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Limited to 3500 copies.

“Face The Face” was recorded for the German TV series Rockpalast in Cannes in January 1986. Pete Townshend’s Deep End were touring in support of his solo concept album “White City: A Novel”. Several of the musicians that appeared on the album were featured in the line-up of the Deep End including Pink Fl oyd’s David Gil mour on lead guitar. The set list includes tracks from the “White City” album, other Townshend solo tracks, Who classics, Da vid Gilmour’s song “Blue Light” and a couple of surprises. The double LP makes its debut on vinyl and is pressed on opaque yellow vinyl, packaged in a gatefold jacket.

Do androids still dream of electric sheep? Introducing RAMXES—a dystopic cowboy hailing from the outskirts of Houston. His ferocious debut album, Deep Crimson, is out now via Italians Do It Better. It’s cybernetic head music for the blurry hours before dawn. Fusing the thematic vocabulary of Philip K. Dick & William Gibson, Ramxes effortlessly blends classic Chicago House with a hybrid of ‘80s horror, new wave, and early 1990’s industrial landscapes. The result is a mesmerizing vision of a future most likely trapped in the glitching dream of a video game avatar. Deep Crimson swiftly jumps from John Carpenter & Sinoia Caves to Frankie Knuckles, Nine Inch Nails, & Massive Attack, but never sits still long enough to get lost in any of them. His bold, genre-agnostic alchemy captures strands of their DNA, but engineers a world of his very own. Whiplashing the listener with a megaton of pressure, Ramxes floors the throttle & pushes the boundaries of what a synthesizer can do. Deep Crimson opens with a captivating menace, & raw funk obliterates sequencers pouring acid rain from the pixelated sky. That dirty swagger bleeds ultra-vivid hues. The album is a pulsating, serpentine strut through unfriendly terrain, sticking to you like wet Lycra. It’s a skittering download of Berlin 2200 AD, & with the right bionics, you might finally get into Berghain. Take the cosmic night drive on the shores of Neptune where purple light echoes rhythms just below the surface. Klaxons wail in the distance as your oxygen levels recede. It’s Destination Deep Crimson, & Ramxes is your guide through the chaos. This is the best night of your life where the distinction between “real” & simulation are an afterthought. Enjoy the ride.

45 RPM, Album, Stereo, Gatefold

Today New York based singer, songwriter and producer Amber Mark announces details of her long-awaited debut album ‘Three Dimensions Deep’, out January 28th via Emi/pmr Records. The announcement of the album is accompanied by a sultry R&B instant-grat track ‘What It Is’ as well as a huge UK, EU and US spring tour announcement including London’s O2 Shepherd’s Bush Empire in March

Amber’s debut album arrives almost 4 years after the release of her second EP ‘Conexão’, an extended process that has proved central to its thematic development. The 17 track album can be divided into three main acts that follow the arc of Amber’s personal and musical development; Without, Withheld and Within. Beginning by acknowledging her insecurities and anxieties before reflecting on her time in denial and spent processing them in all the wrong ways, Amber eventually widens her focus by seeking answers to the world’s negativity and trauma on a cosmic scale. Finding peace and a form of inherent spirituality in the world of astrophysics while writing the album led to a fresh perspective on

life and a renewed sense of self. Amber’s debut album is simultaneously a profound concept album and a love letter to herself, richly intertwining messages of self-worth and reflections on the universe beneath a veneer of shimmering pop. In true Amber Mark style, ‘Three Dimensions Deep’ is a kaleidoscopic melting pot of influences and genres, drawing from funk and R&B, soul and hip-hop with international accents influenced by a nomadic childhood spent travelling the world with her late mother.

“Three Dimensions Deep is a musical journey of what questions you begin to ask yourself when you start looking to the universe for answers.” says Amber; “I can only go as deep as the third dimension as that’s how we see the world, but what about when you start looking to the universe within for answers.”

“‘What It Is’ low key is the title track of the album without it actually being the title track” explains Amber; “It comes from going through negative experiences which end up being the gateway to a question I think I’ll be asking for the rest of my life. What is the meaning of life,the universe and everything?”

The three official singles already released from the album ‘Worth It’, ‘Competition’ and ‘Foreign Things’ marked Amber’s first official singles since 2020’s ‘Generous’, though 2020 was still a hugely productive year for Amber. With her hometown of NYC hit hard in the first wave of the pandemic and placed under strict lockdown, Amber turned to her simple home studio to create an acclaimed series of home-produced covers and originals titled ‘Covered-19’, each accompanied by a homemade video and artworks. The series was followed by a collaboration with longtime friend Empress Of on the protest song ‘You’ve Got To Feel’, earning Annie Mac’s Hottest Record, ‘Tune Of The Week’ and a spot on the Radio 1 playlist. Earlier this year Amber was featured on legendary DJ Paul Woolford’s new piano-house track ‘heat’, again snagging Annie Mac’s Hottest Record and a long run across the Radio 1 and 2 playlists. Having already amassed over 300 million streams since the release of her breakout debut EP 3:33AM in 2017, Amber has built a global fanbase eager to hear her debut full length -

Single Sided, Etched, Red w/Black Splatter Vinyl.

180 GRAM AUDIOPHILE VINYL
INCLUDES 4-PAGE BOOKLET
CONTAINS THE SINGLES “ENJOY THE RIDE” AND
“GAINED THE WORLD”

FEATURING GUEST PERFORMANCES BY COOL CALM PETE,
THOMAS DYBDAHL, MANDA ZAMOLO AND JUDIE TZUKE

LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES
ON CRYSTAL CLEAR VINYL

Quinn Oulton’s debut album ‘Alexithymia’ is a deconstruction of the struggle that many young men face when processing and expressing strong emotions. It takes the form of a linear story, pieced together from many moments of emotional intensity Quinn has faced throughout his life, existing within all types of personal relationships. This is a project that sees the stylistic and textural experimentation from his previous work fuse into a powerfully creative, personal, and emotive sound, channelling the albums title name: ‘Alexithymia’ is the inability to recognize or describe one's own emotions.

The album was written, performed and co-produced by Quinn Oulton, and it includes tracks featuring Moses Boyd and Genevieve Artadi.

“My album ‘Alexithymia’ dissects events from different relationships, whether family, friends, or romantic, presented as a single story from start to finish. Obsession, frustration, passion, false hope, grief, self-pity, helplessness, and acceptance are all part of this story.

I wrote it in this way because I was trying to work out why I connect so much with sad or melancholic music, and I realised that maybe listening to that music was filling a hole that I didn’t know I had. It was comforting to hear somebody process their own troubles outwardly when I didn't feel I had a way, or even a reason, to do so myself. Writing the album has been an extremely therapeutic process as I've been able to seek out difficult parts of my life that I'd buried because I couldn't process them at the time.

I think a lot of people, particularly men, struggle to recognise and process their own emotions. It makes it very hard to share them with others, and it’s something that needs addressing to allow for healthier relationships with other people and yourself.”