Search "Jessie+Ware" 121 Items

Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.

TRACKLISTING:

DOUBLE VINYL
VINYL 1 : THE AGE OF CONSENT (2018 REMASTER)
SIDE ONE
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND MONEY
SIDE TWO
1. SMALLTOWN BOY
2. HEATWAVE
3. JUNK
4. NEED A MAN BLUES
5. I FEEL LOVE / JOHNNY REMEMBER ME

VINYL 2 : HUNDREDS & THOUSANDS (2024 REMASTER)
SIDE THREE
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
SIDE FOUR
1. HARD RAIN (HARVEY GOLDBERG REMIX)
2. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
3. JUNK (HARVEY GOLDBERG REMIX)

Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.

TRACKLISTING:

LIMITED 4CD+1DVD BOXSET

DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track

DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track

DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)

DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *

DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED

Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.

TRACKLISTING:

DOUBLE CD
CD1
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (ABSOLUTE. EXTENDED REWORK)
12. SMALLTOWN BOY (PLANNINGTOROCK'S 'THE LOVE THAT YOU NEED' REWORK)
13. SMALLTOWN BOY (DAVE AUDÉ VS TALL PAUL REMIX) *
14. WHY? (SUPERCHUMBO MIX FT. NEIL TENNANT) *
15. SMALLTOWN BOY (THE KNOCKS & BRONSKI BEAT FT PERFUME GENIUS) *

CD2
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) *
8. INFATUATION / MEMORIES
9. CLOSE TO THE EDGE
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND
11. CADILLAC CAR (EXTENDED)

Japanese pressing with OBI and insert.

No obi.

Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM

Originally released in 1983
Finally available in vinyl format! This record includes 'cat's Eye' and 'Kanashimi ga Tomaranai (Sadness Can't Stop)', both of which were produced by Toshiki Kadomatsu.

Originally released in 1984
Due to becoming a big hit from her previous record, “Timely!!”, Anri was brought to record her next album in L.A. with producer, Toshiki Kadomatsu. The studio musicians that took part in making of this album include Leon Chancler・Ed Green (Dr)、Nathan East (B)、Paul Jackson Jr.・Calros Rios (Gt)、Don Grusin (Key)、Ernie Watts (Sax)、Jerry Hey (Tp) participated. From dance tracks to mellow tunes, the colorful and vivid songs on this album are truly the culmination of the Kadomatsu trilogy, and a prologue to the dance-ability of Anri of the late 80's.

Originally released in 1983
5 dance-able tracks in Side-A were written, composed, arranged and produced by Toshiki Kadomatsu who met with Anri’s previous title “Heaven Beach”. Tracks in Side-B, Takeshi Kobayashi, one of Anri’s band member for that moment, produced them with moody & mellow tune. This title was the 1st one of 3 titles by Toshiki Kadomatsu.

Japanese pressing with OBI and insert. Vinyl is close to NM.

Japanese pressing without OBI!

Japanese pressing with obi.

Original japanese pressing without OBI!

Green translucent vinyl. Cover with OBI. close to NM

Japanese pressing withOBI!

The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.