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The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

Poly Dance Theatre presents its new show: Warning: killer track! Let's start with side A: an international adventure. Backstage, we meet up with rico OBF, who has recorded MC Waraba, the Malian singer and pioneer of the "Balani show" for his forthcoming album on Blanc Manioc Records, at the dubquake studio. Still backstage, we come across androo, the little pictureditor hanging around, who offers to do a re-interpretation by re-creating a riddim from the vocal.

So here's poet rapper MC Waraba, singing in Bambara and French, telling us a story about a girl's difficult choices over a riddim made in androo. The result is a strange, solid, bewitching and melancholy blend of dub, wave and drill trap music. The references are many and scattered, as always with androo (just take a look at his bedroom). After the pop-epic poem, dub mix versions unfold, from dub vocal, with reminiscence of the delay-cut poem, to deep, robust instrumental straight.

B side: Warning: killer track again! Warning: another kind of Wave-dub-trap. Warning: Identity is theft. Warning: Sound system style: 4 parts! Here, starting with a badly cut sample (against American transparency! long live Brecht!), we wander through a heavy chorus-stepper-weird-club-dub, ranging from the most pop to the most ruff, via the most experimental to the deepest. 4 episodes. One season. To see again and again. To play again and again (if need be). 4 episodes (Warning again: Sound system style: 4 parts!) A series of versions in which the dub mix experiments and pushes the track to its limits.

Translated with deepl

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Experimental soul band Wonk and rapper Jinmenusagi's collaboration song is now available on 7"! The two Tokyo-based artists depict the reality of today's chaotic world, where people seem to lose sight of the essence of what is going on. Beginning with a flowing piano intro, Wonk's dark track and Jinmenusagi's nihilistic lyricism and skillful rapping create a bold structure.

Kuniko is releasing her first 12"ep, expressing her own identity. The unique and new style, centered around the theme of "inheritance and creation," is being sent out to the world. During childhood, Kuniko sang at local festivals, learned piano and electone, and grew up surrounded by music. In 2009, she had a groundbreaking encounter with the influential figure Mala, a pioneer in the UK bass culture and dubstep scene. She also met DJ mentor Yama aka Sahib. Inspired by these experiences, she started her career as a DJ in Tokyo, expressing herself through music. In 2013, she relocated to her roots in Okinawa, where she established her base. There, she learned the traditional Okinawan art of singing and playing the sanshin from her mentor, Misako Ohshiro.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

Standing tall against his best work, the record is a potent reminder of how Dizzee’s legendary status came to be, capturing him in incendiary form as he flows effortlessly through a collection of distinctly UK genres with unrivalled ease.

Centred by swaggering flows and formidable wordplay, Dizzee’s latest body of work is yet another victory lap on what is one of the defining rap music legacies, and as the bars continue to rain down, just remember - it’s nothing personal.

There will be no objection to the fact that Mantle is the producer/DJ who makes, plays, and fills the air with the ”blackest” music here in Japan. The ”blackness” of his music has steadily takes root deep underground in the northern Kanto and Tokyo areas, spreading throughout the country. So, what exactly is "black"? Could it be the smells that ingrained in a place, the arts painted on the record or notebook, the world in which words live, or the experiences and history that come and go between places? Mantle appears in the art pieces created by Buddah Mafia, Tetrad THE Gang OF Four, the team of Jackson2 by Sperb&nipps, and Monju, or in lives told by BES, Nipps, B.D., SAW and A-THUG…covering his face in black. Did you know that this music, which celebrates and beats each other up with weird elegance, is called HIP HOP? Yes, you guessed it, the very existence of this album, like a spider waiting for your offspring in a record store 100 years from now, is called ”hip Hop”. The birth of a new masterpiece!

Hebrew rap from Isreal!

DJ Tudo e sua Gente de Todo Lugar’s 7th album, breed from Brazilian field recordings and made between 2007 and 2019 in trips around the world - Brazil and 11 other countries. It is a project that should have come out in 2013, but the “Pancada Motor - Manifesto da festa” came out ahead, having as a sequel the two volumes of Gaia Music series. By early 2019, the album was finalized. Pancada Motor is a term derived from the Alagoas traditions like the Samba de Matuto, Cambinda, Baianá and Caboclinha, about their cultural make or their rhythms. Here this name has been expanded to other cultures and rhythms of Brazil. Transformation and Cure are urgent needs for humanity and our relation with the planet, we need to transform our relationship with each other and Mother Earth for our healing as a whole. Artists from many countries and different cultures contributed to this work. It is hard to place an order of greatness and importance but certainly the traditional Brazilian groups were the initial inspiration: Matutinhas do Pontal de Coruripe, Cambinda Palmeirense de Porto de Pedras, Maracatu Nação e Rural de Recife, Caceteira do Seu Rindu de São Cristóvão, Terno de Congo 13 de Maio de Goiânia, Reisado São Miguel de Juazeiro de Norte, Carimbó Raízes de Coremar de Salinas and Queen Dona Neta from Maracatu Cruzeiro do Forte do Recife. Equally fundamental is the contribution of Sérgio Ricardo, legend of MPB (Brazilian Popular Music), and Chilean rapper Ana Tijoux that features the track “Terra para todos (Land for all)”. From Belgium, Rolland Van Campenhout, Steven de Bruyn, Bart Maris, Tuur Florizoone and David Bovée. Alan Bryden and Stuart Brown, BigTad and duo Twelfth day Esther and Catriona from Scotland. From Paris, guitarist Stefane Goldman who has participated in several DJ Tudo’s albums. From London, the percussionist Crispin Robinson, Lopa Kotari and Mariana Pinho. From Rio de Janeiro, the keyboardists Sacha Amback and Marcos Lobato. Lu Dlamini from South Africa. American drummer Marque Gilmore, who was recorded in Stockholm, Sweden. From Istanbul the Zas Player Murat Ertel. Rajasthan musicians met unexpectedly at a casual ride in a hotel elevator in Durban, South Africa. Brasília singer Ana Soares. From Ljubljana, Slovenia, accordionist Uros and Beth. From São Paulo, my brothers and sisters in arms: Gente de Todo Lugar - drummer Gustavo Souza, percussionist and singer Rafaella Nepomuceno, guitarist Rafael Martinez, saxophonists Marcelo Monteiro and Filipe Nader and trumpeter Amílcar Rodrigues. Planetary voices in the track “Nietzsche era triste ....” recorded in several countries. Thank you so much for the music and the affection that you put in this work, the result is nine songs and nine seasons linked to life. Knowing and respecting cultures is an eternal path of transformation, that this work reaches each one as a transforming element, especially in this almost inexplicable moment that we live on the planet.

Jahmal Padmore’s debut solo album, Esparonto, arrives via Telephone Explosion Records on May 28th, 2022. Padmore has been honing his producing, songwriting, and drumming skills since 2007, working with artists like Mstrkrft, The Carps, Just John and Brendan Philip. This extensive studio & collaboration experience has primed Jahmal for a standout debut, one that encompasses the diversity of his past musical work. Esparonto is a stunning collection of ten post-Afropunk R&B tracks that are languid, sexy and wry.

There is an undeniable sense of self-reflection that runs throughout Esperanto. Lyrics about distant regrets, ego detachment, and unconditional self-love are reoccurring, sung through Padmore’s signature lyrical croon. “... I can’t give you the things you need, without forsaking a part of me,” sings Padmore in the chorus of album opener Sorted, perfectly encapsulating the overarching vibe of Esperonto. Guitarist Benja’s foggy haze of abstract jazz chords provide a welcoming and warm atmosphere required for such deep contemplation.

Esperonto kicks it up a notch on the more hip hop-leaning tracks. Operator (ft: Matthew Progress), Ingestion (ft: Keita Juma) and Pretty are all rife with energy, with the latter taking the cake as the song most likely to be stuck in your head for the next 10 months, at least! The classic combination of a sample pack-worthy beat and a massive chorus are at work here. The song begins with the lyrics “I can’t help it if god made me pretty,” setting the hook for a stadium-sized chorus where Padmore proclaims “My ego gets me high/My ego tells me who I really am.” A follower of spiritual guru Ram Dass, Padmore appears to be one step closer to his goal of enlightenment, and is not ashamed of it.

The album closes with “So Cold,'' its most delicate track and a perfect come-down after such tireless self-evaluation. The epic crescendo sees Padmore repeatedly announcing “I’ve lost myself.” It’s clear that he has shed some unnecessary facets of his personality and is ready to move forward. Recording at Telephone Explosion’s Studio Z, the trio of Padmore, Benja and OBGMs drummer/keyboardist Colanthony Humphries began with lengthy jam sessions which eventually became the cores of each track. Padmore plucked the most progressive bass and percussion

elements from the sessions and added samples to create Esperonto’s uniquely live aesthetic. The album was then mixed by Louis Cremades at House Of Balloons (The Weeknd) and mastered by Kevin McPhee at East End Mastering.

Esparonto’s title is drawn from the name of the constructed language that Polish ophthalmologist L.L. Zamenhof created in the late 1800s. On this album, Padmore constructs a musical language all his own, with songs firmly rooted in R&B that expand to include elements of jazz, ambient, house, hip hop and pop. After years of holding space for other artists and productions, Padmore’s thrilling debut is a clear proclamation from an artist who is ready to step out of the shadows and into his own light.

Steam Down have released an incredible new single ‘empower’, which is available now on Decca. It’s the first taste of the hugely influential London collective’s debut EP, ‘Five Fruit’, which will see a release on September 24th. After years of building a truly engaged community - and taking London’s melting-pot to the world’s stage - ‘empower’ marks a thrilling new musical chapter for Steam Down. Uplifting, urgent and emotive, the track affirms the power of the listener, the strength of collective hopefulness, and the textures of London’s inner-city subculture. Featuring the fast-paced verses of Tinyman and Afronaut Zu (alongside Theon Cross, who has played with Kano and Sons of Kemet), here is a sound that bridges grime with jazz, and turns it all into something unmistakably Steam Down.

Rising out of the bong haze, Thai master Juu4e is back with his second solo album for EM Records. Fusing hip hop and trap with a pan-Asian blend of influences and samples from the traditional and pop musics of his native country, as well as the musics of Japan, Malaysia, Taiwan and other regions across the continent, “Crazy World (Baka Sekai in Japanese)” is an ambitious and sonically adventurous album alive with unexpected juxtapositions, deft production, irresistible grooves and a joyous heart. A true solo album, all the tracks here are performed/arranged/produced by Juu4e, with the final mix provided by Young-G of stillichimiya/OMK. With a versatile and playful vocal style, Juu4e delivers thoughtful, positive lyrics and intriguing imagery, dealing with issues both local and global, old and new, with themes of celebration as well as social criticism. Featuring a cover of a Taiwan pop classic by Teresa Teng, “Crazy World” is available on Cd/lp, and comes with informative liner notes and English translations of the lyrics. Cover art: Shinsuke Takagi (Soi48/OMK).

Liner notes by Takehiko Sato (Riyo Mountains) + English text & lyrics

Rising out of the bong haze, Thai master Juu4e is back with his second solo album for EM Records. Fusing hip hop and trap with a pan-Asian blend of influences and samples from the traditional and pop musics of his native country, as well as the musics of Japan, Malaysia, Taiwan and other regions across the continent, “Crazy World (Baka Sekai in Japanese)” is an ambitious and sonically adventurous album alive with unexpected juxtapositions, deft production, irresistible grooves and a joyous heart. A true solo album, all the tracks here are performed/arranged/produced by Juu4e, with the final mix provided by Young-G of stillichimiya/OMK. With a versatile and playful vocal style, Juu4e delivers thoughtful, positive lyrics and intriguing imagery, dealing with issues both local and global, old and new, with themes of celebration as well as social criticism. Featuring a cover of a Taiwan pop classic by Teresa Teng, “Crazy World” is available on Cd/lp, and comes with informative liner notes and English translations of the lyrics. Cover art: Shinsuke Takagi (Soi48/OMK).

Liner notes by Takehiko Sato (Riyo Mountains) + English text & lyrics

Full album from rapper Mista monk produced by Inkswel - featuring super nice guests Illa J, Laneous, Reggie B, Colonel Red, People Without Shoes and Planetsel The son of a mixed-race Zimbabwean mother and white Australian father, Liam Monkhouse aka Mista Monk was born and raised in Katherine, a rural town in the Northern Territory, far from both his African roots and the urban environment most hip-hop evokes. But rap music spoke to the young Monk’s fledgling sense of a mixed race identity, with his hometown being a strange dichotomy of Ocker Aussie and Indigenous culture. These cultural crossroads and their broader implications have informed his lyrics for over a two decades now, culminating in his first solo hip-hop album 'Muti' with prolific producer Inkswel on production duties. Mista Monk represents these crossroads with rhythmic flows and conscious word-play illuminating his world view from the macro of humanity's ills to the miniature of personal identity with nods to fun off-the-cuff flows and cartoon-esque narratives making for a balanced spread of flavours to navigate the vivid sample driven soundscapes provided by Inkswel. He is the founding member of multi-cultural hip-hop band Culture Connect (circa 2000) and currently performs with Afro-Jazz outfit Black Jesus Experience; frequent collaborators of Ethio-Jazz star Mulatu Astatke. Bringing a definitive raw fire to live grooves, hip-hop and Afro-House, Monk brings 20 years experience on the mike and it shows in his commanding stage presence. No stranger to the club and festival circuit in Australia, Monk has held it down down under with artists such as Mista Savona, Digital Afrika, Ganga Giri, Monkey Marc, Combat Wombat, and Laneous amongst many others. Black Jesus Experience have appeared twice at Glastonbury (uk) , and Big Chill Festivals (uk), as well as Azgo (Mozambique) and Bushfire (Swaziland) Festivals during tours to Europe and Africa. Four trips to the motherland have featured numerous tours of Ethiopia with performances with Mulatu Astake at United Nations Africa HQ and solo shows in Kenya, Tanzania, Zimbabwe and South Africa.

Never colonized, Thailand has remained purely itself across the years even while developing, evolving and selectively adopting international influences; the same can be said of Thai popular music, and can be clearly heard in previous releases of Thai music on EM Records. Perhaps the exception to this instinct of “pattana” (Thai for development or evolution) has been the luk thung genre, which, despite great forward leaps in the 1960s and 1970s, has been stagnant since the 1990s. New Luk Thung is here, however, as Juu and his friends update the luk thung genre with keyboards, drum machines, and samples from luk thung classics. Contemporary hip hop and trap are fused with luk thung and ramwong elements, as well as the traditional Isan/Lao instruments khaen and phin. Ex-biker Juu has been musically active since the 1990s as a respected rapper, musician and producer, relocating from Bangkok to the musically rich Isan region. His lyrics, in Thai, English, Khmer and Japanese, deal predominantly, humorously and punningly with ganja. New Luk Thung features 10 new tunes, recorded 2017-2019, produced by Juu and Young G (stillichimiya). Vocal guests include G. Jee, Chinza DOPENESS, Dengaryu, MMM, Big Ben, Mr. Maro and Young-G. Songs here include a tribute to Dao Bandon’ s 70s luk thung classic “Man on a Water Buffalo”, a theme song for the mystery group OMK (One Mekong), a cover of a hit from a 1977 film, and other new treats. Available on vinyl and CD with English translations of the lyrics and Soi48’ s liner notes. Cover art by Shinsuke Takagi (Soi48).

Jazz-infused instrumental flavours from great Swedish producer B.B.Z. Darney, who is also well known from his String Theory project together with Hex One.

After the success of his previous releases, Amsterdam based Joe Kickass sets out to create a worthy follow-up to his ‘Mind Joe’ legacy. It’s been a long time coming but now his second full length album, ‘The Average Joe’ is finally here. Named in celebration of the millions of unique stories that make every individual the person they are, this record gives a little more insight into the man behind the mic. The past years leading up to this release have been somewhat of a rollercoaster ride, with a lot of things happening in Joe’s personal as well as artistic life. All of the different resulting emotions and contemplations are reflected in the diversity and maturity of his sophomore LP.

Besides crafting his own beats, Joe enlisted a small army of talented musicians to contribute to this album. From the nu-soul sounds and vocals of Sacha Vee, via the dusty warmth of Vinyl Frontiers to the boombap vibes of Polish veterans O.S.T.R. and DJ Haem, just to name a few of the influences and collaborators on ‘The Average Joe’. In addition, with trustworthy partners in crime Killing Skills as the executives, every track is produced into perfection. With this second LP, released on gold colored vinyl, Joe is taking Project: Mooncircle back to it’s legendary hip hop roots. The Average Joe kicks ass, indeed.

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.