Search "men+i+trust" 1402 Items

Release: 2021 / EU – Original

Genre: Pop

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2LP | 2023 | EU | Original (a sexy)

Erobique (Carsten Meyer)

No.2 Black Vinyl Edition

29,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Pop

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I Thought I Was Better Than You Pink Vinyl Edition

Baxter Dury

LP | 2023 | UK | Original (Heavenly)

Release: 2023 / UK – Original

Genre: Pop

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Genre: Pop

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LP | 2024 | EU | Original (Unday)

Porcelain ID

Bibi:1

18,19 €* 25,99 € -30%

LP | 2019 | EU | Original (Betty Who)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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You just moved to the big city, you end up at a party where you don't know anyone and someone walks up to you and asks: "Hey, are you alone here?". That is exactly the feeling that Porcelain id describes on their debut album Bibi:1, short for the Arabic pet name Habibi. Porcelain id is the pseudonym under which Hubert Tuyishime (they/them/their) has been unleashing unique songs since 2020.

The album - inspired by their move from a quiet provincial town to Antwerp - is the soundtrack to walking into city traffic during rush hour and trusting to get out of the chaos in one piece. It is an ode to exciting encounters with complete strangers and to the friends you can come home to afterwards. A story about being a stranger in a city you've romanticized for so long, the rejection that comes with it, and the false nostalgia with which you look back on it all later on.

At first hearing, the completely English-language Bibi:1 may seem like a brusque farewell to the autobiographical intimacy and lo-fi singer-songwriter music on the previously released EPs Mango and Reprise, and especially on songs like Vlaanderen. But to Porcelain id it feels like an organic evolution. One towards more abstraction, experimentation and electronics, but never detached, and still building on the core of Porcelain id.

The new sound is the result of an intense collaboration with producer and partner in crime Youniss Ahamad, who, despite their different musical backgrounds, immediately felt challenged after Porcelain id's legendary elevator pitch: 'I want to make something that is situated between Nick Cave and the Bad Seeds and Yeezus by Kanye West'.

Together they drew the blueprint for Bibi:1 in Youniss' home studio. Track by track, without looking back. A sporadic, but rigid process that added to the intensity of the album. In the studio, the songs were taken to a higher level. The two invited a pack of talented friends and young musicians to the studio to add parts, a stark contrast to the solitary approach of previous EPs. Aram Abgaryan (recording engineer/synths/vocals), Nard Houdmeyers (guitar), Tim Caramin (drums), David Idrisov (bass), Alban Sarens (sax) and Emma Hessels (vocals) came by. Aram Santy was at the controls during the mixing sessions.

The result sounds like the ultimate symbiosis of Porcelain id and Youniss. Lofi, but ambitious. Fragile, but rough. Poppy, but disruptive. Sometimes challenging. Then welcoming again. Sometimes even danceable. Each song forms a small vignette that is part of a diverse, but coherent unity. Adam Coming Home and Low Poly are closest to the melancholy of Porcelain id's earlier work, while Lights! strikes a new path. First single Man Down, on the other hand, is inspired by the Antwerp students who drown every year and sounds like a wandering nightly stroll through the city. For Brilliant, David Idrisov was asked to 'play bass as if Chet Baker were not a trumpet player, but a bass player', a bizarre assignment that he accomplished with verve. And Cellophane flirts with emo trap and was sung with raspberries between the teeth, to simulate the effect of grills.

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Betty Who

Betty

21,99 €*

Release: 2019 / EU – Original

Genre: Pop

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12" | 1984 | EU | Reissue (I.D. Limited)

K. Barré

Right By The Moon

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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LP | 2019 | EU | Original (Stardust)

Screamin' Jay Hawkins

I Put A Spell On You

Release: 2019 / EU – Original

Genre: Pop

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LP | 1985 | EU | Reissue (Music On Vinyl)

James Taylor

That's Why I'm Here

Release: 1985 / EU – Reissue

Genre: Pop

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LP | 1979 | JP | Original (Polydor)

Frank Mills

The Poet And I

8,99 €*

Release: 1979 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Pete Wylie & The Mighty Wah!

Teach Yself Wah! - The Best Of

LP | 2024 | Original

24,79 €* 30,99 € -20%

Release: 2024 / Original

Genre: Pop

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It's All Over Now, Baby Blue

Anohni

7" | 2020 | US | Original (Secretly Canadian)

LP | 2020 | EU | Original (Vertigo Berlin)

Release: 2020 / US – Original

Genre: Pop

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A viscous embrace, a pulsating pouring out, Anohni's voice is above all else a vessel for political armament. On 2016's Hopelessness, her voice bombarded with explicit illustration of Obama-era atrocities -- of war crimes, of apocalyptic climate change, of patriarchal violence. Now sharing a dual cover set - Bob Dylan's `It's All Over Now, Baby Blue' and Nina Simone's `Be My Husband' - she casts a subtler, but no less powerful incantation towards change. The original tracks dating to 1965, a year marked by the Selma marches, the Watts Rebellion, and the landmark Voting Rights Act, illuminate the eerily parallel struggles of this year. Anohni's rendition of `It's All Over Now_' reads as a hopeful, future goodbye to times dominated by oppression. With `Be My Husband," textually woven with marital submission and want for acceptance, she examines our reliance on the very systems that fail us. In borrowing these songs, Anohni adopts their history along with her contemporary interpretations, respecting the lineage of the people's movement while calling for its continuance today. "When Biden said `Americans don't want revolution, they want a return to decency,' he was wrong," she explained. "We all know deep down that the continuation of our civilizations for much longer will require seismic change." On `It's All Over Now, Baby Blue', Anohni explained: "I recorded It's All Over Now, Baby Blue with Kevin Barker one afternoon a few years ago. I listened to it recently and it reminded me of Now, a nausea of nostalgia for the suffering of the present, or even the future. I did a couple of songs by Bob Dylan at that time, encouraged by Hal Willner, the producer who we lost to Covid 19 in April. I hope that this period, and this repugnant presidency, will be over soon, and that these bigots and apocalyptic capitalists and evangelicals will crawl back into their rotten little holes. But how can this happen unless the American media and social media are forced to tell the truth? I am glad to see the mobilization of Black Lives Matter and the re-emergence of the Occupy movement. When Biden said "Americans don't want revolution, they want a return to decency," he was wrong. We all know deep down that the continuation of our civilizations for much longer will require seismic change." On `Be My Husband', Anohni said: "I saw Nina Simone perform at Carnegie Hall in 1991 while I was still in college. The concert was not properly publicized, and the theater was only half full. I think it may have been her first time back in NYC in many years. She was rumored to be volatile and unpredictable. That night she sang and played with such dignity, so incredibly, and she did 5 or 6 encores. For me, she was the greatest musician of the 20th Century. She didn't write many songs, but the ones she wrote were among the most profound of the era. Be My Husband was one such song. The lyrics spin a paradox of romantic assertion and submission. This live version of the song was recorded at an Antony and the Johnsons concert at the Knitting Factory in NYC in 1999."

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Elen

Blind Über Rot

Release: 2020 / EU – Original

Genre: Pop

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12" | 1988 | DE | Original (Capitol)

Sequal

I'm Over You

3,99 €*

LP | 2016 | EU | Original (1st. Time)

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sticker on cover.

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Rambuk

Koks I Kolonihaven

Release: 2016 / EU – Original

Genre: Pop

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Should I Stay Or Should I Go

Nouvelle Vague

LP | 2024 | EU | Original (Pias)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (London)

Blancmange

Private View

Hormonally Yours 30th Anniversary White Vinyl Edition

Release: 2022 / EU – Original

Genre: Pop

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Blancmange return with their 16th studio album ‘Private View’. The band returns to London Records some 40 years later after their first album ‘Happy Families’ (1982). Album features vocalist Neil Arthur with producer, keyboardist and programmer Ben Edwards (John Grant, Stephen Mallinder, John Foxx) and guitarist David Rhodes (Kate Bush, Peter Gabriel, Scott Walker). With 7 Top 40 UK hits and 70 weeks in the UK Official Charts, Blancmange’s influence on the global electronic and pop music scenes cannot be understated. Private View is distinctly Blancmange while also expanding into new sonic terrain. There’s a deft marriage of futuristic electronic sounds, Neil Arthur’s unmistakable vocal hooks, and songs veer from buoyant and joyful to dark and brooding. Private View will be released on London Records almost exactly 40 years to the day since the label released Blancmange’s debut album Happy Families. This neat full circle of Blancmange re-signing to the same label that ignited things all those years ago is also reflected in the album itself, being the perfect crystallisation of four decades of creativity. On Private View Neil returns with key collaborator Benge (Wrangler, John Foxx, John Grant), and David Rhodes (Kate Bush, Peter Gabriel, Scott Walker) also returns as the guitarist, having previously performed with the band as early as 1982’s Happy Families (as well as several other Blancmange albums). Private View is a record that manages to capture an artist who is potently in the moment when it comes to creating new work, while also being able to draw on 40 years’ worth of knowledge, experience, and built-in intuition. “I'm really lucky to be able make the music completely on my own terms,” Arthur says. “Being able to just continue being creative...that's when I'm happiest.” As he said before: “within myself there are no limits.” Blancmange is also reflected in the ongoing influence the music has on younger generations of artists and fans over the years. Contemporary electronic producers like Honey Dijon and Roman Flügel have paid tribute with remixes, Moby once called Blancmange “probably the most underrated electronic act of all time.”; while John Grant continues to profess his love for Arthur’s music, old and new, and has invited Blancmange to perform as part of Grace Jones’ Meltdown festival.

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Shakespears Sister

LP | 1992 | EU | Reissue (London)

42,99 €*

LP | 2022 | EU | Original (DeepMatter)

Release: 1992 / EU – Reissue

Genre: Pop

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To celebrate the 30 year anniversary of Shakespears Sister’s seminal album ‘Hormonally Yours’,London Records have announced special edition releases across multiple formats. A double platinum and top 3 UK album ‘Hormonally Yours’ secured Siobhan Fahey and Marcella Detroit a place in British pop history, spawning the single Stay - which spent a staggering eight consecutive weeks at the top of the UK charts - and winning the duo an Ivor Novello Award for Outstanding Contemporary Song Collection. ‘Hormonally Yours’ also features singles ‘Goodbye Cruel World’ and ‘I Don’t Care’, tackles friendships gone wrong on ‘My Sixteenth Apology’, powerful, dangerous attraction on ‘Emotional Thing’ and documents a friend’s coming out on ‘Are We In Love Yet?’ Fan favourite ‘The Trouble With Andre’, the full-throttle glam-blues of ‘Cat Woman and glorious finale ‘Hello (Turn Your Radio On) is the album’s glorious finale: an exhalation; a glorious, earth-shuddering moment that recalls the epic melancholy of David Bowie’s ‘Five Years’ and The Beatles’ ‘A Day In The Life’. Shakespears Sisters second LP, Hormonally Yours, provided the perfect encapsulation of Shakespears Sister’s musical ying and yang; a deftly delivered balance of pop melody with a spikey alternative darkness

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Quinn Oulton

Alexithymia

23,99 €*

12" | 2020 | EU | Original (Neppa)

Release: 2022 / EU – Original

Genre: Pop

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Quinn Oulton’s debut album ‘Alexithymia’ is a deconstruction of the struggle that many young men face when processing and expressing strong emotions. It takes the form of a linear story, pieced together from many moments of emotional intensity Quinn has faced throughout his life, existing within all types of personal relationships. This is a project that sees the stylistic and textural experimentation from his previous work fuse into a powerfully creative, personal, and emotive sound, channelling the albums title name: ‘Alexithymia’ is the inability to recognize or describe one's own emotions.

The album was written, performed and co-produced by Quinn Oulton, and it includes tracks featuring Moses Boyd and Genevieve Artadi.

“My album ‘Alexithymia’ dissects events from different relationships, whether family, friends, or romantic, presented as a single story from start to finish. Obsession, frustration, passion, false hope, grief, self-pity, helplessness, and acceptance are all part of this story.

I wrote it in this way because I was trying to work out why I connect so much with sad or melancholic music, and I realised that maybe listening to that music was filling a hole that I didn’t know I had. It was comforting to hear somebody process their own troubles outwardly when I didn't feel I had a way, or even a reason, to do so myself. Writing the album has been an extremely therapeutic process as I've been able to seek out difficult parts of my life that I'd buried because I couldn't process them at the time.

I think a lot of people, particularly men, struggle to recognise and process their own emotions. It makes it very hard to share them with others, and it’s something that needs addressing to allow for healthier relationships with other people and yourself.”

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Nick Robson

Stars

13,99 €*

12" | 1987 | JP | Original (Moon)

Release: 2020 / EU – Original

Genre: Pop

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In 1981, Nick Robson wrote Stars. The song can pretty much be described as a slow, cosmic disco song. It has an unusual feel, and it comes as Oslo-based Neppås third release. This 12″ holds the 12″ mix, the 7″ mix, and the original B-side Eye To Eye. The original 12″ is as rare as they come, and here you get the original material, fully licenced, and remastered. The process of recording the material back in 1981 was not an easy one, as Nick Robson recalls: “Fame by David Bowie is one of my favourite songs, period. I was 18 when i wrote Stars and i wanted to write something that was my version of Fame and quite honestly, as a tribute to the song. If you listen to the bass lines, there is a hint of similarity in the two. Even the lyric of Stars has a passing reference to Fame. Stars was one of four songs recorded at Gary’s Rock City studio to supply the first two singles and form the basis of the first album. The other three tracks were Eye To Eye, Boys and She’a Like Ice. Although all four tracks were finished, for one reason or another, Boys never made it to pressing and i walked away from the business to pursue a career in film. Stars itself, was the most ardous and problematic track that i’ve ever recorded. It took around 14 days to finally get an agreed mix when the budget probably only ran to three days. Part of the reason for this is the enormous quantity of music tracks recorded in the song. In those days, we only had 24 recordable tracks available on the Otari, so once you had recorded 23 or less actually, you had to bounce down sub-mixes to a single track to free up another batch of tracks. I think that there are around 46 tracks of instruments alone on Stars so although that kind of track usage is not uncommon now, back then it was rare.

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Pink

Traveller = トラヴェラー

8,99 €*

Release: 1987 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Singles Pink Vinyl Edition

Right Said Fred

2LP | 2023 | UK | Original (Right Said Fred)

Release: 2023 / UK – Original

Genre: Pop

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LP | 2024 | UK | Original (Duophonic Super 45s)

Laetitia Sadier

Rooting For Love

Traffic And Weather Black Friday Record Store Day 2022 Gold & Black Swirl Vinyl Edition

Release: 2024 / UK – Original

Genre: Pop

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Over the course of her career, spanning three-plus decades, Laetitia Sadier has never shied away from the hard topics, or stopped advocating for the possibility of self determination and emancipation in the face of the powers that be, conscious or unconscious. This is an essential part of the foundation she co-built with Stereolab, showcasing her spiritual, scientific and sociopolitical inquiries. She’s continued this process with Monade and under her own name and as a writer/singer/and musician whose every album acts as a report on her journey of the self through time, space and the collective.

On Rooting For Love, the report is set alight by the heat of a turbulent world, collapsing institutions and Laetitia’s fully engaged process of expression as well as orchestration. The opening number, “Who + What” elucidates the central issue of the album: a call for a collective striving for Gnosis – an inquisitive outlook that will lend clues to the traumatized civilizations of Earth, allowing us to evolve away from millennia of alienation and suffering and towards the achievability of healing. The musical arrangements help to embody the layers of the issue, as with “Who + What”’s combination of organ, synths, guitar, bass, trombone, drum programming, vibraphone and zither, all working along intricate paths of chord and tempo changes. Leading from the inside is the implacable presence of Laetitia Sadier, herself interacting with a vocal assembly of men and women billed as The Choir. The regular reappearance of The Choir throughout Rooting For Love is a reminder of this music being one of a people in critical mass, in addition to an evolution that continues to deepen the rich harmonic fields in which Laetitia plays.

Past wounds are addressed again and again in the libretto, as the music provides a transformational balm to aid the healing process. The melodic funk of bassist Xavi Muñoz leads a Chic-adjacent slink to the occasional dance floor vibes and no-wave rockouts, while Hannes Plattemier and Emma Mario take turns in mixing the tracks and informing the far reaches of the material, with vibes, additional drum programming and synths alongside a talented cast of players and singers from Laetita’s Source Ensemble and beyond.

Whether drawing inspiration from Zen Shiastu training, or the lyrics of Véronique Vincent, (lyricist and singer for Aksak Maboul, and once upon a time, lead singer of the Honeymoon Killers), Laetitia faces the truth without flinching. The shadows, whatever stuff they are made of - individual and collective, present and ancestral - need to be recognized and acknowledged, because the more we heal within ourselves, the more undivided we become in the face of looming Neo-fascist/Neoliberal narratives polluting the inner and outer landscapes. As with the cover image of the winter tree mirrored by the word patterns of Rooting For Love, Laetitia maintains that how we heal the world that’s coming, and what we make of it, will be a co-creation. The quality of our imagination, the orientation we give our thoughts and the capacity to bring love to ourselves and the world are a first step.

Alongside of her collaboration with Modern Cosmology, last year’s incredible What Will You Grow Now?, as well as her continued tours with a reformed Stereolab, Rooting For Love finds Laetitia back in the world, once again urging all our grounded inner alignment and heart power to make us better equipped for creating what’s to come.

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Fountain Of Wayne

LP | 2007 | EU | Reissue (Real Gone)

47,99 €*

Déjàvu Black Vinyl Edition

Release: 2007 / EU – Reissue

Genre: Pop

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 3500.

Not since Ray Davies has a songwriter been able to craft such sharply observed vignettes in the space of a three-minute pop song like the late Adam Schlesinger. And on 2007’s Traffic and Weather, Fountains of Wayne’s fourth album, Schlesinger took his art to a new level, singing short stories as varied as crushing on a DMV clerk (“Yolanda Hayes”), celebrating the sexiness of a car not generally considered sporting (“92 Subaru”), being broke (“Strapped for Cash”), and having luggage lost by an airline (“Michael and Heather at the Baggage Claim”). And while it lacks a radio-friendly hit like “Stacy’s Mom”—it should be mentioned that Chris Collingwood only contributed three songs to this record—there are still earworms aplenty, particularly on “I-95,” Collingwood’s “Seatbacks and Traytables,” and the title tune. Finally out on vinyl, our Real Gone release comes with a printed inner sleeve featuring lyrics and in a gold with black swirl pressing limited to 4000 copies, exclusive for Black Friday!

Side A:

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Matty

LP | 2020 | EU | Original (Mr Bongo)

20,99 €*

LP | 2024 | EU | Original (Mayway)

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Déjàvu' is the debut solo album from Matthew Tavares, aka Matty. Originally released in 2018 as a digital only release, it now sees the physical release it rightly deserves. Produced by his good friend, the acclaimed producer / songwriter Frank Dukes, ' Déjàvu' emerged during a period of rest for Matthew after heavy touring schedules with his former band Badbadnotgood. As with many of the most fertile creative minds, continual reinvention leads to exploration of new sounds and styles. ' Déjàvu' sees a departure from the jazz of Badbadnotgood and a move into a more song-based storybook, with Matthew stepping up to the plate as lead-vocalist. As Matthew explains "I’ve always worked on my own stuff outside of Badbad, and I’ve made music that sounds like this since I was 16. But when Badbad started taking off, it was like “Ok, I can’t really make rock-y songwriter music anymore”. The inspiration for the album came after revisiting old favourites and classics such as The Zombies, The Beatles, shoegaze, and Krautrock records. It was also made in a difficult and reflective period in Matthew's life, with each song being a vignette to an individual. "I wrote each song about someone specifically, but then I realised very quickly afterwards that every song is about myself". Even though on the surface the record could be loosely categorized in the rock / indie camp, its dreamy psych-pop vibe evokes much richer musical inspirations. Elements of jazz, AOR, and the compositions of 'golden-era' Brazilian arrangers such as Arthur Verocai enrich the songs. For the Mr Bongo release of ‘Déjàvu' we have included the beautiful bonus track 'Verocai Pt. II’ which was a product of the same recording sessions and rounds off the record. Though a 'solo’ release, with its songwriting, content, and themes being very personal to Matthew, the record is backed by a cast of friends, family, including Badbadnotgood members.

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Mooneye

Come With Me And Hide

Release: 2024 / EU – Original

Genre: Pop

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Out Of Time / I Feel It Coming Feat. Yosuke Nakano

Kh & The Lasttrak

7" | 2023 | JP | Original (Urban Discos)

20,99 €*

LP | 1968 | US | Original (Smash)

Release: 2023 / JP – Original

Genre: Pop

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The latest release from KH (HF International / Magic Ways) & The Lasttrak, the unit that gained popularity with their remix of Playa released on Urban Discos, is a superb UK Lovers Rock cover single of The Weeknd's "Out of Time" and "I Feel It Coming" featuring guest vocals by Yosuke Nakano, frontman of the urban pop music band 'Emerald'!! This is a brilliant lovers rock cover of two of The Weeknd's most popular songs with sweet melodies.

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Jay & The Techniques

Love, Lost & Found

9,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Erobique (Carsten Meyer) & Jacques Palminger Präsentieren

Songs For Joy

LP | 2009 | EU | Reissue (a sexy)

23,99 €*

Release: 2009 / EU – Reissue

Genre: Pop

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LP | 2023 | EU | Original (O-Cetera)

Nouk

Figures Afloat

14,39 €* 23,99 € -40%

Release: 2023 / EU – Original

Genre: Pop

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LP | 1986 | US | Original (Manhattan)

Pieces Of A Dream

Joyride

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Bonne Chance à Toi / I'll Stay With You

Promo 84-88

7" | 1970 | FR | Original (P.A.I.)

What A Circus / If I Ever Had To Know

Release: 1970 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Back cover is slighty discolored.

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Alberto Podavini

7" | 1977 | FR | Original (Esp!egle)

O.V.N.I. (Objet Volant Non Identifié)

Release: 1977 / FR – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with ring wear.

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Solarion

7" | 1974 | FR | Original (Polydor)

5,99 €*

Simply The Best Blue Vinyl Edition

Release: 1974 / FR – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with small tear at the opening side.

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Tina Turner

LP | 1991 | EU | Reissue (Parlophone Label Group)

35,99 €* 47,99 € -25%

Shibuya Kokaido Tokyo 1980 Purple Vinyl Edtion

Release: 1991 / EU – Reissue

Genre: Pop

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Simply The Best ist eine 18-Tracks-Sammlung mit einigen der beliebtesten Love-Songs von Tina Turner, darunter natürlich auch What's Love Got To Do With It, I Don't Wanna Lose You, Steamy Windows und Private Dancer. Ursprünglich erschien die Compilation bereits 1991 auf CD und erreichte rund um die Welt Multiplatin-Auszeichnungen. Es hielt sich über zwei Jahre in den UK-Charts und ist eine der meistverkauften Compilations aller Zeiten.

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Toto

LP | 2024 | EU (The Vinyl Champ)

18,99 €*

2LP | 2023 | EU | Original (Virgin Music Las)

Release: 2024 / EU

Genre: Pop

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Toto takes over Tokyo and they take no prisoners. They’re treating their overseas audience to a slue of hit songs like ‘Hold The Line’, 99”, ‘Georgy Porgy’ and ‘I'll Supply The Love’. A band formed by celebrated session musicians, the talented band members of Toto proved they master pretty much any genre, from soul to hard rock, but they turned out to be pop/rock hit machines as well.

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Peter Gabriel

I / O - Bright-Side Mix

36,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Electronique Guerillaheldon I 50th Anniversary

Heldon

LP | 1974 | EU | Reissue (Bureau B)

29,99 €*

Release: 1974 / EU – Reissue

Genre: Pop

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My Back Was A Bridge For You To Cross Black Vinyl Edition

Anohni & The Johnsons

LP | 2023 | EU | Original (Rough Trade)

31,99 €*

LP | 2018 | EU | Reissue (Mansions & Millions)

Release: 2023 / EU – Original

Genre: Pop

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My Back Was A Bridge For You To Cross, Anohni’s sixth studio album, expresses a world view by shape-shifting through a broad range of subject matter. Through a personal lens, Anohni addresses loss of loved ones, inequality, alienation, acceptance, cruelty, ecocide, devastation wrought by Abrahamic theologies, Future Feminism, and the possibility that we might yet transform our ways of thinking, our spiritual ideas, our societal structures, and our relationships with the rest of nature. On her first full album since 2016’s Hopelessness, she explains the creative process was painstaking, yet also inspired, joyful, and intimate, a renewal and a renaming of her response to the world as she sees it. “Some of these songs respond to global and environmental concerns first voiced in popular music over 50 years ago.” Anohni’s approach since her last record has shifted from someone tasked with challenging global denial, to an artist seeking to support others on the front lines. “I learned with Hopelessness that I can provide a soundtrack that might fortify people in their work, in their activism, in their dreaming and decision-making. I can sing of an awareness that makes others feel less alone, people for whom the frank articulation of these frightening times is not a source of discomfort but a cause for identification and relief. On “It Must Change,” Anohni soulfully describes systems in collapse with a note of compassion for humanity: “The truth is I always thought you were beautiful in your own way // That’s why this is so sad.” Anohni’s voice is sensual and smoothed, selectively reaching to the edges of what it can contain. “We’re not getting out of here // No one’s getting out of here // This is our world,” she murmurs. A portrait of legendary human rights activist Marsha P. Johnson taken by Alvin Baltrop features on the cover, reflecting a 25-year relationship with the memory of Johnson that Anohni has held space for in the presentation of her own work. Elsewhere, the album artwork states ”it’s Time TO Feel What’s Really Happening”. In some ways it feels as if she is reaching across her life’s expression, and has found a moment of unique composure, wearing her long exploration of disarming intensity, with the maturity of a painter carefully choosing her colors. “I want the work to be useful, to help others move through these conversations we are now facing, to move with dignity and resilience through this bitter dawning.”

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John Moods

The Essential John Moods

18,99 €*

Far Away Places: Her Early Years With The Springfields 1962-1963 White Vinyl Edtion

Release: 2018 / EU – Reissue

Genre: Pop

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Alone in the world, we find ourselves. Inside ourselves, we find something to share with the world.

The Essential John Moods, a solo album in all senses of the word, is what Jonathan Jarzyna of Fenster found in himself during a summer spent hiking along the Iberian coast, and he now wants to share it with you. A mini-guitar on his back and a copy of GarageBand on his phone allowed Jarzyna to record songs each evening as he arrived in a new town after a long day traveling by foot. (He did, admittedly, add live drum tracks and some additional instrumentation back in Berlin.) The album preserves this peripatetic feeling, each song relating to the next as one city or village relates to its neighbor, its unique situation contrasting with the shared architectural vernacular. Blipping instrumental interludes (“Trainride,” “Pontevedra,” “Coastal Way”) even capture the disordered, delirious feeling of transit hubs and the sleep-bleared mystery of waking on an unfamiliar road.

“I just came alive completely” are the first words Jarzyna murmurs on “New Spring,” invoking the spirit of the album. He speaks not of the liveliness of manic activity, but the heightened, tender sensitivity of presence. It’s a fullness of living captured by the transition from the lush, jangling groove of “The Weight” to the spacious contemplation of “Pawns.” The dreamy echo of the 60s’ and 70s’ soft rock and folk troubadours suffuses the album, and the organ-soaked “Where In The World” even has a psychedelic tinge. But the overall effect is quite contemporary, from the back-of-the-nightbus lounge funk of “Take It Home” (featuring an amazing turn from arch-crooner Sean Nicholas Savage) to the mournful cupboard jazz of “Almost Gone.” “Dark Wall” sounds like a honkytonk ramble alongside a robot tentatively learning to play lap steel. “Leap of Love,” an early album highlight, passes over the listener in shimmering waves, a love song which remains a mystery even to its creator.

In the meditation tape coda “Relax Your Foot,” Jarzyna selects the perfect sample to encapsulate The Essential John Moods’ hopeful receptivity: the late Professor Carl Sagan reminding us that “despite our limitations and fallibilities, we humans are capable of greatness.”

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Dusty Springfield

LP | 2022 | EU | Original (Destination Moon)

17,99 €*

2LP | 2021 | EU | Original (O-Cetera)

Release: 2022 / EU – Original

Genre: Organic Grooves, Pop

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...This compilation gathers some of The Springfield’s greatest hits, along with lesser-known, but equally important number, ranging from their version of the Zulu classic “Wimoweh Mambo,” the Israeli settler song “Tzena, Tzena, Tzena” (previously a hit for The Weavers), their take of the hobo anthem “Greenback Dollar” (a hit for The Kingston Trio), and the tale of a thief inspired by romance, “Allentown Jail,” which had been a hit for Jo Stafford a decade before. This is the sound of Dusty Springfield in a folk group setting, on the cusp of greater success.

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Olicia

Liquid Lines

LP | 1987 | UK | Reissue (Demon)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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An album in two colours, two moods, two captured moments of expression. The orange version is more energetic and outgoing while the violet version is rather calm and organic. You'll only be able to listen to both versions on CD or vinyl.

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Belinda Carlisle

Heaven On Earth

36,99 €*

Release: 1987 / UK – Reissue

Genre: Pop

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LP | 2023 | EU | Original (Grönland)

Readymade FC

I Can Change

25,99 €*

Release: 2023 / EU – Original

Genre: Pop

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12" | 2023 | EU | Original (Delivery)

N.O.I.A.

Time Is Over Me Remix

Release: 2023 / EU – Original

Genre: Electronic & Dance, Pop

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Hideous Bastard HHV Exclusive White Vinyl Edition

Oliver Sim of The xx

LP | 2022 | UK | Original (XL)

LP | 2009 | EU | Original (Sunday Service)

Release: 2022 / UK – Original

Genre: Pop

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Oliver Sim didn't actually have the desire to follow in the footsteps of his The xx bandmates Romy Madley Croft and Jamie Smith and start a solo project. Nor did he think he really had the courage to do so. However, when he was working with Jamie xx on a track called "Romance with a Memory," the latter said, "I think you should do a full record." And that was the beginning of the long and painful birth of "Hideous Bastard", Oliver Sim's solo debut album, which will be released on Young on 09.09.22. "For almost three years I asked myself questions and was searching for answers while writing," Sim describes the process of creating the album. The revelation of his HIV disease thematically haunts the record, as it has always overshadowed his life. In that first song, "Hideous," Sim wonders if his disarming honesty will set him free. The hope and tension are reflected in the musical environment he has created with his friend Jamie xx. Oliver began writing and recording songs at home in London, inspired by his fondness for horror films and his own life, tackling themes of fear and shame through the lens of a queer man in his thirties. A few months later, he returned to Jamie with a collection of demos, and the two began producing them together. He enlisted the help of his lifelong hero and current friend Jimmy Somerville, among others, to put the finishing touches on the album, and also spoke with Elton John about his music. Then it was up to French director Yann Gonzales to create a visual world with the short film "Hideous." The film will premiere at this year's Cannes Film Festival. "Hideous Bastard" has become an audiovisual event that Oliver Sim would never have thought himself capable of in the beginning, but now the result is all the more impressive.

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Mohna (Me Succeeds)

1985-1994

Release: 2009 / EU – Original

Genre: Pop

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12" | 1988 | DE | Original (WEA)

Kissing The Pink

Stand Up (Get Down)

5,99 €*

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Anthems For A Lost Generation

Rico Friebe

LP | 2024 | Original (Time In The Special Practiceofrelativity)

18,59 €* 30,99 € -40%

K-Os Feat. Nelly Furtado & Saukrates

Release: 2024 / Original

Genre: Pop

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The third album by RICO FRIEBE is a clearance, an outcry, an universe within itself, a hope and a message at once – sending out ANTHEMS FOR A LOST GENERATION!

After his preceding albums of intimacy WORD VALUE and FACES MEET, based on personal tragedies and the accompanying struggles, RICO FRIEBE has something to tell to a whole generation and delivers ten radiant and distinct top-notch productions that find a most modern and futuristic sound within different styles of pop music while his soft and emotive voice is hovering above all.

Originally, ANTHEMS FOR A LOST GENERATION has been recorded as an acoustic double-album, but RICO FRIEBE threw it all out, wrote new songs and found a truly more fitting sound after he realised that there could only be one musical outcome to tell these stories: Songs like BAD SEED, I LIKE MEMES, REDO, GAMES or LAZY, BORED AND SAD are milestones of capturing a complete zeitgeist and beyond. Each line within the lyrics is taken from close and personal experiences and interactions that made him undergo a whole spectrum of emotions, creating deep worries and sadness, but also a far hope.

Feel lost? Be found! With ANTHEMS OF A LOST GENERATION...

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I Wish Natalie Portman Was Here / Just What I Needed

7" | 2021 | CA | Original (Flipnjay)

20,99 €*

Release: 2021 / CA – Original

Genre: Hip Hop, Pop

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12" | 1989 | DE | Original (VAMP (Various Artists' Music Productions))

LEZ

Revolution / I Love You

3,99 €*

Release: 1989 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

I'd Really Love To See You Tonight (Dance Mixes)

Barry Manilow

12" | 1997 | US | Original (Arista)

Release: 1997 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 1959 | Reissue (Gm & Publishing)

Ray Charles

What'd I Say

27,99 €*

Release: 1959 / Reissue

Genre: Pop

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T.I.R. Clear Vinyl Edition

Loredana Berte

LP | 2021 | EU | Original (Nar)

10" | 2002 | US | Original (GSL)

Release: 2021 / EU – Original

Genre: Pop

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T.I.R. is the third album by Loredana Bertè, originally released in 1977 by CGD. The album had a huge success and it can be considered as a synthesis of the artistic path undertaken by Bertè up to now. There is a feminist and provocative vein, a painful and introspective interpretation, her style can be defined as "screamed", but there are also conventional songs with which she takes up the issues related to the couple relationship and loneliness. The famous duo Pace and Avogadro signs most of the lyrics, whereas Mario Lavezzi (in addition to compose the music for four songs) has the role of producer and arranger (with Vince Tempera). Among the credits there is also Fausto Leali who signs "Sono donna" and takes part with Lavezzi in an original reinterpretation of the battistiana "Le tre verità". The presence of her sister Mia Martini and Milena Cantù at the choirs should also be emphasized. A unique, unmissable record, with an iconic cover that winks at the legendary Sticky Fingers of the Rolling Stones and where it is already possible to glimpse those reggae sounds that will become predominant in the next album "Bandabertè". T.I.R. is back on the market today for the "70Bertè Vinyl Collection" in an unreleased collector's edition: LP 180 GR. Limited Edition Crystal Clear Vinyl (1000 pcs. Limited).

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I Am Spoonbender

Shown Actual Size

11,99 €*

Release: 2002 / US – Original

Genre: Pop

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LP | 2016 | Original (Gaphals)

Olov Antonsson

Nere Och Ute I Ac Lan

Release: 2016 / Original

Genre: Pop

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K Bay Light Green Vinyl Edition

Matthew E. White

2LP | 2021 | UK | Original (Domino)

7,99 €*

Nobody Knows / King Of Fuh

Release: 2021 / UK – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: G+

Only Side A/B! Side C/D is missing! Cover with seam split!

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Brute Force

7" | 2020 | UK | Original (45 Years)

12,99 €*

LP | 2023 | Original (Demon)

Release: 2020 / UK – Original

Genre: Pop

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Brute Force is the pseudonym of Stephen Friedland, an American singer and songwriter. In 1964, while in New York City as a young adult, he met the producers Hugo and Luigi, who co-wrote the Elvis Presley hit ‘Can’t Help Falling In Love’. They introduced Friedland to the Tokens, known for their hit ‘The Lion Sleeps Tonight’. Not only was Friedland hired as a songwriter for the Tokens’ music publishing company, he also became the group’s keyboardist.

Side A is Brute Force’s version of his song “Nobody Knows What’s Going On My Mind But Me’, better known as a hit for the Chiffons.

In 1967, Friedland recorded as Brute Force with the album “I, Brute Force, Confections of Love”, which was produced by John Simon, later renowned for his work with the Band. In late 1968, Brute Force recorded his song ‘King of Fuh’ which is the story of a mythical king who ruled the kingdom of Fuh. The music and lyrics begin innocuously until they get to these lines: “I said the Fuh King—he went to wherever he wanted to go/Mighty mighty Fuh King/All hail the Fuh King.”

After the song was recorded, a friend of Friedland, Tommy Dawes of the Cyrkle, forwarded it to his manager, Nat Weiss, who knew Beatles manager Brian Epstein. According to Friedland, George Harrison was very receptive to the song and said so in a phone call. But EMI, Apple’s distributor, refused even to press the record, much less distribute it. Eventually, Apple privately issued the single for UK release, planning to stock mail order outlets and selected record shops. The distribution plan never really caught on and the record quickly disappeared.

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Daniel O'Donnell

How Lucky I Must Be

Release: 2023 / Original

Genre: Pop

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2LP | 2023 | EU | Original (Earmusic)

Joe Henry

All The Eye Can See /

34,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Mooneye EP Record Store Day 2019 Edition

Mooneye

12"+CD | 2019 | EU | Original (Mayway)

LP | 2017 | DE | Reissue (Caroline)

Release: 2019 / EU – Original

Genre: Pop

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Limited Edition for Record Store Day 2019! EP on marbled vinyl + CD. At a nailbiting media event in January 2019, Mooneye's 'Thinking About Leaving' was announced as the winner of Studio Brussel's De Nieuwe Lichting.

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Mine & Fatoni

Alle Liebe Nachträglich

Release: 2017 / DE – Reissue

Genre: Pop

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In Anderem Licht HHV Exclusive Pink Vinyl Edition

Barbara Morgenstern

2LP | 2024 | EU | Original (Staatsakt)

29,99 €*

Songs Fo The Canyon Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Limited edition, 100 copies. exclusively at HHV

More than five years after "Unschuld & Verwüstung", Barbara Morgenstern returns with a new album in January 2024. It's called "In anderem Licht" and was recorded by Guy Sternberg at the legendary Hansa Studios in Berlin.

The chamber music double album tells of the impending climate catastrophe, the necessity of social transformation processes and the hope of liberation from the state of general paralysis: "Everything can be different", says the album opener "Die Wand" (The Wall) or in the song that gives the album its title: "Everything will hopefully be as it always has been, only in a different light" and finally: "Except the old world!". What reads somewhat didactically on paper is translated into mostly small miniatures on "In anderem Licht", from which Barbara Morgenstern and her ensemble create dramatic arcs of tension and surprising twists and turns. Strings, saxophone, double bass and drums follow Morgenstern's grand piano playing with impressive swarm intelligence. "I look around for alliances", she sings and states - struggling to find the right metaphors: "Time heals more than a thousand words". So she takes all the time in the world in her music, although she is unmistakably aware of the urgency of the questions and paradoxes raised in her songs.

In times of fiercely contested attention economies and clickbait logics that seem to permeate all areas of life, passing and emerging every second, this hour of music spread over 11 tracks is like a balm. A tender manifesto of change.

"Because I don't tell the joke to myself, but to you and me and then we're here", she sings in "Der Witz" and in the loop the music circles, like a bee that wants to settle tenderly on a flower, around a more pleasant now-state of the world, a space of possibility. Before the whole thing flies around our ears in the end and her ensemble makes the melancholy melodic arcs seem bigger and bigger with each round until they appear to us in a completely different light! When Barbara Morgenstern sings "This place will stay when we go, this place will never be the same again" in "Dein Name", it sounds as if she wants to conjure up the world for us. Or free us from a curse. "I always thought connection mattered, love for the cause, for the rest of the world!" she finally sings in "Die Liebe zur Sache", and wonders whether that still counts at all in the world out there. A justified question! Barbara Morgenstern has been one of the most independent musicians in Germany for over 20 years. From the Berlin living room scene of the 90s to the latest award-winning theatre productions with Rimini Protokoll, she has always followed her inner voice in her unbroken belief in the magic of music. John Cale, Mark Hollis, Hans Unstern, Robert Wyatt or Björk come to mind as possible kindred spirits: a certain oddness, paired with great virtuosity and a penchant for a certain minimalism, which can always be big and epic. For the moment. With this wonderfully enraptured, somnambulistic album, we can only wish Barbara Morgenstern and her courageous ensemble that they will play the big stages with it. Because as the song "Zwischen den Stühlen" (Between the Chairs) says so beautifully: "Leave me in peace, it's no use to me. I want to get out of here, between the chairs!". A documentary film by Berlin filmmaker Sabine Herpich, who has accompanied Barbara Morgenstern over the last few years and which traces the story of the creation of this extraordinary album, will also be released in 2024. The video for the first single "In anderem Licht" already shows footage from it, so this is more of a film trailer than a video. Incidentally, the cover motif of the album dates back to 1829 and was painted by Barbara Morgenstern's great-great-great-grandfather Friedrich Preller the Elder.

"In anderem Licht" will be released on 26.01.2024 via Staatsakt on LP/CD/Digital.

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John Vincent Iii

LP | 2023 | US | Original (Concord)

33,99 €*

Release: 2023 / US – Original

Genre: Pop

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LP | 1986 | EU | Original (WEA)

Howard Jones

One To One

LP | 1986 | FR | Original (A&M)

Release: 1986 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Generic

Includes original inner sleeve.
Ships in a brand new plain sleeve.

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E.G. Daily

Wild Child

11,99 €*

Release: 1986 / FR – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2022 | EU | Original (Play It Again Sam)

Lykke Li

Eyeye

27,99 €*

Release: 2022 / EU – Original

Genre: Pop

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From The Series Of Songs Altogether Unaccompanied Volume 3 & 4

Helena Deland

LP | 2018 | EU | Original (Luminelle)

12" | 1991 | US | Original (A&M)

Release: 2018 / EU – Original

Genre: Pop

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Produced by Jesse Mac Cormack & Helena Deland
Engineering and Mixing by Jesse Mac Cormack

Alexandre Larin - Guitar
Francis Ledoux - Drums

Artwork by Crystal Zapata

This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters.

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Amy Grant

Good For Me

Release: 1991 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cremona Splattered Vinyl Edition

Mina

LP | 1996 | EU | Reissue (PDU)

41,99 €*

Release: 1996 / EU – Reissue

Genre: Pop

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Gli Anni Rca Di Raffaella I Singoli 1971-1972

Raffaella Carra

5x7" | 2024 | EU | Original

47,99 €* 79,99 € -40%

Release: 2024 / EU – Original

Genre: Pop

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LP | 2023 | Original (Sunday Best)

Jw Francis

Dream House

31,99 €*

Release: 2023 / Original

Genre: Pop

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LP | 2021 | US | Original (Dais)

Riki

Gold Black Vinyl Edition

26,99 €*

Shake Me Where I'm Foolish

Release: 2021 / US – Original

Genre: Pop

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West coast new romantic icon Riki returns with her 2nd simulacrum of pitch-perfect synth-pop, aptly titled for the precious substance it is: Gold. Inspired by notions of symbolic power, letting go, and transmutable realms of the heart, the album further refines her rare gift for making swooning melancholia as anthemic as it atmospheric. Working with Telefon Tel Aviv co-founder Josh Eustis at his Pasadena studio, the sessions unfolded fluidly and fruitfully, focusing on "quieter moments" and refining the record's palette and voice. Occasional interruption from a nearby flock of wild parrots infused a mood of California dreaming, purple sunsets dissolving into deepening neon night. Like all the most elusive pop, Riki's songcraft is simultaneously direct and oblique, dynamic and detached, shifting from sparkling chorus to elliptical outro according to its own poetic logic. She characterizes her lyrical muse as "very much what's going on in my life, things I wanted to say but didn't have the platform." This subcurrent of dream fulfillment animates the melodies with a specificity and immediacy that transcends her pantheon of 80's influences: from Saâda Bonaire and Strawberry Switchblade to Bryan Ferry, Bananarama, and beyond. Gold skews less dance floor than her instant classic 2020 debut but taken as a collection it's equally stirring, stylish, and exquisitely produced. Evocatively layered arrangements of drum machinery, sequencer, fretless bass, grey sky guitar, saxophone, and FX, anchored by Riki's singular voice, alternately widescreen and wounded, yearning beyond time for ecstasies both fleeting and forever: "Thought I knew you, but you've gone far away / it's not in your nature to stay / but the thought that I need you, grows stronger every day / the colors begin / to change."

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Nyssa

LP | 2024 | EU | Original (Six Shooter)

Release: 2024 / EU – Original

Genre: Pop

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4LP | 2023 | UK | Original (Rocket Girl)

A.R. Kane

A.R. Kive

147,99 €*

LP | 2021 | EU | Original (Kommando-84)

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Wildes

Rawwr

18,99 €*

LP | 2018 | Original (Woah Dad)

Release: 2021 / EU – Original

Genre: Pop

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I want action ... irgendwas Wildes! Wildes are 2 young musicians from Munich and Zurich, who like to experiment around indie rock and disco, punk and electro pop.

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Amerykhan

Release: 2018 / Original

Genre: Pop

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Gloria 40th Anniversary Transparent Sun Yellow Black Friday Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Island)

21,99 €*

Death Is Bigger 1984-85 Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Pop

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Limited to 4000 copies worldwide. Celebrating the 40th anniversary of the U2 single “Gloria”, originally released as a single in October 1981, the second single to be taken from the second studio album October. It remains a staple in U2’s live set. This 40th anniversary limited edition EP includes the studio version of “Gloria” plus three live versions from three different decades. • 4-track 12” EP, cut at 45 rpm • Pressed on 180g transparent sun yellow vinyl • Full color gatefold outer sleeve with high gloss finish, featuring portraits of the band • Large poster (600mm x 600mm, folded) with montage of photos from the various live shows across the decades

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Getting The Fear

LP | 2021 | US | Original (Dais)

23,99 €*

The Chads / Consortium / Abel Mann

Release: 2021 / US – Original

Genre: Pop

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It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers The Southern Death Cult seeded so many memorable but divergent groups - from widescreen rock legends The Cult to romantic pop duo Into A Circle to "the Asian Public Enemy," Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The Southern Death Cult rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul `Bee' Hampshire on vocals. Galvanized by Margaret Thatcher's "iron fist" austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on "Last Salute" are fitting final words: "If this must end let it pass me by / I'll remain your friend, only flowers die." But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: "The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames."

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Trend Promotional Label Sampler

7" | 1970 | UK | Original (Trend)

LP | 1981 | DE | Original (WEA)

Release: 1970 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Single Sided Vinyl.
Record has some hairlines and a few superficial scratches.

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Hi Fi

Sing Song

3,99 €*

Release: 1981 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 2018 | CH | Original (Les Disques Bongo Joe)

Odessey & Oracle

Speculatio

13,99 €*

LP+7" | 2018 | DE | Original (Chateau Lala)

Release: 2018 / CH – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Two years after ".... and The Casiotone Orchestra", Odessey & Oracle continue their speculative and colorful explorations through an adventurous sonic quest, mixing acoustic sonorities and classical instruments, using a pallet of analog specimens dating back to the 60s and 70s.

Retro-futuristic music with sophisticated arrangements underlines unbridled songwriting with heterogenous influences (Brian Wilson, Caetano Veloso, White Noise, JS Bach, Moondog, Robert Wyatt...).
The lyrics, in French, both surreal and utopian, serve as witness to the contradictions of our times and invite the listener to imagine a revolutionary love.

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U3000

Free Electric Band

17,99 €*

Release: 2018 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

I Wanna Play The Drums Tonight

Tot Taylor

7" | 1983 | UK | Original (Easy-listeners)

5,99 €*

12" | 1979 | DE | Original (Virgin)

Release: 1983 / UK – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

UK original.

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The Men

I Don't Depend On You

14,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

As Heard On Radio Soulwax Part 2

2 Many DJs

2LP | 2002 | EU | Reissue (Pias)

149,99 €*

Release: 2002 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Honest Labour Black Vinyl Edition

Space Afrika

LP | 2021 | US | Original (Dais)

26,99 €*

(I Am) Origami Part 1 - The Universal Sigh

Release: 2021 / US – Original

Genre: Electronic & Dance, Pop

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Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown. The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown. The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

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John Van Deusen

LP+CD | 2017 | EU | Original (DevilDuck Records)

Release: 2017 / EU – Original

Genre: Pop

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LP | 2016 | EU | Reissue (Cleopatra)

Big Jay McNeely

Blowin' Down The House

Release: 2016 / EU – Reissue

Genre: Pop

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Release: US

Genre: Pop

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12" | 1997 | DE | Original (Lok Musik)

Mina

Release: 1997 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | DE | Original (Dynamite Platten)

Paula i Karol

Our Town

6,99 €*

LP | 2019 | EU | Original (Earmusic)

Release: 2017 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Joe Jackson

Fool

Release: 2019 / EU – Original

Genre: Pop

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LP | 2018 | EU | Original (Altin Village & Mine)

Fenster

The Room

17,99 €*