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Following the cult success of the first 2 EPs, Common Saints presents the debut album "Cinema 3000", the theme continues, blending soul, funk, and psychedelic influences with the organic sound and rich instrumentation that Common Saints has become known for Conceived in 2020 by writer / producer Charlie J Perry the production approach for Commons Saints consists of him playing and recording real instruments in his London home studio.One mike for the drums, his beloved piano and amps up loud!The album encapsulates the old school recording approach and musicianship the discerning ear craves but with a more modern punch - a true sonic bath for all the connoisseurs out there. Think, UK"s equivalent to Tame Impala and Khruangbin.

Barn Breaks vol Iii', presented by Owlvaro & Hugu, is the latest installment of oddball samples and loops from your favorite globe-trotting Texan trio, and is perfect for ant portablist scratch jam or 7" DJ set... The latest in the series, this "skipless" 7" contains scratch samples from "Mordechai" - band hits, isolated basslines & vocals, guitar notes, keyboard stabs and drum loops - as well as custom "ahhhh" & "fressshh" sounds. Do you know? Here we go!

Pressed on double 180 gram virgin vinyl. Includes 30cm art print. Including download codes for the Jordan Rakai mix and full unmixed tracks as MP3 / FLAC / WAV.

“I wanted to try and showcase as many people as I knew on this mix. My idea of Late Night Tales was to distil a series of relaxing moments; the whole conceptual sonic of relaxation. So, I was trying to think of all the collaborators and friends that I knew, who’d recorded stuff with this horizontal vibe. Plus, I was also trying to help my friends' stuff get into the world. I know the story of Khruangbin blowing up after
appearing on the series (in fact, I think that's how I discovered
them). So, the main idea was to create a certain atmosphere, but also to help some of my favourite collaborators and buddies to give their songs a little push out into the world. Hope you like it” Jordan Rakei
Due for release on 9th April, Late Night Tales celebrate their 20th anniversary with the release of multi-instrumentalist, vocalist and producer Jordan Rakei’s majestic compilation. The 28-year-old modern soul icon effortlessly stamps his own jazz and hip-hop driven sound all over this gorgeous array of handpicked tracks. A beautifully layered blend that is mirrored in the music he’s made, it comes as no surprise that such a supremely gifted songwriter should deliver a mix that is all about the song. Rakei, born in New Zealand, but raised in Australia, moved to the UK in 2015; he released his debut album, Cloak, with Oz label Soul Has No Tempo, but his two subsequent LPs, Wallflower and Origin, came out on Ninja Tune, the former #2 in Album Of The Year for Gilles Peterson’s Worldwide poll, while Origin was nominated for Best Album at the AIM Awards. Jordan had this to say on his upcoming mix:
As Jordan says, there’s so much more to the song selection on Late Night Tales’ latest outing than a random collection of artists. Many have some sort of personal connection, so just as Bonobo provided a platform for the breakout of Khruangbin on a previous LNT, this may have the same effect for Rakei’s friends. After a soothing opener from Fink, good friend and big influence Alfa Mist (part of the Are We Live collective) delivers ‘Mulago.’ “I want to champion their sound and show the world how good he is, and I thought it’d be fitting to start the mix with family,” says Jordan. Next up is Charlotte Day Wilson with ‘Mountains,’ followed by ‘Count A Heart’ from Moreton, an exclusive collaboration with Jordan, who grew up on the same street in Brisbane, Australia. “She was the first artist I ever collaborated with, and one of the first artists to be involved in my career,” he explains. Elsewhere we hear Scottish producer and multi-instrumentalist C Duncan’s haunting ‘He Came from the Sun,’ Barcelona collective Oso Leone deliver a dreamy ‘Virtual U’ and Bill Lauren’s ‘Singularity,’ which evokes a striking sense of time and place. Snowpoet’s ethereal ‘Evitenity’ is a “long mediative narrative over a beautiful soundscape,” which at times seems chaotic, nicely juxtaposed with undeniable beauty, and Maro’s kooky songwriting shines on ‘Always And Forever.’
Long-time buddy Armon-Jones contributes ‘Idiom,’ and Jordan’s exclusive cover version is a two-for-one, Radiohead’s ‘Codex’ merging with ‘Lover, You Should’ve Come Home’ by Jeff Buckley and another exclusive, original composition by Jordan, ‘Imagination.’ The latter works as a piece with the spoken (Spanish) word voiced by movie director Alejandro González Iñárritu (Babel, Birdman, and The Revenant,) who is a big fan of Jordan’s. “He messaged me when I went to L.A and asked to come to my show. I was in such shock and we hung out after. I thought it would be nice to get him to do this in his native tongue, because I don’t think that’s been done yet on the series.” It certainly is a family affair. Not the blood is thicker than water kind, but certainly musical kindred spirits.

LP in printed innersleeve. Suwi is an instrumental trio emerging from the creative scene of Ghent (Belgium).Music for lovers of instrumental soul and artists such as Tommy Guerrero, Khruangbin, Menahan Street Band, ...

After a debut album, South By West (2018), produced under a blazing sun, amidst sun-drenched rocks and arid deserts, this new full-length release, It Starts With The End of The World, follows the path charted three years ago by the EP Always On Time. Eleven magnificently ethereal tracks, meticulously crafted by Thomas Lavernhe, the singer-songwriter behind Pampa Folks, explore more exotic roads and envelop us in warm waves of psychedelic guitars. Eleven songs that aspire to wind-blown journeys, forming the perfect soundtrack for a summer road trip. Pampa Folks' musical DNA evolves towards a contemporary twist, blending the charm of retro hues, spaghetti western film scores, and a more modern production reminiscent of Tame Impala, Khruangbin, or Men I Trust.The great outdoors, with their imagery and cinema, are the godfathers of Pampa Folks' music, despite it being conceived and recorded in Paris. In fact, it is probably the most Californian pop made in France. Who knows how different this music would have been if Thomas Lavernhe had been born on the other side of the Atlantic? Would the lyrics have suggested the imminence of long journeys as much? What is certain is that his travels in the Americas have influenced his personal inspirations.The Pampa Folks project embodies the journey that allowed Lavernhe to identify the kind of mark he wanted to leave on the pop scene. A confident career as a composer, producer, and sound designer, major collaborations with his other project Cuarto Mundo (a duo with Cosmo Gonik), some memorable concerts in the fashion world (he loves to recount them), regular DJ sets at the now-closed Bus Palladium... The colors, moods, and energies of this new album owe something to all of these experiences.Notably, singer Léa Petges lends her voice on four tracks and is also the heroine of the Mexican escapade in the video for "Foolish As She Goes," the first single released on March 8.Bon voyage.