Search "basic soul unit" 1156 Items

Release: 1982 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1984 | EU | Original (Capitol)

Diana Ross

Swept Away

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1992 | EU | Original (Warner)

Chaka Khan

The Woman I Am

Release: 1992 / EU – Original

Genre: Hip Hop, Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

12" | 1985 | EU | Original (Paisley Park)

Sheila E.

A Love Bizarre

2LP | 1990 | EU | Original (Paisley Park)

Release: 1985 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Tiny cut out, otherwise solid VG+ copy!

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Prince

Graffiti Bridge

17,99 €*

Release: 1990 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1987 | EU | Original (Paisley Park)

Prince

Sign "O" The Times

22,99 €*

Release: 1987 / EU – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | US | Original (Elektra)

Peabo Bryson

Straight From The Heart

Release: 1984 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1987 | US | Original (Philadelphia International)

The O'Jays

Let Me Touch You

LP | 1980 | US | Original (Capitol)

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

US original.

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Peabo Bryson

Paradise

12" | 1984 | DE | Original (Motown)

Release: 1980 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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Dazz Band

Let It All Blow

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Forever Yours (Duet With Annette And Carl)

101 North

12" | 1991 | US | Original (Capitol)

Release: 1991 / US – Original

Genre: Hip Hop, Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Wonderful World (The Best Of Sam Cooke)

Sam Cooke

LP | 1986 | EU | Original (RCA Camden)

Release: 1986 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | EU | Original (MCA)

Jody Watley

Dionne & Friends Featuring Elton John, Gladys Knight And Stevie Wonder

Release: 1987 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

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That's What Friends Are For

12" | 1985 | EU | Original (Arista)

Release: 1985 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1988 | EU | Original (Mika)

Deon Estus

Spell

Release: 1988 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1991 | NL | Original (Arcade)

Dance Classics Volume 1

Release: 1991 / NL – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Real Love (Extended Version)

Jody Watley

12" | 1989 | EU | Original (MCA)

Release: 1989 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | GDR | Reissue (AMIGA)

Roberta Flack

Killing Me Softly

Release: 1973 / GDR – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2023 | EU | Original (Sony Music Catalog)

Silly

Hurensöhne

31,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (Sichtexot)

Wandl

Body Memory

20,99 €*

LP | 2021 | US | Original (Lovitt)

Release: 2022 / EU – Original

Genre: Hip Hop, Pop

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Like some of his contemporary UK peers (looking at you, Tom Misch and Jordan Rakei), the 27-year-old Austrian producer-turned-singer Wandl is a rare example of an artist that’s able to combine the groove and emotionality of soul music with colorful electronic textures and the exciting and youthful feel of hip-hop. His third solo album »Body Memory« works as an empowering statement of clarity and immediacy. Being blunt, it could be described as Wandl’s »pop album«, even though that might do a disservice to his craft. Still, to this day there is no work in his catalogue that allows Lukas Wandl, the human, that much space for presentation.

Recordings for »Body Memory« started even before his last album »Womb« was released in 2020. For Wandl, the process of working on it mirrors the idea of opening himself back up to a community. It all started when he found himself in a place of brokenness, physically and mentally drained, having to cancel a planned tour because of this. To overcome the resulting state of depression and hopelessness, he instigated a process of tuning back in with his environment and the world at large. »Body Memory« is the result of this inner journey, exploring the fact that stress and emotional injuries are stored in our bodies and therefore can only be expressed and given form through our bodies.

For »Body Memory«, Wandl worked with some of his usual peers from the Austrian scene, such as Dorian Concept, The Clonious, Fid Mella or Lex Lugner, but also his new partner-in-crime, German beatsmith Torky Tork, that co-produced almost half of the record. To let their joint creative spirits flow, they traveled to Poland to build a foundation of tunes, while others were written and recorded in Vienna, Berlin, the Austrian countryside and even the basement of Wandl’s parents’ place in St Pölten, Lower Austria. No surprise that this album has turned out a deeply collaborative work, as almost every track contains contributions from multiple musicians. Not forgoing the playfulness and innovation of his past records, Wandl moves his emotional, fragile vocals to the very front of the mix for the first time. In moving past his comfort zone, he breaks free from learned stereotypes of taste, writing slightly more conventional, but still extremely authentic songs. Working to regain access to his true inner voice and intuition, Wandl has written an album of sheer physicality, but also immense emotional depth and beauty.

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Soley

Mother Melancholia

25,99 €*

LP | 1962 | US | Original (Liberty)

Release: 2021 / US – Original

Genre: Pop

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Known for her delicate compositions, soaked in dream-like surrealism, Icelandic musician Sóley has attracted a huge following since launching her solo career back in 2010. Her 2012 single ‘Pretty Face’ went on to generate an enormous amount of buzz, and quickly became a viral sensation. Now, with three solo LPs under her belt, Sóley is preparing to debut a completely new sound via the release of her new concept album, Mother Melancholia, on October 22nd.

Described by the artist as "Nosferatu meets Thelma and Louise in a vampire church under the watchful eye of David Lynch", Mother Melancholia is the soundtrack to the end of the world as we know it. As a self-confessed news addict, Sóley became obsessed with the idea that the world is ending. Having surrounded herself with real-life stories of global warming and patriarchal politics she couldn’t shake the feeling that she was going to die. This feeling was so all encompassing that it sparked the idea for a new project. Could there be a soundtrack for the last days of humans on earth? How would that sound?

“I read books about possible dystopian worlds and started writing poems about irrational and in love characters who live in gray and cold imaginary loneliness. In each other’s burning arms. Walking in circles with no way out” she explains. “After all, the album reflects our life here and now. Our life and reality is a kind of dystopian world.”

Whilst writing the album, which serves as a tongue-in-cheek eulogy to our planet, Sóley began reading about ecofeminism, a branch of feminism which uses the concept of gender to analyse the relationship between humans and the natural world. Ecofeminism emphasizes that both women and nature must be respected but also separated. Since the beginning of time, the natural world has been synonymous with female identity, phrases like Mother Nature are commonplace. “The patriarchy views women as volatile and hysterical. Earth and women are either our saviours or our destroyers,” explains Sóley. “It’s so easy to abuse the earth, like the patriarchy has abused women since the dawn of time, then ask for forgiveness afterwards and promise they´ll never do it again”.

The new album sees Sóley move away from the indie-pop of her previous releases. She began by experimenting with writing songs on the accordion, allowing her a new sense of freedom in her writing. The process allowed her to broaden her horizons even further and experiment with a whole range of new and exciting sounds. “I bought myself a theremin as I was really excited about the unpitched sound and there is no perfect pitch during the end of days,” she laughs. “I also bought a mellotron, my first moog and a cello and taught myself how to play each of them. All of these new instruments are particularly suitable for the kinds of aesthetic inconveniences which I have learned to embrace.”

Album opener ‘Sunrise Skulls’, one of the most cinematic moments on the album, was inspired by the Me Too and SlutWalk movements and tells the story of a group of women who rise up and fight the patriarchy. ‘Blows Up’, a track that would be at home on any horror soundtrack, is a sarcastic love letter from the Earth to humans. Standout track ‘Desert’ is an incredibly moving song dedicated to the next generation. “It’s about the guilt you feel, as a mother, for having children and leaving them on the frontline. My daughter, for example, will take over this inevitable war” explains Sóley.

In true soundtrack style, the album flows through the end of the world in chronological order, closing with the Earth’s final moments. ‘Sundown’ is a dark piano ballad detailing human kind’s final day on Earth. “And everyday, I dig my own grave, and as I dive in you´ll hold my hand” she sings, over twinkling piano and swirling synths. We then hear the world end on ‘xxx’, a dark and swirling soundscape that swells before fading to silence. On ‘Elegía’ the silence then turns to the sound of the ocean, as we hear the Earth, like a woman finally free from a violent relationship, healing on her own.

Mother Melancholia is the mark of an artist confidently striding into more experimental territory. With a lengthy and successful career behind her, Sóley felt compelled to try something new and express the real her. The music might be shrouded in darkness but it’s a move that fills her with joy and freedom. “I hope that people not only enjoy the new sound, but also that Mother Melancholia might raise some questions in people, particularly women,” she says. “I’m under no illusions that this album will change the world but I hope that people can connect with the idea”.

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Timi Yuro

Soul!

LP | 1985 | US | Original (Tamla)

Release: 1962 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

Tears in spines. Original US stereo album.

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Stevie Wonder

In Square Circle

Jack Lancaster And Robin Lumley

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Embossed gatefold cover has small saw cut. With booklet. Original US Superior pressing.

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Marscape

LP | 1976 | US | Original (RSO)

18,99 €*

LP | 1981 | US | Original (Arista)

Release: 1976 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy with white labels . Promo stamp on back cover.

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Aretha Franklin

Love All The Hurt Away

LP | 1979 | US | Original (Motown)

Release: 1981 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US Monarch pressing. Slight stained and dusty cover. Original inner sleeve.

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Billy Preston

Late At Night

Flex-Able: 36th Anniversary

Release: 1979 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Original US pressing.

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Steve Vai

LP | 2021 | EU | Original (Light Without Heat)

12" | 1984 | US (Portrait)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG+

Limited Edition.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert and booklet.
Record is slightly warped but still enjoyable.

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Sade

Hang On To Your Love

Release: 1984 / US

Genre: Organic Grooves, Pop

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Rotate Violet Vinyl Edition

Co-Pilot

LP | 2023 | UK | Original (Dell'Orso)

26,99 €*

2LP | 2022 | US | Original (Captured Tracks)

Release: 2023 / UK – Original

Genre: Pop

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After taking time out from working together to focus on separate musical projects, maverick composer Alan Roberts (Jim Noir) and crowd-rousing vocalist Leonore Wheatley (International Teachers of Pop / The Soundcarriers) have re-joined forces to introduce Co-Pilot. Each the other’s wing person, they’re plotting an escape through Manchester’s claustrophobic grey skies with the pencil case colour of a hand-sewn multi-coloured primary school patchwork quilt. “We are both the creators in charge of navigating Co-Pilot’s overall sound which changes from track to track,” Leonore hints at what to expect. “There are about 6 different genres on one album, it's a pick n mix record!”

Happy in the haze of many boozy hours the album was recorded over just a few months whilst holed up and hanging out in Al’s city centre Dookstereo studio. The former Mill allowed the pair to relax, laugh and create without constraint. Armed with their original demos and vocal recordings from Al’s flat, they’d nip by the offie to pick up some Dutch courage before setting to work: building arrangements from a drum beat and basic chord pattern, the pair were so in tune they rarely spoke, allowing only the music to lead the way. “We’d communicate through nods of agreement or grimaces of dismay,” Leonore recalls. “Using the instruments with Al in production mode, we let the sound dictate the process whilst being drunk enough to follow it.”

The sound of life coming full circle after honing their separate crafts, Leonore had previously played keys and vocals in Jim Noir’s live band before moving on to front International Teachers of Pop for two critically lauded albums of joyous dancefloor filling bangers - their self-titled debut (2019) and Pop Gossip (2020). During that time Al would further expand Jim Noir’s universe with AM Jazz, which was celebrated as the no.1 album in Piccadilly Records’ ‘End of Year Review’ (2020), followed by the Deep View Blue E.P. (2021) cementing his status as one of Manchester’s finest songwriters.

As Leonore added her vocal magic to Al’s early demos of what would eventually become Co-Pilot’s ‘Spring Beach’ and a crooked original version of closing track ‘Corner House’, the vibe was prophetic “like the ending of Grease as Danny and Sandy take flight through the clouds”, letting their imaginations fly. The songs were the catalyst to spark a new phase of the pair working together, picking up where they left off. “From messing about with sounds during rehearsals in the very beginning it was always clear we liked the combination of sounds we made,” Leonore recalls.

Powered by a ‘try anything’ approach, Co-Pilot blends the musical DNA of what you’ve come to expect from each of the pair’s previous flight paths. “Whatever is switched on or nearby gets used. There's no 'correct' for us. If it sounds good, record it,” Al tells. United through typically turbulent wonky pop and lurking samples, whether culled from 70s TV themes or recreations of past and found sounds (see Al’s 60s tropicalia guitar on ‘Brick’, or the innocent ‘Swim to Sweden’ which opens with an ice cream van jingle Al recorded from his bedroom window) their process offers up a bucket load of Easter eggs. The album even features snippets from dearly departed pal Batfinks whilst ‘Motosaka’ is perhaps the most expensive 2-minutes on the album, featuring a Columbia Records Japan-cleared sample of Ryuichi Sakamoto’s ‘Thousand Knives’. Its synth squelches and Tom Tom Club funk also received the blessing of Haroumi Hosono, Godfather of Japanese Electronica, who agreed to being sampled in an original version of the song. “We just kept listening back and hitting gold,” Al recalls. “I was thinking ‘yeah, not sure what this is but I like it! We were buzzing with what we had made.”

But the sound wouldn’t come without self-imposed instrumental challenges. Thanks to an old mellotron sample on ‘Move To It,’ the moog riff and nautical accordion breaks on ‘Swim To Sweden’ and the 6/8 and 7/8 jaunt of ‘Brick’, time signatures were lovingly skewed to create Co-Pilot’s unique mood. “It was a bastard getting the drums right,” Leonore reveals, “but I like the wonkiness”. Levelling up through the lyrics, the words of smoky and evocative ‘She Walks In Beauty’ are based on a Lord Byron poem, with the sentiment of remembering Leonore’s late grandparents. “I wanted to see how much I could get away with just singing on one note, and how I could harmonically change everything else around it vocally,” she says. Elsewhere ‘Can You See’ was written from the perspective of a concerned sister to a brother which tells of keeping someone safe. “The lyrics are quite metaphorical about day-to-day happenings, people loved and lost. Others are rhythmic nonsense! It’s up to the listener to figure out what’s true.”

It’s clear from Al’s productive production techniques and Leonore’s knack for vocals and lyricism, Co-Pilot’s course is engineered by two aeronautically adept sonic storytellers. “We share a pretty similar sense of humour,” Al tells, “It is funny listening to this quite serious album but knowing we were giggling as we recorded it all. It’s been great to have another brain to bounce off.” Their destination might be unknown, but the clouds are about to part for a sound that is light years ahead. “You'll like at least one song,” Leonore suggests, “and hopefully them all.”

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Saada Bonaire

1992 Black Vinyl Edition

Anohni (Antony Hegarty of Antony And The Johnsons)

Release: 2022 / US – Original

Genre: Pop

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Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.

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Hopelessness

LP | 2016 | UK | Original (Rough Trade)

A Pocket Full Of Miracles

Release: 2016 / UK – Original

Genre: Pop

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The artist formerly known as Antony (of Antony & The Johnsons fame) has collaborated with Oneohtrix Point Never & Hudson Mohawke on their latest work. A dance record with soulful vocals & lyrics addressing surveilance, drone warfare & ecocide.

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The Miracles

LP | 1970 | US | Original (Tamla)

18,99 €*

LP | 2017 | UK | Original (XL)

Release: 1970 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original US Hollywood RCA Pressing. Tear in top spine.

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Sampha

Process

Key To My Soul Blue Vinyl Edition

Release: 2017 / UK – Original

Genre: Pop

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After appearing on Kanye’s “Saint Pablo,” Frank Ocean’s Endless, and Solange’s A Seat at the Table in 2016 Sampha, one of the most demanded voices in today's R&B, releases his debut in 2017.

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Sarah Connor

2LP | 2023 | EU | Reissue (Polydor)

Release: 2023 / EU – Reissue

Genre: Pop

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Green Eyed Soul Green Vinyl Edition

Sarah Connor

2LP | 2023 | EU | Reissue (Polydor)

Release: 2023 / EU – Reissue

Genre: Pop

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LP | 2022 | EU | Original (Human Sounds)

Tahiti 80

Here With You

20,99 €*

LP | 1988 | EU | Original (EMI-Manhattan)

Release: 2022 / EU – Original

Genre: Pop

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In March 2020, Tahiti 80 had a plan to start recording their new album in the studio. That plan, of course, along with everything else in the world, got derailed. But the five-piece group was resilient and resourceful. They quickly shifted to a socially distanced plan B that included file swapping and virtual sessions, all refereed by producer Julien Vignon. The result, due for release in March 2022, is the buoyant Here With You, a collection of eleven upbeat songs that unfold like a prescription for a post-pandemic panacea.

“When lockdown in France happened, we said, 'We're not going to stay at home not doing anything,'” says singer-guitarist Xavier Boyer. “And our new plan became a hopeful thing, waking up every morning and seeing what the other guys had worked on. It wasn't always easy, but this new method allowed a freer approach where we could really go all the way with an idea without being influenced by each other’s suggestions. It must've been overwhelming for Julien, who ended up selecting all our arrangements. But he stayed positive all the way through.”

To help stay inspired and focused during their time in isolation, the band created a mood board, with the centerpiece a photo of an early '90s rave in the UK.

Boyer says, “Whenever you see pictures from this era, people seem very innocent. There are no cell phones and everybody is in to what they are experiencing. We kept that picture in mind as a kind of mantra that would help everyone feel connected to this idea of people celebrating, gathering and just having fun. We were missing the connection with people, and thought it would be great if we could create music that would inspire that kind of emotion.”

Indeed, the songs on Here With You are brimming the feeling of communion that we've all been missing over the past two years. It's there in the catchy opener Lost in the Sound, which walks the walk with Chic guitar flicks, urban nightfall sparkles and an inviting chorus (“Your heart grooves like a thousand 808s on the right time”). It's there in the Jackson 5-style syncopated bounce of “Vintage Creem,” the lush, dreamy “Breakfast in L.A.” and the panoramic sweep of “UFO.” And it's there in the first single “Hot,” which matches an irresistible groove with a neon-lit, percolating arrangement that evokes the disco clubs of 1979.

What's remarkable is that though Tahiti 80 displays a clear affection for sounds of the past, from bubble gum to '70s soul, they never trade in mere pastiche. Their take is more a slightly warped and playful carnival mirror mash-up of classic pop styles, given depth through Boyer's hang-gliding, coolly emotive vocals and lyrics that often rub against the euphoric grain of the music.

“I like to think of songs as a three-minute drama,” says Boyer. “This concept of drama definitely adds different levels to our music. There's the melody, the lyrics, then the production that can maybe emphasize or counterbalance the interaction between the yin and yang in a song.

“There's a difference between the very upbeat, sunshine-y soft rock and the lyrics, even on our past albums,” he continues. “Not dark, but a little more melancholy, and also looking for some kind of motivation, talking to yourself. Like with a lot of Motown songs, you get that feeling where you body’s dancing while your mind’s reflecting, reminiscing.”

That alluring blend of happy-sad has been a signature part of the Tahiti 80 sound from the time Boyer and bassist Pedro Resende formed the group in 1993, as students at the University of Rouen. Taking their name from a souvenir t-shirt given to Boyer's father in 1980, the duo recruited guitarist Mederic Gontier in 1994, and with the addition of drummer Sylvain Marchand a year later, the lineup was complete. The foursome released a self-produced and self-financed EP, 20 Minutes, in 1996, which resulted a record deal with French label Atmospheriques in 1998. Their full-length debut Puzzle, produced with Ivy's Andy Chase and mixed by Tore Johansson, went gold and featured the international hit “Heartbeat” that established the band throughout Europe and Asia.

In the years since, Tahiti 80 – with the additions of Raphaël Léger on drums and Hadrien Grange on keys - has released eight acclaimed albums. The band has fused what Mojo called a “glorious entente of old and new technology” (including singles like “Yellow Butterfly,” “1000 Times,” “Sound Museum,” “Crush!” and “Big Day,” which was featured on a Fifa video game soundtrack), while collaborating with such producers and arrangers as Richard Swift, Tony Lash and Richard Anthony Hewson, who famously arranged The Beatles' “Long and Winding Road.” Boyer has also put out two solo albums, the first under the anagram Axe Riverboy and the second under his name. In 2019, the band released Fear of an Acoustic Planet, a stripped-down reimagining of some of their best-loved tracks from the previous twenty years. It served not only as a look back but a reminder of their formidable songwriting skills.

Boyer is definitely a student of the timeless three-minute pop song format pioneered by '60s artists like The Beatles and The Beach Boys. He says, “I see it as kind of a frame for a painting. Most of the songs on this album, I wrote a verse, pre-chorus and chorus. There aren't many middle eights. I wanted it to be very concise. I feel like people have less attention. There's so much music. It's too easy to switch off or skip to another track, so I want to hook the listener. The three-minute song is kind of an easy code to crack, but at the same time you have to figure out a new way to tell the stories that we've heard before.”

And the stories on Here With You are very much about the longing for connection. Of the album title, Boyer says, “In the world right now, that can mean a lot of different things. Like missing our fans, missing going to concerts. In a way, it can be a statement of what happened last year, and a wish of 'I want to be here with you again.' It's our ninth album. We've had some had some very open, conceptual titles like Puzzle, Activity Center. Sometimes they were more specific like Fosbury orWallpaper for the Soul. Here with You, seems more personal, more engaging in terms of relationships. When I suggested that title, everyone in the band said, 'Yeah, that's it.'”

Until Tahiti 80 can resume a full tour schedule, Boyer says he hopes the new record will make that personal connection. “If I see from the point of view as a music fan, sometimes I see albums I like as companions throughout my life. So if we can be a part of people's existence, even if it's a song that reminds them of the time they were driving with the windows open and it was sunny. Or a sad song that resonates with them after a breakup. That's what we're all looking for when we're making music. You do this very personal thing and you want it to touch as many people as possible.”

A1. Tahiti 80 - Lost In The Sound A2. Tahiti 80 - Vintage Creem A3. Tahiti 80 - Telling Myself A4. Tahiti 80 - Hot A5. Tahiti 80 - Breakfast In LA

B1. Tahiti 80 - Cameo B2. Tahiti 80 - UFO B3. Tahiti 80 - Riddles & Rhymes B4. Tahiti 80 - Zoo B5. Tahiti 80 - Wicked Wicked B6. Tahiti 80 - Let's Get Started

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Robbie Nevil

A Place Like This

Release: 1988 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2018 | EU | Original (Underdog)

Otis Stacks

Fashion Drunk

19,99 €*

Release: 2018 / EU – Original

Genre: Pop

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Otis Stacks, three syllables. A name and a first name that recall a mythical singer as much as the Memphis music label that got him to it’s days of glory. A name that evokes him in particular and soul music in general.
Behind a name that sounds familiar are Elias Wallace and Justmike, two men united to become one: Otis Stacks. In truth, the optimized version of a work started long ago, when Justmike was producing the Danish hip-hop sound of Dafuniks and decided to get in touch with Elias after hearing his voice on a friend’s tune. He first wanted him to lay his voice on a chorus, then a verse, and ended letting him take over the lyrics of “All I Want”, the song that would later bring Dafuniks on air and around Europe. After traveling miles and miles across the ocean and the seas separating California from Denmark, Elias undeniably became a member of the group.
As gigs went on, stages after stages, Justmike got inspired by Elias’s voice and presence. Thus, the idea of a duo collaboration between the two men geminated and grew in his mind. As the evidence of their getting along, “Fashion Drunk” became the first tune to infiltrate Nova and FIP radio playlists, as its music video reached 8 million views. This now obvious complicity as extended in the form of an album, also called Fashion Drunk, released by Underdogs Records. With this French stopover, the line between California and Denmark is now completed. The result is an artistic fusion in which Justmike has plugged his instruments to the machines he uses to compose, letting Elias in charge of the lyrics and singing. Here, the soul music is printed as a guideline in an organic and digital composite matter. In an ethereal and aerial production that perches its arrangements in the air of the mix or buries them in its bases, letting electro music spread on a groove punched with black and white keys. Each element intervenes with discretion to let Elias stories be related with elegance. Frustrated, disappointed or aborted love stories.

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En Vogue

Now Playing

LP | 2023 | UK (Rhino)

30,99 €*

Seal Milky Clear Vinyl Edition

Release: 2023 / UK

Genre: Pop

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Part of Rhino's "Now Playing" Series! - The brainchild of Oakland-based songwriter-producer duo Denzil Foster and Thomas McElroy, en Vogue was - and still is - a girl group with a modern twist: In addition to their harmonic splendor, all four members swapped turns in the spotlight as lead singers. These original recordings capture that round robin sound in all it's chart-topping, MTV-ruling glory. Soulful, sexy, with attitude to burn, they ruled the '90s as the funkiest divas of all.

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Seal

2LP | 1994 | WW | Reissue (Rhino)

50,99 €*

Release: 1994 / WW – Reissue

Genre: Pop

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First Album White Vinyl Edition

Modern Talking

LP | 1985 | EU | Reissue (Music On Vinyl)

41,99 €*

LP | 2015 | UK | Original (XL)

Release: 1985 / EU – Reissue

Genre: Pop

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The 1st Album is the gigantic debut studio album by German duo Modern Talking. The album peaked at number one in Germany, spending four weeks atop the chart and 18 weeks within the top 10. It sold more than eight million copies worldwide. The album spawned two singles, with 'You're My Heart, You're My Soul' topping the charts in Germany (where it spent four weeks at the top), Austria, Switzerland and Belgium, while charting inside the top five in France, Norway and Sweden. This song has about half a billion views on YouTube. Available as a 35th anniversary edition on white vinyl. The 3mm sleeve contains a gold-spot varnish on the Modern Talking logo on the front cover and the package includes an insert. Coming soon: Let's Talk About Love (The 2nd Album) / Ready For Romance (The 3rd Album) / In The Middle Of Nowhere (The 4th Album) / Romantic Warriors (The 5th Album).

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Ibeyi

Substract Yellow Vinyl Edition

Release: 2015 / UK – Original

Genre: Pop

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Ibeyi's eponymous debut combines a love of two very different worlds – the Yoruba chants of their ancestors and the electronic, hip hop and jazz influences of growing up in the city.

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Ed Sheeran

LP | 2023 | EU | Original (Warner)

31,99 €*

LP | 1986 | EU | Original (Epic)

Release: 2023 / EU – Original

Genre: Pop

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Ed Sheeran is set to release his new album ‘-‘ (Subtract) - the last in his decade-spanning mathematical album era - on 5 May 2023 through Asylum/Atlantic on vinyl, cassette and CD. An album that revisits Ed’s singer/songwriter roots, and one that was written against a backdrop of personal grief and hope, ‘-’ (Subtract) presents one of the biggest stars on the planet at his most vulnerable and honest.

In Ed’s own words - “I had been working on Subtract for a decade, trying to sculpt the perfect acoustic album, writing and recording hundreds of songs with a clear vision of what I thought it should be. Then at the start of 2022, a series of events changed my life, my mental health, and ultimately the way I viewed music and art.

Writing songs is my therapy. It helps me make sense of my feelings. I wrote without thought of what the songs would be, I just wrote whatever tumbled out. And in just over a week, I replaced a decade’s worth of work with my deepest darkest thoughts.

Within the space of a month, my pregnant wife got told she had a tumour, with no route to treatment until after the birth. My best friend Jamal, a brother to me, died suddenly and I found myself standing in court defending my integrity and career as a songwriter. I was spiralling through fear, depression and anxiety.

I felt like I was drowning, head below the surface, looking up but not being able to break through for air.

As an artist I didn’t feel like I could credibly put a body of work into the world that didn’t accurately represent where I am and how I need to express myself at this point in my life. This album is purely that. It’s opening the trapdoor into my soul. For the first time I’m not trying to craft an album people will like, I’m merely putting something out that’s honest and true to where I am in my adult life.

This is last February’s diary entry and my way of making sense of it. This is Subtract.”

Since he first learnt ‘Layla’ by Eric Clapton on guitar at the age of 12-years-old, Sheeran’s love of the singer/songwriter began. Growing up with the likes of Damian Rice, Bruce Springsteen and Bob Dylan playing on repeat in his parents’ house – artists that his dad, John, introduced him to – ‘-‘was always on Ed’s horizon. Yet as the songs and writing process took on a whole new meaning and direction after a series of hard-hitting events impacted Ed’s world in 2022, one thing that remained untouched was his strong desire to make a record anchored in his love of singer/songwriter compositions. And now, as he gears-up for the release of his most soul-baring work to date, ‘-‘ serves as a timely reminder for why Sheeran remains one of the most gifted lyricists of his generation; an artist who breaks down his own experiences for fans to seek comfort and belonging.

‘-‘ is the result of Sheeran pushing the boundaries of his songcraft, as he delivers the most profound songwriting of his career. Teaming-up with Aaron Dessner (The National) on writing and production after the pair joined forces following an introduction from mutual friend Taylor Swift, Ed and Aaron began crafting the album in February last year. Writing over 30 songs during their month-long studio stint, the album’s fourteen tracks are seamlessly tied together by exquisite production from paired back, folk-leaning textures to bolder, full-band/orchestral arrangements.

Ed Sheeran burst onto the UK music scene in 2011 with his debut album ‘+’. Rapidly establishing himself as a history-making artist, he followed with ‘x’, ‘÷’, ‘No.6 Collaborations Project’ and ‘=’ - a catalogue that has seen Sheeran become one of the world’s biggest musical success stories of the 21st century.

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Stanley Clarke

Hideaway

Release: 1986 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Look But Don't Touch! - Girl Group Sounds USA 1962-1966

LP | 2022 | UK | Original (Ace)

18,99 €*

Release: 2022 / UK – Original

Genre: Pop

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Ace Records has been the go-to source of 1960s girl group compilations since the release of our “Where The Girls Are”, “Girls About Town” and “Stop, Look & Listen” vinyl albums back in the 1980s. The 10-volume “Where The Girls Are” CD series followed over the next 30 years or so, along with a number of standalone CD collections. These days, however, the 12-inch long-player is back as the format of choice for discerning collectors.

“Look But Don’t Touch!”, the fourth in our current series of gorgeously packaged vinyl girl group compilations, drops this month. The album opens with the discotheque-friendly ‘Hey, Rocky’ by front cover stars the Shirelles of New Jersey, the USA’s most successful girl group until the Supremes broke through and stole their thunder, and closes with the Bermudas’ ‘Chu Sen Ling’, a record sure to appeal to those who favour the ethereal West Coast sound.

Other highlights include the Hollywood Chicks’ dance craze disc ‘Tossin’ A Ice Cube’ (sic), which marks the recording debut of Barry White (on handclaps); great tracks by the Witches, the Pussycats and Linda Laurie from the catalogue of genius songwriter/producer Bert Berns; Mayalta Page’s densely produced rarity ‘Don’t Worry About Me Baby (I Feel Just Fine)’; and, and for the girl group buff who has everything, ‘He Calls Me Child’ by Ohio duo the 2 Of Clubs and ‘A Dumb Song’ by the soulful Delicates, both of which are previously unreleased.

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80s Techno Tracks - Vinyl Edition

LP | 2021 | EU | Original (ZYX)

17,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Goldie And The Gingerbreads

Thinking About The Good Times 1964-1966

LP | 2021 | UK | Original (Ace)

23,99 €*

Release: 2021 / UK – Original

Genre: Pop

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In that enticing, enthralling school of 1960s “girls with guitars”, Goldie & the Gingerbreads are top of the class. Self-contained and accomplished as instrumentalists, with an eminently soulful vocal prowess, the Gingerbreads remain true pioneers of women in rock’n’roll, and with a fascinating history to boot.

Born in the discotheques of Gotham, Goldie & the Gingerbreads were a popular club act with a handful of recordings under their belt when an admiring Animals caught them on a NYC visit in late 1964. “Imported” into the UK, the group scored a hit with ‘Can’t You Hear My Heartbeat’ and went on to tour with the Rolling Stones, Kinks and others, as well as maintaining a high visibility in the UK on their own. They made several more worthy if unsuccessful discs with producer Shel Talmy before splitting in 1967.

“Thinking About The Good Times” is the first-ever Goldie & the Gingerbreads collection, and it’s a fine testament to their undoubted abilities. Gathering together their sessions for Scepter, Decca and Atlantic, the versatility of the group is quite apparent on tracks that range from chunky beat and R&B (‘Look For Me Baby’, ‘Think About The Good Times’) through dramatic soul balladry (‘That’s Why I Love You’, ‘Little Boy’) to classic girl group sounds (‘Sailor Boy’, ‘Something Beautiful’).

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Lofts & Garages - Spring Records And The Birth Of Dance Music

2LP | 2020 | UK | Original (BGP)

21,99 €*

LP | 2019 | EU (Wild Honey)

Release: 2020 / UK – Original

Genre: Pop

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1980s New York was where modern dance music took its first steps; a phoenix rising out of the ashes of disco’s over-exposure and demise. The underground scene was the very opposite of the celebrity-sprinkled commercialism of Studio 54 – “Lofts & Garages” looks at how the Spring label, with its brand new 1980s subsidiary Posse, reacted to the new movement.

As an independent New York label, it was perfectly placed to understand new trends in the clubs; it worked with some of those who would go on to define the dance music of the era, and for a glorious summer tracked the important early work of Arthur Baker, Maurice Starr and Michael Jonzun. These began their careers with productions that included Ritz, Glory and Blaze – records that sounded perfect for 12-inch singles and mixed electronic instruments with a real feel for the dancefloor.

Label mainstays Fatback were always searching for a new groove and kept an eye on the floor. Their final single for the label, ‘Spread Love’, was remixed by Morales and Munzibai. Fatback’s Bill Curtis and Gerry Thomas also produced the sought-after boogie single ‘Get Up An’ Dance (Dance With Me)’ for Mynk.

Others featured include one of the most distinctive voices in dance music, Fonda Rae, with her single ‘Live It Up’, released here in its rare radio edit; veteran soul man Lonnie Youngblood with his gospel-influenced ‘Sing A Song’; Detroit dance pioneers C-Brand’s ‘Wired For Sound’ and Body’s ‘Have Your Cake’, which has an early mixing credit for dance music legend Timmy Regisford.

These records may not have all worked on the floor of the Paradise Garage, but they were part of the energy that was given off by that and the rest of New York’s vibrant post-disco era.

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Deniz Tek

Fast Freight

15,99 €*

LP | 1988 | EU | Original (Epic)

Release: 2019 / EU

Genre: Pop

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Fast Freight is the new album from Deniz Tek with Art and Steve Godoy. Art and Steve are internationally known skateboard stars, tattooists and punk rockers. They have been in Deniz' solo band for more than 20 years. The first album they appeared on with Deniz was Glass Eye World, billed as Deniz Tek and the Golden Breed . Deniz, originally from Ann Arbor, Michigan, is known as a founding member of the Australian based band Radio Birdman. He has maintained a prolific career in both live performance and recording. His work spans multiple decades. He has toured extensively in Australia, North America, Europe, and Asia. He is an inductee in the Australian Music Hall of Fame and was voted number 7 of the top 100 Australian guitarists of all time by Australian Guitar Magazine. Fast Freight is basic, no-frills electric guitar rock and roll with a punk edge, recorded and mixed entirely on vintage analog equipment. Following the recent all-instrumental Lost For Words, and the rock album Mean Old Twister, replete with keyboard and horn arrangements, Fast Freight is a return to basic roots.

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Sade

Stronger Than Pride

49,99 €*

Release: 1988 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1987 | US | Original (Reprise)

Roger Troutman

Unlimited!

10,99 €*

LP | 1990 | DE | Original (Arista)

Release: 1987 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

US original pressing.

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Whitney Houston

I'm Your Baby Tonight

Release: 1990 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1985 | EU | Original (Motown)

Stevie Wonder

In Square Circle

Release: 1985 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Reissue (Arista)

Whitney Houston

16,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | US | Original (Motown)

Lionel Richie

Dancing On The Ceiling

LP | 1982 | DE | Original (Metronome)

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut-out, othewise solid VG+ copy!

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Kool & The Gang

As One

Release: 1982 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1984 | US | Original (MCA)

Thelma Houston

Qualifying Heat

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

The Dynamic O. C. Smith - Recorded Live

OC Smith

LP | 1967 | US | Original (Columbia)

The Supremes Sing Rodgers & Hart

Release: 1967 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Corner cut bottom left corner. Small price tag on cover.

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The Supremes

LP | 1967 | US | Original (Motown)

16,99 €*

LP | 1988 | EU | Original (WEA)

Release: 1967 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Drill hole. Mono pressing.

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Al Jarreau

Heart's Horizon

Release: 1988 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Original (MCA)

The Afternoon Delights

General Hospi-tale

Release: 1981 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | DE | Original (Jive)

Billy Ocean

Suddenly

Release: 1984 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: G+

LP | 1985 | EU | Original (Arista)

Dionne Warwick

Without Your Love

Release: 1985 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1989 | DE | Original (Ariola)

Eartha Kitt

I'm Still Here

Release: 1989 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Edwin Starr Featuring Chaka Khan

Our Day Will Come

12" | 1990 | EU | Original (EastWest)

12" | 1985 | UK | Original (Virgin)

Release: 1990 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+!

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Loose Ends

Golden Years (Remix)

Release: 1985 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Lisa Lisa & Cult Jam With Full Force

LP | 1985 | US | Original (Columbia)

19,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1985 | DE | Original (TSR Music GmbH)

The Deele

Material Thangz

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1987 | DE | Original (Solar)

Shalamar

Circumstantial Evidence

Release: 1987 / DE – Original

Genre: Hip Hop, Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | EU | Original (Total Experience)

Yarbrough & Peoples

Guilty

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Elektra)

Womack & Womack

Radio M.U.S.C. Man

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2024 | US | Original (Sinking City)

High Heel Doula

4.G.I.V.E.

26,99 €*

Stubborn Heart / How Do You Like It

Release: 2024 / US – Original

Genre: Pop

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Four track EP. Soul music. Mother. Emcee. Sound Scientist. Doula. Wordsmith. Griot. Healer.

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The Sheppards

7" | 1967 | UK | Reissue (Mirwood)

LP | 2014 | UK | Original (XL)

Release: 1967 / UK – Reissue

Genre: Pop

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“You can’t beat the classics” and in the Northern Soul world, no label is more renowned than Mirwood. The Sheppards ‘Stubborn Heart’ has been played since the early days of the scene but is still a guaranteed floor-filler.

Its flip ‘How Do You Like It’ has also picked up many spins in more recent years. As is our habit, to distinguish from the originals, we have changed the label colour - this time we’ve gone for a fetching purple and gold.

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Jungle

Fine Line Black & White Splattered Vinyl Edition

Release: 2014 / UK – Original

Genre: Pop

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Debut of this mysterious London band. Jungle are based around a core musical duo of lifelong friends known simply as ‘J’ and ‘T’, who expand to a thrilling seven piece live, and make mesmeric, kaleidoscopic modern soul that’s unmistakably born in the UK but has true global appeal. The album was recorded between the band’s own home studio in Shepherds Bush, London and the XL Recordings studio in nearby Ladbroke Grove.

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Harry Styles

2LP | 2020 | EU | Reissue

Release: 2020 / EU – Reissue

Genre: Pop

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LP | 2011 | EU | Original (Because)

Selah Sue

33,99 €*

Applz Not Applz Green Vinyl Edition

Release: 2011 / EU – Original

Genre: Rock & Indie, Pop

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Back in! Fantastic pop album worth checking out. Tip!

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Millionaire

LP | 2020 | EU | Reissue (Unday)

LP | 2008 | EU | Reissue (XL)

Release: 2020 / EU – Reissue

Genre: Pop

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Limited 2022 repress on apple green vinyl + insert.

Three years after the release of his magnum opus 'Sciencing', Tim Vanhamel is back with new album 'Applz Not Applz'. Sly & the Family Stone, Marvin Gaye, Curtis Mayfield, Public Enemy, Jimi Hendrix... Consider this a tribute to those kinds of records, with a tongue in cheek nod and celebratory flavour.

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Adele

Release: 2008 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1985 | US | Original (Arista)

Aretha Franklin

Who's Zoomin' Who?

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Maryam Saleh & Maurice Louca & Tamer Abu Ghazaleh

Lekhfa

LP | 2017 | UK | Original (Mostakell)

23,99 €*

Meeting In The Ladies Room

Release: 2017 / UK – Original

Genre: Pop

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Maryam Saleh, Maurice Louca and Tamer Abu Ghazaleh, names that have turned
heads in alternative Arabic music with solo albums and conspicuous collaborations,
with Lekhfa they give birth to an off kilter sound where layers of grit and beauty
intertwine in and around the dystopian poems of their contemporary Mido Zoheir,
whom they've dubbed the fourth member in this creation and one of the most
talented Egyptian poets of their generation. Mixed by Khyam Allami, Mastered by
John Dent at Loud.

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Klymaxx

LP | 1984 | US | Original (Constellation)

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Elektra)

Womack & Womack

Radio M.U.S.C. Man

LP | 1970 | US | Original (Capitol)

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with punch hole

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Nancy Wilson

Now I'm A Woman

LP | 1975 | DE | Original (Polydor)

Release: 1970 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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James Last

Non Stop Dancing 1976

2LP | 2023 | EU | Original (PREISER)

Release: 1975 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Seiler Und Speer

Für Immer

Release: 2023 / EU – Original

Genre: Pop

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2LP | 2023 | EU | Original (PREISER)

Seiler Und Speer

Und Weida?

Release: 2023 / EU – Original

Genre: Pop

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Fastingen - 92 Magenta Colored Vinyl Edition

Daniel Ögren

LP | 2020 | UK | Reissue (Mr Bongo)

LP | 2023 | UK | Original (XL)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance, Pop

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Daniel Ögren is one of the key artists in Sweden’s contemporary, underground music scene. He has already accrued quite the back catalogue, both as a member of the sensational quartet Dina Ögon and also as a solo artist with eight albums already under his belt. ‘Fastingen-92’ was originally released as a limited-edition vinyl pressing in 2020 on the independent label Sing A Song Fighter Records (the same label that first introduced us to Dina Ögon's music). The album came to our attention after hearing Daniels' solo band performing live at the Stockholm Jazz Club, Fasching. The band featured Love Örsan and Christopher Cantillo of Dina Ögon fame (who also records with the incredible Sven Wunder), and their sensational genre-busting set blew us away. It convinced us that this now out-of-print album needed to reach a wider audience.
‘Fastingen-92’ doesn't sit in one genre, it draws from Daniels's love of South American folk music, soul, Nordic folk music and film soundtracks, resulting in something unique, dreamlike and transformational.

It features 'Idag’, an epic, beautiful, cinematic song that introduces the ethereal vocalist Anna Ahnlund. ‘Idag’ has gained a cult following and Daniel has stated that it was the spark that started the Dina Ögon project. Tracks like 'Annalena' and 'Kristinehamn by Night (for Christopher)' sound like a new club sound that hasn't yet been invented (which Nicola Cruz would spin in his DJ sets), mysterious, hypnotic, and engaging. Other songs like 'Maj (for Tintin)' and 'Picasso' venture into blissed-out Scando-Balearic realms. Daniel's love of nature and the inspiration he draws from the geographic environment of the Swedish countryside can be felt in these tracks, they take you to other places and times and are simultaneously familiar, ancient and alien.

Alongside the collaborations with Anna and Christoper, the album features Josefin Runsteen playing the drums on 'Idag' and Swedish musicians Edvin Nahlin and Ulrik Ordin. The majority of the album was played, recorded and mixed by Daniel. For the Mr Bongo edition, we have added the bonus track 'April’, which was previously only available digitally. ‘Fastingen - 92’ is a truly remarkable record that gets into your soul, so please delve in!

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