Search "HHV Exclusive" 421 Items

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.



The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

Operation Sole like the summer, hopefully, imminent; “Operazione Sole” like the 1967 song by Peppino Di Capri, considered, perhaps wrongly, the first ska in Italy, but certainly the first to talk about Jamaica and upbeat rhythms. The record you have in your hand is intended to be a testimony to how much the sounds born in Kingston between the '60s and '70s had a significant influence on local pop. With the first explosion of reggae in England between 1968 and 1970, as well as with the rise of Bob Marley to a worldwide cult phenomenon, parallel to the all-English phenomenon of Two Tone and the ska revival, Italy, always attracted by the new trends not only English, he certainly couldn't stay on the sidelines. Therefore these innovative and unknown upbeat sounds, derived from the blues of the 1950s and mixed with a Caribbean sauce, have also taken hold in the Bel Paese. It began as early as 1959 with the song “Nessuno” by Mina, considered to all intents and purposes a Jamaican shuffle, to arrive in a few years at blue-beat (I4 di Lucca, Claudio Casavecchi) and ska (Margherita, Peppino Di Capri , Silvano Silvi, Renzo and Virginia) and be exposed to the first reggae (for example Jo Fedeli and his Italian version of “Israelites” by Desmond Dekker). Thus, we quickly reach the end of the decade of the economic boom and the culture, styles, references change: everything becomes more busy (on a cultural, artistic and political level). After a stalemate phase that lasted more than five years, Bob Marley's reggae (considered a sort of new Messiah) conquers the planet, including Italy: the producers and artists, even at a high level, for a few years do not remain at all indifferent to this novelty and decide to introduce the "upbeat", primarily reggae, into the various pop repertoires: well-known names such as Loredana Bertè, Mario Lavezzi, Rino Gaetano, Ivano Fossati, Ilona Staller, Adriano Celentano, Edoardo Bennato throw themselves headlong into new sonic adventures, in a pioneering way, but often with excellent results. The "Operazione Sole" collection wants to take the credit, instead, of proposing and discovering lesser-known artists (with the exception of Gino Santercole, former associate and relative of Il Molleggiato), often real meteors in the Italian musical panorama, who have tried to achieve (or achieve again) success by adapting the pop that was so popular in those years to the new black sounds prevailing in the West. We are in the early 80s and we range from the most classic reggae, to Italo-disco contaminated by dub up to the true Neapolitan style which, on more than one occasion, in its being endemically "black" and full of groove, has wrung out the watch out for agreements made in Kingston and London. “Operation Sun”: a pleasant philological work, but surrounded by an equally pleasant aura of disengagement.

From the archives of the late great Philip Smart, 20 Track Double LP, all from master tapes - vocals, rhythms, deejays - ALL Previously Unreleased fire from the inner circle of Tubby's studio in the mid '70s. Real deal dubplate biz, not to be missed!

The third and concluding edition of the Transmissions compilation series curated by IOJ Jura Soundsystem. The compilation focuses once again on rarities no longer available on Vinyl and touches upon Reggae & Dub, Ambient House, Downtempo and Leftfield Disco. Mixmaster Morris in his Irresistible Force guise opens the album with the Ambient Electronica of ‘Lotus Position’, a long time favourite that’s been unavailable on Vinyl for nearly 30 years. Full Moon Scientist pick up the Ambient Dub baton with ‘Lunar Base Dub’ segueing into Australia’s Rude Band, featuring Oz radio royalty Doug Mulray on the aptly titled ‘Doug’s Dub’ originally released on Oz Sounds in Australia in 1982, a true Balearic gem recorded long before the genre had been widely discovered. Other highlights include Mary House’s ‘Ambient’, a chuggy slo-mo piano houser originally the last track on a 7 track EP released in 1991 on Italian label Technology, and ‘Do It’, an obscure South African track by Inspiration which covers the music from Sylvester’s ‘I Need Somebody To Love Tonight’ paired with new vocals using the refrain ‘Do It’. Jean-Michel Bertrand gave his blessing to a special Jura Soundsystem version of ‘Dream Reggae’ which features long time collaborator Mike Burn adding lead and rhythm guitar to an extended edit of the song. The album closes with some Ambient Tools which should serve to raise a smile at the end of the series.

Single LP 13 Tracks

Beautiful Songs from the Studio One Archives (First Release 1997)

Limited to 100 copies on lime green vinyl. Only available at hhv.de

Kamikaze Dub by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for Jamdung distributed exclusively by Kudos in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why ""Kamikaze Dub"" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie Essensial.

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

A mixtape of Studio One 12" singles, including some very rare stuff. All recorded from vinyl.

King Most is a revered American edit and remix master who is back with yet another big vinyl drop. This one is the first on his own new KM label and has already, we're told, been getting some high-profile plays from the likes of A-Trak. The A-side pairs off two epic classics - 'Bam Bam Tom Tom Club' has that languid, ass-wiggling groove you know and love with a twisted reggae vocal to make for something brilliantly original. The B, meanwhile, is a vinyl-only exclusive pack with Jamaican sunshine. 'Reggae For Roy' is perfectly organic and horizontal with its new reggae beat delivered under a classic Roy Ayers vocal.

HHV exclusive vinyl edition on multi-colored vinyl, limited to 100 copies. Only available at hhv.de!

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers. Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'. The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs. 'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

Great Disco-Reggae versions of classic hits by some artists as diverse as Madonna, Herbie Hancock, Justin Timberlake, The Commodores, The O'Jays, Curtis Mayfield, Harry Nilsson or Sugarhill Gang.

This album from an Italian-based production outfit on Aloe Vera Records celebrates the label's early years and the unique style of one of the imprint's key acts, The Officinalis's. They were known for classics like 'Si Comme' Si' and for blending. Naples and Jamaican musical cultures. Aloe Vera Records skilfully merged these worlds in their output and created a distinctive and recognisable sound that bridges past and present. These are all well-crafted sounds with warm low ends, rich bass and plenty of loved-up melodies that make it a nice escapist listen.

From 1968 through to the mid 1970’s the reggae beat began to slow down,some say due to the extreme heat hitting down onto Kingston Town and its surrounding enclaves. People needed something less strenuous to dance to. The Ska and Rocksteady Sounds (see 101 Orange Street Ks007) that rocked Jamaica previously, had now found a slower tempo and become more ‘Dread’ lyrically to suit the times. Reggae music has always moved within the social climate it found itself in and this set here, as we ‘Return To Orange Street’ was Roots Rock Reggae Time....

The Vintage sounds collection is well known for all the albums gathering the best of a musical style in a beautiful vinyl ! Theses two albums introduce two important trend part of huge Music Family - Reggae Dub and French Rap by introducing the best of the artists that create or influence each style.

RSD Exclusive, Limitation: 1500

1979’s Just A Man reveals an early version of lover's rock master Beres Hammond, an R&B/ Disco crooner – and quite a convincing one. This 1979 album presents a who's who of reggae heavyweights and contains the highly-sought-after UK Soul hit “Do This World A Favour,” plus seven other full length and funky tracks that treat listeners to a different side of Beres’ roots.
This newly re-mastered, colored vinyl edition will feature the super-rare “Rolls Royce cover art,” originally released on the Joe Gibbs label. It was produced by Joe Gibbs, arranged by Willie Lindo, and engineered by Errol Thompson. Featured musicians include Val Douglas, Mikey Chung, Dean Fraser, Clive Hunt, Harold Butler, Robbie Lyn, and Pam Hall on vocals.

Deeeeeep from the Ariwa archives... all unreleased music on here. Sounding absolutely essential to us. Dates of production uknown at time of writing...

The A Side is a Mad Professor produced version of Aisha's 'Give a Little Love', given the UK treatment. The Dub is a proper roller.

Side B is the unheard African Message Dub (Parts 1& 2). Recordings ft Jah Shaka on bass, Norman Grant (Twinkle Brothers) on Drums, Sgt Pepper and Mad Professor on the desk. Masterful UK Dub from these key figures.... pulled out of nowhere.

Not to be missed!

The early Reggae sound that came out of Jamaica between the years 1968 and 1971 became the soundtrack to the skinhead movement in the UK. Not only was the music embraced but also the dress style of the Jamaican Rude Boys.

The skinhead style started around 1968 and by the following year 1969, had become the style and fashion of the British teenagers. The uniform of the skinheads consisted of boots, braces, button down shirts and jeans and the upbeat reggae sounds seemed to match the style perfectly. The tempo of the music in Jamaica had previously slowed down from the more up tempo beat of Ska to the calmer pace of beat called Rock Steady. Some say this was to match the extreme heat wave that was hitting the island between 1966 and 1968. But that period had now passed and the evolution of the Reggae beat had again found a new pulse to hang its songs by. A more up tempo beat that all Jamaicans, British youths and various pockets of people around the world could groove to.

We have selected a cross section of tunes from those heady times, so sit back and enjoy some of the tunes the youths were listening to when the Skinhead Shuffle was all the rage. Hope you enjoy the set….

Here is the much anticipated volume 4 of the HOT SAUCE compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975.
HOT SAUCE VOLUME 4 features outstanding original Rock Steady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits.
The record labels showcased on this fourth volume are Amalgamated, Big Shot, Duke, Explosion, Grape, High Note , JJ Records, Treasure Isle and Trojan.
The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity.

RSD Exclusive, Limitation: 1200

Reggae superstar Mykal Rose, original voice of the Grammy Award-winning Jamaican group Black Uhuru, steps into the future with Lee "Scratch" Perry's former band, NYC dub specialists Subatomic Sound System and London lover's rock queen Hollie Cook on the new collaborative full-length album, Rockin’ Like a Champion. This RSD Black Friday release is the first vinyl pressing, and features a different mix than the digital release.

"play ON MR. Music”, one of the legendary songs from the recording scene of the documentary film ‘roots Rock Reggae’, which fascinated reggae fans all over the world, is finally available on record! This is a compilation of recordings from the Black Ark Studios during the heyday of the maverick Lee Perry.

Following on from the recent super-deluxe box set edition of The Mystic Revelation of Rastafari"s "Grounation" Soul Jazz Records are releasing a new edition of the group"s celebrated "Tales of Mozambique". This new limited edition is released as a one-off pressing purple vinyl double album and a one-off purple CD. Sleeve design also comes as a new purple version. Soul Jazz Records are releasing Count Ossie and The Mystic Revelation"s seminal 1975 album Tales of Mozambique in an expanded double album/single CD, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview. Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley"s promotion of the faith internationally in the 1970s.

Here is the much anticipated volume 3 of the HOT Sauce compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975. HOT Sauce Volume 3 features outstanding original Rocksteady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits. The record labels showcased on this third volume are Amalgamated, Duke, Gayfeet, Grape, Harry J, Rio, Randy’s, Treasure Isle, Upsetter and Trojan. The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity. These tracks are all outstanding tracks, “killer tracks”, there is no “filler” whatsoever. Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side. HOT Sauce is a musical journey across early Jamaican Reggae - highlighting its diverse musical genres and outstanding artists – as it was once published by the U.K. record labels during this golden decade… Since the early 70s “Tighten Up” series, no compilations have really explored these labels in depth on vinyl.

0.0