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Japanese pressing with OBI and insert! Cover with some wear and yellowing!

Allied Pressing.

The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

Originally released in 1978 Recorded at the legendary Pitt Inn in Roppongi Pressed on 180g black double vinyl Limited edition This album is an unforgettable live recording featuring both original songs by Yamashita as well as covers! What’s more, Yamashita is accompanied by several top-class musicians including Ryuichi Sakamoto, Minako Yoshida, Shuichi “Ponta” Murakami, Tsunehide Matsuki, and Akira Okazawa at the legendary Pitt Inn.

Pulp’s debut and one of their most honest recordings - capturing a band at
the beginning of their startling career. ‘It’ is a gentle, mainly acoustic album that hints at the musical directions Pulp would later pursue.
The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen.
Certainly an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, ‘It’ has aged
beautifully into a charming collection. Fire are to reissue Pulp’s 1983 debut album ‘It’ as part of the Fire reissue series with bonus
material. Liner notes by Everett True. Featuring 4 Bonus tracks including single version of ‘My Lighthouse’ and alternative mix of ‘Blue
Girls’, ‘Sink Or Swim’ and ‘Please Don’t Worry’ from Pulp’s John Peel session in 1981.

Writing on cover.

Original inner sleeve

close to NM

Vinyl with scuffs and hairlines

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

One of the finest albums of the classic rock era!

Hybrid Stereo SACD

After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.

With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass/vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars/vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.

This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace," the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.

Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven guitar work of Steve Howe's "Clap," Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.

The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached No. 4 in the United Kingdom and No. 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.

Japanese pressing with obi.

Remastered Re-Release des 1988er Albums des belgischen Synth-Pop-Trios, mit dem dadaistischen "Rap" von "Peanuts", durch den Telex fast bei Motown gelandet wären.

Japanese pressing with OBI and insert.

Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM

On June 23, 2023, Madonna will release a new rainbow-vinyl version of her sold-out 6-LP collection, Finally Enough Love: 50 Number Ones. Like the original, FINALLY ENOUGH LOVE: THE RAINBOW EDITION spans Madonna’s entire dance club chart reign with dozens of remixes by the world’s top producers. Along with fan favourites, the set also features several rare remix recordings that debuted commercially last year. Boasting more than 220 minutes of remixes, FINALLY ENOUGH LOVE: THE RAINBOW EDITION flows in mostly chronological order. It showcases the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time, including Peter Rauhofer, William Orbit, Honey Dijon, and Avicii.

Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a 50-track collection titled FINALLY ENOUGH LOVE: 50 NUMBER ONES which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled FINALLY ENOUGH LOVE.