Search "record store day" 2838 Items

Nathaniel Rateliff & The Night Sweats

Release: 2001 / US – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Classic 2001 collection from Detroit's Adult. 20th anniversary of the original release, 10th anniversary of the first vinyl pressing. Available for the first time in red & black marbled vinyl. "We've wanted to re-release this album for some time," says Adult.'s Adam Lee Miller, "but we weren't ready until now. We have some new material in the pipeline, and we thought this would be a nice way to reintroduce ourselves." It is indeed a nice way for the hugely respected Detroit duo to herald their return to the world of music, especially for anyone who missed out on Resuscitation the first time around _ the album was never available digitally until the 2012 re-release and vinyl pressing on Ghostly International. The reissue thus presented the chance to own one of the more influential records of the early 2000s: either on double 12" LP or, for the first time, as a digital release. Now, in 2022, the vinyl is available for the first time in a new red and black marble colorway. When it first dropped in 2001, Resuscitation served as a de facto introduction to the duo, collecting a bunch of songs on CD that had only previously been available on hard-to-find singles and EPs. Eleven years later, it does the same thing, except this time around, we can see just how influential its creators' work has been _ and Adult.'s music only sounds more remarkable with the benefit of hindsight. At the time, Resuscitation's combination of crisp beats, squelch-laden synths and Nicola Kuperus' detached monotone sounded like a broadcast from the future, steeped in the analog synth sounds of forebears like Kraftwerk but possessed of an ultramodern sheen all its own. The duo's visual aestheticwas just as important _ Kuperus' photography adorned all their album packaging (including this re-release), and their liveshows drew on a sense of what a reviewer once called "detached intrigue." Echoes of Adult.'s aesthetic can be heard today in everythingfrom today's surfeit of analog synth-toting minimal wave bands to the highly stylized divas who dominate the pop charts. But really, in 2022 Resuscitation still sounds like no-one else.

Go to Item

The Future Black Vinyl Edition

LP | 2021 | EU | Original (Caroline)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Deewee / Because Music)

James Righton

Jim, I'm Still Here

7" | 2017 | EU | Original (Stereo Total)

Release: 2022 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included.

‘Jim, I’m Still Here’ is the second album from James Righton under his own name; produced by David & Stephen Dewaele of Soulwax and released on their label DEEWEE, the album follows The Performer released in 2020. James’ musical past is well documented; as the frontman of the genre inventing Klaxons, he helped create a revolution in British music and spawned a youth subculture. ‘Jim, I’m Still Here’ is a captivating meditation on the artists experience of the pandemic as James looks to conceptualize the myriad of emotions and events into a fascinating third person narrative. One of the album tracks features Benny Andersson from Swedish pop legendary band ABBA, with whom James has been working on putting together their new live band.

"I wrote this record during the first few months of the pandemic. At the time I wasn’t intending to make any music. I’d just released ‘The Performer’ on what turned out to be the first week of lockdown. The outside world shut down and I was busy being Dad. Then. I started making notes on my phone. Just words. In moments stolen from family life I’d head downstairs to my garage studio and put the words to music. When I was happy with a song I’d send it to Dave and Stef. Demos and Pro Tools sessions were passed back and forth between my home studio and the Deewee studio in Ghent. I was nervous about their response to the music I was making. It was personal, raw: unlike anything I’d ever written before. A conversation with the outside world during these times of isolation. For the most part my life was centred on the domestic. Getting to spend so much time with my family was a blessing. Making music was my play time. Isolation opened me to memories and allowed me to dream of the future. As the outside world tried to adapt to the pandemic I was asked more and more to promote ‘The Performer’ in live stream concerts on various platforms. As the pandemic went on, demands on production increased (more camera angles, better lighting, higher quality audio recordings). It became a one man show. I’d head downstairs to my garage, put on my Gucci suit, comb my hair and become someone else. Jim. Jim the deluded rock star, living out his fantasies from the confines of his garage. A lonely stardom. And yet, Jim was part me. He made me feel like I still existed. Jim became the centre of the new album. Dave, Stef and I worked into the sessions over the following months. It was always exciting to see where they would take my initial demos. The working method and the restrictions of making music together but in separate spaces, separate countries shaped the sound and feel of the record.
I won’t make another record like this again”.James/Jim

Go to Item

Stereo Total

Ich Bin Cool

9,99 €*

Release: 2017 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

EP 1+2 Opaque Jade Vinyl Edition

Yaeji

LP | 2022 | UK | Original (Yaeji)

EP 1+2 Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding her path as a cross-disciplinary artist and collaborator. Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

Go to Item

Yaeji

LP | 2022 | UK | Original (Yaeji)

The Sound Of Science Mint Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding herpath as a cross-disciplinary artist and collaborator.Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

Go to Item

The Sound Of Science

LP | 2022 | UK | Original (Castles In Space)

29,99 €*

12" | 1989 | UK | Reissue (Dark Entries)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dean Honer and Kevin Pearce present a beautifully designed original soundtrack of songs taken from a science show for children and adults alike. Dean Honer is a Sheffield based musician, producer and founding member of many iconic electronic music bands including The All Seeing I, I Monster, The Moonlandingz and The Eccentronic Research Council. He has worked as a producer for bands such as The Human League, Add N to X and Roisin Murphy. Kevin Pearce is a songwriter from Essex. He has received plaudits for his work from The Independent, The Guardian and Mojo magazine. His music has been used on HBO programmes in the USA as well as BBC TV shows in the UK. Castles in Space is proud to present The Sound of Science. Dean explains the background and inspiration for the album: “The idea for The Sound of Science had been in my head for a number of years. “Being a parent of young kids I endured a lot of very cliched and awful children's songs that were attempting to combine education and entertainment. These quickly became a form of torture to me, something that the CIA might use in covert operations to flush out a drug cartel from their hideout. It became apparent that there was a desperate need for informative songs and music that were appealing and bearable for both children and their parents. “I recruited my friend Kevin Pearce, (who I have produced and collaborated with on various projects over the years), to bounce ideas off and who could put together a nice series of chords and could sing! Which helps when writing songs. Kevin is from an acoustic folk background and I'm more of a one finger synth player in the Human League tradition. I thought it would be interesting to mix the folk and electronic element together for children’s songs. Something that harks back to both the BBC Radiophonic Workshop in the 60's and 70's and also the folk songs of TV programmes like Play Away, public information films and music from various weird and oddball kids TV from that era.

Go to Item

Hassan Ideddir

Atfalouna

OST The Nowhere Inn Record Store Day 2022 Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988. Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco. All songs were remastered by George Horn. The sleeve is a replica of the original 12” cover art, featuring Ideddir set in a cheeky collage of clocks, columns, and camels. Also included is a postcard with a photo of Hassan, as well as lyrics in both Arabic and English. We will be donating 100% of proceeds from this release to Sphere who provide support to the young queer community across Ukraine and the Palestine Children's Relief Fund who help provide urgent humanitarian care for Gaza's children.

Go to Item

St Vincent

LP | 2022 | Original (Caroline)

2LP | 2015 | DE | Original (Staatsakt)

Release: 2022 / Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 4000 copies.

The soundtrack accompaniment to the film of the same title, The Nowhere Inn. Features three original St. Vincent songs: “Nowhere Inn”, “Palm Desert” and “Wave”.

Go to Item

Stereo Total

OST Ruined Heart

17,99 €*

Release: 2015 / DE – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 1986 | EU | Reissue (Proxima)

Ambra Orfei

Love Me Too / The Dream

13,99 €*

LP | 1995 | EU | Reissue (DWA)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Swiss label Proxima is very pleased to present the reissue of italo disco classic "Love Me Too / The Dream" by Italian circus performer, singer and tv presenter Ambra Orfei. Originally released in 1986 on a 7inch, those two tracks are brought back to life for the first time on a 12inch record. No full description

Go to Item

Corona

The Rhythm Of The Night

Harold Melvin & The Blue Notes

Release: 1995 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After 28 years from its first release, DWA Records releases one of the most famous album of the Eurodance’s period of Nineties, never released on vinyl, in Italy. The album contains the same-titled song, that has become one of the most important dance songs of all time. After climbing the worldwide charts, it is still re-proposed today by the most famous groups in the world, like Bastille and Black Eyed Peas. It’s produced by Francesco Bontempi “Lee Marrow”. Original remastered versions.

Go to Item

Blue Album

LP | 2022 | US | Reissue (Demon)

30,99 €*

Release: 2022 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Passion Night feat. Massimo Urbani

Miro

12" | 1985 | EU | Reissue (Disco Segreta)

15,99 €*

LP | 1979 | EU | Reissue (Bureau B)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Disco Segreta teams up again with Miro (b. Mario Baldoni) in the re-release of his 1970s-80s productions, after the italo-disco burner Stranamore by Brina (DS M 002) and the tropifrutti balearic italo-house smasher Tobago by Pat & Pats (DS M 006), we are back introducing to italo-disco connoisseurs a truly atomic jam ! “Passion Night” was originally written by Miro in 1985. Story goes that envisioning a release by 1987, Miro teamed up with legendary south-african sound engineer Allan Goldberg, in light of their previous Vedette Records disco-infused collaboration for the “Slang“ studio project and the “Real Life Games” LP. The team featured also track co-writer Gregorio Puccio, ready to unleash the synths (Roland Jd800 + D50, Yamaha DX7, Oberheim 12, Prophet 5), along with two young vocalists, Giulia Fasolino and Silver Pozzoli, later to become household names for the italo-disco heads. As a special feature on the track, Miro brought in the studio contribution of the top italian jazz contralto saxophone virtuoso of the era, Massimo Urbani. In September 1987 a session at Pomodoro Studio had the track recorded on a 24 tracks tape, where has been sitting unreleased for 35 years, until now ! Within its cross-genre blend of synth-pop, italo-disco and jazz, “Passion Night” is an outstanding musical time capsule, a picture-perfect vivid snapshot of year 1987, with the additional historical value as a document itself: it’s the only strictly non-jazz project in Massimo Urbani’s repertoire, in a revelatory performance shedding a light over an unusual facet of Urbani’s versatile talent, regardless of boundaries, a few years before his untimely passing.

Go to Item

Richard Pinhas

Iceland

LP | 2021 | EU | Original (RecordJet)

Release: 1979 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1979, Iceland is Richard Pinhas' third solo album and his first following the breakup of Heldon. While moving away from the maximalism of his old band, paring down Heldon's hybrid of otherworldly sci-fi imagery and pummeling psych-prog riffs, the journey through Iceland is decidedly more inward.

Consisting of longer, brooding synth-based pieces as well as short proto-industrial études and interstitial sketches, Iceland features Pinhas' delay-ridden electric guitar, pulsating machine rhythms and analog synthesizer washes – all vivid in texture and timbre, notwithstanding an undeniably chilling ambience.

This first-time vinyl reissue includes "Wintermusic," an immersive 25-minute bonus track recorded in 1983 and appearing here on vinyl for the first time. Pinhas' excursions channel the season's stillness and sublimity, its majesty and its threat. Without a doubt, one his finest moments.

Recommended for fans of Cluster, Mica Levi and Fripp & Eno.

Go to Item

Feng Suave

So Much For Gardening

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Prophecy)

Deine Lakaien

Dual +

Roy Bianco & Die Abbrunzati Boys

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deine Lakaien, the legendary electronic avant-garde duo are an iconic German dark music act who have been popular for over three and a half decades! With their new full-length "Dual +", Deine Lakaien continue to ride the impressive creative wave their compelling previous double-album "Dual" caused. While "Dual" was strictly following a principle of cause and effect that juxtaposed one cover version on the first album with a new song that was inspired by it on the second record. "Dual +" keeps the basic formula, but comes across as more compact, multi-layered, and experimental, while also leaving more space for relaxed divergence. With their 11th studio album, "Dual +", classically-educated composer and pianist Ernst Horn and vocalist extraordinaire Alexander Veljanov are further exploring the musical vector that the duo had taken on "Dual" by playfully adapting some of their musical influences and making them their own, but always serious about the composition and respectful towards the original. By ostensibly showing the connection to their own creations and making a part of their artistic process transparent, Deine Lakaien also state that music does not grow out of thin air – as clearly as Beethoven could not have created his symphonies without the works of Bach before him. Founded in 1985, the German duo started as a purely electronic avant-garde dark wave project. Taking their name from a reference in the song 'Die genaue Zeit' by German experimentalists Einstürzende Neubauten, the band self-released "Deine Lakaien" in 1986, which spread by word of mouth and created an underground buzz. The debut set the duo clearly apart from electronic contemporaries such as Yazoo, Soft Cell, Eurythmics, and OMD by virtue of their singular dark sound. Deine Lakaien have created yet another marvellous piece of music with "Dual +". Their art comes with multiple layers and can be read in many different ways or simply be enjoyed as one amazing song after the other unfolds and the dividing lines between cover versions and original songs begin to blur until they are without meaning to the true beauty revealed.

Go to Item

Mille Grazie

LP | 2022 | EU | Original (Electrola)

Release: 2022 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Like Ltd)

Cold Beat

War Garden

35,99 €*

LP | 2011 | EU | Reissue (Lastafroz)

Release: 2021 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

During a year of separation and isolation, Cold Beat created a record about connection, loss, and hope called War Garden. The term "War Garden" is a reference to the self-sufficiency required by civilians during World War II to plant their own fruits and vegetables. The hopefulness of seeds sprouting and growing despite a conflict-laden backdrop provided Cold Beat with ample imagery and allegorical material.

Go to Item

The Twins

Singles Collection

Release: 2011 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU (Billbrook)

Jesper Munk

Taped Heart Sounds

23,74 €* 24,99 € -5%

LP | 2021 | EU | Original (Universal)

Release: 2022 / EU

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Since Jesper Munk’s debut album in 2013 the German singer-songwriter has made a name for himself as multi- instrumentalist , “in the paths of Jack White and Dan Auerbach,” as the Rolling Stone Magazine puts it, playing music that ranges from Blues and Soul to heartfelt Pop and indulging Jazz, all this with a very unique, post-Punk edge. His new album Taped Heart Sounds offers an evolution of Munk’s sound: warm, gentle and soft vibes that go deep. “If there is a way to give you a hug in form of an album, this is how I’d attempt to do so,” says Munk. Recorded in an offbeat band room in Berlin with The Cassette Heads, the album brings together classics reaching from Blues to Rock’n Roll. Twelve songs of legendary artists who have influenced and inspired Munk since his early days, including Tom Waits, JJ Cale, Etta James, Hank Williams, Willie Dixon, Jacques Brel, and Mocky. The entire album was recorded with a Tascam Portastudio 8-Track Cassette Recorder which brought an original and authentic sound to each song: “The technical limitations immediately liberated all other aspects of the recording,” Munk says. “It shows how much of making music is just listening and without a screen to catch your eye, you really have no choice but to do so.” All Songs face realness and live from these volatile moments that reveal vulnerability.

Go to Item

Angele

Nonante-Cinq

LP | 2021 | US | Original (Lovitt)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

ie belgische Pop-Sensation Angèle veröffentlicht ihr Sophomore-Album „Nonante-Cinq“. Einen beeindruckenden Vorgeschmack lieferte die aufstrebende Sängerin bereits mit ihrer Single „Bruxelles je t’aime“.

Das neue Album hat sie zusammen mit Tristan Salvati aufgenommen, der sie bereits seit dem Start ihrer Karriere begleitet. Der amerikanische Mixer Josh Gudwin (Dua Lipa, Justin Bieber, J Balvin) stieß ebenfalls zum Team, um die Produktion des ersten Songs abzuschließen. Darüber hinaus ist die Künstlerin sehr eigenständig: Sie schreibt ihre eigenen Texte, kreiert ihre eigenen Sounds und entwickelt ihre Musik so, dass sie ihren persönlichen Stil widerspiegelt: knallhart und direkt.

Angèle stammt aus einer Künstlerfamilie und hat die Musik im Blut. Nachdem sie ihr Jazz-Studium abschloss, begann sie, Coverversionen von Pop-Klassikern über Instagram zu veröffentlichen und baute sich eine unglaubliche Fangemeinde auf. Ihr Debüt-Album, „Brol“, zählt global über 2 Milliarden Streams und gewann sogar den French Grammy 2019 für „Record of the Year“. Kürzlich veröffentlichte sie zudem den Welt-Hit „Fever“ gemeinsam mit der Pop-Ikone Dua Lipa.

Nun folgt mit „Nonante-Cinq“ das hoch antizipierte Sophomore-Album des belgischen Superstars.

Go to Item

Soley

Mother Melancholia

Bärchen Und Die Milchbubis

Release: 2021 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Known for her delicate compositions, soaked in dream-like surrealism, Icelandic musician Sóley has attracted a huge following since launching her solo career back in 2010. Her 2012 single ‘Pretty Face’ went on to generate an enormous amount of buzz, and quickly became a viral sensation. Now, with three solo LPs under her belt, Sóley is preparing to debut a completely new sound via the release of her new concept album, Mother Melancholia, on October 22nd.

Described by the artist as "Nosferatu meets Thelma and Louise in a vampire church under the watchful eye of David Lynch", Mother Melancholia is the soundtrack to the end of the world as we know it. As a self-confessed news addict, Sóley became obsessed with the idea that the world is ending. Having surrounded herself with real-life stories of global warming and patriarchal politics she couldn’t shake the feeling that she was going to die. This feeling was so all encompassing that it sparked the idea for a new project. Could there be a soundtrack for the last days of humans on earth? How would that sound?

“I read books about possible dystopian worlds and started writing poems about irrational and in love characters who live in gray and cold imaginary loneliness. In each other’s burning arms. Walking in circles with no way out” she explains. “After all, the album reflects our life here and now. Our life and reality is a kind of dystopian world.”

Whilst writing the album, which serves as a tongue-in-cheek eulogy to our planet, Sóley began reading about ecofeminism, a branch of feminism which uses the concept of gender to analyse the relationship between humans and the natural world. Ecofeminism emphasizes that both women and nature must be respected but also separated. Since the beginning of time, the natural world has been synonymous with female identity, phrases like Mother Nature are commonplace. “The patriarchy views women as volatile and hysterical. Earth and women are either our saviours or our destroyers,” explains Sóley. “It’s so easy to abuse the earth, like the patriarchy has abused women since the dawn of time, then ask for forgiveness afterwards and promise they´ll never do it again”.

The new album sees Sóley move away from the indie-pop of her previous releases. She began by experimenting with writing songs on the accordion, allowing her a new sense of freedom in her writing. The process allowed her to broaden her horizons even further and experiment with a whole range of new and exciting sounds. “I bought myself a theremin as I was really excited about the unpitched sound and there is no perfect pitch during the end of days,” she laughs. “I also bought a mellotron, my first moog and a cello and taught myself how to play each of them. All of these new instruments are particularly suitable for the kinds of aesthetic inconveniences which I have learned to embrace.”

Album opener ‘Sunrise Skulls’, one of the most cinematic moments on the album, was inspired by the Me Too and SlutWalk movements and tells the story of a group of women who rise up and fight the patriarchy. ‘Blows Up’, a track that would be at home on any horror soundtrack, is a sarcastic love letter from the Earth to humans. Standout track ‘Desert’ is an incredibly moving song dedicated to the next generation. “It’s about the guilt you feel, as a mother, for having children and leaving them on the frontline. My daughter, for example, will take over this inevitable war” explains Sóley.

In true soundtrack style, the album flows through the end of the world in chronological order, closing with the Earth’s final moments. ‘Sundown’ is a dark piano ballad detailing human kind’s final day on Earth. “And everyday, I dig my own grave, and as I dive in you´ll hold my hand” she sings, over twinkling piano and swirling synths. We then hear the world end on ‘xxx’, a dark and swirling soundscape that swells before fading to silence. On ‘Elegía’ the silence then turns to the sound of the ocean, as we hear the Earth, like a woman finally free from a violent relationship, healing on her own.

Mother Melancholia is the mark of an artist confidently striding into more experimental territory. With a lengthy and successful career behind her, Sóley felt compelled to try something new and express the real her. The music might be shrouded in darkness but it’s a move that fills her with joy and freedom. “I hope that people not only enjoy the new sound, but also that Mother Melancholia might raise some questions in people, particularly women,” she says. “I’m under no illusions that this album will change the world but I hope that people can connect with the idea”.

Go to Item

Endlich Komplett Betrunken

LP | 2021 | EU | Original (Tapete)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Infine / Cry Baby)

Léonie Pernet

Le Cirque De Consolation

LP | 2022 | EU | Original (Concord)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Léonie Pernet’s second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic. Textextext - (add your write up) The sought after whirlwind of French Pop that exploded onto the scene with her debut “Crave", Leonie Pernet, returns with her second album, “Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of “Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.

Go to Item

Tears For Fears

The Tipping Point

Release: 2022 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Toten Crackhuren Im Kofferraum

Gefühle

LP | 2021 | EU | Original (Bakraufarfita)

19,99 €*

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 1966 | EU | Reissue (Madmua)

Sonia

Aquí En Mi Nube

Lightbulbs Yellow Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.

Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.

Limited to 450 hand-numbered copies.

Go to Item

Fujiya & Miyagi

LP | 2021 | US | Original (Impossible Objects of Desire)

Gloria 40th Anniversary Transparent Sun Yellow Black Friday Record Store Day 2021 Edition

Release: 2021 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Over the last two decades Brighton's Fujiya & Miyagi have been steadily building a vast body of work that explores 1970"s Germany-tinged beats, whip smart electronica, intoxicating disco, shimmering pop and generally concocting an idiosyncratic blend of dance music that sounds utterly and uniquely their own. The group have decided to revisit their 2008 record, Lightbulbs, as it had been out of print since its initial release. The follow up to 'Transparent Things', the record includes the singles 'Knickerbocker', 'Sore Thumb and 'uh'. The latter song has steadily increased in popularity due to its use in the first season of 'Breaking Bad'. The group expanded and remoulded their aesthetic on this release, introducing live drums on some tracks as well as adding an influence of French 70s pop and 90s RnB to the equation. 'Lightbulbs' still remains unquestionably Fujiya & Miyagi sounding, tweaking their past aesthetic whilst creating a bridge to where they would travel next. With a plush new re-master, the album sounds crisper and punchier than it did before. It's a fascinating snapshot of a group in transition as they start to shed their formative influences and travel onwards.

Go to Item

12" | 1981 | EU | Reissue (Island)

Release: 1981 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 4000 copies worldwide. Celebrating the 40th anniversary of the U2 single “Gloria”, originally released as a single in October 1981, the second single to be taken from the second studio album October. It remains a staple in U2’s live set. This 40th anniversary limited edition EP includes the studio version of “Gloria” plus three live versions from three different decades. • 4-track 12” EP, cut at 45 rpm • Pressed on 180g transparent sun yellow vinyl • Full color gatefold outer sleeve with high gloss finish, featuring portraits of the band • Large poster (600mm x 600mm, folded) with montage of photos from the various live shows across the decades

Go to Item

After Dark 3: Italians Do It Better Aqua Vinyl Edition

3LP | 2021 | US | Original (Italians Do It Better)

47,99 €*

So Far The Best Of ... Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Every seven years, we release an After Dark label sampler, the long awaited third edition is finally here. Produced by Johnny Jewel, ‘After Dark 3’ features label mainstays Desire, Chromatics, Farah and introduces fresh blood from around the globe. A glimpse beyond the curtain, into what the new year sounds like for Italians Do It Better. In the tradition of our spaced out cinema disco, we present After Dark 3…The wallpaper of your dreams & the stardust of the future. With Orion, Johnny Jewel, Double Mixte, Atrip, Love Object, Joon, Glüme, Mothermary, GUy Gerber, Causeway, Club Intl, and Pink GLoveS.

Go to Item

Sinéad O'Connor

2LP | 2021 | UK | Reissue (Chrysalis)

40,99 €*

Nathaniel Rateliff & The Night Sweats

Release: 2021 / UK – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

So Far...The Best Of brings together the highlights of Sinead O'Connor's four albums available via Chrysalis Records.

Originally released in 1997, it features the Number 1 worldwide hit “Nothing Compares 2 U”, as well as her early singles “Troy” and “Mandinka”. This record showcases Sinead’s enormous talent and fearless uncompromising style.

Available on vinyl for the first time.

The album is presented in a 5mm sleeve and includes the tracks “Success Has Made A Failure Of Our Home”, as well as “Heroine” and “Just Like U Said It Would B” which were previously only available on the US version.

Go to Item

The Future

LP | 2021 | EU | Original (Caroline)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Karisma)

Himmellegeme

Variola Vera

11,99 €*

12" | 1982 | US | Reissue (1972)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From the dark psychedelic shadows of Bergen, Himmellegeme return with their second album “Variola Vera”! Himmellegeme's music is influenced by atmospheric prog rock, which together combine to create an otherworldly and timeless sound. With their heavy-hitting riffs, chilling melodies and melancholic lyrics, Himmellegeme creates music that depicts past events in their own lives, as well as in the lives of others. The overall themes of the album are the impact we humans have on planet earth, and the destruction we lay in our wake wherever we go. Not only in regards to the planet itself, but also to the people inhabiting it. It’s not a concept album per se - the lyrics are fictional with roots in reality, but based on newer and older events seen from different viewpoints. Their debut album “Myth of Earth” received rave reviews around the globe, and Prog Magazine said that “Aleksander Vormestrand has a high, clear voice full of unfulfilled yearning, akin to Thom Yorke when Radiohead still cared about melodies, matched by the soaring lead guitar of Hein Alexander Olson.” Variola Vera was recorded at one of Bergen's top studios, Broen Studios, and was produced by Anders Bjelland (Electric Eye / Hypertext) who also worked as a sonic wizard on the album.

Go to Item

Maximum Joy

Stretch

12" | 1997 | JP | Reissue (Universal Music Japan)

Release: 1982 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Forty years ago, on July 8th and 9th in 1981, a group formed by the splintering of some of Bristol’s essential post punk bands, entered the hallowed studio at Berry Street in London to record their debut single. What would emerge was not only an exuberant post funk classic on the A-side, but also a wildly influential dub workout on the flipside, whose reverberations can still be heard today. Both songs have proven essential in very different ways.

A focal point for the unique punk-funk that was coming together in Bristol as the bridge from the 70s to the 80s arrived, Maximum Joy was formed by Glaxo Babies multi-instrumentalist Tony Wrafter and 18 year old vocalist and multi-instrumentalist Janine Rainforth. Soon they drafted in additional Glaxo Babies in the form of drummer Charlie Llewellin and bassist Dan Catsis, along with guitarist John Waddington, fresh from The Pop Group. The group set about making a one-of-a-kind mix of funk, punk, pop, jazz, dub, soul, afrobeat and reggae; creating a brilliant charge of danceable tunes wrapped around elastic basslines and complex percussion, punctuated by melodic horns and stabs of guitar, all of it highlighting Rainforth’s naturally enthusiastic vocal style.

Bursting at the seams, “Stretch” feels like it can barely be contained within the studio walls. Rainforth delivers a vocal performance that can only be found within the freedom of someone recording their first ever single. I’m not lying when I say there isn’t another song that sounds quite like it. The group’s love of funk is evident on “Stretch”, but the heavy influence of dub and reggae from their surroundings shapes the moody skitter of “Silent Street”. Here, the sing song vocals seem to drift across the heavy late night air. The two songs are wildly different, yet both could only have come from this key collection of players. Paired with the likes of The Pop Group, The Slits, The Raincoats and the On-U-Sound collective, Maximum Joy still stands out as a unique voice in the movement.

Y Records head Dick O’Dell would join the sessions and give the release a warm home in the UK while legendary 99 Records in New York took on the US release since Maximum Joy made perfect sense being equal parts ESG and Liquid Liquid. This 12” has been a staple for DJ’s in the know since day one.

Go to Item

Naoko Gushima

Candy

LP | 2021 | EU | Original (Born Bad)

Release: 1997 / JP – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A masterpiece of Japanese Urban Mellow representing the 90’s, this work, which was cut for the first time by 7 inches on RECORD STORE DAY in 2018 and attracted a lot of attention, now includes an additional instrumental version track. Released on pink vinyl.

Go to Item

Dominique Andre

Evasion (Space Oddities)

22,99 €*

2LP | 2020 | US | Reissue (Republic)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Print On Gold Paper + Printed Under Sleeve With Gold Pantone + Download Code.Reissue Of Library Music Classic From The Late 70s. Dominiqe André Started His Musical Career Playing In Brass Bands During His Time As A Student At The Ecole Nationale Des Arts Decoratifs. He Soon Established His Own Small Home Studio, In Which He Recorded Music With Very Little Means. The Sounds He Recorded Were Sometimes Created By Household Items, And He Added Piano, Synthesizer Or Guitar. But Dominique Never Aimed To Become A Well-Known Musician. He Also Started Making Movies And Painting, And Thus Music Was Not His Main Ambition Anymore.

Go to Item

The Weeknd

After Hours

37,04 €* 38,99 € -5%

Release: 2020 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Overtones For The Omniverse

Mocky

LP | 2021 | EU | Original (Heavy Sheet)

19,99 €*

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Honest Labour Black Vinyl Edition

Space Afrika

LP | 2021 | US | Original (Dais)

LP | 2016 | EU | Reissue (Blue Castle)

Release: 2021 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown. The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown. The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

Go to Item

Graham Nash

This Path Tonight

Release: 2016 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Local Valley Green Vinyl Edition

Jose Gonzalez

LP | 2021 | EU | Original (City Slang)

Box | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded at Studio Koltrast Hakefjorden, which González set up in his family’s summer house north of Gothenburg, Local Valley “is similar to my other solo albums in sound and spirit,” he says, “a natural continuation of the styles I’ve been adding through the years both solo and with Junip. I set out to write songs in the same vein as my old ones: short, melodic and rhythmical, a mixture of classic folk singer songwriting and songs with influences from Latin America and Africa. It’s more outward looking than my earlier works, but no less personal. On the contrary, I feel more comfortable than ever saying that this album reflects me and my thoughts right now.”

On Local Valley – which follows the 2015 release of González’s acclaimed Vestiges & Claws – he sings in three languages (English, Spanish and Swedish) and it provides a welcome reminder of the Gothenburg, Sweden-based artist’s understated appeal and singular ability to communicate discreetly.

Go to Item

Prince

Welcome 2 America

120,99 €*

Since I Left You 20th Anniversary Deluxe Edition

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP + CD + Blu-Ray + Incentives
Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album. The Deluxe Edition of Welcome 2 America combines the 2LP and CD versions of the album with a never before released Blu-Ray of Prince’s full April 28, 2011 performance at the Forum, part of the Welcome 2 America Tour’s historic 21 Nite Stand in Los Angeles. The show is presented in stereo, 5.1 surround and Dolby Atmos, and includes 24 tracks from across Prince’s career, from his biggest hits to fan favorites to ten rare covers. In addition, the deluxe edition features a 32 page 12x12 book, exclusive poster and an embossed vellum envelope of limited edition memorabilia all housed in a luxe, gold embossed package. Experienced as a complete package, the Deluxe Edition provides an immersive view of Prince’s creative genius during his spontaneous, energetic, and thought-provoking Welcome 2 America era.

Go to Item

The Avalanches

4LP | 2021 | UK | Original (XL)

58,99 €*

LP | 2021 | EU | Original (Knekelhuis)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

Go to Item

Electric Party

Play

LP | 1982 | EU | Reissue (Bureau B)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.

Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.

This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.

Go to Item

P!OFF?

3x7" | 2021 | US | Original (Mnimal Wave)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

Go to Item

Futurisk

Recordings 1980-1982

59,99 €*

Daddy's Home Black Vinyl Edition

Release: 2021 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Minimal Wave presents ‘Recordings 1980-1982’ (mw077), a triple 7” box set by pioneering south Florida synth-punk band Futurisk, in honor of their 40th anniversary. Founded by Jeremy Kolosine in 1978, Futurisk recorded many songs and performed live throughout the early 1980s. Though they had released two 7”s that sold out, had a legendary live show, and even some videos, by 1984 Futurisk was history. Eventually, the main core of Futurisk would be the Jeremy Kolosine, Richard Hess, and Jack Howard line-up though much happened leading up to this point.

In 1979, the teenage Jeremy Kolosine won studio time and money in a competition with his drum-machine-triggered guitar-synth act called ‘Clark Humphrey & Futurisk’. He decided to form a band around the name to record a more punk release titled The Sound of Futurism 1980 / Army Now. It was an ambivalent anti-war anthem with Jack Howard on drums, Frank Lardino on synth, and Kolosine on vocals and guitar synth. Many live shows ensued with the line-up which included Jeff Marcus on bass and Vinnie Scrimenti on drums but in 1981 a rift between the band caused them to part ways. They continued for a bit as ‘Radio Berlin’ (no relation to the Vancouver act) and Kolosine, who had gotten absorbed in a new analog synthesizer with sequencer continued as Futurisk.

He recruited synthesist and recording engineer Richard Hess who had a myriad collection of Moogs, Oberhieims, and CATs. Jack Howard returned on drums and syn-drums and the lineup for the Player Piano EP was cast. The EP, like the live show, was a strange blend of punk, minimalist, and disco-influenced electro-pop, with drum machine triggered synths and often frantic real drums all led by Kolosine’s schizophrenic Bowie / Ferry / Foxx adulations. It was recorded by Richard Hess and the band in the rooms of a friend’s house. The drum sound, recorded in a bathroom, rocks, even today. Reportedly, Futurisk may have been the first synth-punk band in the American South, and their 1981 track ‘Push Me Pull You (Pt. 2)’ was an early pre- ‘Rockit’ excursion into electro-funk.

The ‘Recordings 1980-1982’ box set includes three 7”s, an Army Now (1982) Flexi 5” x 7” postcard, and a 16-page full-color booklet featuring unpublished photographs of the band, the history of the band, and an interview with founder Jeremy Kolosine. The three 7”s are The Sound of Futurism 1980 / Army Now which includes an unreleased track from the same session, the Player Piano five-song 7” EP from 1982, and the Ocean Sound 7”, which has not been released in this format until now. All three 7”s are remastered, pressed on heavyweight 70-gram vinyl, and housed in heavy color printed matte sleeves featuring the band’s original artwork. The box is case wrapped and depicts an early illustration of the band printed in black on white with a spot gloss. Limited edition of 600 copies.

Go to Item

St. Vincent

LP | 2021 | EU | Original (Virgin Music)

Krone Der Schöpfung Limited Hardcover Gold Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I was inspired by the classic records of the 70's. Stevie. Sly. Stones. Steely Dan. Chords. Groove. The days when sophisticated harmony and rhythm didn't sound heady - they just sounded, and felt, good. Lots of guitar. But warm sounds, not distortion and chaos. Hopefully a turn nobody will see coming." – Annie Clark

The imagery for this campaign will be heavily influenced by the 70’s – think Super Fly, vintage cars, hotel voyeur. Annie’s new persona for this album is called Candy Darling.

Go to Item

Die Prinzen

2LP | 2021 | EU | Original (Warner)

31,99 €*

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1985 | JP | Reissue (HMV Record Shop)

World Standard

31,44 €* 36,99 € -15%

LP | 2021 | US | Original (Innovative Leisure)

Release: 1985 / JP – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First LP reissue since 1988
Produced by Haruomi Hosono
Japanese pressing

World Standard is a stylish pop unit that incorporates a wide range of music from rock, techno to ambient. Their memorable first album, which debuted in 1985 on the Teichiku Non-Standard label produced by Haruomi Hosono, will be remastered and reissued under the supervision of Soichiro Suzuki!

Go to Item

Nick Waterhouse

Promenade Blue

29,99 €*

2LP | 2021 | EU | Original (Disque Pointu)

Release: 2021 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

F. Scott Fitzgerald’s The Great Gatsby was a work so filled with ambition, yearning, and inner contradictions that it came to represent the condition of a nation itself. Yet, at its core, the slim novel tells a story about people and, more often than not, their inability to communicate and connect with one another — forever running on parallel tracks until tragedy finally twines them together. The color green (often in the form of the faded sodium lit dock of Daisy Buchanan) comes to represent longing and unrequited love in an era (the Roaring Twenties) of decadence and spiritual vacuousness. Green is Gatsby’s North Star, simultaneously pointing backward and forward through time toward some unattainable, impossibly balanced version of his own life.

Nick Waterhouse, a century later but once again in the ’20s, takes the color blue as his hue of choice on Promenade Blue. In Nick’s musical and lyrical world, blue is a refraction of his life and memories — shadowing a deep, spiritual San Francisco that fostered his musical vocabulary but has now been stamped out irrevocably; evoking the endless tours, marathon recording sessions, and highs and lows of success he’s experienced in his decade-long career; conjuring romances that were doomed, loves that lingered, and hope for future days of parity and partnership; summoning spirits of people who have gone but permeate his mind forever. That’s the world of Promenade Blue — one that is vivid and magnetic, buoyed by both light and density due to Nick’s newfound collaboration with producer Paul Butler (Michael Kiwanuka, Devendra Banhart). It’s not Gatsby’s New York in the 1920s, it’s Waterhouse’s California in the 2020s. Nick makes that crystal clear throughout the record but particularly on “Santa Ana (1986),” where he wryly sings, “Not from New York / And I never was / I’m from California.” With that, he answers all questions about place and setting…but as anyone who’s ever listened to a Waterhouse record knows: time, though clearly pegged to the dawn of this new decade, is a more malleable concept. Where he is is clear. When he is varies.

We can try as hard as we can to make sense of Promenade Blue, but in reality, context isn’t really needed because the music on the album is so damn magnificent. In no uncertain terms, it represents Waterhouse’s finest hour as a writer and bandleader — leveraging the musical partnerships he has built over many years to put something forth that is so fully realized and felt that it sparkles beatifically, reverberating with energy, heart, creativity, and vibe from start to finish. Nowhere is this more evident than on the album’s opening track, “Place Names,” perhaps the most remarkable song in the Waterhouse catalogue.

The tune is a pocket symphony, à la Spector and Wilson, with winding piano lines locking puzzle-like into a whining, weeping string arrangement courtesy of musical blood brother J.B. Flatt. A small cadre of women backing vocalists shout “Never!” and Nick replies “I never cry on cold days / I never mind a trip on the freeway / Because it’s what I know / Never really set for the big change / Learn to let things go / And say blow wind, blow.” The freeways between LA and San Francisco; the memory of spending a teenaged evening in the Vesuvio Café, which looms over the entrance of City Lights Books; the wind ripping through you on a foggy Bay Area morning, cutting into your bones; the pride one takes in his hometown; the distinct life that he has made (or that has made him) — it’s all here in “Place Names” and, honestly, if the album were to end with this one song, Waterhouse would’ve done his service to the 2020s in terms of musical creativity and vitality. Thankfully for listeners, it’s just the beginning.

The album twists and turns from the opening to the close — from swinging, sashaying jazz and blues (“Spanish Look”) to jittering, crystalline doo wop (“Very Blue”) and pure, loose, languid mood music with just a hint of Mulatu Astatke’s Ethiopian modal magic (“Promène Blue”). Most striking, perhaps, is the use of men’s voices as a backing texture, bringing an unexpected thematic unity to many of the songs. Lower-than-low gospel chants and refrains lend both energy and emotional weight to these pieces, conjuring a whole new mythic world for Nick’s compositions. This is a statement album, one to get lost in and rediscover over and over again.

In the Waterhouse catalogue, “Promenade Blue” represents rebirth and reinvigoration as well as a clarity of purpose that elevates it and may one day set it apart as something resembling a magnum opus. It’s his ‘Gatsby’ and it’s also his way of reintroducing himself to a fanbase that has grown by leaps and bounds over the last couple of years. On this record, he paints a mythic picture of his own life — lost in confusion, grating against time, overheated by false memories, being baptized by nostalgia and a vision of the future that is paradoxically both dark and apocalyptic and sparkling with promise. Sounds a lot like America in the 20s to me. Which 20s though? Which color — green or blue? Which author? Try to figure it out for yourself:

“You were smiling at me / Hanging languidly / On your car door window / Very blue / Very green / The ocean breeze / And shuffling trees / Pacific seas.”

“And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter — tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So, we beat on, boats against the current, borne back ceaselessly into the past.”

Go to Item

La Femme

Paradigmes

12" | 2020 | EU | Original (ZYX)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Few bands have invigorated French pop like La Femme over the last decade, and in 2021, they're coming to make all of our lives better. Paradigmes, their much-awaited third album, offers a shift in how we see the world, a kaleidoscopic vortex to a different, more vibrant dimension. After Psycho Tropical Berlin in 2013 and Mystère in 2016 which both reached Gold status in France and got them to play hundreds of shows around the world, the Paris-based, Biarritz band continue to dazzle listeners with their new record. Within this album of beautifully-curated electropop you will hear everything from coldwave to yéyé, Kraftwerk to the Velvet Underground, all distilled and sequenced and psychedelicized so that it sounds uniquely La Femme. The title track is a brassy blast of sizzling electro that imbues the spirit of flappers and philosophers, cabaret and art deco and Fritz Lang's masterpiece Metropolis, all underpinned with a touch of lyrical melancholy. Paradigmes is an album that lives in the moment, even if that moment is a challenge right now. Its fantastical voyages will undoubtedly provide an escape into a world beyond our own.

Go to Item

The Managers

One Race

14,99 €*

Release: 2020 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2021 | US | Original (Dark Entries)

Sexual Harrassment

I Need A Freak

LP | 2021 | EU | Original (Darkhan Music)

Release: 2021 / US – Original

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dark Entries is pleased to announce a deluxe reissue of Sexual Harrassment’s 1983 opus I Need A Freak. Lynn Tolliver, DJ/Program Director at Cleveland’s Wzak, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver’s explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, “I learned as a youngster, sex sells! The things that are rated the worst – violence, horror and sex – are the things people want to see or hear about.” I Need a Freak was a surprise hit, selling over 100,000 copies. I Need A Freak is presented here for the first time on double LP, pressed at 45 rpm for maximum DJ-friendliness. While the album’s naughtier moments seem quaint by contemporary standards, the fusion of lo-fi funk and disaffected vocals still stuns today. On the eternal electro-raunch anthem “I Need a Freak”, minimalism serves to highlight the lasciviousness of the deadpan lyrics, which were inspired by Lourdes Figueroa, Tolliver’s girlfriend at the time. Tolliver’s whimsy shines on tracks like “If I Gave You a Party” and “K.I.S.S.I.N.G.”, which contrast nursery rhyme structures with decidedly R-rated lyrics. “Exercise Your Ass Off” lampoons the home exercise craze, but with a more-than-suggestive sexual bent. Also included are two bonus cuts, “We Want Prince” and “These Are The Things That I Like”, previously released as singles in 1984 and 1986, respectively. “We Want Prince” is both a homage to the Purple one and a gentle satire of obsessive fandom. I Need A Freak has been remastered by George Horn at Fantasy Studios. The album comes in a gatefold sleeve featuring the original artwork. Included are lyrics, photos, and liner notes by Lynn Tolliver and drummer Dale Jackson. Tolliver’s sly provacateurship is best captured by the quote: “It’s funny – without sex, mankind is dead, yet we hide the very thing we need.”

Go to Item

Lueur Verte

Crystalica

29,99 €*

LP | 2007 | EU | Original (Speakers Corner)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The real 80s vibe has finally arrived! Originally a digital only release in 2013, Lueur Verte's legendary mini album. Crystalica is finally seeing the long overdue, and truthfully deserved light of day on physical formats. Setting the scene with its alien crystalic cover, Crystalica takes the listener on an 80s nostalgic outrun race, android circuitry, topped of with a micro gene that provides the listener with a soundscape of movies such as Miami Nights (1984). Producer and artist Michaël Brun (Lueur Verte) is the mastermind behind Aphasia Records, who was among the first to discover artists such as Perturbator and Dynatron. Over the years Lueur Verte has released various remixes, his latest addition is a remix of the song "Alright" by the legendary Barretso. Lueur Verte is the top notch of the grandiose, super high quality French synthwave / outrun genre, which puts him in a league of his own. A synthwave Icon.

Go to Item

The Alan Parsons Project

Eye In The Sky

Release: 2007 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Home Limited Purple Vinyl Edition

Rhye

2LP | 2021 | EU | Original (Caroline / Loma Vista)

Release: 2021 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2020 | EU | Original (City Slang)

Caribou

Suddenly Remixes EP

13,99 €*

Lacuna (Re-Imagined) Feat. Emily Wells, Topu Lyo & Stuar

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Since the February release of Suddenly - Dan Snaith aka Caribou's critically acclaimed seventh album - tracks from the album have been remixed by Four Tet, Morgan Geist and Floating Points. Snaith follows up with a new EP of remixes by four exciting new artists - Shanti Celeste, Kareem Ali, Logic1000 and India Jordan - each with their own unique takes on standout tracks from the record.

Go to Item

Trixie Whitley

12" | 2020 | EU | Original (Unday)

We Will Always Love You Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Trixie Whitley presents 'Lacuna re-imagined'. She reworked six tracks from her 'Lacuna' album from 2019. Trixie recorded new versions and invited three talented musicians to her home studio in Brooklyn to provide strings and horn arrangements. Multi-instrumentalist Stuart Bogie (who previously collaborated with Arcade Fire, David Byrne and Run The Jewels) took care of the wind section, Emily Wells and Topu Lyo recorded the strings. The EP "Lacuna re-imagined" will be released on all digital platforms and limited edition vinyl November 13. All profits made from these recordings will go directly to The Callen-Lorde (clinic's health care and activism work), as Trixie explains in the letter below.

Go to Item

The Avalanches

2LP | 2020 | EU | Original (Emi Australia)

Long Hot Summers: Story Of The Style Council

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dieses Mal ging es dann doch etwas schneller: Nachdem sich die australische Band The Avalanches zwischen dem Debüt und dem Nachfolger 16 Jahre Zeit gelassen hatte, wird das dritte Album „We Will Always Love You“ am 11. Dezember erscheinen.

Schon Anfang des Jahres waren erste Albumvorboten aufgetaucht: Neben dem mit Blood Orange aufgenommen Titelsong und dem Stück „Running Red Lights“ feat. Rivers Cuomo & Pink Siifu zählten auch „Reflecting Light“ feat. Sananda Maitreya & Vashti Bunyan und „Wherever You Go“ feat. Jamie xx, Neneh Cherry & Clypso dazu; letzterer Titel beginnt mit jenem Gruß der Menschheit, der mit den „Voyager Golden Records“ ins All geschossen wurde.

Pünktlich zum Preorder-Start gibt’s noch einen doppelten Nachschlag: „Take Care In Your Dreaming“ feat. Denzel Curry, Tricky und Sampa The Great sowie „Music Makes Me High“.

Go to Item

The Style Council

3LP | 2020 | EU | Original (Polydor)

52,99 €*

Release: 2020 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Endangered Species Volume 1

LP | 2020 | US | Original (Dark Entries)

Marie Davidson & L'Oeil Nu

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In eleven years of deep digging, Dark Entries has uncovered many curiosities, lone exemplars of the scarsest breeds. They are lurking in Croatia, on the streets of New York, maybe in the back of your own dusty closet - these odd-ball Italo and synth-wave monsters are too rare to live, too divine to die. Once-lost creatures now have a home with Dark Entries’ new Endangered Species series. The inaugural edition features five specimens previously deemed extinct, only mentioned passingly in lore and speculation, but now safely preserved on vinyl. The first cut on Endangered Species Vol. 1 is the previously unreleased electro-New Wave gem “Munich” by John King, an artist best known for his work as one half of the Dust Brothers, lauded producers of the Beastie Boys’ legendary Paul’s Boutique. “Munich”, a Danceteria-ready cut produced in 1983, sheds some light on King’s earlier interests, bridging between freestyle and emotive synthpop. Next up is a rare demo version of The Actor’s “Picture 210”. The Dutch duo here channel both the minimalism of Kraftwerk and the Surrealism of Throbbing Gristle to create one of the finest teary-eyed Goth club anthems. Brazil is a synthpop band from Croatia, and they feature with their 1990 cover of Tears for Fears’ “Mad World”, which is sure to turn some heads on the dancefloor. The eerily faithful production belies Brazil’s re-working of the song’s lyrics. “L'Étranger (Ana Gharib)” by Jamal Khe follows, a pearl originally only available on an impossibly rare French 7” from 1983. Khe is from the Ain Beida region of Algeria, and his Arabic vocal melodies perfectly complement the propulsive percussion and airy arpeggios from producer Jacky Bourgogne. Closing the record is the previously unreleased “Abemus Mind” from Marzio Benellil’s project Nightless. Recorded in 1983, this moody, low-tempo Italo groover features Gregorian chant-inspired vocoders and jazzy piano courtesy of Benelli’s collaborator Marco Falagiani. All songs were mastered for vinyl by George Horn. The sleeve is the first in a series of endangered animal designs by Eloise Leigh, featuring the glam tiger in its natural, 1980’s habitat. Also included is an insert with lyrics, photos, and notes. Please assist us in our efforts to preserve this planet’s weirdest beasts.

Go to Item

Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

LP | 2020 | EU | Original (Lento)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

Go to Item

Hurts

Faith

LP | 1982 | EU | Reissue (Arista UK)

Release: 2020 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in Manchester, Hurts are a band known for a diverse, contemporary sound that references a multitude of mediums. The duo, comprised of Theo Hutchcraft and Adam Anderson, have made their mark globally, winning multiple awards and selling millions of records without ever compromising their need to innovate. That innovation is as apparent as ever as they announce Faith ; their most complete album in a decade - a record of truth, honesty and authenticity. The result of two years work, Faith features some of the most visceral, personal songwriting of the band s career. Faith delivers on the dark introspection of the band s early work: the rawness of Exile (2013) and the fully-formed sincerity of their debut, Happiness (2010). The result is powerful and tangible. Faith is an album born out of crisis. While Anderson has written about his battles with mental illness in the past, sharing his experiences of anxiety and depression in an open letter in 2017, early sessions for the album were punctuated by vocalist Theo Hutchcraft s own experience of demons that left him unsure as to whether or not the band would continue. The album is a result of some of the most honest and direct sessions the group have ever had, Faith finds Hurts pushing themselves further both personally and musically to skew pop music and elevate their craft to new levels.

Go to Item

The Alan Parsons Project

Eye In The Sky

Release: 1982 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | US | Reissue (Third Man)

France Gall

1968

37,99 €*

2LP | 2020 | NL | Original (Republic)

Release: 1968 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

Go to Item

The Weeknd

After Hours

37,04 €* 38,99 € -5%

12" | 1987 | EU | Reissue (Discomatin)

Release: 2020 / NL – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vier Jahre nach der Veröffentlichung seines letzten Albums „Starboy“ kündigt The Weeknd sein neues Album „After Hours“ an, welches am 20. März erscheinen wird. Nach den zuletzt veröffentlichten Hitsingles „Blinding Lights“ (#1 der Singlecharts) und „Heartless“ war es nur eine Frage der Zeit, bis das neue Album in den Startlöchern steht. „After Hours“ ist sowohl digital als auch physisch als Standard CD, Vinyl und als MC erhältlich.

Go to Item

Isabelle Antena

Laying On The Sofa

14,99 €*

2LP | 2020 | EU | Original (BMG)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Starting 2020 on high wheels, Parisian crew Discomatin picked an ultimate banger of the 80’s boogie era, Laying On The Sofa by french diva Isabelle Antena. Rare and expansive, the original 12inch here remastered for full effect offers two extended versions/remixes by Belgian electro and jazz-funk hero Marc Moulin and by American producer and DJ Mark Kamins. With her amazing voice and beautiful compositions/productions, Isabelle signed on this release two of her many great songs.
« Laying On the Sofa » is a Sade-esque song with a lot of rich harmonies sublimated by the strong rhythms of the 808. This Mark Kamins remix brings the song to its climax with kind of an housy extension with its strong synths and guitars parts before it goes back to the chorus for an epic ending. Back in the days, NY DJ Mark Kamins brought Isabelle to the famous Danceteria to perform. At the same time, he was recording some of the first demos of Madonna… Do you feel the vibe?
« La Tête Contre Les Murs » with his « anti-system » feeling in the lyrics is the other beauty on the EP. Remixed here by Telex member and jazz-funk don Marc Moulin, who became later the father of Isabelle Antena via her husband, the song written by her and her mother describes an old but still fresh feeling. Disillusioned, in loss of marks, with no directions: the words don’t miss to describe the youth and its feeling towards society. Maybe, this is why « you’re crashing your head on the walls » as Isabelle sings. Maybe it’s people trying to educate them in relation with certain norms who are in the end « maybe what the danger is ». With her classical and so french casualness surrounded by syncopated rhythms, Isabelle transforms this timeless topic to a song dedicated to all generations going through times of wanderings.
You may know Isabelle Antena other’s work like her French-Belgian synth-pop trio Antena which led later to her another band Powaga Sisters. Combining minimal electro, pop and samba styles, Camino Del Sol was one of her greatest albums. As a solo artist, she’s found particular success in Japan with samba-inflected nujazz and electro-pop compositions. Still, with her own words, this EP « means a lot » to her. Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from French artist Camille de Cussac.

Go to Item

Pantha Du Prince

Conference Of Trees

Release: 2020 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1989 | EU | Reissue (RHINO)

The B-52's

Cosmic Thing

Release: 1989 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | UK | Original (The state51 Conspiracy)

Sixth June

Trust

4LP | 2019 | EU | Original (Spoon)

Release: 2020 / UK – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sixth June was formed in 2008 by Serbian visual artist Laslo Antal and Serbian actress Lidija Andonov. After a short period working and living in Belgrade, the band relocated to Berlin, where their first album was released in 2010. Their first LP, "Everytime" rapidly gained attention in the music scene and enabled the band to play all over Europe. In 2011 the band released their EP “Back for a day” for the Italian label Mannequin Records. Their “Pleasure” EP was also released on Mannequin Records in December 2013.

Music videos and live projections are an essential part of the performance of Sixth June. Having two people in the band who are closely connected to film, theatre and video art makes not only the music, but the whole image of Sixth June recognisable. Berliner Zeitung characterises their music as “sweet, cool, dark electropop”, while Vice refer to Sixth June music as “music for dreaming and the new beginnings”.

Sixth June’s album Virgo Rising was released on February 17th on Berlin based label aufnahme+wiedergabe. In Virgo Rising, the saxophone, fretless bass, and horns accompanying the precipitous synths colour the entire album. The video accompanying the track Night Before is an electric dream that is an abstraction of new wave romance. Sixth June’s Virgo Rising release party was at Berghain on March 2nd 2017. In 2018 they released album “Without a sign” with demos and unreleased tracks for aufnahme+wiedergabe.

Go to Item

Irmin Schmidt of Can

Villa Wunderbar

31,99 €*

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2019 | EU | Original (La Vida Es Un Mus)

Aviador Dro

Nuclear, Si

11,99 €*

2LP | 2019 | EU | Original (Female Energy)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in Madrid in 1979. Influenced equally by Dadaism and Futurist ideas as by the contemporary sounds of bands such as DEVO, THROBBING GRISTLE or CABARET VOLTAIRE, they started creating their own brand of electronic music. Soon after the band won the third prize of a local Battle of The Bands show and were given a record deal as a prize that resulted in La Chica De Plexiglás 7" (Movieplay-1980) and La Vision 7" (Movieplay-1981) both of which were recorded at the same session with a third 7" recorded but not released at the time. Faced with the total lack of interest showed by the label and feeling alienated in a Music World which wasn't the one they dreamed of, they decided to do what dozens of their peers were doing worldwide; They started their own label, Discos Radioactivos Organizados (DRO) following the steps of Factory or Industrial Records. Faced with the exit of three members who left the band to form a more radical band (ESPLENDOR GEOMETRICO), AVIADOR DRO entered Doublewtronix studios to record Nuclear ,Sí, marking the birth of the Independent Music Industry in Spain. The four tracks on the EP became instant classics with Nuclear Sí being the absolute standout track, while Varsovia en Llamas, Sintonia Del Refugio Atomico and Godzilla were perfect nuggets of Synth-punk who remain amongst the greatest Spanish Pop songs ever. Originally hand-assembled, hand-coloured, self-released and distributed in the total DIY spirit, the first release of DRO remains a perfect example of what a bunch of teenagers can achieve armed with just their youthful energy and idealism. Nuclear, Si, was repressed three times and has been out of print since the early 80's.

Go to Item

Kindness

Something Like A War

2LP | 2019 | EU | Original (Columbia D)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kindness returns with their third full length album titled "Something Like A War" set for release on 6 September, 2019. The album is a culmination of years spent collaborating with the likes of Robyn, Jazmine Sullivan, Seinabo Sey and Cosima among many others. Produced entirely by Bainbridge, the record is a collection of works representing a period of reflection and transformation over the course of 4 years following their second record "Otherness." Now based in London, the album was recorded in several locations, while Kindness was primarily based in New York during the writing and recording of the album. Following a series of select shows in June, Kindness will embark on a world tour in late 2019 with a new live band. Guest vocal features include Robyn, Jazmine Sullivan, Seinabo Sey, Bahamadia, Cosima, Nadia Nair and Alexandria among others.

Go to Item

Johannes Oerding

Konturen

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chaos And Disorder Purple Vinyl Edition

Prince

LP | 2019 | EU | Original (Legacy)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For the first time on vinyl! Released in July 1996, Chaos and Disorder came with a rare disclaimed penned by Prince (then known as the unpronounceable “love symbol”): “Originally intended 4 private use only, this compilation serves as the last original material recorded by [The Artist] 4 Warner Bros. Records.” Prince’s contentious relationship with the label was at its lowest point, and this record—a taut 39 minutes of dexterous guitar and simple but addictive pop melodies—was a crucial final link in the chains that kept him from releasing the music the way he wanted. Any internal turmoil was not represented in tracks like “Dinner With Delores” (a minor U.K. hit) and the rollicking title track, a staple of his live shows. “Someone told me that Van Halen did their first record in a week,” Prince told the Los Angeles Times of the album’s quick creation. “That’s what we were going for—spontaneity, seeing how fast and hard we could thrash it out.”

Go to Item

OST Quentin Tarantino's Once Upon A Time In Hollywood

2LP | 2019 | EU | Original (Columbia)

LP | 1984 | EU | Reissue (Sony Music Catalog)

Release: 2019 / EU – Original

Genre: Rock & Indie, Pop, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

Go to Item

Die Ärzte

Debil

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Los Angeles Modern Kent Northern Soul

LP | 2019 | EU | Original (Kent)

22,99 €*

Spirit Baby Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mel Williams, Larry Davis, Peggy Woods, Arthur Wright & His Orchestra, Jackie Day, The Brilliant Korners, Wally Cox, Jimmy Bee, Gene & Gary, Vernon Garrett, Johnny Copeland, The Other Brothers, Mary Love, Z.Z. Hill

Go to Item

Rhye

LP | 2019 | EU | Original (Because Music)

LP | 2019 | EU | Original (Milestone)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The sound of Spirit was born out of falling in love with playing the piano again. About a year and a half ago, my girlfriend surprised me with a borrowed piano. It wasn’t in the best shape, but it made itself at home in my apartment and I started playing it every morning… just messing around at first, but it slowly became a morning ritual I couldn’t shake.

As our Secular Sabbath events developed and moved around the world, we were fortunate to be able to meet and experiment with some inspiring musicians. Out of these experiments, new ideas were born and turned into songs with artists like Thomas Bartlett and Ólafur Arnalds, whose musical genius now grace this record. When I worked with each of them, both happened to play 80’s era Yamaha pianos. At a certain point, I knew I needed to get one for myself:

the tone was speaking to me, through me. The first piano shop I wandered into in Koreatown, Los Angeles, and the first piano I see is an ’84 Yamaha U3 (a special edition hybrid!) It was the very piano I was looking for. It was fate.

My morning piano ritual met my new piano in my favorite studio. I made a rule for myself that I would start something brand new every day, work on that for 2 hours without judgement and just see what I came up with. Out of the many sketches, Spirit started to take shape: a collection of songs that I did alone in the studio with just a piano, intertwined
with collaborations with some of my favourite piano-based musicians. These are songs about love in my life, but also about the love for piano brought back into my life.

Go to Item

Queen

Queen In Nuce

Ah! Quel Cinéma! Standard Vinyl Edition

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reprint of the album published in 1995 by Milestone Records. It is an album that collects the first songs of the group that we now know as QUEEN.

Go to Item

Stereo Total

LP | 2019 | EU | Original (Tapete)

Love & Other Hopeless Things

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the regular LP version with 14 tracks. Please be aware of the limited double LP edition with 20 tracks that we offer.

An album title with not one, but two exclamation marks, meaning something akin to “what a palaver”as it primes the listener for songs like “Cinemascope”. Themes such as personal injuries (“Ich bin cool”), betrayal (“Mes copines”), personality deficiencies brought on by drug abuse (“Methedrine”), rage (“Hass-Satellit”), inflated opinions of oneself (“Brezel says”), suicide (“Le Spleen”), grief (“Dancing with a memory") and souls in torment ("Elektroschocktherapie") are presented in widescreen format in and often in the most entertaining fashion.

Françoise Cactus apparently once said of herself: "I am a linguistic artist who can live with the laughs". Which says it all really, although Stereo Total’s penchant for wordplay is not in evidence in all of the lyrics on this record. Many tracks here echo the rather more sombre, desperate songs she wrote for her first band "Les Lolitas". Nevertheless, the anarchic humour which we have come to associate with Stereo Total resurfaces on compositions like "Keine Musik" and "Einfach".

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock’n’roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, reminiscent of “rien de tout”. What we can say: Françoise Cactus excels in the art of 8-track cassette recording, thus creating an extraordinary sonic experience. Brezel Göring draws on his favoured array of instruments more likely to be found in the hands of children in households where a musical education is not on the agenda: plastic baby organ and dreadful mouse piano, accompanied by home-made guitars glued together by less than gifted artisans.

1. Stereo Total continue to make electronic music with flea market Casio sounds which fly in the face of what is generally accepted to be electronic music. Each musical instrument could probably be translated into social coordinates and in this sense, the tools of Stereo Total’s trade speak an unequivocal language.

2. Stereo Total continue to play LoFi garage rock music which makes a mockery of all the masculine clichés associated with guitars. When Françoise Cactus plays the drums, the rhythms of feminism, anti-professionalism and subversive dilettantism come to the fore.

Any attempts to pigeonhole Stereo Total are destined to fail. In the words of Flann O'Brien: "When shall we ever see their like again?"

A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history. The group comprises Françoise Cactus, who spends her time as a radio presenter, author and artist between band sessions, and Brezel Göring, a man whose very choice of stage name was motivated by a desire not to be taken seriously by music and art scribes.

When they began making music together, they made it their mission to disrupt rules, to destabilize ideas. They may not have thrown European harmonic structure or 4/4 time out of the window, but they have certainly asked questions of every other aspect of musical and lyrical techniques. Lines like "you look good from the back", "love as a threesome", "I am naked", "I’m the young gigolo with a smoker’s lung " and "sex complex" are designed to repel serious music lovers whilst shocking them with sound engineering which falls well below the standards of mainstream listeners.

Go to Item

The Pearlfishers

LP | 2019 | EU | Original (Marina)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dragnet Black & White Splatter Vinyl Edition

The Fall

LP+7" | 2019 | UK | Original (Cherry Red)

36,99 €*

Release: 2019 / UK – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2019 | EU | Original (Morr Music)

Lali Puna

Being Water

2LP | 2019 | EU | Original (Horsie In The Hedge)

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With "Being Water" Lali Puna refine their distinctive take on pop and electronics, pushing the boundaries towards classical songwriting. The four songs - equally affecting and catchy as self-reflected and aloof - are complemented by the airy tripiness of a remix by Dave DK (Kompakt, Pampa Records).

Go to Item

Gunship

31,99 €*

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1996 | EU | Reissue (Stockholm)

The Cardigans

First Band On The Moon

Release: 1996 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heroes To Zeros Solid Purple Vinyl Edition

The Beta Band

LP+CD | 2004 | EU | Reissue (Because Music)

15,99 €*

Release: 2004 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited colored edition - 1000 copies available worldwide LP+CD edition with solid purple vinyl in gatefold sleeve with printed inner-sleeve.

Go to Item

She Came From Hungary! 1960s Beat Girls From The Eastern Bloc

LP | 2018 | UK | Original (Ace International)

Everybody Else Is Doing It,So Why Can't We?

Release: 2018 / UK – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In recent years Ace Records has released a successful series of compilations spotlighting 1960s girl-pop recordings from Japan, France, Italy, Sweden and Spain. Here we visit Hungary, a country whose young female singers performed beat music every bit as bold and brazen as their male counterparts.

Spanning the years 1966 to 1971, the collection features feisty freakbeat, folk rock, funky pop and more from 14 of Hungary’s foremost female recording stars, with musical accompaniment provided by some of the nation’s leading beat groups.

Highlights include the freakbeat masterpiece ‘Ez Az Utolsó Randevúnk’ by Éva Nagy with scorching guitar work from the band Liversing, the keyboards and brass-driven ‘Fekete Beat’ by Sarolta Zalatnay with the group Metro, Kati Kovács’ great organ-based dancer ‘Hazudik A Drága’ and the folk rock-flavoured ‘Keresem A Szót’ by Zsuzsa Koncz.

The collection is available as a 24-track CD with bumper 28-page booklet and 14-track 180g transparent red vinyl LP with illustrated inner bag, each featuring a picture-packed 7,000-word note by compilers Mick Patrick and Matt Meek.

Go to Item

Cranberries,The

LP | 1992 | EU | Reissue (Island)

Release: 1992 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | EU | Original (Altin Village & Mine)

Fenster

The Room

17,99 €*

LP | 1981 | EU | Reissue (Wewantsounds)

Release: 2018 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

»The Room«, Fenster’s fourth album and their first release on Altin Village & Mine marks the beginning of a new chapter for the band. After releasing three albums, a feature length film, and touring extensively throughout Europe and North America since 2012, »The Room« serves as an entry point into their sonic evolution. The essential characteristic of the band is transformation—within and between genres, albums, and songs. Their sound is a window framing psychedelic, groovy, hypnogogic, playful pop. […]

Their mission in creating this album was to compose and arrange every song together in a room. It is an experiment in collective creativity that pushed all of them to transcend their individuality and create something together which is greater than the sum of its parts.« […]

—
All songs written and played by Fenster.
Recorded at Redroom Studios in Vecchiano, Italy.
Mastered by Josh Bonati in New York City, USA.
Album artwork and design by Lucas Ufo.

Go to Item

Akiko Yano

Tadaima

12" | 2018 | US | Original (Dark Entries)

Release: 1981 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2022 repress; LP version. Obi strip; Includes two-page insert. Wewantsounds present a reissue of Akiko Yano's Tadaima., originally released in 1981. The first release Wewantsounds' ambitious program to release Akiko Yano's albums outside of Japan Tadaima. ("I'm home" in Japanese) is Yano's fifth studio album and a synth-pop masterpiece, co-produced by her then husband Ryuichi Sakamoto and featuring all the musicians from Yellow Magic Orchestra (Haruomi Hosono, Yukihiro Takahashi, and Sakamoto), the group she was touring with at the time. Japan's best kept secret, Akiko Yano is one of the most ground-breaking artists to come out of the '70s Japanese music scene along with Haruomi Hosono and Ryuichi Sakamoto. A piano child prodigy, Yano started her solo recording career in 1976 at just 21, recording her debut album Japanese Girl with no less than Little Feat as the backing band. This album created a stir on the Japanese scene and Yano was on the map. She went on to record a series of superb albums mixing funk, electro, and city pop featuring the cream of Japanese (and sometimes American and English) musicians; The fact she was producing, writing and composing herself made her a true maverick in a very male-dominated industry. These albums, incredibly, have never been released outside of Japan to this day. Tadaima. is Yano's first attempt to leave the acoustic piano aside and delve into the synth sounds of the early '80s. The result is a fascinating electro pop masterpiece showcasing her talent as a writer, musician, and singer, creating her own unique universe. Mixing Japanese and English lyrics, Yano crafts perfect pop songs such as "Tadaima.", "I Sing", "Harusaki Kobeni" (which became one of her most famous songs after its use in a Japanese cosmetics ad), while "Taiyo No Onara" is a suite composed of nine short stories written by children. Contributors on Tadaima. also include Shigesato Itoi, one of Japan's most famous copywriters (for Studio Ghibli among others) who wrote two tracks on the album and his friend legendary illustrator Teruhiko Yumura -- aka King Terry -- who revolutionized underground manga in the '70s with his "heta-uma" (bad-good) style, as showcased on the album's striking artwork. Tadaima. is the perfect entry point to Akiko Yano's unique body or work. This reissue includes original artwork by cult illustrator King Terry and a new introduction by renowned DJ Joakim.

Go to Item

Cold Beat

A Simple Reflection EP

17,99 €*

Young Romance Black Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cold Beat is a San Francisco-based quartet fronted by Hannah Lew (synths, vocals) with Kyle King (synths, guitar), Luciano Talpini Aita (synths) and Sean Monaghan (guitar). Formed in 2013 the band has released three albums and two EPs. A Simple Reflection is a 7-song collection of Eurythmics covers, yet feels just as personal as any of their original material. While digging through a collection of 12"s for her record shop Contact Records, Lew stumbled across the earliest Eurythmics B-sides and was floored. This lead to the discovery of their debut album In The Garden. Annie Lennox’s abstract and poetic lyrics really struck a chord with Hannah. What had started out as a single cover quickly snowballed into a full blown obsession. The synth and drum programming resonated with her songwriting process, so reimagining them was very creatively fulfilling. The covers on this EP are simultaneously dynamic and atmospheric post-punk that plays to Lew's ethereal vocals and King’s crystalline guitar. All songs have been mixed by Mikey Young (Total Control) and mastered by George Horn at Fantasy Studios. The record is housed in a jacket designed by Eloise Leigh, which features pink and purple clouds that evoke a dreamy softness and DIY playfulness and photos Lew in her best Lennox-inspired drag. Each copy includes a postcard with photos and notes.

Go to Item

Roosevelt

LP | 2018 | EU | Original (City Slang)

Piano & A Microphone 1983

Release: 2018 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It is actually unbelievable what the 27-year-old producer from Cologne has achieved in the last two years. His debut album "Roosevelt" released on August 19, 2016, immediately made it into the top 100 of the German album charts and is considered to be one of the most important new pop albums in the German music scene and one of the few albums that also caused a sensation internationally. "He has the potential to go around the world," the Spiegel magazine attested, and he did.
With his debut album Roosevelt also managed to break into the US market, as well as the UK, France, Holland and Italy - even Mexico. Festivals around the world compete for him: Primavera Sound, The Governors Ball Music Festival (New York), Sónar Festival, Montreux Jazz Festival, Sziget Festival, Lollapalooza Festival and many others. Radio stations at home and abroad still play "Fever" and "Moving On" up and down. His listeners drive him to almost 80 million streams at Spotify. Everyone wants him to remix their songs (Chvrches, Glass Animals, RHYE, Who Made Who, Blossoms and Sinkane) And what does he do? He records a cover version of "Teardrops" and becomes subsequently a honorary member of the Womack & Womack family.

Go to Item

Prince

LP | 2018 | EU | Original (Warner)

32,99 €*