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‘Motherbox’ recruits some emcees and vocalists, familiar and fresh, leaving Chuck to hone in on his experimental production which fans may be savvy to through his past work with Gawd Status. Vocalist Maddy features heavily and is joined by neo-soulstress BaggE, established spitters Verbz, Kemastry and Pertrelli, as well as up-and-comers Nelson Dialect, Dango Forlaine and Jet the Shadow. The R&B rhythms balance the more typical head-bouncing hip-hop beats and lure out our protagonists who present their superpowers before us for our enjoyment. The project is spliced with nods to Gotham and the DC Universe as Chuck Enzo continues his superhero aesthetic exhibited before in King Kashmere. Chuck is no stranger to Group BraCil; his production work on Verbz’ ‘Pathways’ and the remix project ‘destructo Disc’ offer the perfect introduction to his style on the label. Much like the mother boxes seen in the DC Universe, this ‘Motherbox’ and its creator can hop

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record with just a few paper scuffs.

Jam Baxter, Dabbla and GhostTown return to complete the Dead Players trilogy this September.

‘Faster than The Speed of Death’ expertly represents the most recent chapter in a decade (or more) of music making from the trio. Born in Soul-2-Soul’s old studio, turned legendary squat, in Holloway, North London, before evolving into a collaboration from three different corners of the globe (Baxter living in Mexico City, Dabbla hopping around Europe and GhostTown settled in sunny Yorkshire) ‘Faster than The Speed of Death’ celebrates evolution, while staying true to the previous iterations of the Dead Players universe.

Collaborating from distance can have its pitfalls, however, this isn’t Dead Players first rodeo. Once the blueprint was established, Dabbla and GhostTown flew out to Mexico to be in the same timezone as Baxter; finalising songs, shooting videos and eating tamales at the summit of ancient temples all vital parts of the album process.

The result? A pitch perfect listen that emphatically completes the triptych. ‘Faster than The Speed of Death’ is a powerful reminder of the Dead Players universe; a joyride back down the rabbit hole where everything sparkles crimson and green, streetlights bouncing off the side of the getaway car, Baxter and Dabbla’s inimitable lyricism expertly propped up by GhostTown’s thunderous production across 13-tracks.

Speaking on the release, Dabbla explained…

“This album was made with love across time zones and territories. We almost killed ourselves making it. It might be our last, it might not, one thing is for sure, it’s the best Dead Players album yet…”

Jam Baxter, Dabbla and GhostTown return to complete the Dead Players trilogy this September.

‘Faster than The Speed of Death’ expertly represents the most recent chapter in a decade (or more) of music making from the trio. Born in Soul-2-Soul’s old studio, turned legendary squat, in Holloway, North London, before evolving into a collaboration from three different corners of the globe (Baxter living in Mexico City, Dabbla hopping around Europe and GhostTown settled in sunny Yorkshire) ‘Faster than The Speed of Death’ celebrates evolution, while staying true to the previous iterations of the Dead Players universe.

Collaborating from distance can have its pitfalls, however, this isn’t Dead Players first rodeo. Once the blueprint was established, Dabbla and GhostTown flew out to Mexico to be in the same timezone as Baxter; finalising songs, shooting videos and eating tamales at the summit of ancient temples all vital parts of the album process.

The result? A pitch perfect listen that emphatically completes the triptych. ‘Faster than The Speed of Death’ is a powerful reminder of the Dead Players universe; a joyride back down the rabbit hole where everything sparkles crimson and green, streetlights bouncing off the side of the getaway car, Baxter and Dabbla’s inimitable lyricism expertly propped up by GhostTown’s thunderous production across 13-tracks.

Speaking on the release, Dabbla explained…

“This album was made with love across time zones and territories. We almost killed ourselves making it. It might be our last, it might not, one thing is for sure, it’s the best Dead Players album yet…”

Jam Baxter, Dabbla and GhostTown return to complete the Dead Players trilogy this September.

‘Faster than The Speed of Death’ expertly represents the most recent chapter in a decade (or more) of music making from the trio. Born in Soul-2-Soul’s old studio, turned legendary squat, in Holloway, North London, before evolving into a collaboration from three different corners of the globe (Baxter living in Mexico City, Dabbla hopping around Europe and GhostTown settled in sunny Yorkshire) ‘Faster than The Speed of Death’ celebrates evolution, while staying true to the previous iterations of the Dead Players universe.

Collaborating from distance can have its pitfalls, however, this isn’t Dead Players first rodeo. Once the blueprint was established, Dabbla and GhostTown flew out to Mexico to be in the same timezone as Baxter; finalising songs, shooting videos and eating tamales at the summit of ancient temples all vital parts of the album process.

The result? A pitch perfect listen that emphatically completes the triptych. ‘Faster than The Speed of Death’ is a powerful reminder of the Dead Players universe; a joyride back down the rabbit hole where everything sparkles crimson and green, streetlights bouncing off the side of the getaway car, Baxter and Dabbla’s inimitable lyricism expertly propped up by GhostTown’s thunderous production across 13-tracks.

Speaking on the release, Dabbla explained…

“This album was made with love across time zones and territories. We almost killed ourselves making it. It might be our last, it might not, one thing is for sure, it’s the best Dead Players album yet…”

Jam Baxter, Dabbla and GhostTown return to complete the Dead Players trilogy this September.

‘Faster than The Speed of Death’ expertly represents the most recent chapter in a decade (or more) of music making from the trio. Born in Soul-2-Soul’s old studio, turned legendary squat, in Holloway, North London, before evolving into a collaboration from three different corners of the globe (Baxter living in Mexico City, Dabbla hopping around Europe and GhostTown settled in sunny Yorkshire) ‘Faster than The Speed of Death’ celebrates evolution, while staying true to the previous iterations of the Dead Players universe.

Collaborating from distance can have its pitfalls, however, this isn’t Dead Players first rodeo. Once the blueprint was established, Dabbla and GhostTown flew out to Mexico to be in the same timezone as Baxter; finalising songs, shooting videos and eating tamales at the summit of ancient temples all vital parts of the album process.

The result? A pitch perfect listen that emphatically completes the triptych. ‘Faster than The Speed of Death’ is a powerful reminder of the Dead Players universe; a joyride back down the rabbit hole where everything sparkles crimson and green, streetlights bouncing off the side of the getaway car, Baxter and Dabbla’s inimitable lyricism expertly propped up by GhostTown’s thunderous production across 13-tracks.

Speaking on the release, Dabbla explained…

“This album was made with love across time zones and territories. We almost killed ourselves making it. It might be our last, it might not, one thing is for sure, it’s the best Dead Players album yet…”

His most striking offering to date, ‘Tears Of The Dragon’ is an evolutionary listen, Onoe staying true to the primordial pillars found in the DNA of all the great albums; love and lust, loss and heartbreak key players in an inspired narrative arc that sees Onoe reveal all about his recent past in unmistakeable fashion.

Having written a heap of songs and arranged a number of versions he was More than happy with, real life events saw Onoe return to the bones of the album, with a desire to create something truly timeless. As a result, he moved away from a mixtape mentality and began to carve out the real truth along a stricter, more considered sonic path, crystallising his experiences with an immediacy that makes the album even more unique.

Writing a love album made all the more sense after speaking directly to fans when touring Europe late last year. Stories of love, heartbreak, and the positive influence his music has in moments of extreme emotion became a driving force for Onoe when writing the record and constructing the arc…

“…everything is fine, then they break up, then follows the aftermath. Repeat.”

‘Tears Of The Dragon’ follows the same aesthetic that has become synonymous with Onoe’s universe. A tapestry of speeds and rhythms, nights and days, smooth and hardcore; expertly tied together by Onoe's love-fuelled source code.

15-tracks, with features from Lofty305, Ledbyher, Eter & 169 stalwart L-Zee Roselli, ‘Tears Of The Dragon’ really is an album for the ages.

As Onoe explains…

“I want this album to be my Michael Jackson ‘Thriller’ … I also listened to Prince a lot and would tell people my next album is gonna sound like Prince meets Max B at a Halloween party…”

His most striking offering to date, ‘Tears Of The Dragon’ is an evolutionary listen, Onoe staying true to the primordial pillars found in the DNA of all the great albums; love and lust, loss and heartbreak key players in an inspired narrative arc that sees Onoe reveal all about his recent past in unmistakeable fashion.

Having written a heap of songs and arranged a number of versions he was More than happy with, real life events saw Onoe return to the bones of the album, with a desire to create something truly timeless. As a result, he moved away from a mixtape mentality and began to carve out the real truth along a stricter, more considered sonic path, crystallising his experiences with an immediacy that makes the album even more unique.

Writing a love album made all the more sense after speaking directly to fans when touring Europe late last year. Stories of love, heartbreak, and the positive influence his music has in moments of extreme emotion became a driving force for Onoe when writing the record and constructing the arc…

“…everything is fine, then they break up, then follows the aftermath. Repeat.”

‘Tears Of The Dragon’ follows the same aesthetic that has become synonymous with Onoe’s universe. A tapestry of speeds and rhythms, nights and days, smooth and hardcore; expertly tied together by Onoe's love-fuelled source code.

15-tracks, with features from Lofty305, Ledbyher, Eter & 169 stalwart L-Zee Roselli, ‘Tears Of The Dragon’ really is an album for the ages.

As Onoe explains…

“I want this album to be my Michael Jackson ‘Thriller’ … I also listened to Prince a lot and would tell people my next album is gonna sound like Prince meets Max B at a Halloween party…”

His most striking offering to date, ‘Tears Of The Dragon’ is an evolutionary listen, Onoe staying true to the primordial pillars found in the DNA of all the great albums; love and lust, loss and heartbreak key players in an inspired narrative arc that sees Onoe reveal all about his recent past in unmistakeable fashion.

Having written a heap of songs and arranged a number of versions he was More than happy with, real life events saw Onoe return to the bones of the album, with a desire to create something truly timeless. As a result, he moved away from a mixtape mentality and began to carve out the real truth along a stricter, more considered sonic path, crystallising his experiences with an immediacy that makes the album even more unique.

Writing a love album made all the more sense after speaking directly to fans when touring Europe late last year. Stories of love, heartbreak, and the positive influence his music has in moments of extreme emotion became a driving force for Onoe when writing the record and constructing the arc…

“…everything is fine, then they break up, then follows the aftermath. Repeat.”

‘Tears Of The Dragon’ follows the same aesthetic that has become synonymous with Onoe’s universe. A tapestry of speeds and rhythms, nights and days, smooth and hardcore; expertly tied together by Onoe's love-fuelled source code.

15-tracks, with features from Lofty305, Ledbyher, Eter & 169 stalwart L-Zee Roselli, ‘Tears Of The Dragon’ really is an album for the ages.

As Onoe explains…

“I want this album to be my Michael Jackson ‘Thriller’ … I also listened to Prince a lot and would tell people my next album is gonna sound like Prince meets Max B at a Halloween party…”

Brand new 19 track album by BVA - The Dam Builder, which is entirely produced by Leaf Dog and features Benny the Butcher, Leaf Dog, Verb T & Ramson Badbonez.

Vinyl is close to VG+.

“I’m always living this life with one foot in, one foot out…”

‘Cosmic Scenes’ is the latest single from HF wordsmith Fliptrix.

Teaming up with the incredibly talented Greentea Peng, the epic new track sees two of the UK’s most conscious minds come together to spread messages of freedom, pursuing your dreams and being the change you want to see in the world.

With Leaf Dog at his mesmerising best on production; ‘Cosmic Scenes’ stretches the listeners’ imagination beyond the limits of the real world, and in doing so, has all the makings of a Massive summertime anthem.

Accompanied by a new unreleased track ‘The Glow’ (Prod. Illinformed) on Side B, which shines Brightly in its own right, this Limited Edition 7” is pressed on Eco-mix wax; a sustainable process that guarantees no two vinyls are the same.

Limited to 250 copies, hand-numbered, never to be repressed.

Vinyl with many scuffs and hairlines

Brand new 19 track album by BVA - The Dam Builder, which is entirely produced by Leaf Dog and features Benny the Butcher, Leaf Dog, Verb T & Ramson Badbonez.

close to NM. Original inner sleeve

Worldwide reknown for his unique Industrial North West New Town Retro Futuristic Philosophical Ignorant Rap Music from outer space, Lee Scott has recorded a live version of his latest self-produced full-length offering "There Is A Reason For Everything" in his living room. We're happy to release this unique take take on vinyl, with a brand new artwork by Jack "getarealjobkid" Rogers, housed in a beautiful screen printed thick cardboard jacket for all you collectors out there.

Includes original inner sleeves.
Records are close to NM.

LP+CD+7"

Tkay Maidza, the first female rapper signed to 4AD, announces details of her highly anticipated new album, Sweet Justice. The follow-up to her 2016 self-titled debut will be released on 3 November and includes the recent Flume-produced earth-shuddering single ‘Silent Assassin’. Today, Tkay shares a blistering new track, ‘Ring-A-Ling’ and official video directed by Jocelyn Anquetil.

“I’m never choosing compliance,” a defiant Maidza utters ‘Ring-A-Ling’; a warning from the Zimbabwean-born, Australian-raised, Los Angeles-based rapper, singer and producer and a mantra for Sweet Justice. Produced by Two Fresh, Tkay says of ‘Ring-A-Ling’, “I wanted to make an empowering song that tells others that my biggest focus are my goals.”

The result of a dark night of the soul—and ensuing epiphany—that led to a series of professional and personal reckonings, Sweet Justice isn’t a revenge album, but it does stem from a profound sense of karma. In a traditional sense, it’s a breakup record: about Tkay splitting off from her self-doubt and warped sense of self; the toxic figures that populated the last chapter of her life; and the idea that she should stick to any one lane.

After severing ties with old friends, she found some new ones on the same creative wavelength: Canadian producers Stint and Kaytranada, and fellow Australian Flume, all of whom contribute production. Sweet Justice is an album that embodies the beautiful contradictions of Tkay’s art: it’s a coming-of-age record by someone who’s mastered the game; an album about karmic justice and accountability that’s bright, breezy and incredibly fun. In Tkay’s mind, it’s a rebirth album, a record about harnessing the feminine power that was innate in her the whole time.

Tkay Maidza says, “Sweet Justice was a way for me to channel my emotions from what I’ve experienced in the last two years. It’s a diary of things and thoughts I’ve kept to myself. Making the record was a healing experience and I’m grateful to have worked with producers who have inspired me throughout my career.” Sweet Justice follows the 3-year-long, 24 song-strong genre-bending Last Year Was Weird trilogy exploring Maidza’s own African-Australian experience. The project earned her a 2021 ARIA Awards win for Best Soul/R&B Release and an NME Award for Best Solo Act From Australia in 2022. Following on from tours with Billie Eilish and Dua Lipa, Tkay is currently in the southern hemisphere for arena shows with Lizzo with her own headline shows to be announced soon.

he next chapter in the “Seven Deadly Sins” saga brings you something very very special. Believe it or not, we managed to find another unheard/unreleased THE Sworn Lord tune from the vaults of Davy G. Originally recorded in 1990 after “the vengeance is mine” 12inch was released, which is impossible to find or huge expensive, super rare UK Holy Grail. to make “the vengeance is mine” available again, we tried our best to find the OG masters, but couldn’t find them, so we made a vinyl rip off and Gavin Weiss remastered this Beasttune the best way possible. The result is a bit different to the OG version from the 12inch, super dirty, super raw with deep bass. What this release makes so special is the flipside, “The B-Side wins again”: MC Phaser aka. The Sworn Lord -who sadly passed away a few years ago (R.I.P.)- spits pure fire over a 666% Britcore Style pure fire 131 bpm beat produced by Davy G feat. furious epic scratch pattern by DJ Soundmaster. Completly unknown, unheard UK hardcore hiphop from the early 90ies. People into classic Blade, Silver Bullet, Gunshot, Hijack etc etc. gonna love it. We listened to it 24/7 for over 6 months, its a heavy heavy tune which leaves you addicted, you cant stop listening to this, believe us and check the snippet. to underline again: This is NOT made for the club. this pure 1990 Golden Era UK HipHop Hardcore Fire, a document uk UK HipHop History, super dope Random Rap, a raw diamond perfect for the label and the “Seven Deadly Sins Series” on Britcore Rawmance. Nothing FOR Audiophile Hipsters. Regular copies in the usual artwork of the “7 deadly sins” series plus a n orptunity to change to a picture cover. includes a superdope Sketch by Hamburgs finest Skat inside the fold out sleeve.

Ghetts proudly presents new album, On Purpose, With Purpose. The record - which follows 2021’s epic Conflict Of Interest - continues the ongoing artistic evolution and unstoppable rise of one of the UK’s greatest rappers.



Ghetts returns sounding sharper, more unflinchingly honest and boldly confident than ever before, and is joined by several guests, including; Kano, Wretch 32, Sampha, Unknown T, Dexta Daps and Moonchild Sanelly.



As well as achieving dizzying new heights as a songwriter and rapper, On Purpose, With Purpose finds Ghetts expanding his sonic palette by reaching out beyond rap and incorporating elements of wider musical influences such as soul (Double Standards), R&B (Mine), gospel (Hallelujah), Afrobeat and amapiano (Gbedu, Blessings, Tumbi).

The Four Owls highly acclaimed classic album 'Nature's Greatest Mystery' produced by Leaf Dog. The album features such classic as 'Life In The Balance, Not Like Before & Much To Much and features Dirty Dike, Jam Baxter & Q-Unique. This album made waves the world over and is a must have for any collector or Hip Hop fan!

Limited edition repress on orange splatter vinyl, full colour 350gsm reverse board sleeve. 14 track LP over 2 discs. Shrink wrapped.

Run of 500 vinyl.

Super Limited 'Cerise' Repress of Jam Baxter's 'The Gruesome Features'. First released in the summer of 2012, the LP remains one of Baxter's most celebrated projects to date.

With featured artists on every song (bar the first and last) and with a brilliantly curated list of production credits, 'The Gruesome Features' reads like an all-star list of UK talent...

Ghetts proudly presents new album, On Purpose, With Purpose. The record - which follows 2021’s epic Conflict Of Interest - continues the ongoing artistic evolution and unstoppable rise of one of the UK’s greatest rappers.



Ghetts returns sounding sharper, more unflinchingly honest and boldly confident than ever before, and is joined by several guests, including; Kano, Wretch 32, Sampha, Unknown T, Dexta Daps and Moonchild Sanelly.



As well as achieving dizzying new heights as a songwriter and rapper, On Purpose, With Purpose finds Ghetts expanding his sonic palette by reaching out beyond rap and incorporating elements of wider musical influences such as soul (Double Standards), R&B (Mine), gospel (Hallelujah), Afrobeat and amapiano (Gbedu, Blessings, Tumbi).

CoN and KwAkE are Confucius MC and Kwake Bass. They share long and entwined histories with saxophonist and Native Rebel label owner Shabaka Hutchings, and with many of the incredible London musicians and producers who have emerged over the last decade.

Eyes In The Tower, their debut album released one year ago, was the second release on Shabaka Hutchings’ Native Rebel Recordings, where he invites friends and family to RAK Studios improvise around sketches he’s written specifically for the invited artists. A uniquely London evolution of classic hip hop, it was brewed for over a decade before being made in three days.

Two tracks from the album have now been remixed to celebrate the one year anniversary of the album: 15 Minutes gets reworked by Daisuke Tanabe and Dance In The Dark by Anja Ngozi.

Confucius MC has been embedded in UK hip hop since the early 2000s. He was the support of choice for Mos Def, and recently toured with UK hip hop stalwart Jehst.

Kwake Bass is musical director for Sampha and Kae Tempest. Behind the kit he has become the player of choice for travelling US heavyweights, playing with MF Doom, The Roots and Joey Bada$$, as well as UK major players Lianne La Havas and Mica Levi.

Limited edition.
White Vinyl.

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

Tkay Maidza, the first female rapper signed to 4AD, releases her highly anticipated new album "Sweet Justice." The follow-up to her 2016 self-titled debut features production from Flume and Kaytranada. It's a shimmering and zeitgeisty kaleidoscope of current pop from an artist reaching for the stars to become one herself. The second album from Los Angeles-based, Zimbabwe-born, Australia-raised Tkay Maidza, is radiant, soulful and seductive, showcasing all facets of the irrepressible Tkay: her mordant wit and infectiousness, her unwavering belief in herself and her refusal to compromise. Maidza switches between styles, effortlessly overcoming genre boundaries - music without constraints, rules and guidelines

Following hot in the footsteps of his debut HF release ‘Cocoa Butter’, ‘Off The Grid’ sees Renelle 893 team up with producer Bay29 on a body of work that offers an escape route from the monotonous every day; the duo taking us further and further off the beaten track, marrying moments of purest hedonism with stark reminders that the real world lies in wait, just after sunrise, with no pause button in sight. Laying the foundations with summer anthem (and lead single) ’Spaghetti’, Renelle wrestles with the fleeting nature of youth, and his topsy turvy relationship with the finer things in life. The dynamic is both gritty and nostalgic as Renelle walks the fine line between Hollywood hedonism and slurry excess, his mood swinging between moments of invincibility and vulnerability, expertly scored by Bay29’s ethereal, bass dripping instrumentals. Another SE London / Brighton hook up, one of many on the label in recent years, Renelle utilised his late night train rides to-and-from Bay29’s Brighton studio as an opportunity to refine the verses that make up the bones of the project. Twelve-tracks; six vocal, six instrumental, ‘Off The Grid’ is the first in a series of new works from Renelle 893 & Bay29. A perfect scene-setter for what’s to come. As Renelle 893 explains… “Off The Grid is about soul searching and figuring out what kind of adult I am looking to be, navigating a world filled with distractions that will do everything to numb the pain as life inevitably passes you by…”

Got dust? Krash Slaughta has. In fact, for him, Everything’s Turning Up Dusty right about now. Surely this can’t be his brand-new double-vinyl LP journey into sound which finally realises an ambition to create a cut n paste opus held since his pre-turntable days of pause-button mixes? It certainly can! The project comes in four parts corresponding to four sides of 12″ vinyl which weigh in at approximately fifteen minutes each and each side of which took around a month to make! Man, that is epic! When did he ever get the time and concentration to put such a beast together? Wait – are we talking about yet another Krash Slaughta lockdown project? We are! And this bad boy stitches together vintage vocal loops, rare breaks, library records and obscure samples along with remixes of Stetsasonic, O.C., Tanya Winley, Jurassic 5, Edan, Nas, ODB, Gang Starr, Super Lover Cee & Casanova Rud (any one of which would be straight fire on 7″or 12″) along with pretty much whatever the hell else he wanted to put on there. Pressed at 45 rpm, this one features two differently-coloured slabs of wax: one mauve and one blue while even the centre labels and cover art get in on the cut n paste vibe having been created by hand by Krash homie Saleem Andrew McGroarty. As with previous such efforts from the KS camp, there will be no re-press! Sleep at your peril.

The adequately titled ‘The Album To End All Alien Abductions’ sees UK stalwart King Kashmere and producer/rapper extraordinaire Alecs DeLarge unite for a 24- track ride through an epic space age boom bap odyssey. “F**k with your boy Judas Ascariot, who came back swinging - whipping the super chariot” declares a triumphant King Kashmere on the album opener ‘Angel Strike’, proving he hasn’t lost a step since his last full length rap project, #lp4080 dropped back in 2017. Thematically Kash’s lyrics are routed in sci-fi and Jack Kirby era comic lore, but on cuts such as ‘Old Earth’ (an ode to his Mother and coming of age on a North London council estate and ‘House of Cards’ (an exploration of mental health) the Iguana Man shows a rare glimpse into the man behind the freshly pressed super suit. Several cuts also see Alecs stepping from behind the boards to join Kashmere on mic duties, a pairing best displayed on the dusty bubbler ‘Most Blunted’ in which the duo trade verses in a puff puff pass of lyrical spliff boxing.

The adequately titled ‘The Album To End All Alien Abductions’ sees UK stalwart King Kashmere and producer/rapper extraordinaire Alecs DeLarge unite for a 24- track ride through an epic space age boom bap odyssey. “F**k with your boy Judas Ascariot, who came back swinging - whipping the super chariot” declares a triumphant King Kashmere on the album opener ‘Angel Strike’, proving he hasn’t lost a step since his last full length rap project, #lp4080 dropped back in 2017. Thematically Kash’s lyrics are routed in sci-fi and Jack Kirby era comic lore, but on cuts such as ‘Old Earth’ (an ode to his Mother and coming of age on a North London council estate and ‘House of Cards’ (an exploration of mental health) the Iguana Man shows a rare glimpse into the man behind the freshly pressed super suit. Several cuts also see Alecs stepping from behind the boards to join Kashmere on mic duties, a pairing best displayed on the dusty bubbler ‘Most Blunted’ in which the duo trade verses in a puff puff pass of lyrical spliff boxing.

We are delighted to unveil TrueMendous' sophomore album ‘Great. On Purpose’. ⁠ Sporting 15-tracks of evolutionary music, ‘Great. On Purpose’ is without question True's most ambitious body of work to date.⁠

Since sharing the unrelenting lead single 'Talkk' Feat. Mysdiggi, and after a double serving on follow up 'Really Wanna Love' x 'Still Don't Wanna', the album is a rollercoaster ride. Just listen to her most recent single 'Yourself or The World?' featuring the almighty Skinnyman if you're in need of anymore proof.

Featuring a heavyweight lineup of guest appearances from the aforementioned Skinnyman and Mysdiggi, but also including Janel Antoneshia, Vaddy, Princess, Ashley Allen, and DJ Sammy B-Side, complemented by Illinformed, GhostTown, Pitch 92, Forest DLG, Muckaniks, Mark Fear and Bear on production duties - ‘Great. On Purpose’ is Stacked from top-to-tail.

'Great. On Purpose' is available to pre-order on a Super Limited run of 2 x 12" Sunset Splatter Vinyl (250 Copies Only). Never to be repressed in this colour way again, be sure to secure yours now!

Village Live Records is proud to announce the highly anticipated '10 year anniversary' reissue of Micall Parknsun's critically acclaimed album, 'Me, Myself & Akai,' originally released in 2013. This special reissue marks the first-ever availability of the album on vinyl, making it a must-have for collectors and hip-hop enthusiasts.

Produced entirely on the iconic Akai MPC 1000 by Micall Parknsun himself, 'Me, Myself & Akai' showcases his impeccable production skills. The album features captivating guest vocalists including Joker Starr and Ramson Badbonez, along with razor-sharp cuts by the legendary Jazz T.

Vinyl enthusiasts and fans of Micall Parknsun's work can secure their copy by pre-ordering the limited edition vinyl release. Pre-orders will be available exclusively on the Village Live Records Bandcamp store, with sales going live at 7 PM UK time on Friday, July 7th.

With only 300 copies available, this reissue promises to be a highly sought-after collector's item. Fans are encouraged to act swiftly to secure their copy of 'Me, Myself & Akai' and experience the raw talent and captivating production that Micall Parknsun has to offer

We are delighted to unveil TrueMendous' sophomore album ‘Great. On Purpose’. ⁠ Sporting 15-tracks of evolutionary music, ‘Great. On Purpose’ is without question True's most ambitious body of work to date.⁠

Since sharing the unrelenting lead single 'Talkk' Feat. Mysdiggi, and after a double serving on follow up 'Really Wanna Love' x 'Still Don't Wanna', the album is a rollercoaster ride. Just listen to her most recent single 'Yourself or The World?' featuring the almighty Skinnyman if you're in need of anymore proof.

Featuring a heavyweight lineup of guest appearances from the aforementioned Skinnyman and Mysdiggi, but also including Janel Antoneshia, Vaddy, Princess, Ashley Allen, and DJ Sammy B-Side, complemented by Illinformed, GhostTown, Pitch 92, Forest DLG, Muckaniks, Mark Fear and Bear on production duties - ‘Great. On Purpose’ is Stacked from top-to-tail.

'Great. On Purpose' is available to pre-order on a Super Limited run of 2 x 12" Sunset Splatter Vinyl (250 Copies Only). Never to be repressed in this colour way again, be sure to secure yours now!

Opening with euphoric keys and soothing birdsong, Jman & The Argonautz’ debut LP ‘Therapy In Session’ feels like a seminal moment. Not just for the band (it’s not everyday you reveal your debut album to the world) but also in the HF canon.

As a label founded on emcees and breaks, the notion of releasing a fully fledged Live studio album, crafted by a 6-piece of likeminded and deeply connected musicians makes for a hugely refreshing kink in the arc, at a time when championing true art has never been more important.

The thing we love most about ’Therapy In Session’ is the sense of togetherness that runs through the album. From the aforementioned opening notes to the very last cymbal, every member bringing out the very best in one another as the track list unfolds. Everything poised and perfectly measured, Jman’s lyrical dexterity and Maddy’s accompanying melodies offering up a rich assortment of emotion and mood for the band to blanket in warm arrangements.

Above all else, ‘Therapy In Session’ represents catharsis for both Jman and The Argonautz; each track a deep dive into the highs and the lows, fears, lessons and regrets that life too often throws at us; 16-tracks, each eloquent and razor sharp at every turn.

Opening with euphoric keys and soothing birdsong, Jman & The Argonautz’ debut LP ‘Therapy In Session’ feels like a seminal moment. Not just for the band (it’s not everyday you reveal your debut album to the world) but also in the HF canon.

As a label founded on emcees and breaks, the notion of releasing a fully fledged Live studio album, crafted by a 6-piece of likeminded and deeply connected musicians makes for a hugely refreshing kink in the arc, at a time when championing true art has never been more important.

The thing we love most about ’Therapy In Session’ is the sense of togetherness that runs through the album. From the aforementioned opening notes to the very last cymbal, every member bringing out the very best in one another as the track list unfolds. Everything poised and perfectly measured, Jman’s lyrical dexterity and Maddy’s accompanying melodies offering up a rich assortment of emotion and mood for the band to blanket in warm arrangements.

Above all else, ‘Therapy In Session’ represents catharsis for both Jman and The Argonautz; each track a deep dive into the highs and the lows, fears, lessons and regrets that life too often throws at us; 16-tracks, each eloquent and razor sharp at every turn.

For the uninitiated, Cmpnd (pronounced compound) are a hybrid rap super group formed of producer and rapper Wundrop and MC’s Kemastry & Vitamin G. Coming off the back of their cult classic, Eagle Court (released on High Focus Records) the trio are gearing up to return with more raucous depraved antics on Eagle Court II: Long Live
The Court. Picking up right where they left off mixing insanity and debauchery, pain and pleasure, introspection and surrealism into a deludamolic delicacy for the audience to savour.

Skilfully expressing their unique personalities whilst simultaneously producing a coherent piece of art that stays true to Cmpnd’s underbelly ethos.

This densely packed 18 track album defies categorisation, as the trio bring a whole new vision and aesthetic to the forefront whether it be the mind boggling production or the ferocious pen game. Featuring Datkid, TrueMendous, Orifice Vulgatron, Bil Next & many more, this is essential listening for all..

Original inner sleeve. Vinyl is Close to VG+.

Down The Local is the latest album from one the UK’s newest up and coming record labels. Certain Sound Records has been dropping releases from some of the UK’s finest artists since 2019.

This latest release is around the theme of the good and bad trips down the local boozer, it features an impressive line-up of some of the UK’s top Hip Hop artists, this includes Deeflux & Miracle, Louie G, Barry Manalog, Cappo, Luther Andross, Ash The Author, DJ Chud (Steel Devils), Gee Bag, Mysdiggi and Chrome.

High Focus Records are excited to present 'Ever Since', the brand new album from prolific Brighton-based producer Mr Slipz and the newest member of the HF family, Australian rapper Nelson Dialect - A landmark release and signing for High Focus with Nelson being the first international signing on the label.

UK listeners might have first heard Nelson collaborating with Verbz & Mr Slipz on the song ‘Hope’ from their acclaimed LP ‘Radio Waves’ released on High Focus in 2020. Nelson has a cult following in his own right in Australia, and previously released music on the legendary U.S label Fat Beats to great acclaim.

Now teaming up with one of the most exciting and respected UK producers, Nelson & Mr Slipz deliver ‘Ever Since’. A statement piece by two artists with well over a decade spent on their craft which sounds as urgent and refreshing as if it were their first time releasing music. The album’s title is a reference to the endless quest for a timeless sound, reflecting the creative partnerships which spark from a seemingly forever existing thread of music.

The album features a slew of impressive guest verses including label mates Vitamin G & Verbz on the emphatic ‘Oxford Scholars’. Two legends Jehst & Confucius MC combine on ‘Smooth Ride’. Bronx pioneer & D.I.T.C legend A.G delivers a show stopping verse on ‘Trembling the Marrow’. There are hypnotic singing performances by Indira May on ‘First Date’ & ‘Open Book’ as well as Hiatus Kaiyote back up vocalist Jace XL on the soul stirring anthem “Figure Out What’s Right”. U.S rappers SickInTheHead & Cazeaux O.S.L.O round out the impressive guest list on the album with their inspired verses.

Boot proudly present Micall Parknsuns 6th studio LP "Still..." on limited edition single black vinyl. With killer features from Kyza, Scriblah, Joker Starr, AyePee, Josiah and Naughtz. Produced by Micall Parknsun, Aypee and Apollo with cuts by Jazz T. Killer artwork by Glen Stone. Includes the smashes "Still... "and "Kept Going"

Shuteyes (Buffalo / New York) & Dirty Hairy ( London / Zagreb ) connected in 2007 with a mutual love of hip hop and jazz. With consistent output a strong bond formed, and Anteek Recipes was born a few years later.

Their sound combines funky raw raps with topics spanning a general disdain for anything remotely commercial or fake, to stories and themes about graffiti, stealing records and straight up classic rap bars. Hairy's production is dusty Mpc60 driven jazz loops, chops and breaks that are deeply excavated from the crates of the world.

Their new EP will be available to pre-order on limited edition blue vinyl, black vinyl & digital.

All copies are come with a hand numbered OBI strip.

For the uninitiated, Cmpnd (pronounced compound) are a hybrid rap super group formed of producer and rapper Wundrop and MC’s Kemastry & Vitamin G. Coming off the back of their cult classic, Eagle Court (released on High Focus Records) the trio are gearing up to return with more raucous depraved antics on Eagle Court II: Long Live
The Court. Picking up right where they left off mixing insanity and debauchery, pain and pleasure, introspection and surrealism into a deludamolic delicacy for the audience to savour.

Skilfully expressing their unique personalities whilst simultaneously producing a coherent piece of art that stays true to Cmpnd’s underbelly ethos.

This densely packed 18 track album defies categorisation, as the trio bring a whole new vision and aesthetic to the forefront whether it be the mind boggling production or the ferocious pen game. Featuring Datkid, TrueMendous, Orifice Vulgatron, Bil Next & many more, this is essential listening for all..

High Focus Records are excited to present 'Ever Since', the brand new album from prolific Brighton-based producer Mr Slipz and the newest member of the HF family, Australian rapper Nelson Dialect - A landmark release and signing for High Focus with Nelson being the first international signing on the label.

UK listeners might have first heard Nelson collaborating with Verbz & Mr Slipz on the song ‘Hope’ from their acclaimed LP ‘Radio Waves’ released on High Focus in 2020. Nelson has a cult following in his own right in Australia, and previously released music on the legendary U.S label Fat Beats to great acclaim.

Now teaming up with one of the most exciting and respected UK producers, Nelson & Mr Slipz deliver ‘Ever Since’. A statement piece by two artists with well over a decade spent on their craft which sounds as urgent and refreshing as if it were their first time releasing music. The album’s title is a reference to the endless quest for a timeless sound, reflecting the creative partnerships which spark from a seemingly forever existing thread of music.

The album features a slew of impressive guest verses including label mates Vitamin G & Verbz on the emphatic ‘Oxford Scholars’. Two legends Jehst & Confucius MC combine on ‘Smooth Ride’. Bronx pioneer & D.I.T.C legend A.G delivers a show stopping verse on ‘Trembling the Marrow’. There are hypnotic singing performances by Indira May on ‘First Date’ & ‘Open Book’ as well as Hiatus Kaiyote back up vocalist Jace XL on the soul stirring anthem “Figure Out What’s Right”. U.S rappers SickInTheHead & Cazeaux O.S.L.O round out the impressive guest list on the album with their inspired verses.

Oh shiiiii - we're back in again with more unreleased joints from NJ producer Mixture. Some killers on this one, including a sick unheard 1995 demo from Massive Staff. Plus we also have an unheard banger from the Outsidaz 5 years before they dropped for the first time! Wow!!



There's also a dirty version of a previously radio-only track by obscure NJ act Sunz of K.O.S.S. (Kleptomaniacs Of Savage Society) as well as 4 unheard demos all produced by the man like Mixture. Amazing material for the heads!!!!

Verbz & Mr Slipz team up with drum and bass legend Alix Perez on the remix of stand-out single ’The Rain’, lifted from their acclaimed LP ‘Radio Waves’, released on High Focus Records back in 2020.

With a fever dream vocal hook from avant-garde / Berlin-based vocalist Riah Knight elevating the offering to even greater heights, ‘The Rain Rmx’ offers up a looking glass to the world as Verbz sees it; a deep palette of blues and greys emanating from his committed multi-syllables, punctuated by bright sparks of colour courtesy of Mr Slipz’ expertly curated sample-work and Alix Perez’s rolling rhythms and basslines.

With Summer 2022 in full swing, ‘The Rain Rmx’ offers up a different, reflective viewpoint to the anthems running riot across festival season. The track feels like a perfectly balanced short film, and cements both Alix Perez’ and Mr Slipz’ reputations as expert music makers and Verbz and Riah Knight as valuable voices in uncertain times.

High Focus Records are excited to present 'Ever Since', the brand new album from prolific Brighton-based producer Mr Slipz and the newest member of the HF family, Australian rapper Nelson Dialect - A landmark release and signing for High Focus with Nelson being the first international signing on the label.

UK listeners might have first heard Nelson collaborating with Verbz & Mr Slipz on the song ‘Hope’ from their acclaimed LP ‘Radio Waves’ released on High Focus in 2020. Nelson has a cult following in his own right in Australia, and previously released music on the legendary U.S label Fat Beats to great acclaim.

Now teaming up with one of the most exciting and respected UK producers, Nelson & Mr Slipz deliver ‘Ever Since’. A statement piece by two artists with well over a decade spent on their craft which sounds as urgent and refreshing as if it were their first time releasing music. The album’s title is a reference to the endless quest for a timeless sound, reflecting the creative partnerships which spark from a seemingly forever existing thread of music.

The album features a slew of impressive guest verses including label mates Vitamin G & Verbz on the emphatic ‘Oxford Scholars’. Two legends Jehst & Confucius MC combine on ‘Smooth Ride’. Bronx pioneer & D.I.T.C legend A.G delivers a show stopping verse on ‘Trembling the Marrow’. There are hypnotic singing performances by Indira May on ‘First Date’ & ‘Open Book’ as well as Hiatus Kaiyote back up vocalist Jace XL on the soul stirring anthem “Figure Out What’s Right”. U.S rappers SickInTheHead & Cazeaux O.S.L.O round out the impressive guest list on the album with their inspired verses.

From Munchen 2 Croydon ... Producer Bobby Slice (Germany), LeoLex (Germany) & The Strange Neighbour (uk) link up to create this international connection ... featuring artists from all over the globe!

Ambitious, complex and hooky breakthru opus by NW english rapper/producer/songwriter Rainy Miller, issued by The White Hotel’s Head II label and featuring contributions from Space Afrika, Blackhaine, Maxwell Sterling, Jam City, Georgia Ellery, Henzo and more. Highly emotive and bruised gear, it’s essential listening if yr into Future, Chief Keef, Drake, more eaze, Rabit, Wayne Phoenix, Iceboy Violet, Kanye, Burial…

No doubt it’s the most cinematic depiction of what makes Rainy tick, with a choral prologue that sounds like a Burial vignette, precipitating a downpour of emotions that veer from tender to seething bass-boosted drill blowouts. The slippery combo of self-skewering and tearful Autotuned vocals and brittle, barely-present electronics immediately and inarguably recall Kanye’s 808s & Heartbreak, but here refracted into greyscale tales of Northern introspection, confidently torched 'n bleary-eyed industrial experiments.

Miller's best known at this point for his work with his college compatriot Tom Heyes (aka Blackhaine), whose ragged drill/power electronic subversions loom large over "Desquamation". But where Heyes zeroes in on viscera, isolation and substance-fueled rage, Miller's compositions are more pensive, melancholy and emotionally fluid, finding hopefulness in supposedly grim terrain on tracks like 'There's A Fiesta MkII On Fire'. "A Fiesta burns bright," he sings, accenting the last word as it collapses into chattering electronics and snatched Rhodes piano loops. It's a glorious amalgamation of influences, folding grime and ambient signals into something altogether new. From here, Miller pushes even further into the abyss, enlisting Space Afrika and Maxwell Sterling to assist on 'Breath, Sigh', a powerful symphony of sheet noise, ice-cold pads and soulful electric piano weaving around Miller's vulnerable voice.

On 'July Iii', the beats are reduced to pinpricks, heaving listlessly between stolen breaths and punctuated kick blasts, ‘while Misery is as Misery Does' revels in negative space, allowing overdriven pads to evoke an anxious tenor for Rainy’s melancholia. 'is 2 Die' grazes the same mood before erupting into a wrecking-ball roll of distorted kick drums and elegiac synths, and Blackhaine shows up on 'Way Out', the pair following 2020's breakout "Armour" with a corrosive back-and-forth, playing to each others' strengths.

Benefiting massively from repeat listens, ‘Desquamation' is an absorbing, deliriously atmospheric re-definition of drill, ambient and rap modes with bare north west soul; an arresting portrait of an ascendant artist attempting to find comfort in their artistic skin, and effectively broadcasting the malaise, uncertainty and future shock of the British working class thru this f*cking grim time of ours.

Unlike countless previous campaigns for his established labels Finders Keepers, Twisted Nerve and various other imprints, Andy Votel hasn’t come here today to try to persuade you to buy his latest record. From the quietest stall on a very niche market these late-to-the party U.K rap recordings simply Needed to be released, for sanity’s sake. And if it’s taken 30 years to do so, then so be it. Dirty laundry doesn’t air at the bottom of the basket. Demons don’t exorcise themselves. Even if you’re not a feline fan, this cat is now out of the bag. Emanating from a “prehistoric” existence, near the end of the last millennium, schoolies Votel and his slightly older college mates, were once best recognised in Mancunian clubs and bars as teenage vinyl nerds and bum-fluffed battle-rappers under the collective name “Violators Of The English Language” (which in acronymic form explains Andy’s own exotic pen-name). As steadfast supporters of the 80’s/90’s Brit-core rap scene coming out of London, the multicultural “Violators...” Mancunian accents were perhaps a bridge-too-far to secure dream-job contracts for humble labels like Kold Sweat and Music Of Life. An unlikely constructive meeting with Gang Starr’s DJ Premier (while Andy helped out at a radio station) and playing warm up DJ sets for countless US rap hero’s might have temporarily added inspirational fuel to the fire, but after an active period combining graffiti, rapping, scratching, obsessive record digging and beat making into their daily operations, adulthood eventually began to rear its unwelcome head. The tragic teenage death of one member was shortly followed by another’s young parental commitments, and then came the concept of “proper jobs”, an avenue that Andy would then partly evade by becoming a DJ and designer for labels like Fat City and Grand Central (who soon invested interest in the crews instrumentals) and the next chapter is now committed to a fertile Discogs database history. A decade later Andy Votel (with his reluctant moniker) and his digging skills would begin to provide direct sample material for the likes of Madlib, Mos Def, JayZ, Nas, Dr Dre, Ghostface Killa and Action Bronson amongst others, and the “Violators…” black book of break-beats and catalog numbers soon began to feed a same-but-different rap beast.

Cookin Soul x Lord Apex
7 Inch vinyl with 4 tracks - The Bullshit / For all my Hustlers + Instrumental versions
Red colourway limited to 200 copies.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

‘Motherbox’ recruits some emcees and vocalists, familiar and fresh, leaving Chuck to hone in on his experimental production which fans may be savvy to through his past work with Gawd Status. Vocalist Maddy features heavily and is joined by neo-soulstress BaggE, established spitters Verbz, Kemastry and Pertrelli, as well as up-and-comers Nelson Dialect, Dango Forlaine and Jet the Shadow. The R&B rhythms balance the more typical head-bouncing hip-hop beats and lure out our protagonists who present their superpowers before us for our enjoyment. The project is spliced with nods to Gotham and the DC Universe as Chuck Enzo continues his superhero aesthetic exhibited before in King Kashmere. Chuck is no stranger to Group BraCil; his production work on Verbz’ ‘Pathways’ and the remix project ‘destructo Disc’ offer the perfect introduction to his style on the label. Much like the mother boxes seen in the DC Universe, this ‘Motherbox’ and its creator can hop

Cappo, Nottinghams finest returns with this drum heavy hip hop banger produced by Doctor Zygote and Jazz T.

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats