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The hit song "Tiramisu Cake" by the renowned Korean indie band "We Are The Night" is being released for the first time as a 7-inch vinyl.

Originally released in 2015, the track gained renewed attention in 2018 when it appeared on the soundtrack of the drama “To. Jenny,” spreading by word of mouth. In 2022, thanks to actor Kim Sung-cheol, the star of “To. Jenny,” the song experienced another surge in popularity, becoming a trending challenge song among the MZ generation. Many K-pop artists joined the "Tiramisu Cake Challenge," propelling the track to global fame.



In response to its immense popularity, "Tiramisu Cake" is being released as part of the "K-Indies Series," an analog project by the label "Bside," which highlights top Korean artists. The A-side of the 7-inch features the original mix version from 2024, while the B-side includes the band's latest track "Lantern," their first new song in about two years. "Lantern" is an energetic departure from We Are The Night's previous works and has gained strong support from fans and lovers of indie electronic music. The original artwork on the 7-inch cover, featuring the single covers for each track, enhances its value as a collectible item.



Formed in 2013, the indie-pop band "We Are The Night" captures the anxieties, hopes, and love of their generation with their dreamy and sensory synth-based sound. With four full albums released so far, their distinctive "cinematic sound" has resonated with listeners. This 7-inch release in collaboration with "Bside" marks their first step into the Japanese music market.

Blurring the lines between idol and classic soul groups of the 60s and 70s, Way Wave are two sisters Yuna and Anna on a mission to bring soul and funk into a new era. This latest single follows two full-length albums, and this latest single may just be their grandest production of Memphis-leaning dancefloor-hitting anthems yet. As they link vocal harmonies with insticts that only sisters could know, the full backing band featuring trumpet and saxophone blast the spirit of soul into the airwaves on lead single "wavy Girl". The B side" Dance Party" keeps the energy flowing with its funk guitar rhythms and smooth vocal deliveries.

Jean-Luc Mocard met Jean Ronde in September of 2009, while working at the Casio Palaiseau factory, near Paris. Before, they were both active musicians with a particular taste for synthesized music, touring extensively through European and Asian underground venues and clubs. Eventually, their furious passion for collecting 80’s keyboards brought them together to become the fabulous duo Vive Les Cônes.

Presently based in Porto, Portugal, by a matter of pure chance, Vive Les Cônes is a Casio explosion, the fuel of a dancing machine that never stops and cherry picks moments from dance and pop music culture along the way. Their live concerts are non-stop hit parades featuring their very own local cult classics, such as “Bonaparty” or “Brocoli-Rave”, and medleys of pop-culture classics ranging from video-game soundtracks, to dance hits, to classical music.

“De France”, their debut album, is the product of years of playing live, training and mastering the perfect Casio technique. Every track in this album is played live using only pure unmodded Casio Pt-380 and Yamaha Psr-37 keyboards, thrift store fx pedals, bringing to the recorded form the meticulously crafted tracks that set dancefloors on fire all throughout the world.

The album is an eclectic journey through electronic and dance music on cheap keyboards, from traces of House Music in “Maillon” and the instant hit “Je Ne Sais Pas”, fumes of vaporwave in “Machine à Vapeur”, and, of course, baguettes of French electro in “Brocoli-Rave”, the track that usually andeuphorically ends Vive Les Cônes’ set.

The Quietus has referred to the duo as a “weird John Shuttleworth take on house music”, but them being French, a better comparison would be something like “Daft Punk lost all their gear on tour and had to play a gig using some old keyboards”. But could they even do it? Maybe a “Pascal Comelade on molly live set for Boiler Room” could make thembetter Justice. We’re not really sure what to compare them to though, and probably there’s no need to compare them to anything, as the best thing you can do is to give them a go and check them out for yourself.

Jean-Luc Mocard met Jean Ronde in September of 2009, while working at the Casio Palaiseau factory, near Paris. Before, they were both active musicians with a particular taste for synthesized music, touring extensively through European and Asian underground venues and clubs. Eventually, their furious passion for collecting 80’s keyboards brought them together to become the fabulous duo Vive Les Cônes.

Presently based in Porto, Portugal, by a matter of pure chance, Vive Les Cônes is a Casio explosion, the fuel of a dancing machine that never stops and cherry picks moments from dance and pop music culture along the way. Their live concerts are non-stop hit parades featuring their very own local cult classics, such as “Bonaparty” or “Brocoli-Rave”, and medleys of pop-culture classics ranging from video-game soundtracks, to dance hits, to classical music.

“De France”, their debut album, is the product of years of playing live, training and mastering the perfect Casio technique. Every track in this album is played live using only pure unmodded Casio Pt-380 and Yamaha Psr-37 keyboards, thrift store fx pedals, bringing to the recorded form the meticulously crafted tracks that set dancefloors on fire all throughout the world.

The album is an eclectic journey through electronic and dance music on cheap keyboards, from traces of House Music in “Maillon” and the instant hit “Je Ne Sais Pas”, fumes of vaporwave in “Machine à Vapeur”, and, of course, baguettes of French electro in “Brocoli-Rave”, the track that usually andeuphorically ends Vive Les Cônes’ set.

The Quietus has referred to the duo as a “weird John Shuttleworth take on house music”, but them being French, a better comparison would be something like “Daft Punk lost all their gear on tour and had to play a gig using some old keyboards”. But could they even do it? Maybe a “Pascal Comelade on molly live set for Boiler Room” could make thembetter Justice. We’re not really sure what to compare them to though, and probably there’s no need to compare them to anything, as the best thing you can do is to give them a go and check them out for yourself.

Minimal Wave is thrilled to present a long-awaited LP showcasing previously unreleased gems from the influential UK duo, Vicious Pink. Originating from a serendipitous encounter in a smoky Leeds nightclub back in 1979, Josephine Warden and Brian Moss embarked on a musical journey that would redefine the synth-pop landscape. Initially known as Vicious Pink Phenomena, they made their mark by providing distinctively off-kilter backing vocals for their friends in Soft Cell a collaboration that unfolded organically and without rehearsal. Transitioning to the simplified moniker Vicious Pink, the duo continued to captivate audiences with their avant-garde sound, releasing a string of singles that defied conventional expectations and climbed the UK dance charts between 1982 and 1986. Despite their modest intentions, their music proved to be both artful and provocative, leaving an enduring legacy in the annals of electronic music history. 'Unexpected' offers listeners a glimpse into the duo's creative process, compiling pop experiments recorded spontaneously, some in collaboration with Dave Ball. Each LP is housed in a deluxe glossy heavyweight sleeve, featuring captivating artwork that reflects the essence of Vicious Pink's sonic universe. Limited to 999 copies, pressed on high-quality 160 gram Coke bottle clear vinyl, this release promises to be a collector's dream. Included with every LP, is a 5” x 7” postcard adorned with an exclusive, unpublished photograph of Brian, Jose, and Dave, providing fans with a personal memento of this remarkable musical journey. Release date: May 21st, 2024. Get ready to discover the magic of Vicious Pink in 'Unexpected.’

Zeroes Collected Vol. 2 compiles some of the biggest songs, top ten hits and debut singles from the turn of the century. The millennium brought pop by MGMT “Kids”, rap by N.E.R.D. “She Wants To Move”, “The Seed (2.0)” by The Roots feat. Cody Chesnutt and rock by Queens Of The Stone Age “Make It With Chu”. Two time Brit Award and Grammy Award winning Joss Stone’s “Super Duper Love”, Maroon’s 5 International top charting hit “This Love”, The Zutons’ original version of “Valerie” and many others are included on this 2LP. The Decades Collected compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favourite tunes while uncovering new musical grounds at the same time. Zeroes Collected Vol. 2 is available as a limited edition on red coloured vinyl and includes an insert.

All three records plus info sheet!

The Lengendary First Born Bad Wizzz-Sampler, Best Ever French 60's Compilation...Available Again.Wizzz Is A Serie Dedicated To Obscur 60's - Early 70's French Pop!