Search "dan-e-o" 236 Items

Tony Clarke is from Waterhouse, St. Andrew Jamaica. At the tender age of 10 he started following sound systems like Sir Mike The Musical Dragon with the great toaster Prince Ruff at the controls, and King Tubby's with the legendary U-Roy. Tony Clarke did his first recording in New York in 1971 at Hugh Hendricks recording studio called "Righteous Man" of which he played both bass and lead guitar. The band was later managed by the legendary band leader/trombonist Carlos Malcolm.
Tony Clarke decided to write the song “Going Home” to reference the roots of his music. In those days and even now good reggae music that was being recorded in the United States was not receiving the approbation from home because, in Jamaica they felt that the best reggae music could only come from and be created in Jamaica to substantiate the true feeling of the genre. So he decided to go back to Jamaica and record “Going Home” at Harry J Studio with Sylvan Morris as engineer.
The rhythm track was played by Lloyd Parks (Bass), Devon Richardson (Drum), Andy Bassford (Lead Guitar), Winston "Bo-Pee" Bowen (Rhythm Guitar), Franklyn "Bubbler" Waul (Keyboard), David Madden & Junior "Chico" Chin (Horns). He also recorded the cover version to “Hey Little Girl” originally done by Dee Clark. For this 12'' vinyl edition, the artwork was done with a vintage photo of Tony Clarke in front of his house at Waterhouse and extended liner notes on the back cover.

Known by reggae fans worldwide as an original sound system toaster, Micah Williams professionally known as Mr Williamz is a Reggae/Dancehall artist born in London before being moved to Jamaica by his father aged six. By age ten, he was already MC’ing and winning local competitions – such was the culture in Jamaica. At 15, he returned ‘home’ to London ready to take on the world. With single releases on both Necessary Mayhem and Greensleeves Records, Williamz authentic sound is heavily inspired by the Dancehall style of the 80s/90s and truly channels the sound of Jamaica through a familiar London lens. In demand as an artist, he appears features on tracks from Major Lazer, Shy FX, Mungos Hi-Fi, and Green Lion Crew to name but a few. He has also recorded and performed globally with the lines of Chronixx, Damian Marley, Hollow Point, Gappy Ranks and more. Despite all the features, Williamz has kept fans waiting for his debut album… but they need wait more as ‘2021’ brings about the release of ‘Soundkiller Mindset’ and ahead of that a super ltd double A-side.

Chapter 4 als Limitierte Green LP!

Released in 2012 as the opening song of the CD album " Far Eye " featuring Daba Makourejah, Calabash Rock have remained unknown for most rockers reggae aficionados. And that was a shame. The Rockers Disciples and Dig This Way Records decided then to strengthen their collaboration by releasing this wonderful instrumental piece of music, deeply influenced by Aswad’s « Warrior Charge '' and Rico Rodriguez’s vibrant music. A 7 ‘’ record, including a vertiginous dub version on the flip. Enjoy the Calabash style!

New life for a tune that hold a special place in the discography of one of the greatest rub-a-dub and fast-chat specialists in the history of the UK sound system movement, here comes a fresh version of Tippa Irie's powerful “I’m An African” ! First making an appearance as the highlight of O.B.Fs album “signz” in 2020, this fresh reworked version of “I’m An African” features on Tippa’s brand-new album of the same name. To celebrate this, the track was pressed onto 7” vinyl alongside its dub version “African Dub” ! Rufffff

This is a Lovers version of an absolute classic! Licensed from the catalogue of the legendary Harry J Studio, in a signature late 80s Digital keyboard & drum-machine style. Originally written by Toto, and made famous by Michael Jackson! As well as being sampled in SWV’s big 90s anthem & by Hip Hop legend NAS.

Handstamped cover, handstamped white label. Colored vinyl.

Official RSD UK Release. RSD 2023 indie exclusive. with sticker. A fine selection of unpublished tracks from the pioneering British roots dub duo.

"Ancient A&O is a selection of unreleased tracks and dubs we like from our old DAT tapes all created during our early years between 1989 and 1993. It includes Here For A Reason, a rare unreleased track featuring Nishka. We're very pleased the great Lantern Rec are releasing the vinyl and we hope you like it, many thanks... A&O

Third release on O.M. Theorem is a nuclear club bomb featuring remixes by Ossia and DJ Sotofett as well as two VIP mixes of Lemma1. DJ Sotofett with his Dub-heavy output on Honest Jon's and Sex Tags Amfibia invites Ghanese Afro-Dub drummer Ekowmania for vocals and usual collaborator LNS for keyboard works on his bright, tight and colourfull Steppers remix. Bristol and Peng! Sounds Ossia drives the mixing desk in tru Dub-fashion with a classic riddim that meets an avant garde melody pattern going in and out of the mix. Both of the VIP mixes rebuilds percussion and bass while exploring further corners of UK-style Bass Music with Roots in D'n'B and Steppers.THIS 12" IS CUT With Loud Volume FOR Excellent Club USE!

We are glad to present to you the 1st Abeng Maxi 12'' : "Sun Will Rise" and "Eastern Lights" are two instrumentals based on the same riddim, one a way style Roots & Culture Music done during the LockDown of 2020. Mix and Dubwises are handled by Roberto Sanchez at A-Lone Ark Muzik Studio (es) , ready to play loud on your HiFi or Sound System!

In the last months we had the pleasure to open a connection with Eeyun Purkins, he helped us to mix some Abeng riddims and sent us some riddims to work with. February/March/April /May , the "lockdown months" have been very active and "Moonlight Runner" is one of the results of the collaboration we created during that period , Ian ‘Upsettah’ Burgess , Eeyun Purkins & Abeng worked independently on it so it's for us a pleasure to publish this music on our Dig This Way Records! We hope you enjoy this moody roots music... In the next months we will press more chunes born from this Roots-Heads meeting!

Years ago we were lucky enough to get an incredible and uncredited Acetate with a deep instrumental cut of Satta Massagana , long story short after few weeks we got it the plate totally cracked and became unplayable. We managed to send the plate to Rome at Vinyl restoration who made a little miracle and somehow fixed it well enough for us to export a digital crackling recording of it to keep in our archives. Few years later , we played the noisy recording to the great musicians from Dig This Way All Stars and we decided it was absolutely the case to attempt a modern remake of it. Thats how Abeng , Sere and Monz made the structure of the Riddim , than Rootikal Horns handled the Trombone and Sax version , Nicola Gallo did the Organ part and Jonny De Ambassador played the percussions! The final touch is done by Yakka who mixed a couple wicked dubwises of it and Pressure Mastering that made it sounds proper! The 45rpm is pressed in 250 black copies.

Reissue from 1989, amazing leftfield Lovers Rock featuring extended dub version - emotional love bomb. Re-mastered and restored.

Hypnotic and the jewel in Yabbys musical crown. A side taken from the Beware dub Lp and the flipside is the same off key but still charming keyboard cut of the same rhythm.

The 100th release on Pressure Sounds is the brilliant set of I Mo Jah's ‘Rockers from the Land of Reggae’ and ‘Words in Dub’, as two single vinyl releases, and a double cd. It's surprising that these two albums have not been re-released before, as both albums are seriously sought after. There will be 3 bonus tracks on each of the CDs. The albums come with full sleevenotes with excellent sound quality. The CD pack includes a full package with graphics and the usual high quality annotation and mastering. _____ . ______
Notes for the two albums:

A contemporary of Ras Michael & the Sons of Negus, Eric Donaldson and Freddie McKay, Philip Fullwood started out composing for Studio One and playing percussion for Burning Spear.

Both "Rockers from the Land of Reggae" and "Words in Dub" were backed by Sly & Robbie, Leroy "Horsemouth" Wallace, Clive "Azul" Hunt, Bingy Bunny and Flabba Holt, among others.

The striking sleeve of "Rockers...", in black and white with green handwritten typography, told the story of Jamaica, with Arawaks overseeing the arrival of Christopher Columbus’ ship Santa Maria, whilst between two sound systems the dreads were dancing and smoking a spliff under a tree. The art was drawn by Magnus Johnstone, a painter and deejay who presented the radio show ‘Reggae Mukasa’ on WMBR, and would later become the foremost champion of the burgeoning hip hop scene in Boston.

“When I made "Rockers from the Land of Reggae" I was taking about 500 to Jamaica and I was told I had to have a license to go through the customs. I got fed up and I just leave the album with them. They wanted me to get a license and all them things, and I said ‘Why I want a license to bring my own thing to Jamaica?’. They said no, so I leave them at customs. I don’t know what happened to them. Maybe they sell them. And that was the end of it. I give the rest of them to Chin Randy’s in Jamaica Queens to distribute.”

And so "Rockers from the Land of Reggae" soon vanished into obscurity. By 1983 Phillip Fullwood had settled permanently in the US and virtually retired from music. Over the years, partly fuelled by its extreme rarity, the album’s reputation has grown immensely, and original copies now command a very high price. Phillip is thrilled that this reissue will now expose it to a wider audience.
“Life happen that way. I got kids and grandkids. I’m just a small guy who was with Spear and just tried to do my thing, like everybody else in the entertainment biz. My occupation, my passport you know says entertainer. Wishing a t’ing, yunno.”

"Words in Dub", the highly unique set, released in a stark hand-printed sleeve, comprised self-produced rhythm tracks and some donated by friends, such as ‘Africa Rock’, a dub of ‘See Dem Da’ (Jah Marcus Roots 7”) by Burning Spear, with member Rupert Wellington on lead vocals. The first side also featured dubs of Purple Lights’ ‘Pestilence’, fronted by the singer Bangie, and ‘Revolution’ by Jah Blue & The Originals, who included Winston Rodney’s brother. ‘Reorganize The Race (Marcus Say)’, with its dense layers of digital reverb in the intro, later features singing about ‘weeping and wailing’ also by Jah Blue & The Originals, though the vocal cut was never released. Several rhythms would later get a do-over by Phillip’s American-based group I-Mo-Jah, perhaps the most thrilling being ‘Jah Say Love’, rerecorded by I-Mo-Jah as ‘Peace & Love’. ‘Hotter Fire In Babylon’ is a dub of Burning Spear’s ‘Spear Burning’ (Spear 7”), and the album closes with ‘Bubbling’, a dub of ‘Maybe’ (Yah Congo 12”) recorded by Phillip’s long-time friend Eric Donaldson.

The original recordings were primarily laid at Channel One with Barnabas and Crucial Bunny at the mixing board, with ‘Hotter Fire In Babylon’ recorded at Randy’s by Chin Randy himself, and ‘Bubbling’ at Dynamic Studio. The final dub mixes were done at Channel One and also at the legendary Black Ark by Phillip Fullwood’s own hands.

Grey vinyl!

Taikokissie & DUB Passengers, led by Tokyo-based Lo-fi musician Taikokissie, whose previous album "slow Dance IN Suburbia" was well received, presents their second 10-inch release!! Hard jazz, improvisation played with skill and dubwise with deep effects that dive deep. A great masterpiece with the warmth of mellow raw sound that emerges in the darkness. Four songs and 28 minutes long, recommended for chill out along with gentle dancing. Includes download code.

The new release from Zouen Keikaku, an independent label that has released works by Ooyamada Daisanmyaku and Yaryu, among others, that made a splash at last year's RSD and Record Day Japan. This is the second collection by Tokyo electronic musician, Yo. The sharply polished post-industrial sound tangles the feet that line the dance floor and interrupts their dance steps. The dub-derived heavy bass swings aimlessly, crawling around like a snake with bizarre sound textures that cannot be enclosed in any musical genre. A DL code for "B," a special collection of remixed and unreleased sound sources, is included along with a mini booklet that resembles a sightseeing pamphlet.

Vibronics teams up with an army of top female Reggae & Dub artists to collaborate on the new album “Woman On A Mission 2” .. to celebrate the rise of women in the Reggae & Sound System Dub scene Vibronics invited Carroll Thompson, Sandra Cross, Marina P, Sisters in Dub, Sista Habesha, Empress Shema, Koko Vega, Vanya O & SoulSteppa into the Dub Cupboard Studio to create this epic double album of Vo-cals & Dubs for 2024. The album features fine vocal tracks & heavyweight instrumental Sound System style dub style tracks.

Vibronics is one of the most established names in UK Dub/Reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and more.

Meet some of the amazing artists involved in this album:

Carroll Thompson is the official ‘Queen Of Lovers Rock” - the biggest name in UK Reggae here showing her amazing versatility by singing a roots-reggae anthem for the Sound System generation

Sandra Cross is the award winning UK Reggae legend famous for her work with Mad Professor on the Ariwa Label

Marina P from Italy via Paris teams up with Vibronics following her success with Glasgow bass heavy beat legends Mungos HiFi.

by Hey-O-Hansen
00:03
With "Sonn und Mond" Pingipung presents an insight into the archives of the Austrian Dub Act Hey-O-Hansen. "Sonn und Mond" is far more than just a "Best-Of". As the subtitle reveals, this record collects "Rare and Unreleased Austro-Dub Tracks", which are in the first place scarce gems from the last decade’s oeuvre of this outstanding duo. Hey-O-Hansen have been famous for their musical output on remote formats such as rare vinyl singles or even on cassette tapes, through their own label heyrec. Following the contribution "Rflu" to the compilation "Pingipung Blows: the Brass", "Sonn und Mond" is the first feature-length cooperation between Pingipung and Hey-O-Hansen. Why Austro-Dub? Obviously, Helmut Erler and Michael Wolf who are Hey-O-Hansen originally come from Austria. Raised to the off-beats of Tyrolian folk music, then practising offbeats in Ska and Rocksteady bands they eventually moved to Berlin in order to explore samplers and sequencers for their music, alone or as Duo. Soon they had their professional studio, call it the musical instrument of Dub. And they literally carried it on stage for their many gigs. This is what makes Hey-O-Hansen’s tracks so special. Their extraordinary skills and tricks in sound engineering join their detailed, Lo-Fi playfulness which is based on the artistic cross-grainedness of the duo and the fact that they appreciate the openness of a live performance as essential for their compositions. Maybe that is why numerous guest musicians appear on this record; for example Dirk von Lowtzow (Vocals), Gordon Odameteys (Percussion), Olaf Rupp (Gitarre), and Kazumi (Vocals), just to name a few. In Hey-O-Hansen’s music the deepness of Dub is always combined with the catchiness of a Chanson or the stubborn straightness of a dancefloor track. Although "Sonn und Mond" shows above all the versatility of Hey-O-Hansen by pointing at hidden beauty, this record contains several hits and evergreens such as "J'ai peur" or "Dreams never die".

Second album reissue for Big Joe (born Joseph Spalding in 1955), Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. This is the follow up to Keep Rocking And Swinging, released on Live & Love in 1978 and produced by Bunny Lee. A must for all the reggae and dub fanatics out on Radiation Roots.

7inch and video originally released in 2017 and now reissued by popular demand after the quickly sold out

Toaster Jah Thomas began his career on the west Kingston sound systems of the mid-1970s, making a massive splash with ‘Midnight Rock’ in 1976. After a debut LP for Channel One, his self-produced Dance On The Corner raised the bar several levels. Voiced at King Tubby’s studio, mixed by Tubby, Jammy and Scientist and edited by the King himself, the album has Thomas chatting over hard Roots Radics rhythms earlier used by Barrington Levy – the perfect platform for Thomas’ relaxed chants, vexed rants, and commentaries on Jamaican life. This is Jah Thomas at his best – a must for all fans of reggae, dub, deejay, and dancehall!

Four heavyweight, deep Roots-Reggae songs with their respective Dub versions in a Discomix format.

The instrumentals were composed and recorded by aDUBta & The Black Oak Roots Allstars.

In November of last year, Marcus I joined aDUBta at his Attic Roots Studio to work on and record the songs together.

The mixes and Dubs were mixed by aDUBta entirely analog and live on his Tascam 388 mixing console to give them the final touch.

Another previously unreleased killer from the early '80s Radics / Scientist days, this one was played on dubplate by Volcano in JA and Jah Life in NY, alongside other cuts of the rhythm (also eventually to be released). This is Peter Ranking the singer, not the more well known deejay.