Search "mato" 208 Items

Remastered Re-Release des 1980er Albums des belgischen Synth-Pop-Trios, inkl. des Songs 'Euro-Vision', mit dem Telex Belgien beim Eurovision Song Contest repräsentiert haben.

Remastered Re-Release des 1981er Albums des belgischen Synth-Pop-Trios, auf dem sich Telex mit Sparks zusammen tun, ein Match made in Heaven!

Remastered Re-Release des 1979er Debütalbums des belgischen Synth-Pop-Trios, inkl. Cover-Versionen von Plastic Bertrands 'Ça Plane Pour Moi' und Bill Haleys 'Rock Around The Clock'.

Flute Boy is a harbinger of the forthcoming debut album Songs for Broken Ships by MD Pallavi and Andi Otto. The two tracks are physically exclusive to the 7“ single, but are in the digital package of the LP album.

Flute Boy is a folktronica lullaby, a cute waltz with traces of dub and acid in the finish. The B-side, Look Again, presents an almost neoclassical ballad with MD Pallavi's vocals floating expansively over a wonderful framedrum groove.

MD Pallavi & Andi Otto first crossed paths on a theatre stage in India ten years ago. They started collaborating instantly and in 2016 MD Pallavi's mesmerizing vocals for the downtempo raga Bangalore Whispers warmed hearts and ears. Their musical relationship flourished with artistic residencies in Bangalore and Hamburg, their respective hometowns, and a concert tour in Japan.

On their new recordings, MD Pallavi contributes songwriting for poems in her native Kannada, one of India's many languages. Andi Otto co-composed and produced the songs. The process took three years, and the results show an interwoven aesthetic vision of two artists with their contrasting musical backgrounds.

MD Pallavi is a singer, actress, filmmaker and performer from Bangalore, South-India, where she trained in Hindustani music and performed poetry since childhood. Andi Otto is a composer, cellist and DJ from Hamburg, Germany, known for his idiosyncratic and unconventional dance music productions for labels such as Multiculti, Shika Shika and Pingipung.

The Amandawe, South Africa-based artist Desire Marea returns with his transformative second album, On the Romance of Being.

Immersed in the communal, ceremonial and healing qualities of music, this record is the next epoch from the multidisciplinary artist and follows his acclaimed solo eponymous debut. Recorded live with an ensemble of 13 musicians, On the Romance of Being consists of 8 movements that sonically sprawl across post-gospel, spiritual jazz, black classical and the ancient music of the Nguni and Ndau peoples and elicits a sincere conversation between the erotic and spiritual.

"San Francisco Bay Area bon vivants with an impressive pedigree and playful meld of loopy Syd Barrett flights of fancy; sparse Young Marble Giants-styled quietness & minor-key New Zealand sub-underground dissonance..."—Dynamite Hemorrhage fanzine.

"Memento Mori" represents Depeche Mode's 15th studio album overall, while Gahan and Gore present the first long player with a two-piece lineup following the tragic death of band co-founder Andrew "Fletch" Fletcher in 2022. Produced by James Ford, with assistance from Marta Salogni, "Memento Mori" matured during the early stages of the worldwide Covid pandemic; a period that also had a thematic influence on the songs. The 12 album tracks bridge a variety of moods and musical textures - starting with the ominous opener and ending with the denouement at the end, the emotional spectrum spans from paranoia and obsession to psychic liberation and joy, as well as countless emotional interjections.

The single "Ghosts Again" precedes the album release of "Memento Mori" with an impressive harbinger. The song already represents nothing less than a flawless Depeche Mode classic: Dave Gahan's imagery-rich lyrics like "wasted feelings, broken meanings... a place to hide the tears we cry" combine over an uplifting, optimistic groove with a hypnotic guitar figure from Martin Gore.

"For me, `Ghosts Again` captures the perfect balance between melancholy and joy," Gahan says. "It`s not too often that we record a song that I can not only listen to over and over again - I`m also super excited to share it with the world," adds Gore.

Der DDR Klassiker! Mit Frank Schöbel, Aurora Lacasa & ihre Kinder Odette und Dominique und der Kinderchor der Musikschule Berlin-Lichtenberg, Leitung Karola Marckardt

Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism. Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down. Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.

Alison Moyet, a British pop singer known for her rich, remarkably bluesy voice, went on to become a steady presence on the U.K. charts, however, with each of her studio albums reaching at least the Top 30. The Minutes was Produced by Guy Sigworth , and was first released in 2013. The Minutes marked a return to club minded electronics while keeping her sound distinctly contemporary. It became her highest charting album since Raindancing in the U.K., reaching number five.

At an age of plastic and digital screen reigning, when it is almost impossible to feel anything in front of a contemporary art piece, it is still possible to be moved by a drum machine …. and a keyboard……

There are still artisans and sunday painters who will put a little of their troubles and their humanity at the service of their art. Certainly a merchant of colors in a previous life, Med paints his songs with a Benedictine patience, distilling its doubts in its small pop compositions with soft water reflections where everyone could see themselves as in a mirror.

MED is Médéric Gontier, guitarist of Tahiti 80, first solo effort. Where the band had not often ventured outside English, Med uses the French language and caresses it in the direction of its melodies. Produced with the help of Pedro Resende, these are ten pieces both aerial and aquatic, light but finally of a real consistency.

Immediately pop («Dans ses yeux»), reminiscent of the great French composers of the sixties («Avec toi») and with them that of the English of Broadcast to Vanishing Twin («Muzak»).

It’s a bit time for the Norman to make a pause and for that, to put his nose out, it’s freetime, the one of those who will never claim to be better than the others but whose records will be kept close to the heart.

Exclusive live performance straight from the ‘Construction Time Again Tour’.

First release of tracks from mid-90s super-secret super group sessions with André Cymone, St. Paul Peterson, Mic Murphy and Gardner Cole. The Mighty Soulmates is a towering early 90s project from the legitimate super group of André Cymone (bass player with Prince), St. Paul Peterson (keyboard player in The Time and lead singer in Prince’s group The Family), Mic Murphy (of Sass and The System fame) and Gardner Cole (writer, producer and musician probably best known for his work with Madonna). The sound is a majestic blend of sophisticated funk, emotional R&B, New Jack Swing flava and slick deep soul. These should-be legendary sessions have been almost a secret since they were recorded back in 1993. The first Be With knew about the project was whilst working with Mic on some Sass re-issues and he told us he had something else we might be interested in hearing.

There is something magical about the synergy of the voices of a couple; they gel, they interweave, they lift each other. Remember classic duets sung by partners over the years; so much is said, more than just words. 'Warm You' is the collaboration between Mandaworld (aka Amanda Hicks) and partner Matthew Tavares (aka Matty of Badbadnotgood fame). It is a song about your lover getting out of bed in the middle of the night because they can't sleep and you telling them to come back to where it’s warm and safe and they’re loved. It was written in their Montreal apartment a few months after they moved in. Matty described the writing process "We just spontaneously decided to make music, and the idea came out pretty much immediately. I laid down some guitar and then Amanda played the synth line over it and I edited the guitar so the timing was more interesting. We worked on it for a few days getting the chorus and the verses to feel right and, for the most part, everything fell into place super intuitively. Amanda wrote the lyrics." This heartfelt, dream-pop song, with a mellow shoe-gaze sensibility, lets the pair trade verses whilst the instrumentation builds to a crescendo and the duo's voices finally combine. Lush, passionate and personal, a beautiful song, rich in evocative memories. On the ‘B-side’, Mandaworld takes centre stage. 'Spoonfeed' is a spacey synth bass-led ambient ballad with smokey hazy vocals, calming like a bubble bath. Produced with a timeless quality, the song leaves you with a sense of tranquility and a feeling of being submerged underwater. Like all the best music this 7" is deeply personal, yet these are universal themes that are relatable to any listener as they recognise their own experiences within the mood of the songs.

Cult early performance in Amsterdam

New Order 'Be a Rebel' is the first brand new music from the band since the release of the critically acclaimed album 'Music Complete' In 2015. 'Music Complete' was the band’s highest charting album since Republic in 2003 and was included in NME and The Guardian’s Albums of the Year.

Packaged with a blue metallic ink outer sleeve and full colour inner sleeve. Includes a high definition download code. Vinyl features additional remixes from the band’s own Bernard Sumner and Stephen Morris. New Order will be touring North America with the Pet Shop Boys and headlining London’s O2 in October 2021.

Déjàvu' is the debut solo album from Matthew Tavares, aka Matty. Originally released in 2018 as a digital only release, it now sees the physical release it rightly deserves. Produced by his good friend, the acclaimed producer / songwriter Frank Dukes, ' Déjàvu' emerged during a period of rest for Matthew after heavy touring schedules with his former band Badbadnotgood. As with many of the most fertile creative minds, continual reinvention leads to exploration of new sounds and styles. ' Déjàvu' sees a departure from the jazz of Badbadnotgood and a move into a more song-based storybook, with Matthew stepping up to the plate as lead-vocalist. As Matthew explains "I’ve always worked on my own stuff outside of Badbad, and I’ve made music that sounds like this since I was 16. But when Badbad started taking off, it was like “Ok, I can’t really make rock-y songwriter music anymore”. The inspiration for the album came after revisiting old favourites and classics such as The Zombies, The Beatles, shoegaze, and Krautrock records. It was also made in a difficult and reflective period in Matthew's life, with each song being a vignette to an individual. "I wrote each song about someone specifically, but then I realised very quickly afterwards that every song is about myself". Even though on the surface the record could be loosely categorized in the rock / indie camp, its dreamy psych-pop vibe evokes much richer musical inspirations. Elements of jazz, AOR, and the compositions of 'golden-era' Brazilian arrangers such as Arthur Verocai enrich the songs. For the Mr Bongo release of ‘Déjàvu' we have included the beautiful bonus track 'Verocai Pt. II’ which was a product of the same recording sessions and rounds off the record. Though a 'solo’ release, with its songwriting, content, and themes being very personal to Matthew, the record is backed by a cast of friends, family, including Badbadnotgood members.

It would be fair to say that Leng co-founder Paul “Mudd” Murphy is a born collaborator. Since first donning the Mudd alias at the dawn of the century, Murphy has released numerous collaborative albums and singles with regular collaborators Ben Smith (as Smith & Mudd) and Kevin Pollard (Mudd & Pollard), as well as playing a key role in “super-groups” Paqua and Bison. “Susta”, which marks his first single on Leng since 2009, sees Murphy add some new names to his growing list of collaborators. It was made in cahoots with singer/songwriter David Harks, a regular Satin Jackets collaborator who also appeared on Jack Cutter’s superb “Serpent Strut” cut on Murphy’s Claremont 56 label.

“Susta” is a bubbly, evocative and ear-pleasing chunk of mid-tempo nu-disco pop featuring lead vocals from Jaanika Leino AKA JaneLy – a former X-Factor Finland contestant whose sultry and evocative voice simply soars above Murphy and Harks’ sparkling, life-affirming instrumentation. Rich in twinkling synth solos, rich Clavinet lines, chugging arpeggio lines and eyes-closed piano, “Susta” is a strong song that will squat inside your head and stay there for days. Our advice is to welcome it in – it’s as joyous and life-affirming a track as Leng has ever released. It’s accompanied by a predictably strong remix by British electronic music veteran Andrew Meecham (Bizarre Inc, Chicken Lips etc.), who dons the now familiar Emperor Machine alias to deliver a dub for the ages. Combining his own analogue and modular electronics with snippets of Leino’s vocal and some of the warmest instrumentation from Murphy and Harks’ original mix (think Clavinet and Rhodes for starters), Meecham offers up an epic slice of electronic dub disco that bubbles away for ten mesmerizing minutes. It’s a superb interpretation of a high quality cut.

Remastered- Cover might be slightly different