Search "Rhys Chatham" 120 Items

Vinyl with a couple of light scuffs

Record is close to VG+.

Small light scuff on side 2.
Back cover with faint ring wear.

Shaped CD

Original US pressing.

Japanese pressing without OBI!

No obi.

Japanese pressing with OBI! Vinyl is close to VG+! Gatefold cover with some wear, yellowing and seam split on the bottom!

Japanese pressing with obi.

Japanese pressing with obi.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Japanese pressing without OBI!

Vinyl is close to NM. Original inner sleeve

No obi.

Japanese pressing without OBI, with insert.

Original japanese pressing.
Sleeve with OBI and insert.

Japanese pressing without OBI, with insert.

Japanese pressing

Pitman Pressing.
Includes original inner sleeves and large poster.
Cover with cut corner.

No obi.

Gatefold cover without OBI.

No obi.

tiny wear

Japanese pressing with OBI and insert.

Japanese pressing with obi.

Japanese pressing with obi.

Pelvis and Burning Rose Records present the debut 12” from producer and vocalist Purient. Her voice floats over tough production on three original tracks, pushing from an icy cool to blistering heat. It’s page one for Purient, and exceptional remixes from Eartheater and Varg²™ further pull the curtain back on her expanded universe.

Japanese pressing with obi.

Roosevelt captures the beating heart and soul of dance music on forthcoming album!

“Polydans” is Marius Lauber’s (known internationally as celebrated producer, DJ, songwriter, and electronic musician Roosevelt) hotly-anticipated 3rd album (out Feb 26, 2021 via City Slang / Greco-Roman). The album serves as a kind of love letter to dance music, with Roosevelt embracing his own musical history and his love of the multi-faceted nature of the genre, and reconnecting with the intimate nuances that can make dance music feel truly alive.

After taking a 4-piece live band around the world playing over 100 live shows and performing at numerous festivals tied to the success of his second album ‘Young Romance’, Marius decided to take some time to sit in his studio, reflect on his meteoric
success in the pop music world (including becoming an in-demand producer, collaborating with Classixx and Washed Out and remixing artists like Rhye, Glass Animals, Chvrches and Charlotte Gainsbourg) and refocus himself on his musical roots. Hearkening back to the intimate clubs he’d DJ in, he sought to unearth the beating heart of dance music, where passion and excitement is woven into the intimate nuances of the genre, and the physical relationship between the DJ and those on the
dancefloor. Playing almost every instrument on the record, Roosevelt created ‘Polydans’ by swirling together the spirits of 80s synth, disco, analogue, Yacht rock, and delirious dancefloor euphoria with amazing results.

“Balances '80s-inspired synth, disco, driving beats and cinematic textures into a musical amalgamation that simultaneously manages effervescence and heft.” - Billboard on “Sign”

“Strobe-lit and expansive cut that locks into an insistent groove and periodically explodes into bright colors.” - Stereogum on “Echoes”

clear vinyl. tiny wear. With insert

Japanese pressing with OBI!

Japanese pressing, comes with Obi and inserts.

Japanese pressing with OBI and insert.

Japanese pressing without OBI, but with insert. . Vinyl close to VG+

Promo copy with white labels . Promo stamp on back cover.

Japanese pressing with obi.

Japanese pressing, comes with Obi and inserts.

It is actually unbelievable what the 27-year-old producer from Cologne has achieved in the last two years. His debut album "Roosevelt" released on August 19, 2016, immediately made it into the top 100 of the German album charts and is considered to be one of the most important new pop albums in the German music scene and one of the few albums that also caused a sensation internationally. "He has the potential to go around the world," the Spiegel magazine attested, and he did.
With his debut album Roosevelt also managed to break into the US market, as well as the UK, France, Holland and Italy - even Mexico. Festivals around the world compete for him: Primavera Sound, The Governors Ball Music Festival (New York), Sónar Festival, Montreux Jazz Festival, Sziget Festival, Lollapalooza Festival and many others. Radio stations at home and abroad still play "Fever" and "Moving On" up and down. His listeners drive him to almost 80 million streams at Spotify. Everyone wants him to remix their songs (Chvrches, Glass Animals, RHYE, Who Made Who, Blossoms and Sinkane) And what does he do? He records a cover version of "Teardrops" and becomes subsequently a honorary member of the Womack & Womack family.

Japanese pressing. Promo copy. OBI is missing. close to NM

close to NM. With insert

first LP of Linda Jo Rizzo!

Japanese pressing with obi.

Green vinyl, no Obi.

Comes with superb 12-page-booklet with all the lyrics.

Roosevelt captures the beating heart and soul of dance music on forthcoming album!

“Polydans” is Marius Lauber’s (known internationally as celebrated producer, DJ, songwriter, and electronic musician Roosevelt) hotly-anticipated 3rd album (out Feb 26, 2021 via City Slang / Greco-Roman). The album serves as a kind of love letter to dance music, with Roosevelt embracing his own musical history and his love of the multi-faceted nature of the genre, and reconnecting with the intimate nuances that can make dance music feel truly alive.

After taking a 4-piece live band around the world playing over 100 live shows and performing at numerous festivals tied to the success of his second album ‘Young Romance’, Marius decided to take some time to sit in his studio, reflect on his meteoric
success in the pop music world (including becoming an in-demand producer, collaborating with Classixx and Washed Out and remixing artists like Rhye, Glass Animals, Chvrches and Charlotte Gainsbourg) and refocus himself on his musical roots. Hearkening back to the intimate clubs he’d DJ in, he sought to unearth the beating heart of dance music, where passion and excitement is woven into the intimate nuances of the genre, and the physical relationship between the DJ and those on the
dancefloor. Playing almost every instrument on the record, Roosevelt created ‘Polydans’ by swirling together the spirits of 80s synth, disco, analogue, Yacht rock, and delirious dancefloor euphoria with amazing results.

“Balances '80s-inspired synth, disco, driving beats and cinematic textures into a musical amalgamation that simultaneously manages effervescence and heft.” - Billboard on “Sign”

“Strobe-lit and expansive cut that locks into an insistent groove and periodically explodes into bright colors.” - Stereogum on “Echoes”

Gruff Rhys is releasing his new album “Seeking New Gods” on 21st May 2021. “Seeking New Gods” was recorded following a US tour with his band and mixed in LA with superstar producer Mario C (Beastie Boys).

The typically beautiful art direction is by Mark James and the LP features a Mountain Die Cut envelope-style sleeve with a Belly Band and is pressed on dark green vinyl.

The album concept was originally driven to be the biography of a mountain, Mount Paektu (an East Asian active volcano). However, as Gruff’s writing began to reflect on the inhuman timescale of a peak’s existence and the intimate features that bring it to mythological life, both the songs and the mountain became more and more personal.

“The album is about people and the civilisations, and the spaces people inhabit over periods of time. How people come and go but the geology sticks around and changes more slowly. I think it’s about memory and time,” he suggests of Seeking New Gods’ meaning. “It’s still a biography of a mountain, but now it’s a Mount Paektu of the mind. You won’t learn much about the real mountain from listening to this record but you will feel something, hopefully.”- Gruff Rhys

In the oblivious environment surrounding his hideaway lake cabin he produced an album that is rich and diverse in its sonic palette, ranging from harshly distorted synth-peaks, cinematic soundscapes, all the way to avant-garde contemporary classical, and jazz music. It is an album that invites the listener to explore and discover not just the intimate self: it is also a very personal, intuitive observation and reflection on the world that we are living in today. Certain instruments are very prominent. An old piano that was left in Raz’ apartment by a friend that he found joy in playing. One can hear a certain curiosity in the performance of this newly found, dust layered treasure (Bardot). Sonically the album is an attempt to blend acoustic sound recordings with synthesized sounds, and to blend musical genres into one. It is an acoustic expression of the transformative times we are living in, a realm of mankind being mastered by technology. The gap of this transformational process is a glitchy moment of time. It is portrayed on the front cover image of the album, by glitch artist Azamat Akhmadbaev.