Search "lazer+sword+memory" 13 Items

The crème de la crème of French funk and groove, brought together by 2fresh, guitarist with Mad in Paris. It grooves hard! 52 artists on this project (singers, rappers, musicians, technicians...). No programming, it's all play.

BEN plg's music is an accurate reflection of reality, with no smoke and mirrors: harsh but tinged with luminous notes of hope. Those little nothings that imprint themselves on our memories, those "diamonds in the retina". The man from Lille has delivered an intense, intimate, authentic and universal debut album. Faut pas oublier de dire je t'aime. With contributions from Niro, Georgio, B.B. Jacques and Loud

Da Best Riddim Eternal Action Krew ! Here is the mission that DA BREAK has given itself for this 3rd album : To drop a new
opus of great quality, which will remain eternally engraved in the memories of Soul Music... BOOM! As simple as that! ;)
Jennifer "Hawa" Zonou & Rémy Kaprielan, founding members of the group, have decided to tighten the ranks and clarify
the content of their music: an aesthetic still anchored in their dear 90's Soul Hip Hop culture, but also with a sharpened ear,
attentive to today's world and sounds, always searching for federating grooves and warm vibes.
DA BREAK has entrusted the production of the LP to Pierre Vadon (also the band's Live keyboard player) who has already
proved the quality of his compositions and arrangements on the second album LET IT SHINE. The mission remains
unchanged: to gather, in the line of the social values defended in the 90s urban music, crib of their inspiration. Grounded,
conscious, questioning, celebrating, comforting, staying open to the world and to each other. Each song is a painting, a
story, a reflection...
Composed during an intense period on the emotional level, this album is a subtile mixture of musical influences: from the
most old school Hip Hop beat to the most contemporary flow, going from West Coast vibes to Caribbean colors. DA BREAK
IS BACK and its key word remains the same: GROOVE.

Loxley, Swing et Primero sont de retour ! Trois ans après "sapiens", salué par la critique et adulé par les fans, L'Or Du Commun dévoile "Avant la nuit". Si la plupart des textes a été écrite avant le confinement, cet album s'inscrit aussi bien dans son époque que dans l'ADN du groupe, en définissant précisément la rupture entre deux périodes, le jour et la nuit, l’avant et l’après. Découvrez 14 nouveaux titres, parmi lesquels « Négatif », « Sable » et « Ciel rouge », et avec des invités (Lous & The Yakuza, Caballero, Romeo Elvis, Zwangere Guy) aussi prestigieux que proches du trio bruxellois.

Il y a quelques années, il disait "viser la lune comme Mimie Mathy dans un concours de dunks". Deux disques d'or et plusieurs tendances Youtube plus tard, Hugo TSR est passé du statut de MC important de l'underground rap français à celui de tête d'affiche. 4 ans après son opus retentissant "Tant qu'on est là", voici "Une vie et quelques" son très attendu cinquième album solo composé de 10 nouveaux titres qui, comme à l'accoutumé, "déchirent la tête comme la vodka de Pologne". Toujours sans promo ni marketing, le MC le plus emblématique du 18ème s'apprête à marquer les esprits avec un opus particulièrement dense et ancré dans la réalité.

After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy. Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and
Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement. Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble,
featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly superfunk. On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.

Après le succès de son deuxième album, Jeannine, en passe d'être certifié triple platine avec plus de 280 000 exemplaires vendus, Lomepal en dévoile la réédition avec 11 nouveaux titres : 5 titres inédits, des versions acoustiques, live et instrumentales.

La Fam Ill is a multi genre, alt Hip Hop album, featuring a heavy dose of classic old school beats that weave their way from bouncy dub & upbeat guitar led funk beats, to modern electro infused hip hop underpinned with dirty synth lines. With a different producer on every track there is a plethora of musical styles all tied together with the T’s. Too Many T’s showcase buoyant playful tongue in cheek lyrics teaching us not to take life too seriously with their notorious back-to-back double-time raps, whilst sitting comfortably alongside much deeper and more reflective song writing. This is an album that travels the world both figuratively, and literally. La Fam Ill’s journeys reflect those of the band’s protagonists, Leon and Ross, floating effortlessly through a forest of stories both lived and witnessed – the effects of climate change, class warfare, and the difficulties of maintaining friendships as we grow up. Each track has its own special twist created by the colossal lineup of French Hiphop artists including: Atili, ASM, Chill Bump, Chinese Man, Djar One, Form, Hippocampe Fou, La Fine Equipe, MB14, Proleter, Pumpkin & VinS Da Cuero, Smokey Joe & The Kid and Yoshi Di Original.

New LP from the famous french beatmaker, available on black vinyl and a limited green vinyl edition 2LP. With Soul Food II, Kognitif remains consistent with his previous release, and delivers once again, a high-powered Soul-Electro album. The colorful, dancing universe of this beat-maker is filled with Hip-Hop, World Music and Jazz, mingled with Funky Trip-Hop beats. This is food for the soul. Kognitif is a self-taught musician and a Trip-Hop/Abstract Hip-hop producer.His music incorporates various influences and offers a plentiful Soul Groovy Funky Beats buffet. After Soul Food , his successful 3rd album, Soul Food II comes as the second volume of a great collection with the same ingredients, but a different recipee. Kognitif is now a major figure in the "à la française" Tip-Hop, in France and abroad.

Propelled by the subtle African polyrhythms of Cameroonian drummer Garcia Etoa-Ottou and the hypnotic basslines of Charles Thuillier, pianist Noam Duboille takes you on a deeply emotional journey.

Original compositions created in their hometown of Amiens and recorded at the historic Studio Pigalle in Paris.

Released only on CD in 1996, this cult album from the gogo-acid jazzfunk-hip hop scene, which left its mark on an entire generation, is finally available on vinyl, with the added bonus of vintage remixes of DJ Dee Nasty's “Paris A Le Blues”. The album was also a huge success in Japan. With Lionel D., Dee Nasty, Omar D., D. Abuz System, Big Brother Hakim, La Malka Family... Mad In Paris was formed by the merger of two groups from the Paris suburbs, Créteil and Girgny, and took over the radio airwaves in 1996. A short-lived phenomenon, with just one album to their credit, they formed an ensemble of nine musicians and singers. The group scored a hit with “Paris a le Blues” on the eponymous album, which went beyond the hip-hop microcosm, as more mainstream radio stations, at a time when rap was on the rise, picked up on the Mad In Paris craze. They spent fifteen weeks in the top 50 at the time. It describes the malaise, the blues that stick to the City of Light, “from Barbès to Abbesses, from the Champs-Elysées to Les Halles”, pouring out its spleen. Thirty years on, it remains one of French music's most famous jaunts through Paname. A number of us in the editorial team have confessed that we bled this track back then, and while today the sound has certainly aged a little, because this rap no longer corresponds to our current standards or we certainly wouldn't listen to “Paris A le Blues” any more, Mad In Paris has shaped us all a little. In a more stealthy way, but in the same way as with Alliance Ethnik, we moved to these sounds that many called “groove” rather than hip-hop, a mix of urban music often blended from rap to funk. If “groove” is a catch-all term used by the media to cover all these influences, Mad In Paris belongs in the “rap” category. Because it was 1996 and we loved it.

Le grand retour de Jazzy Bazz, membre éminent des collectifs L'Entourage et Grande Ville
En 2016, Jazzy Bazz sortait « P-Town », un premier album auto-produit adoubé par la critique, vendu à 15.000
exemplaires et porté par une tournée de plus de 40 dates à travers la France. Jazzy Bazz aime travailler en
famille. Il fait appel aux musiciens qui l’accompagnent sur scène (3.14 Band) pour travailler ensemble sur son
second album « Nuit », sur lequel il dénude le côté sombre de la vie, privilégie le fond autant que la forme, choisit
soigneusement ses thèmes et cisèle chaque rime avec exigence. Pour rendre la nuit plus folle, Jazzy Bazz invite
des guests de prestige Nekfeu, Alpha Wann & Esso, Bonnie Banane ou encore Sabrina Bellaouel.
A la fois, exigeant, poétique, mélodique et puissant, « Nuit » s’impose comme un album majeur de cette rentrée
2018.