 1998 the record “Jukebox Alarm” came out. It was mixed and produced by Kurt Dahlke, aka Pyrolator, in Düsseldorf. For this record Stereo Total used a lot of home recording equipment and a big 16-bit-sampler, to cut up their 4-track and studio recordings. The result was a continuation of their garage-“trash”-sound with new weapons. The record was released in Europe by Bungalow and in Japan by Appareil Photo

After the near-tragic accident for Gloria Estefan during the 'Get on Your Feet Tour' (Gloria suffered a broken vertebrae) she portrayed her emotion on 'Into the Light', hence the album's title. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. The album sold over 10 million copies worldwide. It peaked at number five on the Billboard 200 chart, driven largely by its chart-topping lead single, 'Coming Out of the Dark'. Into The Light is for the first time available on a 2-LP set, as a limited edition on blue marbled vinyl. The package includes an insert. Also available on 180 gm vinyl: Gloria Estefan - Mi Tierra.

The Man Who sounds as fresh today as it did then. One of the most successful British albums of the last 20 years, it spawned the timeless singles, “Writing to Reach You,” “Driftwood,” “Turn,” and possibly the band’s most iconic song, “Why Does It Always Rain on Me?” Produced by Nigel Godrich (Radiohead, U2, Pavement), The Man Who spent an astonishing 11 weeks at Number One in the UK, going on to sell 3.5 million copies worldwide.

Critical recognition quickly followed including Ivor Novello Awards for Best Songwriter and Best Contemporary Song for “Why Does It Always Rain on Me?” and BRIT Awards for Best British Band and Best British Album.

This deluxe box set offers the expanded album on two CDs and two LPs, bonus disc featuring 19 B-sides and live performance hand-selected by the band. The 12” x 12” lift-top box will also contain a 58-page commemorative photobook.

This release celebrates the 20th anniversary of a pivotal performance and career-defining year for Travis. In June of 1999, with Travis’ sophomore album The Man Who having only been in the record shops for a month, Travis played the Other Stage at the Glastonbury Festival.

It had been glorious weather, but, as they played their soon-to-be-released single “Why Does It Always Rain on Me?,” the heavens opened. The soggy crowd went wild, and the performance went down as one of the all-time great shows in the festival’s 50-year history. By the time “Why Does It Always Rain on Me?” was released as a single five weeks later, Travis and The Man Who were on the precipice of international stardom, and would go on to headline Glastonbury a year later.

“Refugees of the Heart” is the sixth solo studio album by Steve Winwood, released in 1990. The album contained the hit single, "One and Only Man", which topped the Mainstream Rock Tracks chart and saw the return of former Traffic bandmate Jim Capaldi to Winwood's songwriting team. By coincidence, a Traffic reunion followed in 1994. Because of that collaboration, Winwood would not record another solo album until late 1997. Also "I Will Be Here" and "Another Deal Goes Down" were released as singles. Winwood stated about the closing track, “In The Light Of Day”: 'When Will and I wrote the song (..) it was our idea of what Nelson Mandela's dream was, while he was in prison. It was really just a fantasy of ours, but that’s what we based the song on.'