Search "shearwater+animal+joy" 805 Items

Scorchers from the Mighty Two - reggae anthology

Release: 1968 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.

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Joe Gibbs

2LP | 2008 | US | Original (17 North Parade)

52,99 €*

12" | 1991 | UK | Reissue (E Legal)

Release: 2008 / US – Original

Genre: Reggae & Dancehall

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feat. Gregory Isaacs, Junior Byles, Althea & Donna, Dennis Brown, The Mighty Diamonds, ...

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Paradise’s Deep Groove

I Love

49,99 €*

Release: 1991 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Cassey Man And Jolly Stewart

Wha Dat

LP | 1988 | CA | Original (Wha Dat Records)

42,99 €*

Release: 1988 / CA – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Journey From Creation 1975 - 1985

Creole And Chinafrica

2LP | 2023 | UK | Original (Chin A-Frica)

42,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Not 1 Style Record Store Day 2024 Vinyl Edition

Deemas J

LP | 2024 | EU | Original (Room In The Sky)

42,74 €* 56,99 € -25%

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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2LP | 1975 | UK | Reissue (Pressure Sounds)

Yabby You & The Prophets

Conquering Lion

Release: 1975 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1997 | CA | Original (Joe Gibbs 21st Century)

Eric Donaldson

Peace & Love

Amore Mandarino Clear Green Vinyl Edition

Release: 1997 / CA – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Original pressing.
Sleeve has wear and price tag on back, small tears.
LP has hairlines and surface marks.

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I Tirelli

LP | 2024 | EU | Original (The Saifam Group)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall, Pop

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A Brief History Of Now Purple Vinyl Edition

Jah Wobble

LP | UK (Cleopatra)

Release: UK

Genre: Reggae & Dancehall

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Vision Of A Psychedelic Africa

2LP | 2005 | UK | Reissue (On-U Sound)

40,99 €*

Release: 2005 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | JP | Original (Gardenia Garden)

Asuka Ando

Double Happiness

40,99 €*

Cry Tuff Chants On U Gatefold Record Store Day 2024 Edition

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Asuka Ando, Japan's leading Lovers Rock diva, has finally completed her highly anticipated 3rd album! Wearing a gradation of pink and violet tinged with mature colors, the song sings about "the joy that comes from layering" (double Happiness), and a new masterpiece of Japanese Lovers Rock is born!

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Prince Far I

2LP | 2024 | UK | Original (On-U Sound)

39,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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2LP | 2019 | UK | Original (On-U Sound)

Pay It All Back Vol. 7

39,99 €*

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Terrorists In The City / Majorie

Eek-A-Mouse / Toyan

12" | 1983 | UK | Original (Greensleeves)

39,99 €*

Release: 1983 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

LP | 1989 | JP | Reissue (Pony Canyon)

Mute Beat

March

Mr. Foundation / Hole In Your Soul Blue Vinyl Edition

Release: 1989 / JP – Reissue

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-08

Mute BEAT’s 3rd album, released in July 1989, marked the band's final original album. With Emerson Kitamura replacing Hirofumi Asamoto on keyboards and Yukiya Naito, who would later join Super Bad, on guitar, this album captured a significant evolution in their sound. The cutting is planned to be done by Dave Turner at Curve Pusher in the UK.

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Timo Oh / Dudley & Peter

7" | 2022 | UK | Original (Studio One)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Joy Roberts & The Extremes / Ern

I Am Swept / Sweeping Green Vinyl Edition

7" | 2022 | UK | Original (Studio One)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The Monks Of The ISIS Record Store Day 2023 Edition

A Wedding Anniversary

LP | 2023 | EU | Original

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Playing It Cool & Playing It Right

Keith Hudson

LP | 2024 | Original (Week-End)

36,99 €*

Sufferer Sounds Rare Dubs, Roots & Lovers Rock

Release: 2024 / Original

Genre: Reggae & Dancehall

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Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.

In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.

In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.

The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.

43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album.

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Dennis Bovell

2LP | 2024 | EU | Original (Disciples)

36,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-15

In Pursuit Of Shashamane Land

2LP | 1993 | UK | Reissue (On-U Sound)

36,99 €*

Release: 1993 / UK – Reissue

Genre: Reggae & Dancehall

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Dread Propecy Crucial Cuts

Yabby You

LP | 2024 | US | Original (Shanachie)

35,99 €*

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-12-06

LP | 2016 | US | Original (Steam Chalice)

Jah9

35,99 €*

Release: 2016 / US – Original

Genre: Reggae & Dancehall

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LP | 2023 | UK | Original (Scotch Bonnet)

Mungo's Hi-Fi

Past And Present

34,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Mungo's Hi Fi return with their exciting new vocal project Past And Present. Released on their Dumbarton Rock label, it's the eagerly awaited vocal companion piece to 2021 dub album Antidote. Past And Present is unique for Mungo's in being devoted to the Rub A Dub reggae style that arose in late 70s and early 80s Jamaica. The record has its roots in both past and present. Back in 2021, Mungo's responded to the pandemic with the dub project Antidote, an album of reflection among wide spaces and nature. As the world has reopened, Past And Present celebrates the return of verbal communication and dancing to hypnotic basslines, with the original vocal cuts by veteran and rising microphone talent. The haunting voice of French pure singjay Pupajim encourages us to face living in the now, on title track Past and Present. Pioneering Jamaican female deejay Lady Ann toasts the importance of Good Lovin' over a sensual, waist-winding rhythm. Ethereal UK neo lovers rock singer Hollie Cook revisits her classic Sugar Water, floating above a sparse and eerie future Rub A Dub soundscape. Honey-toned Londoner Kiko Bun exudes confidence and humility as a Riddim General while veteran talker Solo Banton shakes up the dance on his seismic, much requested, We Pulsating. The biblical voice of Jamaican legend Prince Alla sounds fresh on a revisit to his immortal Only Love Can Conquer. Fellow elder statesman of reggae Johnny Clarke contributes the sole non Rub A Dub offering with the "Flying Cymbals" driven, deep roots track Rain Keeps On Falling. French singjay Shanti D and Israeli chanter Ranking Levy pair up on the mighty Jaqueline rhythm for a warning against Total Disaster. The prodigious Charlie P joins Godfather of UK emcee-ing, Daddy Freddy, to request freer movement on Control The Border. The final statement is without words or vocals: as Mungo's production team take centre stage for the soaring Birds Of Vice - the A side to Antidote's closing dub, Birds Of Pleasure. In reggae, the vocal traditionally precedes the dub...

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The New International Sound Of Hedonism

LP | 2023 | UK | Original (Bomber Music (Code 7))

34,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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A Trip To Bolgatanga Glow In The Dark Vinyl Edition

LP | 2023 | EU | Original (On-U Sound)

34,99 €*

Xv: The Kama'aina Classic Experience Album Sampler Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Glow In The Dark 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

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I.A.

10" | 2023 | JP | Original (Mahalo Unltd.)

34,79 €* 57,99 € -40%

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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Late Night Tales / Version Excursion Black Vinyl Edition

Don Letts

2LP | 2021 | Original (Late Night Tales)

Release: 2021 / Original

Genre: Reggae & Dancehall

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LP | 2024 | UK | Original (Diggers Factory)

J Written

Kaleidoscope

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-22

LP | 2024 | EU | Original (Irie Ites)

U Brown

Still Chanting Rub-A-Dub

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-22

2LP | 2022 | EU | Original (Chapter Two)

Tiken Jah Fakoly

Braquage De Pouvoir

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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LP | 2016 | UK | Original (On-U Sound)

Jeb Loy Nichols

Long Time Traveller

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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LP | 2015 | EU | Original (On-U Sound)

The Mothmen

Pay Attention!

Release: 2015 / EU – Original

Genre: Reggae & Dancehall

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Yasashisa De Dekita Himitsukessha

Lantern Parade

7" | 2024 | JP | Original (Lantern Parade)

LP | 2022 | EU | Original (Chapter Two)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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The latest EP, which was released digitally in 2023, is now available on 7" vinyl!

Lantern Parade, a solo project by Tamihiro Shimizu, who has been interpreting dance music in his own unique style since his debut, has released four songs from his latest EP "Yasashi-Sa-dekkakuho" in analog format!

Released two years after his last album "love is the mystery" ('21) on Rose Records, this sampling-driven work is a return to his roots, incorporating the fragile and sweet essence of hip-hop and psychedelic rock, which he admires and respects, with a light and sweet touch. It is a piece with beautiful swinging melodies and a smoky, lyrical sound. The lyricism of the lyrics, the fragile, sometimes spitting, sharp words, and the quietly burning passion of the soul make this urban new soul music a joy to listen to.

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Tiken Jah Fakoly

Cours D'histoire

32,99 €*

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Scorchers From The Mighty Two (Reggae Anthology)

Joe Gibbs

2LP | 2008 | US | Reissue (VP)

32,99 €*

The Modern Sound Of Harry Beckett

Release: 2008 / US – Reissue

Genre: Reggae & Dancehall

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28 track double vinyl with recordings from the mid 70ties to the early 80ties. This is also a tribute to the legendary Mighty Two: Joe Gibbs (r.i.p. 21.02.2008) and Errol Thompson (r.i.p. 13.11.2004) and a release in the Reggae Anthology series. Foundation tracks, big hits and great tunes by artists like Culture, Althea & Donna, Dennis Brown, Gregory Isaacs, Junior Murvin, George Nooks, Junior Byles, Prince Alla, Cornell Campbell, Jacob Miller, Black Uhuru, Mighty Diamonds, Sylford Walker and more compiled by Fidel "Twice" Luna.

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Harry Beckett

LP | 2024 | UK | Original (On-U Sound)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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LP | 1982 | UK | Reissue (On-U Sound)

Deadly Headley Bennett

35 Years From Alpha

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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2LP | 2024 | UK | Original (Dubquake)

O.B.F X Iration Steppas

Revelation Time

LP | 2024 | EU | Original (Lo Sage E Lo Fol)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Two major players of the international dub scene unite on stage! O.B.F x Iration Steppas is the electrifying live show that brings together Iration Steppas, vanguard of dub and pillar of the UK sound system scene and O.B.F, the most warrior and prolific sound to come out of France. Mentor and disciple link up to deliver a performance that pushes dub music to new levels!

The live show accompanies the release of 'Revelation Time', Iration Steppas & O.B.F’s joint album that’s due to drop April 2024 on Dubquake Records; a project that has been in the pipeline for near a decade building up to a huge hype amongst dub-heads. An album that questions the human condition & future of mother earth, a trip into raw dub music led by the two most innovative sounds.

Uncompromising undiluted dub, designed to be heard & felt with the same level of madness with which it was crafted in the studio. And that's exactly the plan: bring the analogue console, effect racks and dub sirens to the center of the stage, live mix the tracks off of 'Revelation Time', pass the mic through the echo unit and shell down the place in low frequencies. A unique live dub show offered by Mark Iration & Rico O.B.F at the controls, Dennis Rootical on bass and vocals by Mark!

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Erau Dub Sound

Skanking-Khayyam

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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By drawing on the poetic pearls of Omar Khayyām's rubaiyats (quatrains), Erau dub sound takes us on the wings of a soaring dub that shines with a thousand lights. Mixing programmed beats, saturated or delicate keyboards, deep bass and oriental samples, he revisits, in his own way, the fascinating world of Nichapour's troubadour. The raw sound of the melodica rubs shoulders with the zarb and oud loops, giving another breath of fresh air to the dub. A richness which is given both in the form and the subject, creating a protean work combining musical, literary, choreographic, socio-cultural and even political dimensions.The captivating voice of Jo Corbeau makes the French translation of these quatrains roll in a controlled ebb and flow where the swell of past centuries roars. The Occitan poet Roland Pécout adds his translations and those of the legendary Max Rouquette who, in his time, proposed versions of the rubaiyats in his language of the Languedoc scrublands.

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A Trip To Bolgatanga Black Vinyl Edition

LP | 2023 | EU | Original (On-U Sound)

Midnight Scorchers Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Black 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

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Horace Andy

LP | 2022 | UK | Original (On-U Sound)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Rainford Black Vinyl Edition

Lee Perry

LP | 2019 | UK | Original (On-U Sound)

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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In The Mood For Ska - Caribou Ska Selection

LP | 2023 | JP | Original (Drum & Bass X Rock A Shacka)

LP | 2021 | EU | Original (We Are Busy Bodies)

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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A collection of rare 60's sound sources, mainly by the Skatalites, that shows the heat of Kingston in the heyday of Ska!! Selections from Indian-Jamaican Dada Tewari's Caribou and Down Beat labels. Caribbean Recording Company, owned by Dada Tewari, was one of the first Jamaican studios to follow in the footsteps of Ken Khouri and Stanley Motta, and this album contains songs from the boogie shuffle to the heyday of ska. In addition to Lord Tanamo's ska anthem "In The Mood For Ska", this is the label's first album of mega-rare singles and top Caribou ska, including Don Drummond's last recording "Bellevue Special", "Up & Down" by the Mighty Vikings and "Way Of Fortune" by Pat & Roxie.

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Vis-A-Vis

Odo Gu Ahorow

30,99 €*

DJ Ricochet Feat. Buju Banton

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Vis-A-Vis - Odo Gu Ahorow
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Odo Gu Ahorow (Medley) 00:00 / 15:16
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As both a popular live act and in-demand studio musicians, Vis-A-Vis released 13 albums between 1975 and 1982, of which Obi Agye Me Dofo remains the most sought after. Led by vocalist Isaac “Superstar” Yeboah and featuring Sammy Cropper on guitar, Slim Manu on bass and Gybson “Shaolin Kung-Fu” Papra on drums, Vis-A-Vis helped propel K. Frimpong to fame as one of Ghana’s most popular stars of the 1970s. On some of Frimpong’s albums, they also overlapped as part of his other recording band, the Cubano Fiestas.

As We Are Busy Bodies begins its roll out the Vis-A-Vis catalogue, it will also simultaneously release another essential album by the group, 1976s Odo Gu Ahorow. Original copies of both LPs are scarce and in great demand, with Obi Agye Me Dofo briefly issued as an LP in the US in 1980, and again in 2011 by Continental Records. Along with the Frimpong albums, they remain some of the most sought after West African records from the golden age. These reissues have been handled with the utmost respect — every detail has been given strict attention and care, with albums being remastered by Senior Mastering Engineer, Noah Mintz at Lacquer Channel.

About the album:

"The Vis-A-Vis have had many good things to their credit, none more so than the collection of nostalgic items that make up this album “Odo Gu Ahoroo”. It has been able to achieve its well-deserved place in the Ghanaian musical best-seller parade. Now by the titles and programming this entirely new album benefits from Ofobros latest recording experience, bringing many plus-factors of listening pleasure.

With brilliant musicianship, the Vis-A-Vis as a group leads in the field of danceably rhythmic arrangements which do not obscure the enchanting melodies, such as “Abofra Ketewa”. Highlighting the softly soothing, yet richly textured blend of the organ and Slim’s bass work are solos by Sammy ‘red” Cropper on lead guitar, and other instruments as well.

The groups’ thirteen years’ experience in the field of dance music has made their melody reign supreme, and I hope these all are songs that will become a cherished part of our musical past in the future, and an enduring part of our musical period then. This recording the Vis-A-Vis with a new lustre that promises to glow through many mood-matching moments in the future.

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Boom By By

12" | 1995 | UK | Original (A-Zee K-Zee Records)

30,99 €*

2LP | 1997 | EU | Reissue (Miss You)

Release: 1995 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+. Limited edition

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Jackie Mittoo

In Africa

30,99 €*

Release: 1997 / EU – Reissue

Genre: Reggae & Dancehall

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Referred to as "one of Reggae's quietest superstars" Jackie Mitto aka "The Keyboard King" had a remarkable path in Reggae music, a protege of Sly Stone, he started his career as part of Studio One's in house recording band and later went on to work with artists such as Bob Marley, Ub40, Barry White, Peter Tosh and Oscar Peterson. This album was the result of a rare occasion of being on tour in Africa and establishing musical connections with musicians from Ghana, recorded in Accra and mixed in London. Predominantly instrumental, this album is essential to any dub conscientious record collection, as it culminates the career of a Reggae legend whilst under new influences in West Africa resulting in an unmistakably characteristic modern dub sound. Re-issued on vinyl with remixes previously only availably on CD format.

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LP | 1982 | UK | Reissue (On-U Sound)

Environmental Studies

LP | 2024 | US | Original (Nah Ramp Music)

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Features contributions from Bruce Smith (The Pop
Group), Style Scott (Roots Radics) and Deadly
Headley (The Wailers).

Re-cut at Dubplates & Mastering in Berlin for
maximum bass pressure. Includes printed inner
with sleevenotes by Steve Barker (‘On The Wire’),
plus download card for full album.

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J Written

Kaleidoscope

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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LP | 1981 | UK | Reissue (On-U Sound)

Psychotic Jonkanoo

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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Hostile Environment Yellow Vinyl Edition

LP | 2023 | UK | Original (On-U Sound)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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United States Of The Broken Hearted

Jeb Loy Nichols

LP | 2022 | UK | Original (On-U Sound)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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LP | 1980 | JM | Reissue (Jah Life)

Barrington Levy

Place Too Dark

Release: 1980 / JM – Reissue

Genre: Reggae & Dancehall

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7" | JM | Reissue (Joe Gibbs Record Globe)

Sylford Walker

Burn Babylon

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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LP | 1979 | UK | Reissue (On-U Sound)

Rebel Vibrations

Release: 1979 / UK – Reissue

Genre: Reggae & Dancehall

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Close Encounters Of The Third World

LP | 1978 | UK | Reissue (On-U Sound)

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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Get It Right: Afro Dub Funk & Punk Of Recreational Records '81-'82

2LP | 2022 | EU | Original (Emotional Rescue)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records. Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound. Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G. 'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub. Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform. Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions. X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time. To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".

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A Good Day For The Damned

LP | 2017 | EU | Original (Destiny)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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Taikokissie & Dub Passengers

Tepid Sunshine

10" | 2024 | JP | Original (I Like Your Anger)

12" | 1998 | DE | Original (Yo Mama's)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Taikokissie & DUB Passengers, led by Tokyo-based Lo-fi musician Taikokissie, whose previous album "slow Dance IN Suburbia" was well received, presents their second 10-inch release!! Hard jazz, improvisation played with skill and dubwise with deep effects that dive deep. A great masterpiece with the warmth of mellow raw sound that emerges in the darkness. Four songs and 28 minutes long, recommended for chill out along with gentle dancing. Includes download code.

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Patrice

Lions

LP | 2021 | EU | Original (Factory Benelux)

Release: 1998 / DE – Original

Genre: Hip Hop, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl has a few marks, is almost VG+ though. Cover in great shape.

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X-O-Dus

English Black Boys

Marcus I Meets West Finga

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy). Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville. Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl. The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.

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2000 Years Showcase

LP (Hornin Sounds)

Genre: Reggae & Dancehall

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More Late Night Transmissions With Jaya The Cat

LP | 2007 | EU | Reissue (Bomber Music)

Release: 2007 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1978 | UK | Reissue (On-U Sound)

Dub From Creation

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1980 | UK | Reissue (On-U Sound)

Starship Africa

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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The New International Sound Of Hedonism

LP | 2023 | UK | Original (Bomber Music)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Delroy Wilson (Sir Collins Prodn)

Live As One

LP | 2023 | UK | Original (Jah Fingers)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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The Tumbling Psychic Joy Of Now

Holy Tongue / Shackleton

LP | 2024 | EU | Original (AD93)

Conquering Lion Expanded Edition

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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The Tumbling Psychic Joy of Now, a ritualistic and expanding collaborative album between Holy Tongue and Shackleton.Holy Tongue is Al Wooton, Valentina Magaletti and Susumu Mukai and they have collaborated with Shackleton to create free-form, high energy, spiritual dub-dance music.

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Yabby You & The Prophets

2LP | 2021 | UK | Original (Pressure Sounds)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Genre: Reggae & Dancehall

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Pay It All Back Volume 8 Blue Vinyl Edition

LP | 2022 | UK | Original (On-U Sound)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Black Art From The Black Ark

Lee Perry & Friends

2LP | UK (Pressure Sounds)

Release: UK

Genre: Reggae & Dancehall

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A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

Lee Perry: ‘Boris Gardiner was a good person, just a humble person, and he’s the best person I ever met in the music business so far. Boris is a very top musician, and with him you could put anything together, him do “Police And Thieves” and all that. You just tell him what you want and him can do it. A very great person.’

Boris is probably best remembered today for his huge international hit from 1986, the schmaltzy ‘I Want To Wake Up With You’. Yet in the 60s and 70s he was one of Jamaica’s top bass players and arrangers, having an international hit with ‘Elizabethan Reggae’, and creating a run of classic tunes at Studio One.

Boris Gardiner: ‘I did at least seventy or eighty songs at Studio One, all in this one short period between January and April 1968. And we used to work four days per week, and we did four rhythms per day for 30 pounds a week – it was good money. I played on songs like “Feel Like Jumping”, “Nanny Goat”, “Baby Why” by the Cables, the whole “Heptones On Top” album, and “Party Time”. Lee Perry used to be at Studio One same time as me, kind of working around, so he know me from there. So he came and roped me into the group when the Black Ark studio was in progress. He built it right there at the back of his home. So Scratch called me and asked me to come and do some sessions around his studio. I was always ahead of my time as I can see it, in the music in Jamaica. So the songs that I made you always hear chord progressions and changes. Sometimes I think it’s as if I was born in the wrong country, because I just couldn’t do a two chord tune – heheh! To me it need more than two chords to give it some excitement, like it need some changes or something.’

After years of moving between Jamaica’s competing facilities, Perry had decided to build his own studio at the back of his house in Washington Gardens.

Lee Perry: ‘The Black Ark make over a pile of shit – my pile and me put it under the Black Ark. I make the Black Ark over my shit piss, so the bass always go “Poo Poo Poo Poo”! Errol Thompson put the machines in there, and make the patch panel. So the studio was all waiting, but only me could operate it. I didn’t have the Soundcraft mixer then, I did buy a lickle thing you call a Alice mixer. We didn’t have anything professional, but the sound was in my head and I was going to get down what I hear in my head. And it’s like a toy, a toy affair, that’s the way music is. You see like when you buy a kid’s toy, well you bring a joy to them, so is that way I see music. I don’t see music like how other people see it, I see it just like a toy.’

Unusually, Lee decided to do everything himself, both producing and engineering. The film clip shows Lee fully relaxed as he simultaneously directs the musicians and adjusts his recording machines.

Boris Gardiner: ‘To me Scratch always knew what he wanted. Out of all of them Scratch was a true producer, because he would be in the studio and he would listen and say change this or I don’t like that, and he was his own engineer also, so he was always around there listening. So he knew what he wanted and how to try and get it from the start, unlike Coxsone Dodd or Duke Reid, who knew what they liked or didn’t like only after they heard it. Scratch was in there with everybody, so he is really doing a full production as a true producer.’

Lee Perry: ‘I used to do them all by myself. Anybody in my studio could sit down in the visitor’s chair and look, but me do everything – me have a chair that can move from here to there, a chair that have wheels. So I could be turning in any area or any direction, so I could have my hand over here and my hand over there. Heh heh.’

And at a time when 8 and 16 track recording had become the norm in most high end studios, Lee recorded everything to a semi-professional TEAC 4 track recorder, which he can be seen casually adjusting with a screwdriver in the film clip. He explained that since he would end up mixing down to a stereo (or two track) master, more tracks would just be a distraction.

Lee Perry: ‘It was not a professional tape recorder, I was using those TEAC 4 track set that they was trying like experiment to see what would happen. Well, I have it all set up. The first thing I’d think about, all right, is you have to mix everything back down to the 2 track stereo or 1 track mono. Then you can press it and release it. So I knew what I wanted at the end, and I balance it just like that in the studio with the instruments. Sometime when you put only four or five instrument in the studio, you have a better, cleaner record, you can hear what everybody play. And if you have maybe eight musician in the studio, it’s more like a confusion, because everybody wants to play a different thing, yunno. If you is the producer and you can tell them what you want to hear it will be better. So I can put the bass and drum together on one track because me know exactly what me need. If you don’t know, then you need more tracks so you can balance it later. So for the backing, I would just do the two tracks: the bass and drum and percussion track, that is one; and the guitar, organ and piano on another track, that is two. So you still have two more tracks if you want to do vocal, that would be three. And if you want to do horns or a harmony vocal, you can do that on the fourth track. To me it’s a waste of time, a waste of energy with a 24 track machine, waste of current and waste of money. Because it all have to come down to one or two tracks in the end.’

The early Black Ark sound was stripped down and minimal, often with only one or two musicians playing keyboard or guitar. Lee would also use extreme EQ to emphasize the bass and tops, and his hi-hat sound is instantly recognisable from the earliest days of the Ark.

Lee Perry: ‘Well, I used to have an equaliser for the bass drum, and it’s like for heaviness on the beat, and then I had another equaliser for the cymbal, to give it that “Ssshhh ssshhh”. So we have different machine to send different instrument through that they can sound different. I managed to change the vibration of the music, because the music was just local music produced by rum drinkers and cannibals. So me turn on the music to a higher range.’

Boris Gardiner: ‘I think I always use a DI box to record bass at the Black Ark. Because bass want to fade into the other instruments’ microphone, so we often plug it straight into the board and then Perry sets the EQ on the board and take it straight. Then we built a drum booth so the drums really sound separate too – it give him more control.’

As the Black Ark evolved, Lee developed a richer collage of sound, built around three primary effects: the Mu-tron Bi-Phase phaser, a spring reverb and a Roland Space Echo.

Boris Gardiner: ‘One thing about Scratch was that he always used his effects – that was his sound. He always phase the ska guitar, but you don’t always know he’s recording it like that until he play it back. So until he play it back you have no idea what it will sound like.’

Lee Perry: ‘I did have a phaser that I buy, and then when I’m in the studio, in the machine room, and phasing them, the musicians don’t hear it, what I am doing, until them come in the studio, and them hear the phasing. So we did it all live. And the musicians they won’t even know what goes on! While the musicians are playing, I am doing the phasing. I take the musician from the earth into space, and bring them back before they could realize, and put them back on the planet earth. The phaser was making things different, like giving you a vision of space and creating a different brain, a phasing brain. So that’s where I take the music out of the local system and take it into space. The Space Echo also have something to do with the brain. You send out telepathic message and it return to you, so that’s how the Roland Space Echo chamber come in – what you send comes back to you. And while you know you send the telegrams out, you are waiting for what is the reply of the telegrams coming back. So that’s why the Space Echo go and come, rewinding the brain and forward winding the brain. I was also using a spring echo chamber, but just for drum, for the clash of the drum. And everything just fit in, like the thing I want to do it just come to me and come from nowhere, and then it appear and it happen.’

Boris Gardiner: ‘He loved to do things that nobody had done before, him always try a new thing. And he was a good writer too you know. Perry bring in a drum machine sometimes and we use that on some songs for the Congos and everyone. Well I actually like playing with a drum machine cos a drum machine is always steady. Most drummers they either push forward or pull back – they call it the human touch, but I call it out of time! Hahaha. “Row Fisherman Row” was really the great hit with the Congos, but that is all real drums and percussion, it’s just that Perry makes it sound almost like a machine with his echoes on the percussion. I played on “Police and Thieves” and that was a big hit too, maybe it was Sly Dunbar on that. One day Bob Marley came to him with a song on a tape and said “boy Perry, I don’t really like the bass and drum on this song here, if you can do anything to it then just change it and see if we can get something better”. Well Perry had only 4 track tape at his studio, but this was a 24 track tape that Bob bring. So Perry called me and Mikey Boo and took us down to Joe Gibbs studio and started playing the rhythm and all that on the 24 track. So I was on bass and Mikey Boo was on drums and we listen and we listen, and then we dub it back over to make new drum and bass. Well that song became “Punky Reggae Party”, so that shows you how Bob trusted Perry.’

Lee’s other great innovation was adding layers of sound effects, sometimes live through an open mic, but often pre-recorded onto a cassette tape which he would add to the collage on mixdown. Because these effects – bells, cymbals, animal noises, dialogue from the TV – were not synched to the music, they would add a layer of randomness to the sound.

Lee Perry: ‘You know cassette? I make cassette with sound track, and all those things with cymbal licking, flashing. In my Black Ark studio if you listen the cymbal was high, like “Ssshhh ssshhh”. But I did have them all recording on cassette, and while I was running the track and it was taking the musician from the studio, I was playing the cassette to balance with the drum cymbals and things like that, so them didn’t have to play that because it was already on cassette playing. You could call that sampling. And I have this “Mooooow”, like the cow, running on the cassette, and it go onto the track that I wanted to sound like that. Somebody discover it in a toilet. You know when the toilet paper is finished, and you have the roll, and the hole that come in the middle. Well you put it to your mouth and say “Hoooooo”, and it sound like a cow. You put it to your mouth and you imitating a cow and say “Moooooo”. Heh heh heh. Yeah, sound sampling. Well somebody had to start it, and we was loving to do those things.’

Boris Gardiner: ‘Well the Black Ark did have a strong vibe, but, once everybody all there, most of those guys who smoke really like it, but those who didn’t smoke didn’t really like it, like myself. Scratch is a man who never joke fi draw him herbs, you know? Heheh. But I am not a smoker cos it’s not good for my heart. I have a heart problem called tachycardia, an irregular beat of the heart. So it could be upsetting at times when there’s so much smoking going on.’

By the late 70s the relaxed atmosphere at the Black Ark had soured, as Lee attempted to extricate himself from various outside pressures, and his behaviour became more erratic.

Lee Perry: ‘What happened I did for myself not to be working with jinx and duppy called dread. And those duppies they think that me owe them favour. I open the door, and the duppies them find that me is the door opener, and then the duppies them take shape inna me yard and inna me house, and they were a jinx. Jinx mean bad luck. So to get rid of them, me had to burn down the Black Ark studio fi get rid of jinx.’

Boris Gardiner: ‘Was Scratch crazy? Well some say now that he was just putting on an act. But I think, why did he put it on? After all the problems he was having and that sort of thing, and they were saying that he was getting off his head, and he start to act strange, well I just stopped going. I stopped working there. It wasn’t a good atmosphere – nobody could really enjoy that again. So I called it a day. It is sad after all the good work we did. But when you try to be smart and try to outsmart others, well it don’t work out for long with you. He came and did a show here in Jamaica the other day, but I didn’t really know Lee Perry as a singer. He won the Grammy not long ago, but I find it surprising that he got a Grammy as a performer not a producer. He’s been very lucky: now he is successful in a sense and some people love him cos he’s a character, and they don’t see nobody dressed like that. Hahahah!’

Speaking to Lee in February 2021, via WhatsApp to Jamaica, he sounded relaxed and positive, with more praise for Boris and optimism for the future.

Lee Perry: ‘Boris Gardiner was very good, very great in the brain. He really intelligent in music, and me and him work miracle together! And remember that there was no end to the Black Ark, the Black Ark will be coming back. The Black Ark keep on living and cannot die.’

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In Pursuit Of Shashamane Land

2LP | 2020 | UK | Reissue (On-U Sound)

Release: 2020 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Genre: Reggae & Dancehall

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In Action With The Revolutiona

Jah Lion

LP (Burning Sounds)

Genre: Reggae & Dancehall

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At Studio One - Reggae Mash Ups Yellow Vinyl Edtion

Jay-Z

LP | 2010 | US

LP | 2023 | EU | Original (Animal Rights)

Release: 2010 / US

Genre: Hip Hop, Reggae & Dancehall

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Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

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Interim

Trash Blue Vinyl Edtion

Joe Yamanaka & The Wailers

Release: 2023 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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After 3 LP (meuh! à la petite cuiller and VU A LA Télé), Interim comes back with Trash, a 4th beautiful blue vinyl LP with electro pop and dub dancing sounds. Electronics and weirdness of all kinds are once again the signature of the duo. Agnès Rougier (bass, melodica, electronics, lyrics) and Michel Bazieu (electronics, lyrics) hijack words to play with reality and have fun making the machines sing. Lizard men and climate change (Lizard Man), the French state and chlordecone (cld Banana Dub), the Trump’s space force (Space force Dub), the Chinese social tyranny (Social Control) or Facebook (Up Sugar Mountain): the 9 tracks of Trash humorously describe the social and political tragedies and excesses of today’s world. Recorded and mixed by Interim. Mastering by Pete Maher. On the cover, an original drawing by Arthur Junier. Trash is produced by the label Meuh! Productions.

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Reggae Vibration HHV Exclusive Green & Red Vinyl Edition

LP | 1982 | EU | Reissue (Jamdung)

LP | 2023 | EU | Original (I Grade / Before Zero)

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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HHV exclusive vinyl edition on multi-colored vinyl, limited to 100 copies. Only available at hhv.de!

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers. Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'. The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs. 'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

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Akae Beka

Let Live

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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LP | 2023 | CZ | Original (Easy Star)

Samory I

Strength

Release: 2023 / CZ – Original

Genre: Reggae & Dancehall

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Frontline Black Vinyl Edition

Dub Pistols

LP | 2023 | UK | Original (Cyclone)

LP | 2022 | EU | Original (Chapter Two)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Frontline is the 9th studio album by Dub Pistols. Chief rabble-rousers & festival favourites, the band are known for their veritable feast of jump-up party-starting sounds, melding dub, reggae, dancehall, ska & DnB into an irresistible tonic that has seen them amass a merry band of Pistoleros across the world.

For this chapter, they are joined by a stellar band of featured artists including both legendary & award-winning collaborators such as Horseman, Top Cat, The Freestylers, Myki Tuff and Chezidek alongside long-term Posse members The Ragga Twins, Lindy Layton, Natty Campbell, King Yoof and Cheshire Cat, and regular Dub Pistol frontman Seanie T.

So, saddle up and join the gang, it's time to ride to the Frontline!

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Tiken Jah Fakoly

Mangécratie

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Micah Shemaiah & Zion I Kings

Still

LP | 2021 | UK | Original (Zion High)

LP | 2021 | EU | Original (Before Zero)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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For more than a decade, Jamaica's Micah Shemaiah has been crafting his musical message with a keen and steady focus on Rastafari redemption and African unification. His writing style embraces and combines several genres of music delivering unique sounds that will appeal to any ear. Coming from the original home of the sound, Kingston City, and growing up in the Rastafarian house of the Twelve Tribes of Israel, this Singer/Songwriter has certainly put down a solid foundation in the Reggae Industry and has carved a place in the hearts of reggae lovers all over the world.
This new 12' vinyl LP offers 8 vocals and 2 dubs. Produced by Zion I Kings and underpinned with their trademark style of hardcore roots reggae, showcasing a broad spectrum of Micahs vocal talents. Releasing courtesy of Before Zero Records.

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Akae Beka & Zion I Kings

Polarities

LP | 1991 | UK | Reissue (Culture Press)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Released on CD and digital on the 21st May 2021, this eagerly anticipated LP from I Grade Records immediately soared to the number one position in the iTunes reggae charts. The LP is now being released on 12" vinyl and cassette tape courtesy of Before Zero Records.
Polarities is the 13th and final full album of new material from Vaughn Benjamin and I Grade Records, the culmination of a 20 year working relationship that began with 2001's Nemozian Rasta album, which was Midnite's 4th album released to date at that time.
Polarities was produced jointly by the Zion I Kings production team, with Tippy I of I Grade at the production helm, alongside Vaughn Benjamin himself.
The album also includes two notable guest features: Tiken Jah Fakoly of Ivory Coast on "Everything Bless" and Chronixx of Jamaica on "Black Carbon", which were both released in 2020 as the first singles off of Polarities.

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I Roy

Straight To The Heart

Release: 1991 / UK – Reissue

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-01

Joe Gibbs Presents: D.J. Originators Vol. 2 - Head To Head

Prince Far I & Trinity

LP | 1995 | US | Original (Joe Gibbs Record Globe)

Glen Washington, Zion I Kings

Release: 1995 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Jah Children

LP | 2023 | EU | Original (Before Zero)

LP | 2018 | EU | Original (Ariwa)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Glen Washington’s long lasting musical legacy continues to flourish with JAH Children, a roots and culture showcase ep with the celebrated roots and culture reggae sounds of the Zion I Kings.

Starting from the mid-1970s, Glen Washington’s singing and drumming have been mainstays in reggae dance halls and on stage shows worldwide. In 2012, Zion High Productions paired the Jamaican born and Florida-based singer with the Zion I Kings on Masterpiece to great critical acclaim. JAH Children is further evidence that working with producer/ engineer JAH David Goldfine over many years brings out the best in the singer’s songwriting and vocal performances.

On the four songs with matching dub mixes, the Zion I Kings are joined by a stellar array of reggae’s top musicians. Included are drums by Roberto Sanchez, Winston “Horseman” Williams, and Lincoln “Style” Scott, saxophones by Donald “jah Bless” Toney and Garrett Kobsef, trombone by Balboa Becker, trumpet by Okiel Mcintyre, flute by Zoe Brown, and percussions by Scully Sims and Norman Grant. Russ “Tuff Lion” Williams does the lead guitar on “No Limit” and Chet Samuels is a featured vocalist on the title track.

Cover artwork is by longtime Zion High Productions collaborator Ato “Art of the Covenant” K.D. Roberts.

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U Roy

True Born African

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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Mastermind Computer Style

Maffi

LP | 2024 | EU | Original (Jahtari)

LP | 2024 | UK | Original (Room In The Sky)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Ten bad boy digi riddims from the myspace era by Copenhagen’s Maffi crew, dubbed out into 3D space by disrupt in 2024. Raw, minimalist CyberDancehall at its best, nostalgic and oddly futuristic at the same time, this album is quickly becoming RoboCop’s favorite playlist when going to work. …………………………………………………………………

Maffi Promotions a.k.a. Maffi Boys come straight outta 1773 Kbh V, Copenhagen, Denmark. Originally founded in 1990 by the two homeboys, lazy body Moog and Junior the Rat, Maffi Promotions have been a steady producer of simple digital riddims for years. Hanging out in the streets of Hummel City Junior & Moog used to entertain their friends with the primitve riddims of the Maffi sound. Not knowing that they would do the exact same thing fifteen years later, they continued to believe that one day they would move up the ladder, break out of the underground and reach for the stars.

Now, after finally adopting a little sense of realism, the two homeboys have realised that stardom is nothing compared to spamming people on myspace. So the two stoners decided to get a couple of friends together and turn up the bass online. Together with their sound crew Firehouse, Maffi deal nuff weed and gyals!

Maffi Boys are very dedicated to the art of playing Sensible World of Soccer, rolling weed joints with Manitou tobacco and keeping it real in a Vesterbro-style. So watch out! And don’t test! We’ll be putting up new riddims on a weekly basis. We have nuff things brewing – including a delicious chicken! ………………………………………………………………

Growing up in the streets of Hummel City, Vesterbro, Moog learned the pleasures of sleeping late, playing Sensible World Of Soccer and picking up hot gyals at an early age. He has spent most of his life trying to master these crucial skills. Taking a break from the dog race, Moog is currently focused on reaching a higher understanding of reggae-science and weedology.

Junior experienced the necessity of rolling well-made spliffs at an early age. Incorporating the aestethic heritage of Scandinavian design, he has spent most of his life perfectionizing this old and traditional art form. Junior is currently taking his ph.d. in digital reggae by buying crates of 80’s 7″ and selecting for his sound system Firehouse.

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Deemas J

Not 1 Style

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Joe Gibbs & The Professionals

African Dub All-Mighty Chapter 3 Red Vinyl Edition

LP | 2023 | UK | Original (VP)

Joe Gibbs & The Professionals

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Chapter 3 als Limitierte Red LP!!!

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African Dub All-Mighty Chapter 1 Yellow Vinyl Edition

LP | 2023 | UK | Original (VP)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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LP | 1987 | EU | Reissue (Miss You)

Shakeena

Dance Music

LP | 2022 | UK | Original (Pressure Sounds)

Release: 1987 / EU – Reissue

Genre: Reggae & Dancehall

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Another one from the fruitful collaboration with LA's highly regarded Patrick Houchen aka Shakaman. After Shakeena's “I bet you” 12" re-issue flying off the shelves, we deepen the exploration within Shakaman's treasure chest of Reggae/Dub gems with Shakeena's first and last album on Majicaa Records. Originally released in 1987, this album is a proper act of musical generosity, not so easy to point out the “hit” track here – clearly a case of all killer no filler. Unlike too many albums where the format length sadly gets the best of the artists' work, rest assured with this one you can play from the beginning to end and you'll only have to come back to flip it. The professional execution of what is hands down an ensemble of highly seasoned musicians sets the tone for the dreamy lyrics and arrangements to unravel. Besides expected reggae rhythms, Shakaman brings in other influences with subtle electro/freestyle hints that might have been hard to ignore in LA at the time. New remastered version sounding especially big and cozy on the low end. Can't go wrong!

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Patrick Andy / Yabby You

Living In Mount Zion

LP | 2022 | EU | Original (Les Disques Bongo Joe)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The seed for this album comes from a tape compiled but never released by Vivian “Yabby You” Jackson, labelled “The Best Of Patrick Andy”. On the tape were three unreleased tunes, one unreleased dub, and stereo mixes of several singles which had only been heard in mono before. So “Living In Mount Zion” is in full stereo on the tape, as opposed to mono on the released 7”, with Yabby’s characteristic production trick of switching the panning of the horns and rhythm tracks back and forth from left to right, as also heard on several of his albums. “You Don’t Want Me” is also different to the 7” cut, presented in stereo and with extra horns overdubbed. The three unreleased songs are all well worthy of inclusion in this compilation, showing Patrick Andy’s spiritual side over some heavy rhythms. Together they form a fitting tribute to a fine singer and a legendary producer.

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Societe Etrange

Chance