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Solar Flex draws inspiration from 90s club oriented dance music and sets moods from laid back outdoors to prime time club nights and after hours. On the A-side ‘Stepping Toward Zen’ prepares for the mental workout with shivering chants that gain consciousness to rhythmic tablas and spacious bleeps. Next, mysterious energies set free with ‘Entropica’ unfolding its wobbly dub baseline to the enigma of pitched cymbals and robo-rhythms aligned by the steady-state of a bouncing four-to-the-floor 909 kick. ‘Supernature’ pops the B-side with a more club-oriented electro-trance blended stomper soothed by watery pads that set a pause before straight breaks and alien leads ask for their sweaty tributes. Finishing off, ‘Tablagauze’ primes for after hours with a gnarly downtempo chugger speckled with overdriven analogue drums and hypnotic acid arpeggios.

Flying high for the tenth anniversary of "Blackbird" album, we"re pleased to announce the brand new Blackbird Returns remix album descending on the breeze. Friends from around the world, Nightmares on Wax, Jazzanova, Kings, Syrup D, Christoph El Truento & Lucky Lane, DJ Philippa, Feiertag, Marcus Worgull, The Kcbs, Yarni feat. Liv East, Dub Pistols vs Freestylers and Kid Fonque have remixed their favourite Blackbird tracks.

The 100th release on Pressure Sounds is the brilliant set of I Mo Jah's ‘Rockers from the Land of Reggae’ and ‘Words in Dub’, as two single vinyl releases, and a double cd. It's surprising that these two albums have not been re-released before, as both albums are seriously sought after. There will be 3 bonus tracks on each of the CDs. The albums come with full sleevenotes with excellent sound quality. The CD pack includes a full package with graphics and the usual high quality annotation and mastering. _____ . ______
Notes for the two albums:

A contemporary of Ras Michael & the Sons of Negus, Eric Donaldson and Freddie McKay, Philip Fullwood started out composing for Studio One and playing percussion for Burning Spear.

Both "Rockers from the Land of Reggae" and "Words in Dub" were backed by Sly & Robbie, Leroy "Horsemouth" Wallace, Clive "Azul" Hunt, Bingy Bunny and Flabba Holt, among others.

The striking sleeve of "Rockers...", in black and white with green handwritten typography, told the story of Jamaica, with Arawaks overseeing the arrival of Christopher Columbus’ ship Santa Maria, whilst between two sound systems the dreads were dancing and smoking a spliff under a tree. The art was drawn by Magnus Johnstone, a painter and deejay who presented the radio show ‘Reggae Mukasa’ on WMBR, and would later become the foremost champion of the burgeoning hip hop scene in Boston.

“When I made "Rockers from the Land of Reggae" I was taking about 500 to Jamaica and I was told I had to have a license to go through the customs. I got fed up and I just leave the album with them. They wanted me to get a license and all them things, and I said ‘Why I want a license to bring my own thing to Jamaica?’. They said no, so I leave them at customs. I don’t know what happened to them. Maybe they sell them. And that was the end of it. I give the rest of them to Chin Randy’s in Jamaica Queens to distribute.”

And so "Rockers from the Land of Reggae" soon vanished into obscurity. By 1983 Phillip Fullwood had settled permanently in the US and virtually retired from music. Over the years, partly fuelled by its extreme rarity, the album’s reputation has grown immensely, and original copies now command a very high price. Phillip is thrilled that this reissue will now expose it to a wider audience.
“Life happen that way. I got kids and grandkids. I’m just a small guy who was with Spear and just tried to do my thing, like everybody else in the entertainment biz. My occupation, my passport you know says entertainer. Wishing a t’ing, yunno.”

"Words in Dub", the highly unique set, released in a stark hand-printed sleeve, comprised self-produced rhythm tracks and some donated by friends, such as ‘Africa Rock’, a dub of ‘See Dem Da’ (Jah Marcus Roots 7”) by Burning Spear, with member Rupert Wellington on lead vocals. The first side also featured dubs of Purple Lights’ ‘Pestilence’, fronted by the singer Bangie, and ‘Revolution’ by Jah Blue & The Originals, who included Winston Rodney’s brother. ‘Reorganize The Race (Marcus Say)’, with its dense layers of digital reverb in the intro, later features singing about ‘weeping and wailing’ also by Jah Blue & The Originals, though the vocal cut was never released. Several rhythms would later get a do-over by Phillip’s American-based group I-Mo-Jah, perhaps the most thrilling being ‘Jah Say Love’, rerecorded by I-Mo-Jah as ‘Peace & Love’. ‘Hotter Fire In Babylon’ is a dub of Burning Spear’s ‘Spear Burning’ (Spear 7”), and the album closes with ‘Bubbling’, a dub of ‘Maybe’ (Yah Congo 12”) recorded by Phillip’s long-time friend Eric Donaldson.

The original recordings were primarily laid at Channel One with Barnabas and Crucial Bunny at the mixing board, with ‘Hotter Fire In Babylon’ recorded at Randy’s by Chin Randy himself, and ‘Bubbling’ at Dynamic Studio. The final dub mixes were done at Channel One and also at the legendary Black Ark by Phillip Fullwood’s own hands.

Death Is Not The End's 333 sub-label follows the reissue of Devon Russell's Darker Than Blue LP late last year with a first-time reissue of a veritable reggae-dancehall holy grail - Robert Ffrench's 1985 LP 'Wondering'.
Pioneering artist and producer (and cousin of the late, great Pat Kelly) Robert Ffrench was born in central Kingston in 1962, recording his first records in 1979 at the age of 17. Coming out off the back of a slew of roots & early dancehall-style 45s cut with a wide range of producers thoughout the early '80s, the Wondering LP followed closely after two acclaimed LP sets ('Showcase' produced with Lord Koos & 'The Favourite' for Ossie Thomas' Black Solidarity label - plus a split showcase LP with Anthony "Gunshot" Johnson for Jah Thomas' Midnight Rock label).
Ffrench would write and produce the Wondering LP himself in it's entirity, laying down the tracks at Herman Chin-Loy's Aquarius & Michael Carroll's Creative Sounds studios with the help of engineer Christopher Daley. Representing the sound of an artist first confidently sriking out on his own, the album elegantly mixes a classic rub-a-dub & lovers rock-inspired sound with nascent digi-esque flourishes. It boasts an enviable list of contributors too, incl. Sly & Robbie, Dwight Pinkney, Robbie Lyn, Nelson Miller (Burning Spear) and Ronald "Nambo" Robinson among others, with Beres Hammond also providing backing vocals in places.
Following the release of Wondering, Ffrench would continue to write and produce, soon after releasing two further self-produced LPs for Edgar White's Parish label - and founded his own 'France' label in the late 80s, through which his productions would start to hit big, most notably alongside Courtney Melody on 'Modern Girl', and with US rapper Heavy D on the track 'More Love'. Robert's productions released through later label 'Ffrench' would go on to boast the cream of the crop of dancehall artists throughout the 90s and early 2000s, and he is often credited with discovering Buju Banton (producing his first single "Ruler" on the Stamina riddim). Ffrench is still actively producing music of his own to this day, having released singles 'Everyday of My Life' and 'Black Is a Colour' in late 2022 and Feb 2023 respectively, available through all digital platforms now.

333, under exclusive license from Robert Ffrench.