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To celebrate the 15-year anniversary of Dizzee’s Rascal’s most iconic and commercial album ‘Tongue N' Cheek’ comes a brand-new Zoetrope! The album that brought Bonkers, Dance Wiv Me and Holiday now has two incredible designs across side A and B plus a remix with rising star Buckley for the first time on vinyl.

For the first time on vinyl, the 4th album, released in 2001 only on CD, by Grand Master Dj legend Dee Nasty.

Released only on CD in 1996, this cult album from the gogo-acid jazzfunk-hip hop scene, which left its mark on an entire generation, is finally available on vinyl, with the added bonus of vintage remixes of DJ Dee Nasty's “Paris A Le Blues”. The album was also a huge success in Japan. With Lionel D., Dee Nasty, Omar D., D. Abuz System, Big Brother Hakim, La Malka Family... Mad In Paris was formed by the merger of two groups from the Paris suburbs, Créteil and Girgny, and took over the radio airwaves in 1996. A short-lived phenomenon, with just one album to their credit, they formed an ensemble of nine musicians and singers. The group scored a hit with “Paris a le Blues” on the eponymous album, which went beyond the hip-hop microcosm, as more mainstream radio stations, at a time when rap was on the rise, picked up on the Mad In Paris craze. They spent fifteen weeks in the top 50 at the time. It describes the malaise, the blues that stick to the City of Light, “from Barbès to Abbesses, from the Champs-Elysées to Les Halles”, pouring out its spleen. Thirty years on, it remains one of French music's most famous jaunts through Paname. A number of us in the editorial team have confessed that we bled this track back then, and while today the sound has certainly aged a little, because this rap no longer corresponds to our current standards or we certainly wouldn't listen to “Paris A le Blues” any more, Mad In Paris has shaped us all a little. In a more stealthy way, but in the same way as with Alliance Ethnik, we moved to these sounds that many called “groove” rather than hip-hop, a mix of urban music often blended from rap to funk. If “groove” is a catch-all term used by the media to cover all these influences, Mad In Paris belongs in the “rap” category. Because it was 1996 and we loved it.

This album is a return to the collaborations of Moar with unreleased versions on vinyl and also rare tracks. You will find the boom bap flavor that he likes so much in his hip-hop productions and also some names familiar to the label Trad Vibe! 10 tracks with delicious flavors that will make you travel in time all produced by Moar and his faithful MPC & Sp1200

Dumi Right and the late Cadence of Raw Produce were frequent collaborators who connected after becoming label mates on the fledgling Domination Records. This led to a number of incredible creative works including a project called Alternate Reality. While much of their work has since seen the light of day, this song remained, unheard and locked in the vault until now. Produced by Cadence, “Opposite Day” features each MC hilariously playing the role of a rapper rhyming about things totally contrary to what they would do in reality. The song highlights all too common contradictions inherent in much of the commercial rap that is popular today.
The “Nightfall” is another dope track by Dumi Right that features Mr. Lif in a cautionary tale about working to not get caught up in negative cycles. Nightfall serves as a metaphor for falling victim to the darkness and self destructive activities that would lead one down a dead end path.

Trad Vibe records is happy and proud to present you this project as well execptional as unpublished! We are in 1994, DJ Clyde left the group Assassin and launched the 1st French Mixtapes but he sees even further and launches into the production for the 1st time since he became a hip-hop activist. His set up seems very simple but unusual and innovative for the time especially in France with a Sp1200 and two S950 and a maximum of Soul, Funk, Jazz vinyls that he digs with his crew Hypnotyc Djs (Dj Clyde, Dj Max, Dj Asko). The project is also exceptional because it comes from a cassette archived by Clyde of beats sent for the album Paris Sous Les Bombes of the famous group Suprême NTM (3rd album of the group). Of course you will not find the beats released with his last but all the unselected gems that reveals the talent and the advance that Dj Clyde had taken in the production at that time! More than an instrumental album or beat tape, this project is a testimony of the history of Hip-Hop and moreover of Beatmaking in France in the 90s which was not supposed to see the day. The cover is made by the talented grafiti artist Cyril "Kongo" of the famous and historical crew of graffiti artists MAC (founded in 1986 in Montreuil).

Like an ode to your Walkman and to those 90-minute tapes that you used to rewind with your pen, DA BREAK's first LP was all about Funk & Hip Hop 90's flavors.
That album immediately found itself on playlists on all your favorite radios (Radio Nova, FIP, Couleur 3, France Inter, RFI, BBC 6…), and enabled Da Break to play live in major festivals and venues (Nuits Sonores, Nuits Zebrées Nova, Radiomeuh Festival, Woodstower, Festival de Marne, Hortus Live…).
This was completely unexpected, a major learning experience, and above all a lot of fun and gave the Lyon-based gang a whole lot of ideas for the next stage in their musical journey, propelling them towards new musical horizons: infectious riddims with grooving keyboard & guitar licks as their bedrock and free association leading them into jazz, broken beat, soul or disco vibes … During the creation of Let It Shine, all doors were wide open and all musical genres potentially welcome.
The production still has a « home made » feel to it, like the previous album, but with a modern, sonic twist when needed- a result of three years on the road together and new creative input from group members. Whether it be on a New York summertime roof-top, or settled in a Low-Rider with some G-Funk, or moving to some phat Jamaican style bass-lines or getting sensual on a tight breakbeat, lead singer Hawa knows how to shine her feminine and versatile brilliance on the project. She gives to the songs the final touch and the emotion needed to share with us her stories about human relationships - everyday tales sharing her real life-experience. This ever-expanding musical spectrum, Da Break play with it, explore it and also let it kick completely free at times ! Song after song, they bring a magic glow to LET IT SHINE.

For The Geek and VRV, everything is a matter of time. Since they first met six years ago, the two beatmakers have been broadcasting their music to the four corners of the world, and their collaboration is as strong as ever after the years. Vanguards of the French instrumental hip-hop scene, they’re coming out today with their first album, Time Machine, a synthesis of the sounds and the ideas they’ve been working on from the very beginning of their careers. A trip back through time, as its name suggests, demonstrating the range of sound possibilities that they created in previous projects and on their international tours.

The original beat of "Battlecry," the opening theme of the anime "Samurai Champloo," known as "The Other Side of Phase," will be released.

The song was included on the compilation CD "Listening is Believing" released by Libyus Music, the label from which the albums "metaphorical music"
and "modal soul" were released. In physical form, it was distributed only on CD.

After a long time, "Rainyway Back Home" from "spiritual state" and "Horizon" from "modal soul" were recorded and released on analogue vinyl!

The cover was designed by Meguru Yamaguchi, a Japanese artist based in New York, adding vivid colour and dynamism to the music.

Les yeux grands fermés is a spontaneous new EP that is an ode to freedom, both in the creative process and in everyday life. This opus depicts the rather raw feelings of a young artist who had a tough time of it when he was starting out, and who is now finally experiencing the success he had been hoping for. More liberated, the protagonist is now enjoying a new life: a more freestyle lifestyle full of surprises and lightness, with days governed by studio sessions, parties and carnal relations... all the while keeping his feet firmly on the ground and his goals firmly in mind! In terms of songwriting and production, Les yeux grands fermés is an improved blend of Absolem's last two projects, Leur dire and Balle d'Argent, featuring both their introspective songwriting, here even more touching, and their arrogant, second-rate side. Absolem continues the journey begun on Balle d'Argent, a project in which the rapper discovered himself to be more than ever in harmony with his music (spontaneity, introspection, fluidity of text) and less concerned by all the external factors (industry, the race for numbers, social networks, pressure, etc.), social networks, pressure, etc.).

Produced in a very short space of time, Les yeux grands fermés is a highly intuitive and spontaneous project with some tracks created from scratch in just a few hours.

Entirely produced, recorded and mixed by Dee Eye in their cellar-home studio, the project retains the 'live' touch. studio, the project retains the 'home-made' touch that characterises the duo and which they are constantly perfecting. The featuring with JeanJass, who is very close to the duo, was just as natural, having worked with with Dee Eye and advises them on the creation of their projects. projects. The result is a track with a very intimate theme (esotericism and introspection), which takes the form of an astral journey.

Project after project, the chemistry between Absolem and Dee Eye grew stronger and stronger and the main objective remains the same: to break new ground in every area production, writing, interpretation, mixing and mastering). Continuing to continue to work on a number of projects on their own, Dee Eye continues to progress experience and a keen eye in the artistic direction of Absolem's projects. projects. With quality, consistency and efficiency always in mind and efficiency, Absolem and Dee Eye are increasingly asserting their desire to create their own musical colour, a sort of hybrid between Slowthai and Asap Rocky with and Asap Rocky, with innovative production and flows, featuring rap lyrics.

The Strasbourg MC returns with a new album with high-flying lyrics. A year and a half after the release of his album “Bohemian Rap Story”, that definitely established Dooz Kawa as an essential rap artist of the French rap scene.
This fourth album “Contes Cruels” offers 12 tracks still as rich in poetry and great instrumentations. Dooz Kawa tells stories about love and hate with the same passion. No matter how much time passes, Dooz Kawa's words will always have an effect on the listener. Featuring: Lucio Bukowski, Lautrec and JP Manova.

La Fam Ill is a multi genre, alt Hip Hop album, featuring a heavy dose of classic old school beats that weave their way from bouncy dub & upbeat guitar led funk beats, to modern electro infused hip hop underpinned with dirty synth lines. With a different producer on every track there is a plethora of musical styles all tied together with the T’s. Too Many T’s showcase buoyant playful tongue in cheek lyrics teaching us not to take life too seriously with their notorious back-to-back double-time raps, whilst sitting comfortably alongside much deeper and more reflective song writing. This is an album that travels the world both figuratively, and literally. La Fam Ill’s journeys reflect those of the band’s protagonists, Leon and Ross, floating effortlessly through a forest of stories both lived and witnessed – the effects of climate change, class warfare, and the difficulties of maintaining friendships as we grow up. Each track has its own special twist created by the colossal lineup of French Hiphop artists including: Atili, ASM, Chill Bump, Chinese Man, Djar One, Form, Hippocampe Fou, La Fine Equipe, MB14, Proleter, Pumpkin & VinS Da Cuero, Smokey Joe & The Kid and Yoshi Di Original.

To mark the 20th anniversary of the release of this cult album, Record Makers is reissuing a special limited edition (clear vinyls – 500 copies) that will rekindle the flame of long-time fans, new fans and collectors.