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Another killer and rare Reggae reissue by French imprint Jamwax !!!

Emotional Rescue and Jamwax end their Capo Disco series by returning to Glen Adams and his cover of Bob Marley’s classic. The early 70s Lee Perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his Capo Crew works a killer dub flipside.
“Fussing & Fighting” was originally released on the 1971’s Soul Revolution album and for many came during the pinnacle of Bob Marley & The Wailers output, before the smoothing out of their sound during the later “Island” years. Whichever, the guidance and collaboration with Perry transformed the Wailers from a successful Ska / Rocksteady group towards a visionary, conscious, crossover phenomenon.
Perry’s in-house band, The Upsetters, lent so much to this early period, the brothers Aston and Carlton Barrett creating a perfect drum and bass bedrock. With Glen Adams on organ, the original version known simply as is an incessant, rumbling message and in that light, Adams return to it over a decade later makes justified and righteous sense.
Actually released on both Capo Disco and Marley’s own Tuff Gong, Adams’ vocal marries a disco-dub and guitar groove, dropping, in the latter half, right down to tambourine into perfectly stretched Discomix.
Things get even more laid out on “Mad Blank” aka the version. Riding the desk, “Capo” lets each instrument time and space, dropping to just a kick and dubbed piano before slowly coming back with hats, guitar and then when the bass comes, the Gospel purity of dub reggae shines, all before the teasing fade calls for a rewind. Rest and rise, Glenroy “Capo” Adams.

Killer early '80s lick of the Java rhythm with the soulful voice of Roman Stewart on top and the inimitable Heptones on harmonies. First time reissue, direct from master tape.

Another previously unreleased killer from the early '80s Radics / Scientist days, this one was played on dubplate by Volcano in JA and Jah Life in NY, alongside other cuts of the rhythm (also eventually to be released). This is Peter Ranking the singer, not the more well known deejay.

Features the roots veteran Prince Alla, school mate of producer George Nicholson. "Can't Fool I" has Alla voicing over a killer rhythm cut at Channel 1 with the Revolutionaries back in 1978, at Tasha's first ever recording session. Finally voiced and mixed again over 40 years later, to great effect. The flip side "Easy Skanking" has Alla in fine style over a great new rhythm licked by Danny Bassie of Firehouse Crew and long time Channel 1/Tasha associate, the one and only Barnabas. Both sides previously unreleased.

Seminal Ska all-time Anthem on new clean loud pressing. Originally released in 1965 in Jamaica and UK, the Skatalites insanely addictive ska tune always sounds fresh and fills any dancefloor! Check the stunning ska dancer tribute to Marcus on the flipside - killer. 100% Essential!

"If You Were Only Mine" is one of Tanamo's most popular songs. Lovely ska vocals start with a beautiful, flowing, gentle horn theme. A great song backed by the Skatalites in their prime. The coupling is a killer ska tune by Don Drummond. "Bellevue" is the name of the mental hospital where Don Drummond spent his life until his death in 1969, after he was arrested for the murder of his girlfriend Margarita on New Year's Day, 1965. This is the last recording of the greatest trombonist in Jamaican history, who lived up to his name as a genius. You can hear Don's heartbreaking cry along with another take of "No More" recorded on the album.

This killer double sider is the first release of the stunning “Bookie Man - What’s Wrong With You”. It was previously released as a blank label only in 1968 and was wrongly credited to The Bleechers. On the B side, “Bookie Man” is a completely different song,and it is a rare and brilliant track in its own right. It is also the first time the two “Bookie Man” songs are featured together on a 7inch.

Yet another killer double sider with the first repress of the very rare and terrific "Good Time Rock". Extremely in demand, this rocking track has never been repressed on 7inch vinyl until now. The B side features another rare and wicked tune from Hugh Malcolm. Absolutely essential.

This is the very first reissue of the much in demand double sided killer single released in 1970 on the Upsetter label. Both tracks were produced by Lee Perry. The A side is a beautiful yet wicked cover of LET IT BE by the Beatles, produced by Lee Perry and performed by the Soulettes. The B side is BIG DOG Bloxie, an even wackier version of the A side by Lee Perry!

Lee Perry’s playful nature credited this 45 to Jane Fonda’s character in Klute!! About as post-modern as you can get. The music is a storming uptempo joy ride. ‘I may forget your name but not your face’ possibly relates to the story of ‘Klute’ which obviously caught ‘Scratch’s’ attention. Comes with a lush version on the flipside. A custom printed sleeve as well. ‘You build me up and get me high’. Killer

Originally "Stop Your Killing" by El Roy on the MSR label, run by London reggae group Mighty Soul Rebels. Produced by Melos Dockeray, 1977.

“Best Dressed Chicken in Town” is the debut album by Jamaican deejay Dr. Alimantado. It was first released in 1978, and collects many of his self-produced singles from 1972 to 1977, employing the engineering talents of Lee Perry, King Tubby, and Scientist.

It was the first album released by Greensleeves Records, and found favour with followers of both reggae and punk rock in the United Kingdom. The album employed several major hits as the basis for the tracks, including Horace Andy's versions of "Ain't No Sunshine" (on the title track) and "A Quiet Place" ("Poison Flour" and "I Shall Fear No Evil"), John Holt's "Ali Baba" ("I Killed the Barber"), and Gregory Isaacs' "Thief a Man" (on "Gimmie Mi Gun") and "My Religion" ("Unitone Skank"). The album was described by The Independent as "one of the finest albums from reggae's golden age".

The front cover photography is credited to D.K. James and the back cover artwork and photography to David Hendley.

Jamaican deejay Shorty The President may have been one of the more obscure figures to rise from the Kingston sound system scene, but the impact he made on vinyl recordings during the 1970s is no less important and his work remains coveted by reggae connoisseurs. Born Derrick Thompson in rural Trelawny in 1949, like many of his peers, he moved to the Jamaican capital as a teenager in search of better opportunities. As he gravitated to the Rastafari faith, an affiliation with the sound system Conquering Lion sparked interest from producer Rupie Edwards, who produced debut hits “President Mash Up The Resident” and “Yamaha Skank.” Edwards issued debut album Presenting Shorty The President in 1976 and after sparse work for Enos McLeod, Joe Gibbs, Pete Weston, Winston Riley and Keith Hudson, sophomore album Fire Fire was produced by Bunny Lee in 1978, with Shorty riding typically tough Aggrovators rhythms of the day, including Ronnie Davis’ updated version of Bob Marley’s “Kaya” and The Cables’ “Baby Why,” Delroy Wilson’s “Have Some Mercy” and Barry Brown’s take of Wilson’s “I’m Not A King,” as well as killer cuts of Brown’s “Natty Roots Hold Them” as “Roots Man” and “Best Thing In Life” as “Do My Thing.”

The year is 1978 and one hot thing from the musical underground is Reggae music from Jamaica, the USA or UK, where most of the acts had musicians of Caribbean descent. Reggae had the groove, the rebel spirit and the relaxed attitude all in one, to enchant a big part of the world’s inhabitants. And while at least Jamaica as a relatively poor and so called „Third World“ country proved to spawn Reggae acts of highest quality, literally nobody dared to look further and dig deeper into the underground except of a few maniacs who were not satisfied with spinning Marley over and over again. And maybe they stumbled over the 1970s Afro Beat sound from countries like Zambia or Nigeria and then got interested. What did they find in the simmering metropolises of this still mysterious continent? Somewhere in Nigeria they would have certainly caught a glimpse on mind blowing performanes of THE SEA Lions, a six piece group mixing the then hip Reggae and Afro Beat styles to generate fresh and furious music with a hypnotizing atmosphere. Polyrhythmic beat patterns build the foundation, the utterly fruitful soil for the heartwarming melodies wailed out by the guitars and the commanding vocals with their conjuring charme. Great organwork builds the link between the groove section and the melody instruments. You can imagine what a pleasant experience this band might have been live back in 1978 when their sole album „Free the people“ got released. And this album, of which copies in only good conditions already fetch prices of 450,00 US$, while nice clean pieces might go up to 1200 US$, lives up to the expectations one might have from watching a live show by the SEA Lions. The sound is vivid, transparent, powerful and clean enough to make the music a real pleasure listening to, but earthy enough to present nothing but the band going wild here. The songs all have similar pace, not too fast, but swinging and pulsating to spread their energy to and among the listeners. The melodies are simple but come from the depth of the heart. This feels typical for African 70s music and despite being kind of reduced, these melodies keep haunting you still even hours after the record been taken off the turntable and put back into its sleeve. They bring images of an ever pulsating city by night, warm climate, palm trees, people at the bar, a witches cauldron of sounds, smells, voice and pictures. And you feel the magic floating through the air while this groove will not let you go so easily. You can either dance your soul out to this ultimate reissue or you can sit down, listen and let the music tell you a story of the dark corners of the big city, the narrow alleys that lead you into a boiling labyrinth of mystical dreams. And in songs like „You can make it if you try“ you will find the whole magic of the African world, a world so fascinating for us Europeans but still so unapproachable in some ways and dangerous for the weak. Do not try to resist, this is your pleasure. Grab a copy and the SEA Lions, carry you off to their place. I haven’t heard such a killer Afro Beat and Reggae album with songs this exciting and wild in a long time. If you equally love Peter Tosh, Bob Marley, Segun Bucknor and Fela Kuti, look no further. Here is the spiritual essence of all these great artists merged into one giant act.

Double sided killer Wackie's from 1978 - Both sides fully smoked out dubwise trademark Wackie's style, essential.

Originally released on the Jumbo Caribbean Disco label from Brooklyn. "Big Leg Mary" is on the same rhythm as Wayne Jarrett's killer "Come Let's Go" (same rhythm as Dkr-125 ). Wasn't It You is a different cut from the earlier one on the Senrab label (a different cut of DKR 132), but equally as killer.

Evergreen digital roots `n’ dub from The Disciples with vocals from the late great Jamaican singer Creation Stepper aka Willy Stepper, whose voice graced many a 70’s roots reggae classic. This cut is a relick of Stepper’s 1978 classic `Kill Nebuchadnezzar’ backed with another vocal cut - `Ozone Layer’ with two dub cuts. Mixed and produced by Russ D in the Disciples studio in 1991 but only getting a release in 2011 on the Disciples Vintage label, which promptly sold out.

Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

* First ever official reissue * LP includes insert featuring lyrics, archival photos and liner notes with artist bio and album story * Pressed on black vinyl

Praise Him

In September 1982, together with Trevor Davis, Paketo recorded and produced Praise Him, under the Child of God label. Recorded in just one day at Harry J Studio, the album mixes together roots reggae with a splash of lovers rock, singing of peace, love and unity, of enjoyment and upliftment, but also of the tribulations of ghetto life, of losing bredrins and friends. The mystical horns of Bobby Ellis and Headley Bennett carry us to a higher dimension, that same dimension from which Paketo wrote the lyrics to his spiritual poems, while the deep and overwhelming bass keeps us rooted to the ground.

Paketo Wilson

Born on October 24th 1956 in Kingston, Jamaica, Paketo Wilson grew up right in the heart of it all. His father, one of the best sign artists of the island, introduced him to the top musicians of the time, opening the doors to the world of music. His mother, on the other hand, wanted him to learn a trade. She sent him to learn dentistry close to home, unaware that every day Paketo would sneak in a bands room just a couple of steps from the dentist shop instead.

With no music teacher other than his own two eyes, Paketo would sit and watch. He soon came to understand each and every finger position, and the day he held his first guitar, fire came out of his fingertips. In 1972, at the age of 16, Paketo began his musical career with the New Vibration Band, playing in concerts all around the island, and quickly established himself as a solo artist through Daddy U-Roy’s King Stur Gav Sound System.

Following the release of Praise Him, Paketo travelled to Canada and performed at the Toronto Concert Hall, together with Leroy Sibbles, Errol Dunkley, Phyllis Dillon and Chester Miller. Soon enough his stage became international and in 1987 Paketo toured the world, playing in Germany, England, France, the Netherlands, Belgium and Austria. Paketo defines himself as a positive rastaman and never stops writing, playing, singing, but most of all smiling.

Reissue of this 1982 release, recorded and mixed at Channel One and King Tubby's Studios. Includes killer songs such as "Reggae Dance," "Unwilling Baby Mother," "Sweet Reggae Music," and "This Kind Of Way". A dancehall classic!

The compilation you hold in your hands features the best of U Brown’s 1983 release Jam It Tonight, cut at Channel One with the Roots Radics, coupled with enthralling earlier singles laid at Channel with the Revolutionaries. The high points are many in this thoroughly agreeable set that showcases the best of peak-period U Brown; beginning with the devotional ‘Jah Is My Father Still’ and ‘Walk With Jah Love’ from Jam It Tonight, the title track speaks of reggae music’s unstoppable nature and ‘Reggae Gone International’ is a celebratory take of the ‘Pick A Dub’ rhythm, here totally reconfigured, Maxfield Avenue style. ‘Rub A Dub All The Time’ (aka ‘Tu Sheng Peng’) is a killer take of the Dennis Brown song of the same name, while ‘Blow Mr Hornsman Blow’ is an awesome re-working of the ‘Take Five’ rhythm, and ‘Come Along’ a beautiful deejay counterpart to Sugar Minott’s ‘Steal Away Girl’. U Brown has since gone on to enjoy all kinds of musical adventures in the UK, USA, and Europe, where he settled in the 1990s; listen to the artistry on No Stoppin’ This Music and marvel at his enduring talents.

Released for the first time in 1983 on the UK label Vista Sound, “Fight Against Corruption” sees Campbell backed by most of The Aggrovators musicians (Sly & Robbie, Earl “Chinna “ Smith, Jackie Mittoo, Winston Wright) .The album was produced by Bunny Lee and Campbell itself, who – here - clearly skims some social criticism , but also does not disdain some more lovers tunes…another killer album to love forever!

Pt. 3 of the 'Dub me crazy' series by Mad Professor. This one features the much played killer, Bengali Skank .. TIP! Originally released in 1983 on the same Ariwa imprint. True D.I.Y. business from this UK dub pioneer.

Earlando Arrington Neil became Early B on the Jamaican sound system scene, working his way through Soul Imperial, King Majesty and other sets before coming to prominence in the early 1980s on Kilimajaro, where he became known as ‘The Doctor’ for unleashing his lyrical cures on the mic. Recording for various producers from 1981, Early B reached another level upon linking with deejay-turned-producer Jah Thomas in 1984, the humorous hit ‘Sunday Dish’ leading to this explosive LP of the same name, an enduring classic of early dancehall that also features the equally hilarious ‘Learn Fi Drive.’ All killer, no filler!

Mallory Williams (son of Jamaican pianist and band leader, Luther Williams), a celebrated musician, singer, arranger, and producer, launched his musical journey in 1976 as a keyboard player in various bands within Jamaica's vibrant tourism industry. Along his path, he performed and toured with prestigious groups like Jimmy Cliff's Oneness Band and also We The People Band, providing backing for countless Jamaican artists.

In 1985, during the reggae's digital revolution, Mallory Williams collaborated with Tony DaCosta (from Skatalites fame) and his group the Tony DaCosta Affair (tda), to craft the remarkable single "Yu Saaf." This release not only showcases DaCosta's impressive vocal range but also highlights Mallory's instrumental talent, which incorporates a pioneering proto-digital rhythm. We are thrilled to announce that the 7" reissue of this single will be released back again on Mallory's original 'now' imprint. "Yu Saaf," which translates to "You're Soft" is a pure sound business! It not only serves as a testament to Mallory's production skills but also possesses the power to silence any selectors.

A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.

A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.

Inspired in equal parts by gangsterism and the exceptional talent of U Roy on King Tubby’s sound system, Josie Wales left gang violence behind to toast on U Roy’s Sturgav sound system at the dawning of the 1980s; after a popular set of albums for Junjo Lawes, Michael Chin and George Phang, the excellent Ruling was produced by singer Tristan Palmer and released on Ossie Thomas’ Black Solidarity label in 1986. Josie is on fine and commanding form throughout, equally at home on spongy Roots Radics rhythms and early digital tracks built by Steely and Clevie. An exceptional slice of mid-1980s dancehall – all killer no filler!

Killer combination roots tune from these two legends. Released in 1986, but the music sounds more in a 1980-81 Roots Radics style. Backed with hard dub version.

Another one from the fruitful collaboration with LA's highly regarded Patrick Houchen aka Shakaman. After Shakeena's “I bet you” 12" re-issue flying off the shelves, we deepen the exploration within Shakaman's treasure chest of Reggae/Dub gems with Shakeena's first and last album on Majicaa Records. Originally released in 1987, this album is a proper act of musical generosity, not so easy to point out the “hit” track here – clearly a case of all killer no filler. Unlike too many albums where the format length sadly gets the best of the artists' work, rest assured with this one you can play from the beginning to end and you'll only have to come back to flip it. The professional execution of what is hands down an ensemble of highly seasoned musicians sets the tone for the dreamy lyrics and arrangements to unravel. Besides expected reggae rhythms, Shakaman brings in other influences with subtle electro/freestyle hints that might have been hard to ignore in LA at the time. New remastered version sounding especially big and cozy on the low end. Can't go wrong!

Peak 1987 all time, top tier digital reggae. Killer one-away rhythm and awesome militant vocal from Hopeton Lindo. One of our all time favorite politically conscious reggae tunes, still relevant today. Better still, this release is taken straight from the original master tape and is nearly a full minute longer than the original release, wherein Hopeton drops a bit of our favorite dancehall vernacular. Real hardcore DKR heads will know when they hear it.

Killer conscious lyrics in soulful harmony, backed by a solid drum machine tune, recorded
at Earthman Studios, originally released in 1988

Originally released in 1988 ‘Hot Rock’ was the final single from Pennsylvanian based roots reggae band House Of Assembly. The band, comprising main songwriter Norman Bailey, Marc Campbell, Claver Campbell and Louis Putman, grew up in the Water House area of Kingston, Jamaica bonding over their shared love of Dub & Reggae. The 4 members moved to Pennsylvania in the US in the early 80’s and released one album ‘Confusion’ on the local Meadowlark label, touring throughout the Mid-Atlantic region and becoming stalwarts of the Pennsylvanian roots scene.

The band started their own Concrete label in 1988 releasing ‘Hot Rock’ complete with a Dub Version possessing a potent combination of punchy 707 drum programming, killer rolling bassline, stripped back lead guitar and a rising synth line. For the official reissue there’s an added ‘Rockapella’ version not found on the original 12” and a new full sleeve jacket designed by Bradley Pinkerton.

Jamaica’s supreme rhythm builders during the 1980s and 90s, Steely and Clevie joined forces at King Jammy’s in the aftermath of ‘Sleng Teng,’ with Clevie on drum machines and Steely on synths, to fashion countless hit rhythms for the rising stars of the dancehall movement. Dubbist was the first Steely and Clevie dub album, an irresistible collection of tough digital dub workouts that strips bare the computerised wizardry at the duo’s core. Collecting dubs cut at various studios, including King Jammy’s and Tuff Gong, these killer dubs will delight all digital dancehall fans

Finally here, the first release in our long planned Parish label reissue program. Students of late '80s digital reggae know that Edgar Whyte's Parish label is one of the finest labels of the period, issuing many singles and albums, with a unique selection of artists and a bunch of killer original rhythms. We've been working on this program a long time and are very pleased it's finally here. There will be a killer selection of reissue and previously unreleased tunes coming in 2024, all from master tapes. We figured it's only fitting to start off with what is likely the most in demand Parish single for '80s digital collectors, and from one of the label's signature artists. Everton Chambers' "This Love of Mine" came out in 1988 and is extremely tough to find, a ruff piece of stepping digital, even favored for play by the late great Jah Shaka.

Killer 1989 digital bizniz from the one and only

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

Also available now on Tesfa Label are the next cuts to Boom Box's "Gun Shot" again produced by the late Tesfa McDonald. TRS is proud to announce this dancehall thriller featuring the veteran singer Tony Tuff with "Upside Down" and on the flip the deejay known as Tommy Trouble with "Wah Fi Hol Dem". Very rare killer inna digital class.

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

Killer 90's Afro-Root from Nigeria.

compilation incl. tracks by Bounty Killer, Admiral Bailey, Powerman, Galaxy P, Brian & Tony Gold, ...

Master rhythm duo Sly and Robbie first met on the Jamaican club scene of the early 1970s, when both were playing clubs on Kingston’s Red Hills Road. Thye began working together at Channel One studio when Sly was drummer and arranger of The Revolutionaries and Robbie the bassists mainstay of Bunny Lee’s Aggrovators and soon became the most in-demand drum and bass team on the island. This obscure dub album, originally released on the Imperial label in Canada, was produced by Lee in the late 1970s, and has the Rhythm Twins trying their hands at updating classic rhythms such as “The Liquidator,” “Death In The Arena,” “It’s Raining,” “Love Me Forever” and “My Conversation,” as well as killer cuts of Johnnie Clarke’s “Roots Natty Congo,” Gregory Isaacs’ “Storm” and an odd “Legalize It” rendition, plus some wacky between-song interjections. A must for all dub devotees.

Original cat# GREWCD314 - Recorded in 1981 for Time 1 Productions (Jah Screw) this is one of the 'strictly dub' albums and gets a re-mastered LP vinyl re-release! It's the follow-up to 'Dangerous Dub' and again The Roots Radics (Drums: Lincoln "Style" Scott, Bass: Erroll "Flabba" Holt, Piano: Gladstone "Gladdie" Anderson, Keyboards: Wycliff "Steely" Johnson, Rhythm Guitar: Eric "Bingy Bunny" Lamont, Percussion: Barnabus & Noel "Scully" Sims) at their very best and King Tubbys studio sound and mix. Additional mix by Soldgie and Paul "Jah Screw" Love, tracks laid at Channel One - Killer!

Original Cat# GREL314 / Das Original Album "Dangerous Dub" wurde 1981 veröffentlicht und gehört definitiv zu den "Must Have" Alben des Dub. Nun gibt es eine Fortsetzung dieses Klassikers. "More Dangerous Dub" enthält nicht weniger als 14 unveröffentlichte Tracks der Roots Radics, aufgenommen mit King Tubby in den Channel Studios.

Side A lifts the vocal from Devil’s Pie by D’Angelo and adds it to a nicely
rocking reggae groove result! And on the flip side there's a killer reggae dub version of WU-TANG’s
C.R.E.A.M !!

New repress of the first album "Midnight Walkers". We have used the same vinyl metal works as the first 2012 pressing.

After several releases on 7 and 12inch, Stand High Patrol, the french crew of Pupajim, Rootystep and the legendary Mac gyva is back with a long awaited LP. With strictly brand new killer dubadub, digital and hip hop tracks including crazy echos, “Midnight Walkers” is totally unique! It contains all elements of a Stand High live session and offers an evolving dubadub. With the crazy voice of Pupajim and totally timeless dubs, the first album of the three “dubadub musketeerz” deals with the particular originality that made of Stand High Patrol one of the toughest dub sound system of France. Every bass addict and every dub fan should enter the Stand High experience. If you are ready, fasten your seat belt and run the track! We hope that you will enjoy the flight!

Two killer Gregory vocal tracks back to back produced by the hitmaker from Jamaica Bunny’Striker’Lee

Horace Andy’s Tuffest tune ever – See A Man’s Face + Jackie Mittoo’s Killer original instrumental cut to Freddy McGregor’s Bobby Bobylon. Serious!

A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.

3 legendary Jamaican artists, all born 60 years ago in Kingston, Jamaica show us that in the 21st century they are all still at the top of their game. Michael Prophet, Earl 16 & Rod Taylor. UK Dub master Vibronics brings the heavy riddims and the singing legends bring their vocal prowess. The results, a magical collection of 3 Limited Edition 7” vinyl singles presented in beautiful vintage colour collector’s sleeves. These singles will be released together in November, look out for videos, live shows and the full promo works as Scoops Records & Vibronics deliver this killer collaboration series.

Back to back two Killer 60s soul to reggae instrumental monsters - versioning Young-Holt’s classic Soulful Strut and Booker T and the MGs Seminal Time is Tight!

Hollie Cook combines her unique vocal talent and charisma to craft a dynamic strand of lovers rock with enduring tropical vibes, weaving a path from her West London roots to an arena of diverse collaborations, critically acclaimed records, and iconic live appearances around the world. Cook’s ability to surprise, delight, and progress solidifies her position as one of the most exciting voices in reggae, and this is clear on her third full-length and Merge debut, Vessel of Love. Cook’s music career commenced at age 19, when family friend and punk trailblazer Ari Up asked Cook to join the raucous ’70s post-punk outfit The Slits for their reformation in 2006. Thrown into the deep end she thrived, and quickly cut her teeth with four years of back-to-back shows around the globe. Her talents recognized and nurtured, she then released her first solo album Hollie Cook in 2011, with a revered 2012 dub album follow-up, while singles such as “Milk & Honey” and “That Very Night” gained support from influential radio stations across Europe. Cook's latest, Vessel of Love was produced MARTIN "YOUTH" GLOVER (Killing Joke), who describes Cook’s songs as “sharp lyrical observations and clever word play combined with an exquisite and informed pop sensibility.” Special Indie Store version pressed on limited edition pink vinyl.

Cultures of Soul is very excited to announce this killer tropical reggae cover of Sade's Smooth Operator. Recorded at Circle Sound Studios in Miami the backing track was recorded by members of the famous reggae outfit Inner Circle with vocals by local area rising star at the time, Sabrina Rich. Sabrina (her real name is actually Sabrena) had been making records in her and her ex-husband's studio in their garage for years. The result of which was the disco 12" Exit/Whispering. Around this time Sabrina was performing in the Palm Beach / Boca Raton area of Florida and performed with Jimmy Bo Horne. Some time after Sabrina worked with a man named Kenneth Corey who mastered her recordings. Kenneth referred her to Roger and Ian Lewis of Inner Circle to help press up their vinyl. They became friends and around 1985 recorded Smooth Operator. During this time they were working and partying hard and experimenting with different ideas and sounds. The track was originally released in small numbers as sort of a demo and never really took off. Shortly after Inner Circle went on tour in Europe and the single went into obscurity until many years later when copies of the record turned up in New York and Toronto. This 12" includes a special discomix edit by Duckcomb a.k.a. Patrick Billard, DJ and record collector extraordinaire.

First time re-issue for this golden age righteous rastaman business from Barrington Levy & Trinity. In the rockers era Trinity cemented his place as the number one deejay scoring countless hits and becoming almost an almost essential ingredient on the onslaught of discomixes from yard. Moving into production with his own Flag Man label this 1979 crucial combination killer with Barrington „Lose Respect“ was also the first in a long parade of Mr. Levys 12-inch single hits for Greensleeves Records. The flipside features the soulful lovers rock lick of „Since You Are Gone“ / „Give Love A Try“ from Roman Stewart & Trinity to rival the previous and much loved versions by Delroy Wilson, Pat Kelly & David Isaacs.

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.

Tapper Zukie still asking the questions and stating the facts that few artists of his calibre would attain to.His classic Dee-Jay style has been copied by many but bettered by few.Over some of his killer rhythms that he previously worked up while producing fellow roots groups such as ‘Prince Allah’, ‘Knowledge’ and ‘Junior Ross and the Spears’.

12" reissue of killer cuts from the Canadian label, Oswald Creary's Half Moon.

During the 80’s dancehall era a number of record producers claimed to be the real authentic sound of downtown Kingston but Ossie Thomas’ Black Solidarity label, operating out of Delamere Avenue in the heart of the ghetto, was the real deal. “Black Solidarity was a youth club in the Kingston 13 ghetto in a road named Crescent Road and it was a Rasta come up with the name Black Solidarity. But through the political violence a get high man start to spread rumours saying Black Solidarity a go get guns to go kill off people and it’s a revolutionary Cuban thing we’re there ‘pon! A lot of people used to go away to Cuba and we called them brigadista. So though it was in a PNP area man start spreading rumours saying the PNP a go plan to send the whole of Black Solidarity to Cuba and them all turn brigadista!

Collecting 5 classic discomixes from Lee Perry's Black Ark Studio from 1977-79 featuring full original Upsetter 12" mix from 1977 of "Disco Devil" with an unreleased Seven Leaves 12" mix of Lord Creator's "Such Is Life" plus Junior Murvin's killer "Roots Train" all nine minutes of it.

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.

London “tropical punk” four-piece The Skints drop the second limited-edition 45 to accompany their hit new album ‘Swimming Lessons’.
Off the back of sold-out shows across the UK, Europe and US, it was clear that ‘Armageddon’ was becoming a firm fan favourite and needed to have a dedicated vinyl press. It sees the band compose a prescient commentary on the stress of watching the most powerful people in the world exchange fighting talk. The end is nigh when the red buttons get pushed and nothing will save us!
Jamaica’s rising star Runkus comes through with a killer feature where he too lays down a blistering take on the topical subject matter. The chorus owes a nod to the legendary Sister Nancy for the original lyric and for being a career-long inspiration to the band. The original is backed by a sound system shaking dub version provided courtesy of Gentleman’s Dub Club. It completes a package that will become an essential collectable for Skints’ fans, as well as a must-have for in-the-know reggae devotees.
Limited to just 500 copies worldwide.

Killer roots reggae tune produced by Alvin "GG's" Ranglin in 1977. Taken from the "Best of Freddy McKay" Album. First time on 7 inch with Dub on the flip !

Produced by Alvin "GG's" Ranglin in 1980. Killer roots vocal & Dj's, Dub on the flip.

"Killer roots" tune of one of the most prolific Jamaican singer. Heavyweight dub on the B side.Recorded in the 70's at Randy's Studio 17 North Parade.

Music Mania and Indica Dubs is proud to present the 15th release: Dubs From Zion Valley LP. This killer LP was originally released in 1994! One of the most prolific songs from the album includes ‘4 Min Dub’ and ‘Meditation Rock’ which have been anthems on Aba Shanti sound system since the 90s and still playing it heavy in sessions today.

Music Mania and Indica Dubs is proud to present the 16th release: Dubs Convention LP.This killer LP was originally released in 1996! This joint album features UK Dub legends; The Bush Chemists, and The Dub Organiser.

For us is a big pleasure to work together with Claudio AKA Abeng , other than a long time friend is a great musician with a deep Ska , Rocksteady & Roots Knowledge , we have been asking him a riddim which we could use for an instrumental and that's the 1st of the few we are working on right now (Yes we love instrumentals!)! It's always a pleasure to open new cooperations , have new musicians and studios playing together to create Roots Music! Rootikal Horns is the horn section of an historical Reggae Band from our area (Countryside of Milano) , Rootical Foundation , Gabri (Trombone) & Filippo (Sax) came to studio with us and we recorded few lines that will appear in a number of future releases. Obviously from this meeting , some more seeds has been planted and hopefully flowers will appear probably in the early 2021... Eeyun Purkins at Waggle Dance Studio, made a great job mixing the A side and Dubbing the B side! Many of you may already know this name ;) , founder of the Co-Operators and of the Waggle Dance Studio/Records have delivered a number of killer Roots productions in the last months and years , that's the 1st of a number of projects we have been working on during Lockdown Period , expect some Fyah Roots music from this Roots Heads meeting!

Since 2009 Kill Lincoln has been turning the ska punk scene on its head. They’ve studied the playbook from bands like Less Than Jake and The Mighty Mighty Bosstones, but have ripped the pages out and re-written them with fresh grit, perspective, and enoug

This is the first volume of the HOT Sauce compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975. The initial plan is for at least 3 albums of 14 titles. HOT Sauce Volume 1 features Rocksteady, Boss Reggae, early Dub & early Reggae outstanding original Jamaican tracks including rare songs, overlooked gems, hidden treasures and some hits. The record labels showcased on the first volume are Attack, Amalgamated, Black Swan, Blue Cat, Downtown, Doctor Bird, Duke, Grape, High Note, Randy’s and Trojan. The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity. These tracks are all outstanding tracks, “killer tracks”, there are no “fillers” whatsoever. Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side. HOT Sauce is a musical journey across the early Reggae UK labels and across different Jamaican musical genres & talents and the way they interact together. Since the early 70s “Tighten Up” series, no compilation have really explored these labels in depth on vinyl…

Liam Bailey Follows Up His 'Ekundayo' Album With This Heavy Hitting Remix 7" Featuring Two Absolute Legends.The A Side Is A Remix Of Champion Featuring Black Thought Of The Roots. Black Thought Kills The First Verse Finding The Pocket Over The Leon Michels Produced Reggae Banger Designed To Bust Up Woofers And Blow Out Dance Floors. Liam And Thought Combine To Sing Praises To A Woman Worthy Of All The Admiration They Can Muster, And In Doing So, They Take What Was Already A Classic To Another Level.The B Side Is Straight From The Far Flung Corners Of Outer Space. Producer Leon Michels Strips Down And Revamps The Album Cut Ugly Truth, Making Room For The Most Special Of Guests, The One And Only, Mr. Lee "Scratch" Perry. The Upsetter Switches Between Singing And Talking, One Minute Proclaiming His Powers And The Next Playing With The Title Of The Original Tune. Some Proper Lee Perry Business Alongside The Already Unstoppable Chemistry Of Liam Bailey And Leon Michels...An Absolute Big Crown Surehot.

Producer – Jah Thomas Toyan aka Ranking Toyan (born Byron Letts, died 1991) was a Jamaican reggae deejay active since the mid-1970s and best known for his early 1980s recordings. Toyan began his career in 1974, deejaying on Kingston's sound systems, such as Socialist Roots and Romantic HiFi. He recorded his debut single, "Disco Pants" in the late 1970s for producer Don Mais. He went on to work extensively with Joseph Hoo Kim and Jah Thomas, resulting in a string of hits including "Girls Nowadays", "Kill No Man", "John Tom", and "Talk of the Town", as well as combination hits with The Mighty Diamonds ("Pretty Woman"), Badoo ("Rocking the 5000"), and Freddie McGregor ("Roots Man Skanking"). In 1981 he joined Henry "Junjo" Lawes' Volcano Sound system, and toured Canada. With Lawes, he recorded the album How the West Was Won, and went on to produce his own work and that of others such as Billy Boyo and Anthony Johnson. He toured the United Kingdom with the Jah Prophecy band and performed in Jamaica alongside Dennis Brown.

Toyan was murdered in Jamaica in 1991.

All new and exclusive recordings by finest artists from Jamaica! - The latest project from reknown producer & engineer Bulby York features eight special combination tunes from Busy Signal & Cecile "Stay Home Tonight", Jimmy Cliff, Capleton & Bounty Killer's "Humanitarian", Malica & Beenie Man's "Wiggle Wiggle", Deanna & Rygin King's "Going Blind", Beres Hammond & Agent Sasco with "Teenie Weenie Love", plus fabulous cover versions of Tracy Chapman's "All That You Have Is Your Soul" by Etana & Lutan Fyah, and Lord Creator's world hit for Ub40 "Kingston Town" by Kumar & Chino. All this and more alongside solo cuts by Anthony Red Rose, Charly Black, Sanchez and the Dean Frazer version of the Duke Ellington classic "Sentimental Mood". A must have for vinyl fans and contemporary reggae music lovers - heartcrafted for real!

Massive alliance by Kill Emil is a six-track interlude to the significant blend of hip hop and reggae banging beats along with a heavy roster of Mcs and Djs. This alliance is actually massive as Afro, Jahmmi, Ruffian Rugged, Kinetical, Belen Natali, Groove Sparkz and Chrisfader are joining forces to bring another dopeness overload under the name of the Greek beatmaker.

A couple of excellent Wackie's 12" sides from the '80s now paired together for maximum pressure.

Each originally appeared on separate 12"s in approximately '85 and '80 respectively. The A-side is another killer Sugar Minott shot, one of his many for Wackie's. That is paired with a more obscure one in the Wackie's catalog, "Zion Land", a great shimmering and chanting roots tune which is tough to find on original pressing.

After the release of their hugely popular !Turn Up the Heat" debut album which reached No.2 in the Itunes Reggae Charts, featured the cream of the UK dub scene and was released through Trojan Reloaded in 2020, Reggae Roast are back with a brand new release, guaranteed to set dance floors alight this summer. The double A side release features true MC legend Ranking Joe from Jamaica, as well as Reggae Roast Soundsystem front man and award-winning vocalist Donovan Kingjay.
The lead track is a contemporary take on the classic Stop That Train" by Kieth & Tex with Donovan"s sweet vocal take on the original the perfect complement to Ranking Joe"s quick-fire lyrics.
Mr Bossman is a killer 90"s dancehall style track with Donovan lamenting the treatment received by workers from their bosses in their fancy cars and houses, while people like him are stuck in poverty. A sentiment felt by many across the land in these difficult times.
Reggae Roast have established themselves at the forefront of the UK Reggae / Dance- hall scene with a string of forward-thinking productions, with their debut album reaching No. 2 In the iTunes Reggae Charts. Reggae Roast built their following running one of the capitols most loved and long-standing Reggae Soundsystem parties.
This EP epitomises the sound that they have been championing for over a decade, witha nod to 80"s and 90"s nostalgia they are simultaneously bringing the music into a new era.
Ranking Joe is one of the original mic men to chant or chat lyrics on the mic. Along with artists like U Roy and Little Roy in the 70"s and 80"s, their style influenced a slew ofother deejays or Rappers who would talk on the mic and hype up the crowd. This technique of chatting on the mic was later adopted by DJs in New York like Kool Herc and it later developed into their own style: Hip Hop and later in the UK as grime. But before rapping ever existed Ranking Joe was one of the first to originate the style. His first release was on the legendary Studio One in 1974 and he has been active ever since with releases on Greensleeves, Joe Gibbs, Trojan, Ariwa and many more.
Donovan Kingjay is the Reggae Roast Soundsystem Front man and award winning vo- calist. As a figurehead of the UK Reggae scene his soulful voice, and charismatic per- sona make him one of the UKs most sought after singers. He has twice won Best UK Vocalist at the UK Underground Music Awards and continues to release consistently quality output through various labels across and UK and internationally.
Reggae Roast are in full flow working on a new album, and with the covid recovery look- ing promising this summer, they are bringing back there Soundsystem parties too.
Look out for Reggae Roast in a field or venue near you in summer 2021!

Dancehall knowledge Felix Hall presents a momentous 20 year follow-up to Mo Wax’s pivotal, highly influential 2001 instrumental showcase ‘Now Thing’ a blueprint of sorts for the likes of Equiknoxx almost two decades later. This new set - almost two years in the making - reunites original comp players Lil Toby, Will Bankhead and Oliver Payne (on compiling and artwork duties) and features 16 prime Jamaican bullets for Felix Hall’s shockout label, Chrome. Resetting the timeline to 1997-2020, ‘Now Thing 2’ expands on the crucial first set - which was a gateway to the world of dancehall for many heads - with deadly cuts from the scene’s leading producers; spanning Dave Kelly to Steely & Clevie, from NYC’s Bobby Konders to Ward 21, and including killer side-spins on ‘90s rave and R&B. bTwo decades since the first set, it’s astute to say that dancehall has exerted a huge degree of influence over dance and club music of all stripes over the interim. Much like how roots reggae and dub influenced disco and post-punk in the ’70s; Dancehall, with its origins in the digidub of Jammy’s ‘Sleng Teng’ riddim, has irrevocably informed jungle, rap, garage, and even pop and techno for the past generation, and ‘Now Thing 2’ is the strongest primer you’ll likely come across.. It’s a proper sound-system thing, deeply rooted in the competitive, inventive nature of Jamaican music, which would, according to ‘Bass Culture’ writer Lloyd Bradley’s liner notes “constantly reinvent itself as a way of staying ahead of the sound system on the next corner.” With access to new technology, producers persistently pushed their paradigm along the axes of function and distinction, with each asserting their individuality in a syncretic style and its permutations of tresillo drum patterns, all at the service of bringing bodies to the dance and keeping them there.

Repressed ON White Vinyl Two killer 50's rhythm n' blues gems re-done in ska style! Roddy Radiation (ex-THE Specials) finally gets his version of Frankie Ford's "sea Cruise" on wax, flipped with Chicago roots queen Bailey DEE's wonderful take on Phil PhilIP'S "sea OF Love". White vinyl repress w/jukebox strip.

'Rayhana' EP is a departure from the cerebral, industrial deep dive of his debut album 'Unlit Signals', and now draws from wider influences, twisting Baile funk, broken beat and hi-tech bass music into floor-focussed, sinewy new shapes. Guaranteed to cause jubilant carnage wherever heard, the heavy artillery of title track 'Rayhana' is a vocal led, rumbling rhythmic monster with chest-pummelling low end, neck-snapping metallic claps and razor-sharp hats. Almost a deeper dub of its predecessor, 'Dark Lavis' is an instrumental tension builder, where mangled eastern elements whip up a head spinning vortex that's carried by behemoth bass and stuttering, swung beats, which take you deep inside the ride. Based around the UK broken sound, with a touch of dancehall, on '5G Bats' Smith slow things down but ups the energy, with double-time breaks, stroboscopic samples, machine gun like flickers and all manner of stretched, wavey tones. 'Rayhana' follows tastemaker favourites by Ploy on esteemed imprints Timedance, Hemlock, Hessle Audio and L.I.E.S., plus remixes of his music by Beatrice Dillon and Peder Mannerfelt. Ploy has graced Best Track Of The Year lists in The Guardian, Crack, FACT, Mixmag, Dummy and DJ. He did a week-long residency on Rinse FM, helmed multiple NTS shows and recorded mixes for Dekmantel. Boiler Room and FACT. A regular at discerning UK and European clubs, he has also appeared at Dimensions festival, Dekmantel Selectors, and has toured East Asia and the US multiple times. Last year Ploy released the impeccable album 'Unlit Signals' which was released via L.I.E.S. with no PR, and therefore only caught the attention of a few astute journalists. This future classic deserved to be huge, but slipped largely under the radar. On launching Deaf Test, Smith comments, "it's a vehicle for my personal output now. I have more club-focussed music on the way, and I'll be exploring meaningful collaborations too. The name is due to me being deaf in one ear from an early age".PRINTED SLEEVE WITH INN...

We're very happy to present you a new 12" record which is comin' from non other than the mad talented producer duo Smalltowndubz from Austria. For the My Garden EP them got some cool international dub artists, who joined forces to bring you this heavyweight soundsystem smasher. The main tune My Garden comes in a hot dubwise style and features Tenor Youthman on the microphone, who brings down some hot lyrics. Another sure shot for any selection. On top we have a deep Remix from the man called Jah Schulz and Tribuman plays the horns - you just have to feel this wonderful combination.

We continue the vibes on the B-Side with two original productions by Smalltowndubz, which shows the variety of their musical style. Mad Thing is an UK inspired steppers killer, that you have to listen on a big soundsystem. The other track is called Rooted and features our family member Hazel Dub on melodica. This one is a deep and heavy bass bomb, which enters your mind and instantly wants you to play that record on repeat.

For next level pressure, we hooked up again with LXC to do that heavy mastering on all tunes.