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Record Store Day 2021 Release.

Originally released by Virgin Records, Manfred Mann's Earth BAND's Criminal Tango is now available for the first time in 20 years!

It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers The Southern Death Cult seeded so many memorable but divergent groups - from widescreen rock legends The Cult to romantic pop duo Into A Circle to "the Asian Public Enemy," Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The Southern Death Cult rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul `Bee' Hampshire on vocals. Galvanized by Margaret Thatcher's "iron fist" austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on "Last Salute" are fitting final words: "If this must end let it pass me by / I'll remain your friend, only flowers die." But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: "The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames."

Limited new edition of this classic single featuring an unreleased Live-Recording.
"Last Christmas" by Wham! is one of the most iconic Christmas pop songs, originally released on December 3, 1984. The song was written and produced by George Michael, one half of the British pop duo Wham!, alongside Andrew Ridgeley. Despite its massive popularity, "Last Christmas" was initially released as a double A-side with the song "Everything She Wants," and it surprisingly did not reach the number one spot on the UK Singles Chart, being kept at number two by Band Aid's "Do They Know It's Christmas?"

"Last Christmas" has become one of the most played Christmas songs worldwide, and it is frequently covered by various artists. It consistently reappears on music charts during the holiday season.
The song remains one of the best-selling Christmas singles and has had a lasting cultural impact, often associated with holiday cheer and nostalgia despite its bittersweet lyrics.

Limited new edition of this classic single featuring an unreleased Live-Recording.
"Last Christmas" by Wham! is one of the most iconic Christmas pop songs, originally released on December 3, 1984. The song was written and produced by George Michael, one half of the British pop duo Wham!, alongside Andrew Ridgeley. Despite its massive popularity, "Last Christmas" was initially released as a double A-side with the song "Everything She Wants," and it surprisingly did not reach the number one spot on the UK Singles Chart, being kept at number two by Band Aid's "Do They Know It's Christmas?"

"Last Christmas" has become one of the most played Christmas songs worldwide, and it is frequently covered by various artists. It consistently reappears on music charts during the holiday season.
The song remains one of the best-selling Christmas singles and has had a lasting cultural impact, often associated with holiday cheer and nostalgia despite its bittersweet lyrics.

RSD Exclusive

Lament is Ultravox's fourth album with Midge Ure on vocals and this new stereo mix created by Steven Wilson (Porcupine Tree) breathes new life into it. Taken from the recent Lament [Deluxe Edition] CD Box, this mix of the album makes its vinyl debut for RSD Black Friday, and the package includes an exclusive pressing of the previously unreleased full Instrumental version of the album.

RSD Limited Run / Regional Focus, Limitation: 1000

40th Anniversary of the iconic smash hit from Dead or Alive released as a fantastic Picture Disc Edition. A must-have for every Dead or Alive fan!

Limited new edition of this classic single featuring an unreleased Live-Recording.
"Last Christmas" by Wham! is one of the most iconic Christmas pop songs, originally released on December 3, 1984. The song was written and produced by George Michael, one half of the British pop duo Wham!, alongside Andrew Ridgeley. Despite its massive popularity, "Last Christmas" was initially released as a double A-side with the song "Everything She Wants," and it surprisingly did not reach the number one spot on the UK Singles Chart, being kept at number two by Band Aid's "Do They Know It's Christmas?"

"Last Christmas" has become one of the most played Christmas songs worldwide, and it is frequently covered by various artists. It consistently reappears on music charts during the holiday season.
The song remains one of the best-selling Christmas singles and has had a lasting cultural impact, often associated with holiday cheer and nostalgia despite its bittersweet lyrics.

RSD Exclusive, Limitation: 3000

Available for the first time on vinyl, Live From The Board... The Official Bootleg is an EP of recordings from the European leg of Phil’s Both Sides tour in 1994. It includes big hits such as Sussudio and Easy Lover. Packaged in a special edition 10" EP for RSD Black Friday.

RSD Exclusive, Limitation: 3000

Arguably Echo & The Bunnymen's biggest track, and Ian McCulloch's self-proclaimed "greatest song ever written", The Killing Moon is one of the ‘80s and alternative rock's biggest songs of all time. The epic, ethereal track is available alongside the amazing (All Night Version) as a 12" single for the first time since its original release, celebrating forty years of the album Ocean Rain.

RSD Exclusive, Limitation: 3000

2024 Repress

Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes. Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

RSD Exclusive, Limitation: 3000

Echo & The Bunnymen's second single from their timeless fourth studio album Ocean Rain, which celebrates forty years this year. Issued on 12" for the first time since original release, it includes the epic Tidal Wave version of the track.

RSD Exclusive

Lament is Ultravox's fourth album with Midge Ure on vocals and this new stereo mix created by Steven Wilson (Porcupine Tree) breathes new life into it. Taken from the recent Lament [Deluxe Edition] CD Box, this mix of the album makes its vinyl debut for RSD Black Friday, and the package includes an exclusive pressing of the previously unreleased full Instrumental version of the album.

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' breakthrough album!

Includes hit singles "Roundabout" and "Long Distance Runaround"

Hybrid Stereo SACD

Mastered by Chris Bellman at Bernie Grundman Mastering direct to DSD from the original master tape

Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating.

Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums.

Dream on, on to the Heart of the Sunrise!

Funky Kromong Vol. 2 continues the legacy of Vol.1 by featuring unbeatable songs. At this time’s release, Lamunai Records re-selected some of the songs by legendary musician Benyamin Suaeb who showed his excellence in combining traditional Betawi elements with innovative funk and groovy rhythms. Each track in this compilation brings listeners a unique musical journey, blending Benjamin’s distinctive humor with a nuance of sound.



Vol. 2 not only maintains the eccentric spirit and intelligent satire of its predecessor but also explores Benjamin’s rich culture and musicality more deeply. Songs like “Kompor Meleduk”, “Cong-Cong Balicong” and “Koboi Ngungsi” offer a fresh listening experience but remain familiar to old and new listeners. The combination of traditional musical instruments with modern instruments creates charming harmony, inviting us to re-experience the golden age of Indonesian music with a contemporary touch.

180 gram audiophile vinyl / 1986 ALBUM WRITTEN AND PRODUCED BY THE TWO-TIME GRAMMY AWARD WINNER AND ROCK AND ROLL HALL OF FAME LEGEND / FEATURING THE SINGLE “WHAT ABOUT THE LOVE” / LIMITED EDITION ON PINK & PURPLE MARBLED VINYL

Billy Preston was an American musician, who encompassed R&B, rock, soul, funk and gospel. He worked as a top session musician during the Sixties, backing artists such as Little Richard, Sam Cooke, The Rolling Stones and the Beatles amongst others. He is even the only non-Beatle musician to be given a credit on a Beatles recording at the band’s request. His solo career took off during the first half of the Sixties, but it was his early Seventies soul work that put him on the permanent musical map. You Can’t Keep A Good Man Down was one of Preston’s final studio albums and originally came out in 1986.

1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

Funky Kromong Vol. 2 continues the legacy of Vol.1 by featuring unbeatable songs. At this time’s release, Lamunai Records re-selected some of the songs by legendary musician Benyamin Suaeb who showed his excellence in combining traditional Betawi elements with innovative funk and groovy rhythms. Each track in this compilation brings listeners a unique musical journey, blending Benjamin’s distinctive humor with a nuance of sound.



Vol. 2 not only maintains the eccentric spirit and intelligent satire of its predecessor but also explores Benjamin’s rich culture and musicality more deeply. Songs like “Kompor Meleduk”, “Cong-Cong Balicong” and “Koboi Ngungsi” offer a fresh listening experience but remain familiar to old and new listeners. The combination of traditional musical instruments with modern instruments creates charming harmony, inviting us to re-experience the golden age of Indonesian music with a contemporary touch.

The second single collection features all 10 singles from the 14th single "desire - Jounetsu -" (winner of the 28th Japan Record Award) to the 22nd single "I Missed 'the Shock'" (including "Nonfiction Ecstasy" released as a single cassette). This best album was simultaneously released on December 24, 1988, in three formats—LP, cassette tape, and CD—each with a different cover photo pose.