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Sly, Sly Johnson, Sly The Mic Buddah : since the Saïan Supa Crew up until his solo career, the human beat machine keeps on increasing his numerous identities.

From Hip Hop to Soul, then from Soul to Beatmaking: from flow to singing, then from singing to production, Sly Johnson never really changed universe. He has just changed the direction of his musical compass in order to navigate with more flow.

Today, it’s immersed in the mechanics with processors and printed circuits that we find him, under the alias of TAGi, producer-beatmaker who, for the occasion, has joined the services of Steven Beatberg. It’s together, in artistic autarchy with the only presence of softwares, samplers and sequencers, that they have built their pieces in the light of their computer screens, rhythmizing the days by inserting snares or grindings of plugs taken from their sound database.

If records are, most of the time, Hip Hop’s nourishing materials, TAGi et Steven have however not used any samples. Their favourite recordings were not materials to exploit, but an aesthetic from which to inspire, compose, and search atmospheres and melodies, search his arrangements. After three EP dominated by instrumentals, the duo finally chose to realise their dream: to craft a multi-voice album where customized production for each guest would guide the creative process. To put themselves at the exclusive service of artists they particularly love, all different but connected by an uncompromising resistance to the commercial wind blowing on Hip Hop. For each one of them, they have built a title, keeping in mind the precise idea to put to light he or her that will vocally dress the bars.

Rapper Big Pooh, the former member of the Little Brother group (With Phonte & 9th Wonder), the contemporary soul of Lisa Spada, but also the rapist #madeinfrance Pumpkin (worthy descendant of MC Solaar, Fabe …), multi-faceted Georgia Anne Muldrow, the MC Finale, the new rising wave of artists of the Hip-Hop scene in Detroit. Tiemoko from Paris, Saga an MC who follows the pure tradition of the New York Hip-Hop, the very smooth-jazzy Elodie Rama and Dilouya, the producer of the previous record of Sly (The Mic Buddah), are of this casting where men and women share the roles and where TAGi, as soon as the mic presents itself to him, becomes again Sly Johnson for some refrains, choruses or solo rereading of the sublime “Retrograde” of James Blake.

Guided by Hip Hop since the 90’s until today, worked in great detail, YOUARESURROUNDED highlights vintage keyboards on granular rhythms, injecting a lascivious Soul, P-funk, electro futuristic or melancholic in black and white touches on 13 tracks that are as atmospheric as they are emotional.

The substance, the essence, the soul of the Hip-Hop.

We live in divisive times. Multiculturalism rises hand-in-hand with racial tensions, and politicians seem powerless to even bring people within earshot of their convoluted message. It's time for a different perspective. On his second studio album, More Arriving, Sarathy Korwar blasts out his own vibrant, pluralistic missive for the world to hear. This is not necessarily a record of unity; it's an honest reflection of Korwar's experience of being an Indian in a divided Britain. Recorded over two and a half years in India and the UK, More Arriving draws on the nascent rap scenes of Mumbai and New Delhi, incorporating spoken word and Korwar's own Indian classical and jazz instrumentation. This is a record born of confrontation; one for our onfrontational times.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

The Bless compilation series is our annual fundraiser to gather artists and beat makers together to raise money for the global community. Bless Volume 2 is a collection of 99 tracks from artists representing 25 different countries, the full album spans nearly 4 hours of incredible music! This year we wanted to do something special and curated a selection of tracks from the full album for this Limited Edition Double LP release.

100% of the proceeds from the sale ofBless Volume 2 will be donated to a variety of Micro Loan programs for Women, Sustainable Water and Agriculture projects, Refugees, Education, Health Care and the Arts. The funds from the Micro Loans are paid back over time and it’s our promise to the supporters of this album that we will perpetually reinvest those funds back into future Micro Loans. This way the funds can continue to support people who need it for many years ahead.

Kuniko is releasing her first 12"ep, expressing her own identity. The unique and new style, centered around the theme of "inheritance and creation," is being sent out to the world. During childhood, Kuniko sang at local festivals, learned piano and electone, and grew up surrounded by music. In 2009, she had a groundbreaking encounter with the influential figure Mala, a pioneer in the UK bass culture and dubstep scene. She also met DJ mentor Yama aka Sahib. Inspired by these experiences, she started her career as a DJ in Tokyo, expressing herself through music. In 2013, she relocated to her roots in Okinawa, where she established her base. There, she learned the traditional Okinawan art of singing and playing the sanshin from her mentor, Misako Ohshiro.