Search "bruce+haack+remixes" 7 Items

To celebrate the 15-year anniversary of Dizzee’s Rascal’s most iconic and commercial album ‘Tongue N' Cheek’ comes a brand-new Zoetrope! The album that brought Bonkers, Dance Wiv Me and Holiday now has two incredible designs across side A and B plus a remix with rising star Buckley for the first time on vinyl.

Released only on CD in 1996, this cult album from the gogo-acid jazzfunk-hip hop scene, which left its mark on an entire generation, is finally available on vinyl, with the added bonus of vintage remixes of DJ Dee Nasty's “Paris A Le Blues”. The album was also a huge success in Japan. With Lionel D., Dee Nasty, Omar D., D. Abuz System, Big Brother Hakim, La Malka Family... Mad In Paris was formed by the merger of two groups from the Paris suburbs, Créteil and Girgny, and took over the radio airwaves in 1996. A short-lived phenomenon, with just one album to their credit, they formed an ensemble of nine musicians and singers. The group scored a hit with “Paris a le Blues” on the eponymous album, which went beyond the hip-hop microcosm, as more mainstream radio stations, at a time when rap was on the rise, picked up on the Mad In Paris craze. They spent fifteen weeks in the top 50 at the time. It describes the malaise, the blues that stick to the City of Light, “from Barbès to Abbesses, from the Champs-Elysées to Les Halles”, pouring out its spleen. Thirty years on, it remains one of French music's most famous jaunts through Paname. A number of us in the editorial team have confessed that we bled this track back then, and while today the sound has certainly aged a little, because this rap no longer corresponds to our current standards or we certainly wouldn't listen to “Paris A le Blues” any more, Mad In Paris has shaped us all a little. In a more stealthy way, but in the same way as with Alliance Ethnik, we moved to these sounds that many called “groove” rather than hip-hop, a mix of urban music often blended from rap to funk. If “groove” is a catch-all term used by the media to cover all these influences, Mad In Paris belongs in the “rap” category. Because it was 1996 and we loved it.

Il y a quelques années, il disait "viser la lune comme Mimie Mathy dans un concours de dunks". Deux disques d'or et plusieurs tendances Youtube plus tard, Hugo TSR est passé du statut de MC important de l'underground rap français à celui de tête d'affiche. 4 ans après son opus retentissant "Tant qu'on est là", voici "Une vie et quelques" son très attendu cinquième album solo composé de 10 nouveaux titres qui, comme à l'accoutumé, "déchirent la tête comme la vodka de Pologne". Toujours sans promo ni marketing, le MC le plus emblématique du 18ème s'apprête à marquer les esprits avec un opus particulièrement dense et ancré dans la réalité.

After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy. Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and
Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement. Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble,
featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly superfunk. On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.