Search "amewu+leidkultur" 14 Items

Roof lifting new single from Nicole Willis! Pending between soul and essence of hip-hop this is the best of many worlds: warm, sexy, cool, deep, funky and powerfull. B-side with superb stripped bass-horn-vocal version. Excellent heat from Jimi Tenors new label.

Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.

This collaboration by Tokyo producers/musicians Shintaro Sakamoto (Yura Yura Teikoku, Mesh Key) and Videotapemusic, was the first of two EM Records 12"-only "tribute releases", in support of the film "Bangkok Nites", produced by Kuzoku. Based on samples from Dao Bandon [em1131cd/lp], Hongthong Dao-udon [em1142cd/lp] and Phairin Phonphibun [em1147cd/lp], Thailand and Tokyo dreamworlds meet in these songs.

"Transcendent Hawaiian vibes, in a mind meld suffused with Thai stick" - Japan Blues

2021 repress. New mastering/cutting at D&M, Berlin.

Clan Caimán returns to EM Records for their second album, continuing the instinctive evolution of their music: a wordless, timeless, gently pulsing and sweetly melodic soundworld, based on composer Emilio Haro’s vision of a band playing the music of an imaginary undiscovered ethnic group. Woven together by Haro’s self-made kalimbafón, a tuned percussion instrument, these five Argentinian musicians also use threads of lap steel, guitars, bass and percussion to knit their beyond-genre textures, seemingly ageless despite being recorded in December 2019. Available on CD, digital download and 12’’ LP, the latter cut at Berlin’s famed Dubplates and Mastering. “Asoma” is perfect music for imaginary voyages during travel-restricted times.

Rising out of the bong haze, Thai master Juu4e is back with his second solo album for EM Records. Fusing hip hop and trap with a pan-Asian blend of influences and samples from the traditional and pop musics of his native country, as well as the musics of Japan, Malaysia, Taiwan and other regions across the continent, “Crazy World (Baka Sekai in Japanese)” is an ambitious and sonically adventurous album alive with unexpected juxtapositions, deft production, irresistible grooves and a joyous heart. A true solo album, all the tracks here are performed/arranged/produced by Juu4e, with the final mix provided by Young-G of stillichimiya/OMK. With a versatile and playful vocal style, Juu4e delivers thoughtful, positive lyrics and intriguing imagery, dealing with issues both local and global, old and new, with themes of celebration as well as social criticism. Featuring a cover of a Taiwan pop classic by Teresa Teng, “Crazy World” is available on Cd/lp, and comes with informative liner notes and English translations of the lyrics. Cover art: Shinsuke Takagi (Soi48/OMK).

Liner notes by Takehiko Sato (Riyo Mountains) + English text & lyrics

Rising out of the bong haze, Thai master Juu4e is back with his second solo album for EM Records. Fusing hip hop and trap with a pan-Asian blend of influences and samples from the traditional and pop musics of his native country, as well as the musics of Japan, Malaysia, Taiwan and other regions across the continent, “Crazy World (Baka Sekai in Japanese)” is an ambitious and sonically adventurous album alive with unexpected juxtapositions, deft production, irresistible grooves and a joyous heart. A true solo album, all the tracks here are performed/arranged/produced by Juu4e, with the final mix provided by Young-G of stillichimiya/OMK. With a versatile and playful vocal style, Juu4e delivers thoughtful, positive lyrics and intriguing imagery, dealing with issues both local and global, old and new, with themes of celebration as well as social criticism. Featuring a cover of a Taiwan pop classic by Teresa Teng, “Crazy World” is available on Cd/lp, and comes with informative liner notes and English translations of the lyrics. Cover art: Shinsuke Takagi (Soi48/OMK).

Liner notes by Takehiko Sato (Riyo Mountains) + English text & lyrics

A download code is included. 150 copies.

The KlapYaHandz label, a long-running labour of love helmed by Sok Visal, has been at the forefront of a revitalization of contemporary Cambodian culture since the beginning of the 21st century; it was the very first independent hip hop label in Cambodia, nurturing an ecosystem of rappers, producers and engineers, male and female, fusing hard-hitting Khmer-language hip hop rhymes with samples of Khmer traditional music and Golden Age hits, propelled by relentless grooves.

Returning to his Cambodian homeland after a youth spent absorbing hip hop in France and the U.S., Visal’s energy and focus inspired a new musical generation; his love of Cambodian music as well as hip hop melded with his ear for jazz, funk and soul, and led to the creation of some very cool music from the artists he brought to his label. The 12 tracks on this CD are the very finest from the first decade of the KlapYaHandz galaxy. Hip hop, yes, but very definitely Cambodian hip hop, with traditional and Golden Age musical elements very prominent. Very cool, very Cambodian, very cosmopolitan, and very contemporary, but the past is always present, a love of musical history lighting the way forward.

Housed in wide jewel case (12mm spine) with 36-page booklet including English liner notes (by Sok Visal and Sorany Var) and lyrics.

Compiled by Sok “Cream” Visal
Mastered by Young-G (stillichimiya / OMK) Cover art by Shinsuke Takagi (Soi48 / OMK).

Never colonized, Thailand has remained purely itself across the years even while developing, evolving and selectively adopting international influences; the same can be said of Thai popular music, and can be clearly heard in previous releases of Thai music on EM Records. Perhaps the exception to this instinct of “pattana” (Thai for development or evolution) has been the luk thung genre, which, despite great forward leaps in the 1960s and 1970s, has been stagnant since the 1990s. New Luk Thung is here, however, as Juu and his friends update the luk thung genre with keyboards, drum machines, and samples from luk thung classics. Contemporary hip hop and trap are fused with luk thung and ramwong elements, as well as the traditional Isan/Lao instruments khaen and phin. Ex-biker Juu has been musically active since the 1990s as a respected rapper, musician and producer, relocating from Bangkok to the musically rich Isan region. His lyrics, in Thai, English, Khmer and Japanese, deal predominantly, humorously and punningly with ganja. New Luk Thung features 10 new tunes, recorded 2017-2019, produced by Juu and Young G (stillichimiya). Vocal guests include G. Jee, Chinza DOPENESS, Dengaryu, MMM, Big Ben, Mr. Maro and Young-G. Songs here include a tribute to Dao Bandon’ s 70s luk thung classic “Man on a Water Buffalo”, a theme song for the mystery group OMK (One Mekong), a cover of a hit from a 1977 film, and other new treats. Available on vinyl and CD with English translations of the lyrics and Soi48’ s liner notes. Cover art by Shinsuke Takagi (Soi48).

The #2-charting, debut album from Potter Payper, 'Real Back In Style' releases on vinyl for the first time. A 2-disc product, pressed on black vinyl. The album is a true testament of his dedication to music over the last decade, betting on himself and surpassing every expectation he once had for his life. Raising the bar for UK Rap, ‘Real Back In Style’ is a frank and deeply honest record that sees the award-winning musician bare all - his boldest and most intentional body of work yet.