Search "hip+hop+kemp+2012" 76 Items

Fukuoka-based soul unit YOHLU's latest single is now available as a 7-inch release on the up-and-coming label Special 10 Records! The cover was drawn by Ho Chi Minh City-based illustrator Daniel Tingcungco. The EP couples the reggae~lovers rock Side A “mokuren,” which takes a step forward into a new realm from the traditional sound based on soul, R&B, and hip-hop, and the straight pop Side B “melty,” which shines with its chorus work.

Collaboration between world-renowned dub creator Hummingbird and Reggae/hiphop crossover rapper Pazoodog! Hummingbird, a dub creator who collaborates with artists from around the world and is active in Japan and abroad, and Pazoodog, known for its free musicality that crosses over Reggae and Hiphop and gaining recognition for its unique lyricism and flow, are now set to release a 7" record! This song incorporates the universal theme of the passing of time into a somewhat mature and melancholy sound with Hummingbird's sophisticated beat along with Pazoodog's unique lyrical flow.

The latest EP, which was released digitally in 2023, is now available on 7" vinyl!

Lantern Parade, a solo project by Tamihiro Shimizu, who has been interpreting dance music in his own unique style since his debut, has released four songs from his latest EP "Yasashi-Sa-dekkakuho" in analog format!

Released two years after his last album "love is the mystery" ('21) on Rose Records, this sampling-driven work is a return to his roots, incorporating the fragile and sweet essence of hip-hop and psychedelic rock, which he admires and respects, with a light and sweet touch. It is a piece with beautiful swinging melodies and a smoky, lyrical sound. The lyricism of the lyrics, the fragile, sometimes spitting, sharp words, and the quietly burning passion of the soul make this urban new soul music a joy to listen to.

Reissue of the cult album by THE Bongo HOP for the 20th anniversary of the Underdog Records label.

Stix Records, a sub-label of Favorite Recordings, presents the 3rd release from its new Mellow Reggae Series project. Following two stunning covers of Bobby Caldwell and Player alongside label mates Ethel Lindsey, Mato is now taking over the famous hit by Sylvia Striplin, this time inviting his longtime friend and singing partner, Lady Gatica.
Produced by Roy Ayers in the early 80s , “You Can’t Turn Me Away” belong to this kind of title recognized by everyone, while Sylvia Striplin remains a name known by just a few. Like always, Mato production skills perfectly fits with the original and his Reggae rendition sounds like coming out straight from Kingston. While with her long experience singing Soul, Funk and Disco, Lady Gatica is also a perfect match for the vocals.
Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

Raise your lighter in the air, Uluru is back with another Reggae Hip-Hop 7”. All the way from Australia we welcome back fellow producer Dj Maars with two new instant classic.

Extra Stylez is Kill Emil's comeback album after four years, a 16-track fusion of Reggae Hip-Hop and Hip-Hop vibes.
Featuring 13 international MCs, the album's global groove is classic yet fresh. Dive into Kill Emil's signature style, seamlessly blending timeless beats with modern energy.

Extra Stylez is a celebration of diverse sounds, showcasing the extra style that defines Kill Emil's musical journey.

You don’t often see Nassau, Covid and Grace Jones in the same sentence but these were in part the starting blocks for the creation of the brand new album Feel UP by DJ Vadim.

If someone had said in 2019 that a year later the world would literally close down due to a pandemic, very few would have believed a word (well, apart from those who have been expecting the apocalypse since yk2). But Covid did indeed come, countries shut their borders, clubs closed, and people retreated into various degrees of self-confinement.

As a very active international DJ, this was nothing short of armageddon for Vadim. The skies were blackened but rather than sink into inactivity and hibernation, DJ Vadim created his own tropical music festival in his mind, an alternative universe which shared some sort of kindred spirit with the recordings at Compass Point Studios orchestrated by Chris Blackwell for Grace Jones (1980-82), James Brown, Ac-dc…

It was a melting pot of world class musicians melding reggae, pop, soul and african vibes… together creating some of the worlds most influential albums of that period and that spirit was the inspiration and the title for this new DJ Vadim album, Feel UP.

40 years on since those sessions, the same quest of discovery descended upon Vadim’s studio in Barcelona. The urge for growth, self-discovery and the creation of new sounds took place. Out went the dubcatcher with its 80’s digital sounds and returned a global musical tapas of sounds.

Inhale, exhale, Feel UP is the soundtrack you never knew you were missing!

Patchword is Manu Shamba's 1st LP album! The French-Swiss singer-songwriter reveals to us through this opus a warm and colorful musical universe, inspired by his travels and enriched by his multiple influences: French song, reggae-ragga, blues, soul and even hip-hop!

A 7-inch record coupling "Tour Of Jamaica", a sample cource of the Japanese hiphop classic "mess/age" by Seiko Ito and Yann Tomita, and one of the selector's must-haves, "Under My Skin", will be released from Think! Records!!

Stix Records, a sub-label of Favorite Recordings, presents the 2nd release from its new Mellow Reggae Series project. Launched earlier this year by Mato & Ethel Lindsey with a stunning cover of the famous “What You Won’t Do For Love” by Bobby Caldwell, the series continues with the same duo, now taking over “Baby Come Back”, the underground AOR/Blue-Eyed-Soul classic from Player.
This time again and likewise could be told about Bobby’s most famous song, “Baby Come Back” can be considered as a “One-Hit Wonder”, reaching #1 on the US Billboard Hot 100 in 1977, while very few people might be able to name who performed it. Like he always does, Mato delivers an outstanding version, delighting us with his matchless skills for dub production. Already perfectly matching on Bobby Caldwell’s rendition, Ethel Lindsey ensure again the perfect vocals over Mato’s production. Currently preparing his 1st album to be released on Favorite Recordings, Ethel has a long music and singing experience, unless an almost blank discography. From his very young age, he’s developed a deep passion for AOR and Blue-Eyed-Soul style.
Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

Another well overdue re-issue, this time its Shepdog's massive "Bigger Than Jamrock" which laces a classic dancehall track with one of the biggest hip hop basslines known to man. First released in 2006, it was this tune that put Shepdog on the map as a mash-up maestro!

On the flip is a brand new blend and one that you really can't believe hasn't been done before! Taking the vocal from that massive hip hop bassline banger and putting it on top of the biggest dancehall bassline of all time, its not rocket science but sure does lift off any dancefloor when played.

Stix Records, a sub-label of Favorite Recordings, presents this new stunning single release by Mato, this time taking over the famous hit of Bobby Caldwell, and inviting for the occasion newcomer label mate, Ethel Lindsey (1st album upcoming on Favorite Recordings). After the recent success of his Summer Madness / Maiden Voyage single, quickly followed up by the release of Jazz-Funk Dub Tribute LP, Mato and Stix got keen to pursue their journey within the wide and miscellaneous American groove music repertoire. In September 2022, just after the release of this same LP, Pascal Rioux (a&r of Favorite and its sub-labels) submited to Mato the idea of the Bobby Caldwell’s song and the start of a new “Mellow Reggae Series” focusing more specifically on the so-called AOR and BlueEyed-Soul genre. “What You Won’t Do For Love” by Bobby Caldwell, is one of this instant classic known and heard at least once by almost everyone on the planet, although its performer still remains quite unknown for most. With this thrilling version, Mato strikes again our ears of his matchless skills for dub production and the magic happens again. And while it was not an easy task to walk in the footsteps of Caldwell’s vocals, under the radar and upcoming singer and composer Ethel Lindsey sounds like a perfect match for the song, he just killed it with his soulful singing and great feeling. Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

Junior Cat is one of reggae music's most prolific artists. An icon, Junior Cat"The Wild Indian," is known by reggae and hip hop fans across the globe for his dapper Bad Azz style that made the fellas crave and adoring ladies rave over his deliv-ery of edgy lyrics that ricocheted through dancehalls and stages in the 90s with hit classics like “Iron Gloves”; “Top Dog”; “Anorexal Body”; and as featured in the mega-hit movie “Shottas”, “woulda let you go”. Junior Cat is the Don that lesser deejays imitate but never duplicate.

For this second volume of the album Blooming, also composed of 4 tracks and 4 dubs, Faygo blossoms a little more and reveals new facets through three different pens. With always for objective to incorporate the widened range of musical influences of each member of the group.The collective compositions, carried by the various authors, also endeavor to preserve the harmony, continuity and overall consistency with the first opus.The copper section and the choirs are also renewed to preserve this coherence in the musical color of the whole.On substance, the guideline of this Blooming is without any doubt the commitment for a return to the essential, by questioning us on what is good for humanity while acting to preserve our environment and our planet. Themes that are dear to the values of Reggae, which are unfortunately still relevant and which, more than ever, need to be reaffirmed.The tour in Thailand in the spring of 2020 will once again be anchored in Blooming #2 with the participation of Masia One. The band met twice with this Singaporean artist with hip-hop / reggae / dub influences during their Thai tour. Since these meetings, a regular exchange was set up and allowed the production of various collaborative pieces.

Beat smith RED ASTAIRE (AKA FREDDIE CRUGER) returns with some crucial instrumental cuts from the 3 volumes of the "NUGGETS FOR THE NEEDY" series. The NUGGETS INSTRUMENTALS DLP features 'FOLLOW ME","MOVE YO ASS","COME DOWN " & more sounds of Lo Fi Hip Hop, Downtempo & Latin in full color jacket!

After the release of their hugely popular !Turn Up the Heat" debut album which reached No.2 in the Itunes Reggae Charts, featured the cream of the UK dub scene and was released through Trojan Reloaded in 2020, Reggae Roast are back with a brand new release, guaranteed to set dance floors alight this summer. The double A side release features true MC legend Ranking Joe from Jamaica, as well as Reggae Roast Soundsystem front man and award-winning vocalist Donovan Kingjay.
The lead track is a contemporary take on the classic Stop That Train" by Kieth & Tex with Donovan"s sweet vocal take on the original the perfect complement to Ranking Joe"s quick-fire lyrics.
Mr Bossman is a killer 90"s dancehall style track with Donovan lamenting the treatment received by workers from their bosses in their fancy cars and houses, while people like him are stuck in poverty. A sentiment felt by many across the land in these difficult times.
Reggae Roast have established themselves at the forefront of the UK Reggae / Dance- hall scene with a string of forward-thinking productions, with their debut album reaching No. 2 In the iTunes Reggae Charts. Reggae Roast built their following running one of the capitols most loved and long-standing Reggae Soundsystem parties.
This EP epitomises the sound that they have been championing for over a decade, witha nod to 80"s and 90"s nostalgia they are simultaneously bringing the music into a new era.
Ranking Joe is one of the original mic men to chant or chat lyrics on the mic. Along with artists like U Roy and Little Roy in the 70"s and 80"s, their style influenced a slew ofother deejays or Rappers who would talk on the mic and hype up the crowd. This technique of chatting on the mic was later adopted by DJs in New York like Kool Herc and it later developed into their own style: Hip Hop and later in the UK as grime. But before rapping ever existed Ranking Joe was one of the first to originate the style. His first release was on the legendary Studio One in 1974 and he has been active ever since with releases on Greensleeves, Joe Gibbs, Trojan, Ariwa and many more.
Donovan Kingjay is the Reggae Roast Soundsystem Front man and award winning vo- calist. As a figurehead of the UK Reggae scene his soulful voice, and charismatic per- sona make him one of the UKs most sought after singers. He has twice won Best UK Vocalist at the UK Underground Music Awards and continues to release consistently quality output through various labels across and UK and internationally.
Reggae Roast are in full flow working on a new album, and with the covid recovery look- ing promising this summer, they are bringing back there Soundsystem parties too.
Look out for Reggae Roast in a field or venue near you in summer 2021!

RED Astaire (aka Freddie Cruger) drops the 12 more dope tracks influenced by classic reggae, hip hop, R&B, downtempo and dub vibes. Includes several hard to find/out of print gems including "ghetto Hell", "mambo EL Kingston" and a previously unreleased version of his classic "follow ME". Full pic sleeve. Don't miss!

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music. On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love! On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!" Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

Popcaan first unveiled his latest project titled Fixtape via Unruly / OVO Sound last year.



Fixtape includes a star-studded lineup, such as the Nineteen85-produced track “twist & Turn” featuring Drake and Partynextdoor. Additional guest appearances include French Montana, Preme, Masicka, Stylo G, Dane Ray, Frahcess One, Tommy Lee, and Jada Kingdom. Fixtape continues Popcaan's historic narrative as one of the most prominent global superstars in the reggae space today. It is also the follow-up to his Vanquish mixtape, which was released after it was announced that he had signed to OVO Sound.



The 19-track body of work is powered by Popcaan’s potent energy, lyrics, and unique amalgam of genres from hip-hop to dancehall and pop. Fixtape is further proof that his cultural appeal spans from the streets to the club.

The Hempolics return with ‘Kiss, Cuddle & Torture: Volume 2’, the follow-up to their triumphant 2017 album which won them accolades including a BBC 6 Music ‘Album Of The Year’ selection. The new release builds on their trademark mash-up sound of reggae, dub, soul and pop but explores new territories with elements of hip-hop, shoegaze and trip-hop welcome additions to the mix.
As with Volume 1, the release is underpinned by the masterful production of main man Grippa – an engineer who cut his teeth working with Faithless – and he’s once again joined by unmistakable Hempolics vocalists Dandelion and Nubiya, who continues to turn heads with her Amy Winehouse meets Hollie Cook timbre.
Highlights of the album include the upbeat soul and reggae hit ‘Play On’, the trip-hop meets dub-influenced single, ‘Full of Surprises’, and the British reggae-funk stomper ‘Bongadashi’. ‘Gotta Thing’ sees the band deliver a fast hip-hop house track laced with classic Hempolics’ reggae flavours, vocals courtesy of Miami rapper Cojack, whilst ‘Place Is Here’, written by Grippa alongside Faithless vocalist Pauline Taylor, is a 90’s shoegaze influenced cut with a languid psych groove.
These releases are to be collected, and hopefully Volume 3 isn’t too far away.

The Hempolics return with ‘Kiss, Cuddle & Torture: Volume 2’, the follow-up to their triumphant 2017 album which won them accolades including a BBC 6 Music ‘Album Of The Year’ selection. The new release builds on their trademark mash-up sound of reggae, dub, soul and pop but explores new territories with elements of hip-hop, shoegaze and trip-hop welcome additions to the mix.
As with Volume 1, the release is underpinned by the masterful production of main man Grippa – an engineer who cut his teeth working with Faithless – and he’s once again joined by unmistakable Hempolics vocalists Dandelion and Nubiya, who continues to turn heads with her Amy Winehouse meets Hollie Cook timbre.
Highlights of the album include the upbeat soul and reggae hit ‘Play On’, the trip-hop meets dub-influenced single, ‘Full of Surprises’, and the British reggae-funk stomper ‘Bongadashi’. ‘Gotta Thing’ sees the band deliver a fast hip-hop house track laced with classic Hempolics’ reggae flavours, vocals courtesy of Miami rapper Cojack, whilst ‘Place Is Here’, written by Grippa alongside Faithless vocalist Pauline Taylor, is a 90’s shoegaze influenced cut with a languid psych groove.
These releases are to be collected, and hopefully Volume 3 isn’t too far away.

The longtime portuguese dj-producer DEDY DREAD lands on DJ’S CHOICE label for his first full-on original production. "Don't Wanna Wake Up" kicks off the collaboration with the soulful Hawaiian-born singer OLIVIA RUFF, a velvety warm r’n’b banger which will certainly tear through the airwaves. On the flip side, a “bikini-dub” version by THE REBEL - helped by the sax of Danilo Desideri (Funkallisto) - which will make you wish summer comes sooner rather than later. Published and worldwide distributed by the Italian cinematic label Four Flies Records.

On the 50th anniversary of the band's inception at an event in Harlem, NY to commemorate Malcolm X's birthday on 19 May 1968, influential spoken word artists, poets and commentators The Last Poets are set to make a glorious and relevant return with their first album in over 20 years, 'Understand What Black Is'.
Produced by Ben Lamdin (Nostaglia 77) and Brighton legend Prince Fatty, whose speciality is traditional reggae and dub production's, 'Understand What Black Is' is a ten-track album which speaks of a revolutionary struggle defined by both race and identity, that has never sounded more relevant. Released on Studio Rockers, there will also be an accompanying single featuring remixes of the title track "Understand What Black Is" by Mala (South London collective Digital Mystikz) and UK Dance music innovators Dego and Kaidi.
Since the initial line-up of Dahveed Nelson, Gylan Kain and Felipe Luciano formed in East Harlem's Marcus Garvey Park, The Last Poets have produced under various guises over the subsequent years. However, it was their seminal output, namely 1970's 'The Last Poets' under both Umar bin Hassan and Abiodun Oyewole that secured their legacy, becoming one of the most important influences in early hip hop.
Throughout the last 20 years, the band have remained largely on hiatus. But their influence could still be felt with their tracks being sampled by The Notorious B.I.G, NWA, A Tribe Called Quest, Dr.Dre and Snoop Dogg. Umar has recorded various solo albums and featured on Common and Kanye West's Grammy Nominated 'The Corner'. Abiodun appeared on the Red Hot Organization's album, Stolen Moments which was named "Album of the Year" by Time. He also conducts weekly open house poetry readings, where he constructively critiques upcoming poets, helping to nurture them. He has also conducted classes at Columbia University, where he teaches creative writing.
The inauguration of Donald Trump as US President in 2016 inspired Hassan and Oyewole to resurrect the group to create a brand new record, modern and edgy, and deeply relevant and reflective of our times.
Tracks on 'Understand What Black Is' include 'How Many Bullets', which bridles with defiance as Oyewole works through a litany of injustices suffered by black people in the US: " You've Tried
To Blow My Brains Out With Bigotry, Chopped Off My Wings, So I Couldn't Fly Free, And Dared Me To Be Me, Took My Drum, Broke My Hands, Yanked My Roots Right Up Out Of The Land, And Riddled My Soul With Jesus" 'What I Want To See' describes a utopia - a refuge from hurt and those who'd make "our vision blurred, and our faith obscure", whilst the title track 'Understand What Black Is' aims to transcend ethnicity: "understand what black is….It's the source from which all things come...black is a hero, not a villain."
The album even takes reference from Prince's 2003 album of instrumentals, 'News', which Hassan drew comparisons from with his own childhood experiences: "That poem took me about a year to write….I just kept writing and writing but not getting too far and then I heard that album and the musicianship was amazing. I was left wondering if it was jazz, classical, rock or maybe something new but all those images that I write about came to me from listening to that album. I loved Prince in that movie Purple Rain because my father was a talented musician but he was into brutalising Mama at times and in the movie there's a Jerome and my name is Jerome, so it was like he was telling my life story as well."
The album acts as a body of work between individual members each speaking of their own personal journeys, but feeding into the much larger narrative of struggle and oppression, alongside a fervent hunger for social change. These are struggles and tests of personal resolve that have directly shaped and moulded the bands' unique sound over the course of an impressive 50 years, and their powerful and influential commentary remains as relevant as ever.

Check out this classic Roots material by Winston Shan & The Hippy Boys and Winston Sinclair & The Hippy Boys from around 1969!

Dreadsquad, AKA Marek Bogdanski, returns to the scene with the second and third instalments of his Riddim Machine series. As part of a collaboration consisting of Dreadsquad’s own Superfly Studio and the renowned Moonshine Recordings, listeners are in for a treat, courtesy of Poland’s most prolific reggae dancehall producer. As ever, Dreadsquad manage to encapsulate all evolutions of reggae – from rocksteady , roots and rub-a-dub to dancehall and dub – all with a present-day twist to keep the bass bins rumbling and the people skanking. Both volumes will be available in both vinyl and digital format, so there’s no excuse to miss out! Volume 2 is laced with an amalgamation of characters from the Reggae/Hiphop/Soul scene, featuring the likes of Kojo Neatness , Gardna, El Fata, Dub Princess, Tenor Youthman, Takeyce-Ti, Monkey Jhayam, ManeceLive or Greg Blackman in his soulful roots tune Clean Up. Among a plethora of sublime productions, with throwbacks to the old sounds of early reggae, roots and rub-a-dub, there’s the highly anticipated anthem Issues (previously released on Bun Dem Riddim), with none other than the mighty YT on microphone duties . Keep an ear out for the remix of Chainska Brassika’s Knowledge Is King (featuring Tom Spirals); there’s some serious stepping to be done to this riddim. The closing track for this volume is more than worthy of a mention, as ‘Space’ manages to deliver a transcendentally meditative dub vibe to bring the record to a close in a suitable fashion.
Both volume of Riddim Machine feature artwork illustrated by Kasia Wilk. The releases will be available digitally, via most online download stores (iTunes, Juno, Bandcamp, Amazon, etc.), as well as a physical vinyl release, available at most usual vendors.

Check out this classic Roots material by The Imperials, Al Senior Pone, Ranny Williams & The Hippy Boys from around 1969!

Check out this nice Roots material by Derrick Morgan & Desmond Dekker from around 1968!
Beverley's All Stars are featured on the B-side.

Check out this classic Roots material by Derrick Morgan from around 1967!

Finally these great recordings from around 1968 and 1969 are available again on vinyl.

These 1968 recordings for producer Derrick Morgan both get backed from the same Lynn Taitt & The Jets track. “Trying to Keep Me Down” is previously unreleased.

Stix Records rounds up all recent Mato’s 7inches anthems into this extended player, with all the cuts remastered for the occasion ... this collection
also includes four unreleased hits: “Gangsta Lovin’” by Eve, “La Saga”
by IAM, “Whateva Man” by Redman and “Off The Books” by The Beatnuts.

New repress of the first album "Midnight Walkers". We have used the same vinyl metal works as the first 2012 pressing.

After several releases on 7 and 12inch, Stand High Patrol, the french crew of Pupajim, Rootystep and the legendary Mac gyva is back with a long awaited LP. With strictly brand new killer dubadub, digital and hip hop tracks including crazy echos, “Midnight Walkers” is totally unique! It contains all elements of a Stand High live session and offers an evolving dubadub. With the crazy voice of Pupajim and totally timeless dubs, the first album of the three “dubadub musketeerz” deals with the particular originality that made of Stand High Patrol one of the toughest dub sound system of France. Every bass addict and every dub fan should enter the Stand High experience. If you are ready, fasten your seat belt and run the track! We hope that you will enjoy the flight!

The King of “Reggae vs Hip-Hop” remixes is back with a new and last LP collecting all his 7inches released over the past few months and a bunch of unreleased new Rocksteady remixes, done for the occasion. Yaaaayyyyy!

Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

Stix Recordings rounds up all those essential Mato 7" anthems onto this extended player, with all the cuts remastered for the occasion! Includes two unreleased hits featuring Blackstreet (No
Diggity) & Snoop Dogg and Dr. Dre (The Wash). Woopiwoop, that's the sound of reggae-hip hop perfection!

Vinyl has a few marks, is almost VG+ though. Cover in great shape.

Emotional Rescue and Jamwax come together to present the first of three essential 12's from NY/Jamaican label Capo Disco, all officially licensed and remastered for the first time. The brainchild of reggae vocalist, musician, producer and label owner Glen Adams, the label married disco with his Caribbean roots to perfection. TIP! Born and raised in Jamaica, Adams story is a similar one to the performers of the golden period post-Independence. Initially discovered as a vocalist by Coxsone Dodd, he went on to work with such luminaries as Ken Boothe and Stranger Cole before co-founding The Heptones and working Duke Reid, Bunny Lee and Lloyd Charmers.
As a session organist he worked for The Hippy Boys, The Reggae Boys and later with Lee Perry's The Upsetters. Here he came in to the orbit of The Wailors, touring England with them in the early 70s and with Perry co-wrote Mr Brown. When most of The Upsetters became Marley's rhythm section, Adams stayed with Perry before making the move to Brooklyn in 1975.
There he started Capo Records, running it and it's sub-labels, successfully until the mid-80s. During these later years he ventured in to mixing Reggae with Boogie and Disco rhythms and released just four 12's under Capo Disco as well as recording boogie and hip-hop influenced releases with T Ski Valley and as Glen Adams Affair for SAM and Moonglow Records.
Here then the spotlight is on Adam's nascent disco releases and the series starts with the wonderful, uplifting A Beat For You. Actually appearing on a one off sister-label, Top Secret, this is a beautiful 'Lovers' anthem from Adams over a laidback dub-bass riddim. Backed with a simple instrumental Version, the space and interplay of the keys and guitar over drum and bass is superlative. 'There is a beat in my heart, just for you...just for you.'

master bag