Search "aphroe 90" 95 Items

The first 7" by "Boso Vinyl Aikoukai," formed by record-loving members in Kamogawa, Boso, Chiba Prefecture, is now available! The recording features Pancho from K-zion, active in Kamogawa, Boso, and guest performers MR Hero and Matsurika united, who is well-known for her work on "the Entertainer" produced by Naniwaman. The song "Toki Wo Koete Yukou" (Let's Go Beyond the Time) is a wonderful song filled with positive messages like 90s Japanese reggae. Limited Pressings!!

The Hempolics return with ‘Kiss, Cuddle & Torture: Volume 2’, the follow-up to their triumphant 2017 album which won them accolades including a BBC 6 Music ‘Album Of The Year’ selection. The new release builds on their trademark mash-up sound of reggae, dub, soul and pop but explores new territories with elements of hip-hop, shoegaze and trip-hop welcome additions to the mix.
As with Volume 1, the release is underpinned by the masterful production of main man Grippa – an engineer who cut his teeth working with Faithless – and he’s once again joined by unmistakable Hempolics vocalists Dandelion and Nubiya, who continues to turn heads with her Amy Winehouse meets Hollie Cook timbre.
Highlights of the album include the upbeat soul and reggae hit ‘Play On’, the trip-hop meets dub-influenced single, ‘Full of Surprises’, and the British reggae-funk stomper ‘Bongadashi’. ‘Gotta Thing’ sees the band deliver a fast hip-hop house track laced with classic Hempolics’ reggae flavours, vocals courtesy of Miami rapper Cojack, whilst ‘Place Is Here’, written by Grippa alongside Faithless vocalist Pauline Taylor, is a 90’s shoegaze influenced cut with a languid psych groove.
These releases are to be collected, and hopefully Volume 3 isn’t too far away.

Solar Flex draws inspiration from 90s club oriented dance music and sets moods from laid back outdoors to prime time club nights and after hours. On the A-side ‘Stepping Toward Zen’ prepares for the mental workout with shivering chants that gain consciousness to rhythmic tablas and spacious bleeps. Next, mysterious energies set free with ‘Entropica’ unfolding its wobbly dub baseline to the enigma of pitched cymbals and robo-rhythms aligned by the steady-state of a bouncing four-to-the-floor 909 kick. ‘Supernature’ pops the B-side with a more club-oriented electro-trance blended stomper soothed by watery pads that set a pause before straight breaks and alien leads ask for their sweaty tributes. Finishing off, ‘Tablagauze’ primes for after hours with a gnarly downtempo chugger speckled with overdriven analogue drums and hypnotic acid arpeggios.

“VP x Panja” <1st Time 45 Series>, an analog reissue project by Panja Records of songs from the world's largest reggae record company “VP Records”, has started! Two titles by Dennis Brown and Cocoa TEA to be released at the same time! This is a masterpiece of 90's Jamaican Lovers, but although a pirate 7“ version appeared in the early 2000's, it was never officially cut as a 7” and was only included on the album.

“VP x Panja” <1st Time 45 Series>, an analog reissue project by Panja Records of songs from the world's largest reggae record company “VP Records”, has started! Two titles by Dennis Brown and Cocoa TEA to be released at the same time! This is a masterpiece of 90's Jamaican Lovers, but although a pirate 7“ version appeared in the early 2000's, it was never officially cut as a 7” and was only included on the album.

Death Is Not The End's 333 series continues with this killer slice of digi roots out of late 90s NY, also a big Jah Shaka selection at the time.
Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based Hc&f Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise.

Our first contemporary release on Avec Plaisir features a stunning collaboration of Munich-based Ly Nguyen and Super Sound Global's Nic Jalusi.

We discovered Suncream’s "Laguna Azur" already years ago through our friend Pia and kept playing it in our sets since then, which caused almost ridiculous amounts of ID-requests from audiences all over Europe. So when Ly and Nic agreed on working together on a physical release, we knew this is gonna be something special.

While the Original Laguna Azur Mix takes you on a motorcycle trip to a beach bar sipping cocktails in the early 90s (with denim jackets, cocktail umbrellas and the full program), Jalusi's Acid Dub is already starting the party, when the dubby bass hits like we wanna dance into the sunset, watching smiles on everyones faces, rumpled hair from the early evening breeze. 2AM – was it Hazme Sonar or Sueno Latino or the Balearic Eric & Nic Jalusi Dream House Mix – You’re in a sea of hands up in the air when those piano chords kick in after the break. You just want to dive into the ocean for another night swim and shake your drenched body on the sandy dancefloor. A handful of friends remain at the beach in the very moment when the sun comes up and you’ll hear the hypnotizing leftfield dub "My Heart“, lying on the shore, everyone’s eyes turn into the greenish-blue color of a mystical lagoon hidden in the palm forest. A salty taste remaining on your skin.

We're more than proud and excited to present you the summer record of 2024: Suncream’s Laguna Azur EP.

WHITE-LABEL ALBUM Unheard Dubs from the Mad Professors 80s / 90s / 2000s archives . . TIP!

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

City Pop / Reggae singer "Natsu Summer" releases new album in 2024! Produced by Cunimondo Takiguchi from Ryusenkei. Natsu Summer's latest release is a blend of danceable lovers' rock and soothing city pop, with ama-piano rhythms and steppers. Produced by Cunimondo Takiguchi of Ryusenkei, the album is not just reggae or city pop, but also throws out some new ideas. The cover of a hidden Japanese Lovers Rock song from the 90's, which is not easily released on record due to rights issues, is sure to attract attention!

180 Gram Vinyl Following the success of the 2021 reissue of Ambient Warrior’s cult classic Dub Journey's (1995), Isle of Jura is pleased to present their unreleased second album, II. Born from the same oceanside fusion of instrumental dub, reggae, bossa nova and tango music that made Dub Journey's so distinctive and memorable, II is an equally sublime collection of eleven unheard tracks from the brilliant minds of Ronnie Lion and Andrea Terrano.

Evoking the delights of white sands, palm trees and sunsets, all set against clear waters and endless blue skies, Dub Journey’s and II document the golden moment when Ambient Warrior came together during the mid-90s to create some of the most Balearic Dub ever made. “Music is the greatest traveler, isn’t it?” says Ronnie. “It gets to places the actual artists can’t even get to really.”

The son of an orphaned Jamaican jazz trumpet player and professional boxer who enlisted in the military after stowing away on a boat to London, Ronnie grew up between Germany, Singapore and the UK before becoming a working musician in his mid-teens. A bass player by trade, he honed his skills playing in a series of soul, jazz-funk, blues, rock and reggae bands that performed throughout the UK.

By the time Ambient Warrior released Dub Journey’s, Ronnie and his business partner Ras Joseph were running the Lion Inc. recording studio and record label in Brixton, London. Having set up distribution arrangements with Roots Records (uk) and Semaphore (deu/nl), they recorded and released a series of singles, compilations and solo albums from a who’s who of roots reggae artists, including Twinkle Brothers, Delroy Washington, Michael Prophet, Alton Ellis, Little Roy, and Ronnie’s own band The Amharic. “Lion was a regular port of call for visiting Jamaican artists,” reflects Ronnie. “When you were in London, it was on the route.”

An accomplished guitarist, producer and recording engineer from Trieste, Italy, Andrea grew up listening to Russian folk, Klezmer and the Italian harmony tradition in a Sicilian-Ukrainian family. After completing compulsory Italian military service, he moved to London to continue studying music. One night, he turned up at Lion Inc. and approached them about running audio engineering classes from the studio.

In Andrea, Ronnie found a collaborator who shared his desire to create borderless music that reflected the diversity of their backgrounds. “I wanted to do something that had no boundaries,” Ronnie explains. “If you’re working on a roots album, it has to sound a certain way, but with Ambient, especially in the nineties, it was just a license to let off. You could do whatever you wanted to do.” “It was a melting pot of influences like London itself,” adds Andrea.

Although they wrote most of II at the same time as they were recording Dub Journey’s, it took them several years to finish off the album. “Things never got done quickly,” Ronnie remembers. By the time it was complete, Roots Records had gone out of business, leaving Lion Inc. without UK distribution. Not long after, their Brixton studio flooded, bringing the label to a close.

These days, Andrea continues to work as a session guitarist, recording engineer and producer in London. Over the last two decades, he has collaborated regularly with Basement Jaxx and released several solo albums. Ronnie, on the other hand, lives on a boat equipped with an onboard studio, where he has recorded a series of oceanic dub albums off the British coast. Twenty-eight years after the release of Dub Journey’s, he recently started working on demos for a third Ambient Warrior album he hopes to record with Andrea in the not-so-distant future.

Artwork By Bradley Pinkerton.

Just a few months after the release of "Shine," his debut solo album featuring some of the finest R'n'B voices of the moment, Stefano Cosi presents his new single "That's On Point" on Angis Music, already home to the Huma project of which he is part along with pianist Alberto Lincetto. The single, which boasts the important collaboration with UK soul legend Omar, was written and produced remotely during Covid, waiting for the right moment to be released. Now it seems that the moment has finally arrived and to complete the offer alongside the original version are two remixes by Abacus, prominent figure in the deep house scene since the '90s, plus a mid-tempo dub version by Italian talent Edoardo Della Bitta aka EDB. Don't miss out on this future classic!

`Orthodox Music’ – originally released in 1989 was produced by the innovative dub duo Sound Iration, consisting of Scruff Gilder and Nick `Manasseh’ Raphael and featuring the voice of roots singer Tena Stelin.

A sound system anthem – particularly fot Jah Shaka - from the late 80’s / early 90’s alongside the original dub mix `New Style’ and dubplate cuts which are featured on Side B.

* Top slice of early 90’s digital roots from reggae legend Earl 16, best known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread, Leftfield and Dreadzone.

* Produced by Earl Sixteen and previously only available on Earl’s 1992 LP `Boss Man’ (released on CD as `Roots Man’).

Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

Here comes a special tribute to Hamburg’s dub and sound system history of the 90s - an important chapter for dub and reggae music in Germany on a whole. One of the local veterans, Pensi, also known as the man behind Ire Hi-Fi, meets Dub Me Ruff at the Sound Navigator Studio. An unearthed gem from that era entitled ‘Generation Of Change’. The infamous ‘Dub Me Ruff System’-dubplate-mixtape from the 90s, which was run heavily on cassette by fans and collectors alike, featured a vocal cut and one dub. This and some dances at the time were the only way one could hear the tune. We just had to get in touch with Pensi directly, and carefully inquire if there could be a chance to release it after all those years properly. To our joy he was excited about the project and went back into his archive and found the original DAT-tapes and some lost mixes. We are honored to now present to you, transferred from those DATs at Soon Come Studio (a project run by Pensi and a collective of Hamburg producers nowadays) and freshly remastered and cut at Star Delta in the UK, this first ‘90s salute’ from 1995 on 12inch vinyl. Vocal plus three wonderful dub excursions crafted by Danielle ‘Yell’ Mommertz, with her going heavier on the fx with each mix - from ‘gentle’ to ‘Iration style’. The lyrics could not be more fitting today and seem to not have lost any relevance almost 30 years after they were written. A powerful message on an uncompromising roots riddim à la dub me ruff.

This album consists of unreleased Dubs recorded between 1986-90 at the early Blakamix Studios.

Blakamix have re-opened the tape vaults and let Mixman loose to revamp and revitalise and give the Dub Doctor treatment to these early Dub tapes.

A dig into the vaults leads us to the lesser-spotted Jah Free, a stalwart of the 90’s dub scene and purveyor of all things musically DIY.

* This is a raw melodica-led instrumental backed with an even rawer bongo-frenzied cut.

* Originally released on the Jah Free Music label in 1993.

* Those were the days when some producers where using cassettes to record on home studios.

A dig into the vaults leads us to the lesser-spotted Jah Free, a stalwart of the 90’s dub scene and purveyor of all things musically DIY.

* A vocal cut from Jah Free with a brutal bassline backed with alternative dub mix to the version that was originally released on Zion Train’s Deep Root label in 1998.

This is a Lovers version of an absolute classic! Licensed from the catalogue of the legendary Harry J Studio, in a signature late 80s Digital keyboard & drum-machine style. Originally written by Toto, and made famous by Michael Jackson! As well as being sampled in SWV’s big 90s anthem & by Hip Hop legend NAS.

"Congo" by Nkrumah is a hypnotic slice of deep roots by Nkrumah aka Toronto's Kwame Salmon. The city that was home to Johnny Osbourne, Leroy Sibbles, Jackie Mittoo and countless other Reggae legends has produced another artist following this great lineage, a singer with a voice unlike anyone else. Originally released in miniscule quantities as a self produced dubplate/lathe cut, the 45 caused a sensation among Djs and sound system operators world wide. This official release features a different mix with an extended version and a spare, mesmerizing Dub version by Toronto's Heavy Manners crew reminiscent of late 90s/early 2000s Rhythm and Sound releases.

A dig into the vaults leads us to the lesser-spotted Jah Free, a stalwart of the 90’s dub scene and purveyor of all things musically DIY.

* This 12” comprises of slices of `Lightning Clap’, the lead cut being a vocal.

* Originally released on the Jah Free Music label in 1993.

Record is close to VG+.

New material from The Disciples (uk). Very killer new roots dubs. TIP!

" Brand new hit from the UK’s greatest dubmaster Russ Disciples as a first release on Seafront International… Produced & mixed at the Backroom studio inna original 90’s style ‘n fashion. Three release-exclusive mixes on a crisp 10” for your musical pleasure.:"

Rare as hen's teeth digital dancehall from out of late 80s/early 90s NYC, via Cooly aka Koolindian aka Super Cat's cousin Andrew Maragh, originally released on his own Mad Indian Records - reissued here for Death Is Not The End sub-label 333.

Maragh sang in church choirs and on soundsystems in Jamaica before moving to New York in the 1980s where he quickly became involved on the underground music circuit, taking inspiration from his cousin the legendary Super Cat. "Freedom" was penned while he was incarcerated, and details the unfairness of the judicial system at that time, alongside the heartfelt need to "hustle everyday to make ends meet, whether that's picking up scrap metal or cutting lawns or voicing dubplates, whatever you do to make a dollar", says Maragh.

Having bought an Ampex tape in Manhattan, Maragh headed over to the legendary Philip Smart's Hc&f studio on Long Island with the intention of laying down his lyrics on the version to Dennis Brown's "Children of Israel". After hearing the song however, Smart went ahead and built this one-away "Freedom" rhythm on the spot. The track was then carried to Count Shelly's Super Power Records where it was then pressed & distributed as the first and only release on the Mad Indian label around the turn of 1989/1990.

Loaded E.P. of mid 90s Mad Professor productions on his own Ariwa (uk) . . . A suite of three slightly comical but straight deadly phasered dubs on A side. On the flip is a strong soulful Lovers tune from Wendy Walker followed by a hazy version... TIP!

New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket.

Debut album from Indiana ska band formed by the members of 90's legends Johnny Socko. Anthemic rock infused ska & reggae that harkens back to the heyday of the American third wave, with catchy lyrics and big horns. Limited edition clear blue vinyl limited to 250 copies.

The Carmines are back with their 3rd full length album "Work Harder Not Smarter"! The band may have matured over the last decade, but the sound is the same and the melodies are here to stay! Staying true to their roots, they pump out 10 new songs, recorded and mixed all analog by Pete Mattern at Horsetown Recording Company, that really capture the sound and spirit of early ‘90s Lookout! Records! Limited to 200 copies on blue-ish/green-ish vinyl

2001, Yorkshire, England. Subdub is in full strength shaking down Leeds' city walls with regular parties, community events & sound system sessions. Active since 1998, the devoted crew push UK Dub music forward, inviting key players of the scene to play at their events powered by the mighty Iration Steppas sound system. Session after session, the Subdub imprint nurtures a loyal community of skankers while building close ties top artists in the field. A solid reputation that resonates amongst dub-heads around the globe. After 3 years of existence and having already put out 3 singles on their Tandori Space Records label, the idea of putting out a Subdub compilation album sparks. Producers get involved and the ‘Digital Africa’ project takes shape! But when the test presses finally arrive, the difficult financial situation and bleak state of the vinyl market at the time force the project to get shelved…

22 years on, while on a pilgrimage to Subdub and stopover at the Tribe Records HQ, the Dubquake team see the dusty test presses emerge from the record store vaults and get a taste of the incredible music through the shop's speakers… Unreleased & exclusive tracks by Iration Steppas, Jah Warrior, D.BO General, Vibronics, The Disciples, Tena Stelin, Nucleus Roots, The Bush Chemists & Freedom Masses. 12 undiluted UK Dub cuts from the 90s pressed on to 2x12” vinyl discs, with a 13th bonus digital track. Pure sound system business, raw dubs inna vanguard style!

‘Digital Africa’ is finally coming out on Dubquake Records in time to celebrate Subdub’s 25th birthday. A forgotten compilation full of history, curated by Simon Scott & Mark Iration. Guaranteed to bring back sweet memories to veterans of the dance, a great piece of dub music education for the rest of us!

Jamaica’s supreme rhythm builders during the 1980s and 90s, Steely and Clevie joined forces at King Jammy’s in the aftermath of ‘Sleng Teng,’ with Clevie on drum machines and Steely on synths, to fashion countless hit rhythms for the rising stars of the dancehall movement. Dubbist was the first Steely and Clevie dub album, an irresistible collection of tough digital dub workouts that strips bare the computerised wizardry at the duo’s core. Collecting dubs cut at various studios, including King Jammy’s and Tuff Gong, these killer dubs will delight all digital dancehall fans

Catchy SKA Punk Meets EMO, Metal, AND BIG Band Brass FOR AN Unforgettably Original LP Available ON “royal Blue” Vinyl Don’t let the cute name fool you... Flying Raccoon Suit are one of the most original bands in the modern ska scene, and are dead serious about crashing genre boundaries in expert fashion. “Moonflower” is the band’s third full length album, and the growth is astronimical; while their 2021 album “Afterglow” displayed the band’s ability to craft intricate and complex songs that range from punk, to metal, to mathcore, “Moonflower” has refined these same complexities into 13 extremely catchy melody heavy tracks. The band sways between 90’s alt rock, midwest emo, and doom metal (blast beats and all), while maintaining a steady throughline of melodic ska punk that keeps the album grounded. Singer Jessica Jeansonne channels a bittersweet croon throughout the record, but displays a full range of layered vocals that perfectly complement the album’s various style changes. This album is a journey worth taking, and from a single listen you will realize why Flying Raccoon Suit is one of the most vital up and coming bands in independent music. “Bright, catchy... Flying Raccoon Suit expertly toe the line between lighter, ’90s-style indie rock, and the rich, horn-fueled ska of that same decade.” - Andrew Sacher, Brooklyn Vegan

Death Is Not The End sub-label 333 turns up the gold again with this repro of the much in-demand Flames cut of Nairobi Sisters' Promised Land. Sampled by Q-Tip for "Whateva Will Be" (appearing on ATCQ's final long-player) and on a range of earlier 90s boom-bap era productions, it is not at all hard to figure out why it's a coveted record. That break is as low-slung and funky as it gets, and best showcased on the superbly stripped-back dub on the flip.

The Nairobi Sisters were singers Terrie Nairobi and Judy Mowatt (later of the I-Threes, alongside Rita Marley & Marcia Griffiths). Promised Land was originally recorded together with The Gaytones for Sonia Pottinger's Gay Feet label, with this later version cut for Winston Jones' Brooklyn-based Flames Records. It is issued here under license from producer and songwriter Jones - the original singer and composer of Stop That Train (later made world-famous by Keith & Tex's version) with his Spanishtonians in the early 1960s - who later moved from JA to NYC where he established and ran the Flames label, a core imprint in Brooklyn's reggae scene from the mid-1970s until the early 1990s. 333 has licensed a range of Flames-era productions from the now Texas-based Jones, so keep and eye out for more as it comes... but for now, jump on this before it's gone!

Building on the success of their first releases featuring Cornel Campbell, the Swiss producer duo "The Circle of Confusion" is set to drop a new single on Rocafort Records, featuring none other than English old-school reggae singer Wayne Paul.
Active in the 90's and 2000's within the London label Big Dada, the artist of Jamaican origin sank into alcohol and drugs, before rising from his ashes fifteen years later. Now he's back with a powerful message of hope on this track called " Soul Of A Lion ". Wayne's soulful voice blends perfectly with the modern reggae feel created by The Circle Of Confusion.
An 80s roots-oriented sound mixed with a crusty digital edge backed with a dope dub track makes the perfect 45 for reggae heads.

‘Time Will Tell’ : A journey in reggae music from Bristol to Kingston JA.

Embark on the wild journey of a reggae-loving Bristolian youngster who travelled to the heart of Jamaica on intrepid mission to record a timeless reggae album in the 90s. ‘Time Will Tell’, a collaborative masterpiece uniting the extraordinary talents of Henry & Louis (Andy Scholes & Jac kLundie), Blue & Red (aka Rob Smith from Smith & Mighty) and renowned Jamaican and UK-basedv ocalists.A musical opus that infuses reggae's rich history into modern rhythms straight outta Bristol.

It all began in the summer of 1997, when Andy Scholes decided to trace the origins of reggae music straight back to its origins; armed with a 16-track reel-to-reel and an abundance of passion,he flew to Jamaica with a desire to record his reggae heroes over riddims built by Rob & Jack in Bristol.

Through a series of unexpected events Andy crossed paths with Ub40 in the streets of Kingston.He built a friendship with the band and their lead singer, the legendary Ali Campbell took a ninterest in the project, generously giving Andy free access to his studio in Port Maria allowing him to bring life to ‘Time Will Tell’.

Scholes got in the studio with various Jamaican artists and recorded with Tony Tuff, Prince Green, and Johnny Clarke, each contributing their distinct voices and adding to the album's spiritual and conscious themes. The mystical vibe continued with the participation of other artists like Ghadian, Shalom, Pacey, Ben Dice, and Kerosene Oil, each bringing their own authentic style to the project.

The making of ‘Time Will Tell’ required time, dedication, and the synergy of a like-minded collective. The album embodies the warmth and transformative power of music serving as a driving force for positive change.

22 years after its initial release, the album is freshly remastered and reissued onto 12” vinyl by Dubquake Records!

Originally out in 2009, this debut album built on Dubkasm's respect in the UK roots scene since the late 90s (with Shaka, Aba, Iration all championing their dubplates) and brought in a brazilian sound to the 'hi tech roots' dubwise they had been known for. Makes sense, as Digistep (1/2 of Dubkasm) is from Brazil originally. The album also features countless legends from the roots scene - from Dub Judah and Ras B, to Ras Addis. Reissued now, 15 years later, on double gatefold LP, via O.B.F.s Dubquake Records.

One of the holy grail's of early 90's US ska is back on blood red vinyl. Satanic 2 Tone ska! This debut was released in 1994 with the MTV video hit "doomsday", thirteen tracks inc "saba", "bumble BEE Tuna Song", "dance ME Not" and more!

Debut album from Toronto based singer who unleashes a dozen tracks of 90's style ska-punk for fans of Dance Hall Crashers or Save Ferris. Guests inc Tara from Half Past TWO and Aaron Barrett & Scott from Reel BIG Fish. Nice bright yellow vinyl with insert.

Limited edition 7" celebrating one of America's top pioneering ska bands. Two covers from the 90s never before on wax: "run Joe" (stranger Cole) and "bring IT ON Home TO ME" (sam Cooke). THE Beatles' "rain" originally on a 1987 Boston comp. Sluggo sleeve art just like their first 45!

African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Glow In The Dark 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Black 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

A mid-tempo, cool arrangement with falsetto vocals, this reggae tune is reminiscent of the free soul that swept Japan in the 90's. Only a few hundred copies of this extremely rare tune were released in Jamaica at the time.

Dubquake Records dig deep in the vaults to reissue five more iconic Iration Steppas tracks from the 90’s!

Still buzzing from the hype around Part 1 of the ‘90’s Classic Cutz’, this new drop includes their very first release ‘Scud Missile’, the legendary ‘Hard Time Pressure In A Babylon’, ‘Locks’ featuring Tena Stelin, ‘Kitachi In Dubwize’ and their spiced up remix of Vibronics’ ‘One Drop’.

These tracks were produced and mixed by Iration Steppas’ founding members Mark Iration and Dennis Rootical at the High Rise Studio in Chapeltown, Leeds. At the time, the dub-making-duo were heavily experimenting with new sounds, blending dub with acid soundscapes in a way that had never been done before. At the frontier of reggae and electronic music, their ‘Dub Inna Year 3000 Style’ re-defined UK Dub in the 90’s and continues to inspire the new generation.

All tracks have been remastered and put onto five separate 12” slabs of wax. And to add to the excitment, each release features original mixes + previously unreleased ‘dubplate cutz’ that could only be heard live up till now!

180 Gram Vinyl Following the success of the 2021 reissue of Ambient Warrior’s cult classic Dub Journey's (1995), Isle of Jura is pleased to present their unreleased second album, II. Born from the same oceanside fusion of instrumental dub, reggae, bossa nova and tango music that made Dub Journey's so distinctive and memorable, II is an equally sublime collection of eleven unheard tracks from the brilliant minds of Ronnie Lion and Andrea Terrano.

Evoking the delights of white sands, palm trees and sunsets, all set against clear waters and endless blue skies, Dub Journey’s and II document the golden moment when Ambient Warrior came together during the mid-90s to create some of the most Balearic Dub ever made. “Music is the greatest traveler, isn’t it?” says Ronnie. “It gets to places the actual artists can’t even get to really.”

The son of an orphaned Jamaican jazz trumpet player and professional boxer who enlisted in the military after stowing away on a boat to London, Ronnie grew up between Germany, Singapore and the UK before becoming a working musician in his mid-teens. A bass player by trade, he honed his skills playing in a series of soul, jazz-funk, blues, rock and reggae bands that performed throughout the UK.

By the time Ambient Warrior released Dub Journey’s, Ronnie and his business partner Ras Joseph were running the Lion Inc. recording studio and record label in Brixton, London. Having set up distribution arrangements with Roots Records (uk) and Semaphore (deu/nl), they recorded and released a series of singles, compilations and solo albums from a who’s who of roots reggae artists, including Twinkle Brothers, Delroy Washington, Michael Prophet, Alton Ellis, Little Roy, and Ronnie’s own band The Amharic. “Lion was a regular port of call for visiting Jamaican artists,” reflects Ronnie. “When you were in London, it was on the route.”

An accomplished guitarist, producer and recording engineer from Trieste, Italy, Andrea grew up listening to Russian folk, Klezmer and the Italian harmony tradition in a Sicilian-Ukrainian family. After completing compulsory Italian military service, he moved to London to continue studying music. One night, he turned up at Lion Inc. and approached them about running audio engineering classes from the studio.

In Andrea, Ronnie found a collaborator who shared his desire to create borderless music that reflected the diversity of their backgrounds. “I wanted to do something that had no boundaries,” Ronnie explains. “If you’re working on a roots album, it has to sound a certain way, but with Ambient, especially in the nineties, it was just a license to let off. You could do whatever you wanted to do.” “It was a melting pot of influences like London itself,” adds Andrea.

Although they wrote most of II at the same time as they were recording Dub Journey’s, it took them several years to finish off the album. “Things never got done quickly,” Ronnie remembers. By the time it was complete, Roots Records had gone out of business, leaving Lion Inc. without UK distribution. Not long after, their Brixton studio flooded, bringing the label to a close.

These days, Andrea continues to work as a session guitarist, recording engineer and producer in London. Over the last two decades, he has collaborated regularly with Basement Jaxx and released several solo albums. Ronnie, on the other hand, lives on a boat equipped with an onboard studio, where he has recorded a series of oceanic dub albums off the British coast. Twenty-eight years after the release of Dub Journey’s, he recently started working on demos for a third Ambient Warrior album he hopes to record with Andrea in the not-so-distant future.

Artwork By Bradley Pinkerton.

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

Junior Cat is one of reggae music's most prolific artists. An icon, Junior Cat"The Wild Indian," is known by reggae and hip hop fans across the globe for his dapper Bad Azz style that made the fellas crave and adoring ladies rave over his deliv-ery of edgy lyrics that ricocheted through dancehalls and stages in the 90s with hit classics like “Iron Gloves”; “Top Dog”; “Anorexal Body”; and as featured in the mega-hit movie “Shottas”, “woulda let you go”. Junior Cat is the Don that lesser deejays imitate but never duplicate.

* Rare cuts from the vaults of Nick Manasseh and Jeremy The Equalizer in the shape of `The Next Step’ and `Next Dub’, dating from 1998, backed with `The Ark’ and `Conspiracy Dub’, alongside The Equalizer on production duties, with two tracks dating from the early 90’s.

* All these tunes are tried and tested sound system classics and appear on vinyl for the first time.

Death Is Not The End's 333 sub-label follows the reissue of Devon Russell's Darker Than Blue LP late last year with a first-time reissue of a veritable reggae-dancehall holy grail - Robert Ffrench's 1985 LP 'Wondering'.
Pioneering artist and producer (and cousin of the late, great Pat Kelly) Robert Ffrench was born in central Kingston in 1962, recording his first records in 1979 at the age of 17. Coming out off the back of a slew of roots & early dancehall-style 45s cut with a wide range of producers thoughout the early '80s, the Wondering LP followed closely after two acclaimed LP sets ('Showcase' produced with Lord Koos & 'The Favourite' for Ossie Thomas' Black Solidarity label - plus a split showcase LP with Anthony "Gunshot" Johnson for Jah Thomas' Midnight Rock label).
Ffrench would write and produce the Wondering LP himself in it's entirity, laying down the tracks at Herman Chin-Loy's Aquarius & Michael Carroll's Creative Sounds studios with the help of engineer Christopher Daley. Representing the sound of an artist first confidently sriking out on his own, the album elegantly mixes a classic rub-a-dub & lovers rock-inspired sound with nascent digi-esque flourishes. It boasts an enviable list of contributors too, incl. Sly & Robbie, Dwight Pinkney, Robbie Lyn, Nelson Miller (Burning Spear) and Ronald "Nambo" Robinson among others, with Beres Hammond also providing backing vocals in places.
Following the release of Wondering, Ffrench would continue to write and produce, soon after releasing two further self-produced LPs for Edgar White's Parish label - and founded his own 'France' label in the late 80s, through which his productions would start to hit big, most notably alongside Courtney Melody on 'Modern Girl', and with US rapper Heavy D on the track 'More Love'. Robert's productions released through later label 'Ffrench' would go on to boast the cream of the crop of dancehall artists throughout the 90s and early 2000s, and he is often credited with discovering Buju Banton (producing his first single "Ruler" on the Stamina riddim). Ffrench is still actively producing music of his own to this day, having released singles 'Everyday of My Life' and 'Black Is a Colour' in late 2022 and Feb 2023 respectively, available through all digital platforms now.

333, under exclusive license from Robert Ffrench.

After the recent Experiments re-issue with 90's off-style unclassifiable tracks composed by the legendary Dub producer - The Disciples - Androo (NS Kroo) sets out to re-create and freely adapt this material. The fact that Sound Metaphors chose Androo to re-construct these works in to new material is not random. Androo has been producing Dub since he was a teenager but he quickly turned to all kinds of musical experiences, mixing styles and influences. Once past the intimidation of working with material from one of his favorite and revered producers, Androo tried to pay homage to the free spirit that this Disciples album contains. Between reference and irreverence, the album is woven with a playful, DIY, and also serious weave. As you listen, a sometimes very harmonious and controlled landscape takes shape, then suddenly steep slopes and raw ridges appear. Almost like an art of sound drawing. A line in permanent oscillation between supposedly antagonistic registers. Danceable pieces cut for dancefloor brush against strange, problematic, and voluntarily irrecoverable elements. Consensual pop chords rub shoulders with sizzling blurred contours and sounds that are sometimes too loud. 4/4 rhythms get jackhammered out of the tempo with opulent delay effects. The “Dubmix” is here, constantly at work. It is, above all, an art of the hands, fingers handling the console which from then on becomes an instrument in its own right - for Androo Dub is experimental music.

In 2020, Cosmic Shuffling took the global rocksteady and ska scene by storm with its hit singles ‘Eastern Ska’ and ‘Short Break’ taken from the band first album “Magic Rocket Ship”. Highly acclaimed by the fans of sixties Jamaican sounds, this first album was sold out in a few weeks only. Now the band returns with brand new music!

‘love IN Portofino’ is a 1958 Italian classic by Fred Buscaglione. As Jamaicans would covered in their own way sixties soul classics from the USA, Cosmic Shuffling gives a beautiful rocksteady rendition of this love song. It starts with a wistful guitar introduction, before the rhythm section and vocals enter on a cuban bolero inspired rhythm. Then the rocksteady groove sits in: bouncy drum and bass, sweet horns arrangement and a delightful pick guitar that will leave no one cold. Can you feel the Mediterranean summer breeze of Portofino’s harbor?

B side of the record features jazz standard ‘the Shadow OF Your Smile’ well known of rocksteady lovers thanks to Tommy McCook’s magical interpretation from 1967. Surprisingly, Jamaican artists never recorded a vocal version of the song. That’s why Cosmic Shuffling did its own version: a superb love letter between alto saxophone and vocals.

Wait… was this really recorded in 2022?! A perfectly balanced retro-modern rocksteady record! Available on 7” vinyl record with pantone silver ink label. Limited screen printed and numbered sleeves edition of 90 copies!

In 2020, Cosmic Shuffling took the global rocksteady and ska scene by storm with its hit singles ‘Eastern Ska’ and ‘Short Break’ taken from the band first album “Magic Rocket Ship”. Highly acclaimed by the fans of sixties Jamaican sounds, this first album was sold out in a few weeks only. Now the band returns with brand new music!

Warning! This is original SKA music of the highest calibre. This new double A side 7” record will set the dancefloor on fire. ’jupiter’s Garden’ is an heavy, slow and extremely groovy instrumental ska blown by a six-piece horns section. It is instantly reminiscent of Don Drummond's melancholic compositions with The Skatalites. The music made by these Jamaican legends in the sixties will never be equalled, but Cosmic Shuffling pays a striking tribute to the style and sound of the Greats. Ready to take off on an outerspace dancing journey?

On the flip side, ‘asteroid Field I’ continues the journey through a zone of intense turbulence: the tempo becomes fiercer, the chords move away from traditional harmonies and the virtuoso soloists display their talent one after the other. All of this on a frenzied rhythm worthy of The Soul Brothers.

You can’t miss this record. Double scorcher. Double fireball. Available on 7” vinyl record with pantone silver ink label. Limited screen printed and numbered sleeves edition of 90 copies!

Repress of Mad Professor's 90s Japanese Mono Lovers remix masterpiece 7" S.S.W. Yoshiko Gotoh is also known as the vocalist of Denki Groove's 'Niji'. This is the first 7" release from '19, coupling the classic "First Light" with a superb dub mix of "Nameless Pierce", and is now being repressed in a limited edition of 300 copies Yoshiko Goshima was described as "a genius female singer with a five-octave voice" in the 1990s and early 2000s. She is a talented artist who is popular for her soulful singing that combines sweetness and toughness, and her 1999 hit single 'Open Up', which was used in a TV commercial, is also memorable. This 7" couples two rare remixes by the reggae dub scene's Mad Professor. The A-side features the 'Mad's Lovers Smooth Mix ver.' from the 'First Light Remixes' 12" single, which was released as a promo-only single in '97 and is now hard to find. A light dub number with dreamy synths and a stretched high-tone voice that feels great, the B-side is the "Mad's Summer Swim Mix" of "No Name Earrings" from the CD single "Swingin' the Swing", also released in '97. " from the CD single 'Swingin' the Swing', also released in '97. It is a moving song with powerful yet melancholy and delicate vocals and a chorus work that builds to euphoria towards the latter half of the song

Brand new album from Chicago's ska punk powerhouse who deliver a 90s style reminiscent of THE Muffs, Less Than Jake or Dance Hall Crashers. Top shelf vocals from Caitlin Rose who leads the brass-heavy troop through 10 killer high-octane pop punk fueled ska tunes. Random color vinyl. (jump UP)

Vocals courtesy of the late great Jamaican singer Bim Sherman, whose unique haunting voice made him a firm favourite throughout the 70s/80s/90s with the roots reggae crowd as well as On-U Sounds taking Bim to other worldy realms. Originally released on Youth and Alex Patterson’s WAU! Mr Modo label in 1989 and produced by Sound Iration (Nick Manasseh and Scruff). Originally recorded as `It Must Be a Dream’ in the 70s, on this cut, Bim revisits the track in `89 with a meditative part-digital rhythm from Sound Iration backed with a phased-out dub version on the flipside.

Opie Ortiz is best know for his artwork that appears on Sublime album covers, and as the frontman of Long Beach DUB All-stars. He has been a mainstay of the California Reggae/Rock scene since the '90s, and has attracted tens of thousands of fans. Crazy Baldhead is a live and studio backing band formed by THE Slackers' guitarist JAY Nugent (aka Agent Jay) in 1997. Crazy Baldhead has numerous full-length albums and singles of original material and dub remixes, and has been a live backing band for foundation Jamaican artists such as Ken Boothe, Derrick Morgan, Stranger Cole, and others.

Limited stamped white label – 250 copies, Originally surfacing on a white label 12” in the mid-90s. West of England-based Rhythm-ites with two instrumentals that were designed for sound system play. With two cuts of `Dub of Independence’ backed with `Paranormal Dubwise’ which borrows the hook from a popular 90’s sci-fi TV show.

Killer 90's Afro-Root from Nigeria.

Rough Signal Records has not released Dub Kazman solo since 2019, finally we are back.

No Fear In Dub has atmosphere of 90s Iration Steppas flavor but sounds very new. It was created with Dub Kazman's signature synth sound with heavy dub mix. He has played this at many places as exclusive dub and now finally released on vinyl which is whateveryone wanted. This one will be one of the big stepper in the Dub Kazman catalogue. Under Contruction is a killer stepper tune, influenced by construction sounds. The snare feels like hammer, coupled with Dub Kazman synths and heavy dub mix.

Vinyl only, no digital.

Demolition Squad were lost in the realms of time. That was until Vinyl Fanatiks tracked down DJH, whose Dad owned the record shop Dance Force in Kings Lynn in the early 90s and started a record label in the back of it. DJH was 15 when he wrote his debut EP for the label – The Bass Project. That white label was selling for £300 a copy on Discogs and was recently re-released and quickly sold out on Vinyl Fanatiks (vfs006).

Off the back of the success of his EP, DJH wanted to track down the Demolition Squad and about a year later he found one of the band, who reached out to the other band members and everyone agreed… the time was right for a repress, 29 years after its original release.

With copies on Discogs reaching £60, this EP is a proper dose of UK hardcore.

Enjoy the vibez.

Exquisite mood of exotic electronic dub, rhythm box organ reggae instrumentals at its finest! This is a completely limited 7" from the second album "Woven" released in 2007! This is the first analog version of the very popular Ylnw self-cover of the last single by the Determinations in 2003. This one is a must have! Yossy Little Noise Weaver consists of ex-Determinations keyboardist Yossy and trumpet player Icchie, and the A-side is a self-cover of a classic song from the latter years of the Determinations' career, written by Yossy. The A-side is a self-covered version of a late Detami classic composed by Yossy. The minimalist composition of rhythm box, organ, and trumpet creates an exotic mood, and the endlessly sweet melody with just the right amount of dub is a superb organ reggae instrumental number! The B-side features a cover of the spiritual jazz classic "Love In Outer Space" by Sun Ra. This one has a cosmic exo-jazz groove with electronic sounds, organ, and trumpet, and is super cool! This is a super strong double-sider single without any complaints.

(Record Store Day Exclusive) Previous unreleased compilation of vintage 90's Disciples output! Vintage "Boom Shacka Lacka" UK Dub, soundsystem-style!

(Record Store Day Exclusive) Legendary A&O 90's album reissued in 2 volumes incl previously unreleased tracks!The vintage UK Dub sound: roots, spirituality and heavy basslines. Bass-music, play Loud! Incl "Jerusalem", "Stepping Up", "Promised Land", "Great Tribulations".

(Record Store Day Exclusive) Previous unreleased compilation of vintage 90's Disciples output! Vintage "Boom Shacka Lacka" UK Dub, soundsystem-style!

UK dub classic dating from 1994 and originally appearing on the Sound `n’ Pressure label. A massive highly sought-after sound system favourite from the 90’s with a dangerous bassline. Featuring four mixes, with sound system legend Aba Shanti guesting on melodica.

(Record Store Day Exclusive) Legendary A&O 90's album reissued in 2 volumes incl previously unreleased tracks!The vintage UK Dub sound: roots, spirituality and heavy basslines. Bass-music, play Loud! Incl "Jerusalem", "Stepping Up", "Promised Land", "Great Tribulations".

As reggae lovers for decades, one of our biggest dreams was to collaborate with the creative genius behind the legendary sound of the Black Ark studio, one of the dub originators, the man responsible for shaping the sound of Bob Marley and the Wailers amongst many other greats, the mighty Upsetter, the unspeakable Lee “Scratch” Perry! That happy day has finally arrived in 2019 when Lee, who lived in Switzerland for a longtime, recorded his voice on The 18th Parallel’s ‘Cosmic Drop Riddim’.

The details around ‘Words From The Upsetter’ recording are not that common. In summer 2017, we at Fruits Records had the privilege to tour European festivals with Lee “Scratch” Perry as members of the Najavibes backing band. This is how we got to know the legend and start the production process. The first seed was sown. Nevertheless, the riddim track of the song was laid down in Kingston in 2014, as our crew of musicians – not known yet as The 18th Parallel – was recording our first release ever, A Little Walk album with the legendary Sino-Jamaican singer I Kong. The unused riddim slept in the hard drive for five years until we found the right artist to ride it. The Upsetter had that mystic vibes we were looking for, it was a perfect fit.

Then we spiced it up with a few more overdubs – analog string synthesizer, cosmic guitars, subtle sounds of musique concrète. Finally Roberto Sánchez brilliantly recreated the type of sound that the Black Ark was famous for: full of Mutron Bi-Phase, tape delay and spring reverb hits as testifies the dub version ‘Spring Thunderstorm’.

The production of this song has been a long and heavy process, but we're now able to present this brand new recording to the world. Sadly, Lee’s not physically here anymore to witness this release, but his musical legacy is so immeasurable that his memory will live forever in every music enthusiasts’ heart around the world. And this record is now a part of this legacy. We’ll be forever thankful for this opportunity and would like to give a special thanks to his family and friends (big up Dr. T!) who helped us and gave us assistance during the creative process. This record is dedicated to the loving memory of Lee “Scratch” Perry.

The ‘Cosmic Drop Riddim’ wouldn’t be fully completed without two extra unexpected cuts. The first one is an amazing instrumental song featuring Perry’s longtime friend and Jamaican number one trombonist Vin Gordon where trombone meets bass clarinet and bass flute to create a deep, foggy, mystical atmosphere. This will take you to a night journey to East Africa. The second cut highlights the art of dub poetry through the beautiful poem by Yasus Afari, ‘Healing Chant’.

Debut vinyl outing from British ska/reggae act who formed in the early 90s, a infectious concept album that lyrically references 60's political events using samples and looped drums/horns. A 90's style electronica/ska hybrid that's unique in today's scene. White wax, pic sleeve, limited pressing of 300.

Twenty years on, The Black Seeds mark the 2 decade anniversary of their debut album ‘Keep On Pushing’ as a first ever vinyl release. In 1998, The Black Seeds formed their roots in Wellington - a creative, 90s rock based community that was embraced by the sounds of the likes of Shihad, Fur Patrol and Weta.

2001 marked the beginning of the Welly Roots sound and the release of The Black Seeds – ‘Keep On Pushing’ – reaching platinum sales in New Zealand and shaping the funk, soul, Afrobeat and other eclectic elements over their dub/reggae foundation.

Keep On Pushing’s bold themes of love, optimism and solidarity has resonated with fans across the world, shaping them as the creative, vibrant 8 piece band they are today.

"This album marked a change culturally as well as in sound, a south pacific take on soul, where we were proud of our multicultural heritage and our accents. It was a move away from DJ’s to a big band sound. It was the beginning of The Black Seeds as a party band, we wanted to create a funky feel good sound that embraced everyone who experienced it."

- Barnaby Weir, Lead singer and founding member

This special anniversary vinyl edition will feature mixes of all ten tracks from the original album.