Search "backck" 1132 Items

In His Own Words - Final Interview At The Wake Up Show

Release: US

Genre: Hip Hop

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/ how they want it

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2Pac

Tape | US | Original (CAP)

10,99 €*

Otherwize Feat. P.E.A.C.E.

Release: US – Original

Genre: Hip Hop

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Uncut version of 2Pac's KMEL interview with Sway and King Tech for the Wake Up Show. This interview was released retail, however that version had music backing the interview and certain sections of the interview were removed. This cassette contains the full interview (with some "off the record" sections, commercial break chatter, and station identification drops) with no backing music - just the voices of the interviewer and 2Pac.

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Hey Young World / That's Wize

7" | US (Sle)

7,99 €*

Release: US

Genre: Hip Hop

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CD | US | Reissue (Thizz)

Mac Dre

Appearances 2

19,99 €*

Love Bug Star-Ski & The Harlem World Crew

Release: US – Reissue

Genre: Hip Hop

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Da King of "Err Thing" is back with his second installment of "Appearances of Mac Dre". Always a Thizz fan favorite. 18 back to back slaps 4 yo 4 "15" slammin! Featuring Dubee, Messy Marv, J-Diggs, Da Looie, Luni Coleone, E-40, Mac Mall, Sleep Dank, Skyballa, Husalah and more.

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Positive life

12" | 1981 | US | Reissue (Tay-Ster)

9,99 €*

Release: 1981 / US – Reissue

Genre: Hip Hop

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Computer Love - Neon Green Vinyl Edition

Egyptian Lover

7" | 1985 | EU | Reissue (Mr Bongo)

Computer Love Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Hip Hop

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Seminal electro-fusion / machine-funk classic. Includes previously unreleased radio edit. The genre, electro (or electro-funk), is sometimes perceived to have a separate identity to hip-hop; however, this electronic cousin was integral to the early development of the hip-hop sound. Drawing on drum machines, such as the Roland Tr-808, and influenced by funk, these two genres were intertwined and rode a parallel axis for a while, with rap, breakdance, and graffiti as pillars of the culture and community. The mechanical sound of electro would later go on to inspire a different set of producers and played its part in influencing contemporary electronic dance music. For this 7" release we are taking things back to 1984 and 1985 with a split single from The Egyptian Lover and Jamie Jupitor. First up is a track from The Egyptian Lover, AKA Greg J. Broussard, the cult Los Angeles-based producer, vocalist and DJ, who is a true hip-hop / electro-fusion pioneer. 'Computer Love (Sweet Dreams)' is a seminal electro-fusion / machine-funk classic that saw a release on the iconic label Freak Beat Records (owned by Greg himself). The original 7" release is now very sought-after by collectors. On the flip we have another electro jam from The Egyptian Lover disciple, Jamie Jupitor. 'Computer Power’ was additionally produced and arranged by The Egyptian Lover, and was released on Egyptian Empire Records (the label that evolved from Freak Beat Records). For this release we have opted for a special 7" unreleased radio edit, that has Greg kindly provided us with, which differs slightly in composition from the previously released versions. One for fans of Dãm Funk, electro and 80s funk.

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Egyptian Lover

7" | 1985 | EU | Reissue (Mr Bongo)

King Of Rock Numbered Limited Edition 180G LP SuperVinyl

Release: 1985 / EU – Reissue

Genre: Hip Hop

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Run DMC

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

99,99 €*

Back In Black Smokey Vinyl Edition

Release: 1985 / US – Reissue

Genre: Hip Hop

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Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades – and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson/And this is not Thriller," the group broadcasts early on in the record. Truer words – and music recorded with such honesty, pride, rawness, and integrity – have seldom been committed to tape.

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Whodini

LP | 1986 | EU | Reissue (Music On Vinyl)

12" | 1986 | UK | Original (4th & Broadway)

Release: 1986 / EU – Reissue

Genre: Hip Hop

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180 gram audiophile vinyl / GOLD CERTIFIED ALBUM FEATURING THE SINGLES “FUNKY BEAT”, “ONE LOVE” AND “GROWING UP” / PRODUCED BY LARRY SMITH / LIMITED EDITION ON SMOKEY COLOURED VINYL

About the Artist
Back in Black is the third album by American hip hop group Whodini. The album was certified Gold in the US and spawned three singles; “Funky Beat”, “One Love” and “Growing Up”. All singles charted in Billboard’s Hot R&B/ Hip-Hop Songs. Like the group’s previous work, Back In Black is produced by Larry Smith, who also co-produced with Russell Simmons on Run-DMC. Back In Black is available as a limited edition on smokey coloured vinyl. Tracklist: Side A: 1. Funky Beat 2. One Love 3. Growing Up 4. I’m A Ho Side B: 1. Fugitive 2. Echo Scratch 3. Last Night (I Had A Long Talk With Myself) 4. The Good Part

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Steinski & Mass Media

We'll Be Right Back

4,99 €*

Release: 1986 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover. tear on back cover

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2LP | 1986 | US | Reissue (Phase One)

Criminal Minded

LP | 1987 | US | Reissue (Def Jam)

Release: 1986 / US – Reissue

Genre: Hip Hop

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In listing the greatest albums in hip-hop history, one title never seems to stray from the upper echelons, no matter how many years pass: Boogie Down Productions’ undisputed classic from 1986, Criminal Minded. Released amidst a battle between BDP and MC Shan that would redefine the New York rap landscape as it was then known, the album, which features the songs "South Bronx," "Criminal Minded" and "The Bridge is Over," captures the excitement, urgency and raw power that embodies hip-hop culture as we know it, with KRS-One’s aggressive yet intelligent lyricism backed by Scott La Rock’s hard-hitting, stripped-down beats. A true classic, Criminal Minded has been recognized by Vibe Magazine, The Source and Rolling Stone as one of the most important albums of all time.

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Public Enemy

Yo! Bum Rush The Show

LP | 1987 | US | Reissue (Get On Down)

Release: 1987 / US – Reissue

Genre: Hip Hop

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The groundbreaking 1st album is back in print! Bombsquad in full effect.

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V.A.

Christmas Rap

It Takes A Nation To Hold Us Back

Release: 1987 / US – Reissue

Genre: Hip Hop, Christmas

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Re-issue of the 1987 Profile Records holiday compilation in a red and white split colored pressing, with songs by Run-DMC, Dana Dane, Sweet Tee, The Showboys, The Surf M.C.s, Spyder-D, and more. Leading off with the Run-DMC smash, "Christmas In Hollis," this classic Christmas compilation features some of the hottest rap artists of the era, celebrating the holidays, hip-hop style. Highlights include Dana Dane’s "Dana Dane Is Coming To Town," Sweet Tee’s "Let The Jingle Bells Rock" and even the Surf MC's' "A Surf MC New Year," adding a California surfer (and, ahem, Beastie Boys rip-off) twist to the proceedings. Not to be overlooked is the classic front and back cover artwork, featuring a gift-wrapped B-Boy. It remains an essential, evergreen (pun intended) holiday album to this day.

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Public Enemy

LP | 1988 | EU | Reissue (Def Jam)

22,99 €*

Release: 1988 / EU – Reissue

Genre: Hip Hop

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By All Means Necessary Black Vinyl Edition

LP | 1988 | EU | Reissue (Music On Vinyl)

Tougher Than Leather Translucent Blue Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Hip Hop

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By All Means Necessary is the second album from legendary American hip hop group Boogie Down Productions, and was originally released in 1988. This album is widely considered a landmark in political hip hop and is among the Source's 100 Best Rap Albums.

180g viny.

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Run DMC

LP | 1988 | US | Reissue (Get On Down)

25,99 €*

Because I Got It Like That Record Store Day 2020 Edition

Release: 1988 / US – Reissue

Genre: Hip Hop

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Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP.
By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given
Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this
classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] – get lost in their crates.
For starters, the album’s first single, “Run’s House” b/w “Beats To The Rhyme” is arguably the most powerful one-two punch of the trio’s career,
showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were
also reminded on both sides that Jam-Master Jay remained one of the world’s best DJs, flexing the pinnacle of what would be called “turntablism” a
decade later. Both songs show a musical telepathy between all three that has rarely been equaled.
The second single, “Mary, Mary,” driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on
the Raising Hell bandwagon had something to chew on. But, like “Walk This Way,” the song wasn’t just bubblegum – there was an edge to it, and
the lyrical gymnastics were very real. It wasn’t selling out, it was allowing fans to buy in. “Papa Crazy,” driven in concept and by a sample from the
Temptations’ “Papa Was A Rolling Stone,” followed a similar pop-leaning path.
Overall, the lyrical content on the album was a step up from the group’s first three LPs. It’s easy to infer, looking back, that they were feeling the heat
from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like “Radio Station” they
bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. “Tougher Than Leather” reminds the world that they were
still the Kings of Rock, with hard guitars to drive the point home. And “They Call Us Run-DMC” and “Soul To Rock And Roll” both bring things back to
their early days, with sure-fire park jam rhymes and killer cuts.
Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the ‘80s output of one of the decade’s most
important groups. It encompasses the full range of the trio’s capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers
and party-rockers. And so, we say, long live Joe, Darryl and Jay!

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Jungle Brothers

7" | 1988 | US | Reissue (Idlers)

13,99 €*

Straight Out Of The Jungle / Black Is Black Record Store Day 2021 Edition

Release: 1988 / US – Reissue

Genre: Hip Hop

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Record Store Day 2020 Release.

The Sly Stone sampling, scene smashing hip hop track 'Because I Got it Like That' that launched the Jungle Brother's to the world in 1988, housed on their groundbeaking debut album 'Straight Out The Jungle'. Original copies of the single now change hands for £50 if you’re lucky so a fully remastered, official reissue is exactly what the doctor ordered! Backed with the rare Ultimatum mix (aka The Stereo MC's).

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Jungle Brothers

7" | 1988 | EU | Reissue (Idlers)

13,99 €*

7" | 1988 | EU | Reissue (Mr Bongo)

Release: 1988 / EU – Reissue

Genre: Hip Hop

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Record Store Day 2021 Release. Following on from last years successful RSD 7 Inch, Idlers are proud to release the title track from the JBs 1988 debut album 'Straight Out The Jungle' that has never had a full release on 45 before. Backed with the more relevant than ever 'Black is Black'. More golden era hip hop on 7! With a Picture sleeve.

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EPMD

You Gots To Chill

It Takes A Nation Of Millions To Hold Us Back 35th Annversary Edition

Release: 1988 / EU – Reissue

Genre: Hip Hop

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Endlessly sampled, covered, quoted and requoted, this may well be one of the most influential hip-hop singles ever released. But, in many ways, its importance goes beyond its sheer classic status as a single in its own right. In retrospect, it shows the duo of Erick Sermon and Parrish Smith as pioneers in production, creating a funk-based sound that helped to provide a blueprint for artists on the other side of the country. In 1987/88, most West Coast rap still adhered to an East Coast audio blueprint. By 1989, they were leaning as heavily on Zapp and Roger Troutman samples as Epmd were on this single. The foundations of the track are interesting, with a snatch of Juice’s much-plundered ‘Catch a Groove’ (which has popped up everywhere from The Beastie Boys to Kings of Pressure) overlaid with big chunks of Kool & The Gang’s ‘Jungle Boogie’ and Zapp’s irrepressible ‘More Bounce to the Ounce’. Vocodered funk was a rarity in New York hip-hop until this song, but it’s the West Coast G-Funk artists who really ran with it. Its popularity spanned the country (and the globe, to be fair), with Epmd performing numerous shows in California on the basis of the sound, moving away from their James Brown-obsessed peers to display their own musical tastes. That said, the flipside – here presented on 7” and, indeed, on any single, for the first time – takes it back to that JB-era. ‘(It’s Not the Express), It’s the JB’s Monaurail by The JB’s is woven with Otis Redding and Beastie Boys to create a mid-tempo headnodder par excellence. It was always too good not to be a single.

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Public Enemy

2LP | 1988 | EU | Reissue (Def Jam)

Release: 1988 / EU – Reissue

Genre: Hip Hop

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It Takes a Nation of Millions to Hold Us Back ist das zweite Studioalbum von Public Enemy, das am 28. Juni 1988 bei Def Jam Recordings erschien. NME und Rolling Stone bezeichneten es als "das größte Hip-Hop-Album aller Zeiten", mit Hit-Tracks: "Rebel Without a Pause", "Bring The Noise" und "Don't Believe The Hype".

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LP | 1988 | US | Original (Jive)

By All Means Necessary

59,99 €*

Release: 1988 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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By All Means Necessary Black Vinyl Edition

LP | 1988 | EU | Reissue (Music On Vinyl)

44,99 €*

Release: 1988 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Done By The Forces Of Nature Colored Vinyl Edition

Jungle Brothers

2LP | 1988 | US | Reissue (Get On Down)

39,99 €*

Release: 1988 / US – Reissue

Genre: Hip Hop

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The Jungle Brothers 1988 debut, Straight Out The Jungle , is important for many reasons. It is lo-fi and goofy, but had moments of real focus and social consciousness. It is a true kitchen sink record, that caught a rap fanbase enraptured by Eric B. & Rakim, Public Enemy, and Boogie Down Productions a bit off-guard. Also of note, beyond the excellence of the album itself, the Jungle Brothers were the fulcrum for what would become the Native Tongues movement - they came first, De La Soul and A Tribe Called Quest followed, under their guidance. By 1989, the group had even more confidence, plus a Warner Bros. contract and advance in their back pocket. They used it to great advantage on the self-produced and criminally underrated Done By The Forces Of Nature , expanding their sonic palette and continuing their Afrocentric approach to music and life. Singles like "What U Waitin 4" and "Doin Our Own Dang"(with De La Soul and Q-Tip, alongside Monie Love) show the group's fun side. But things weren't all fun and games, as deeper, more pensive album tracks like "Black Woman", "Beeds On A String", and "Acknowledge Your Own History" show. It was another accomplished mix of fun, frolic, and knowledge-of-self, proving that you could be serious in the rap game but still let off steam and fill the dancefloor. Done By The Forces Of Nature stands as one of the most cherished hip-hop documents of the late 80s among true-school heads. Get On Down is proud to present a new limited-edition pressing on Tri-Colored vinyl in a gatefold jacket with full lyrics and numbered OBI limited to 1000 copies.

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By All Means Necessary Vinyl Me, Please Edition

LP | 1988 | US | Reissue (Vinyl Me, Please)

You Can't Hold Me Back Remastered Translucent Red Vinyl Edition

Release: 1988 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
By All Means Necessary is often discussed like it’s some departure from Criminal Minded. The moment KRS turned into “The Teacha” and became a politically minded, socially conscious wordsmith. In reality, this is who he already was. Misunderstanding and tragedy is what compelled him to not only refocus on the role he wanted to play in hip-hop, but create an album that gave way to a very important movement in hip-hop, too.

By All Means Necessary is an essential and definitive BDP and KRS album. It marks the moment where KRS wasn’t just concerned with being a great emcee but a teacher, too, continuing his exploration of sociopolitical subjects on BDP’s following three albums, as well as throughout his solo career.

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Awesome Dre

LP | 1989 | EU | Reissue (Blocglobal)

CD | 1989 | EU | Reissue (Hip Hop Enterprise)

Release: 1989 / EU – Reissue

Genre: Hip Hop

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In the late ‘80s, Detroit rap pioneer Awesome Dre was among the first to stomp onto the national scene from the Midwest. With his mix of political and hardcore he provided a unique perspective and voice during the height of hip-hop's golden era. A voice that would not shy away from controversy by asserting Detroit's place in hip-hop by challenging New York legends Kool Moe Dee and LL Cool J.

Out of print since 1989, this release features a download card to the full album and three exclusive bonus cuts. Presented on translucent red vinyl with an OBI-strip.

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Bass Way International

Gangster Feelin'

16,99 €*

To The Max / It's My Turn

Release: 1989 / EU – Reissue

Genre: Hip Hop

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Jubwa is an American hip-hop persona from Mountain View, CA first created by Jonathan Brown in 1981. He is widely regarded as one of the pioneers in the Bay Area and one of the first radio hip-hop DJ’s of the early 80’s that already highlighted the importance of live freestyling, mixing and scratching.

As a part of “The Members Only Crew” he released an Electro classic in 1985 called “You’re Not Down”, which was the first hip-hop record ever produced at Stanford University. Jubwa followed up with the instant classic and often imitated “Bass Creator” track later that year in 1985. Due to a packed schedule the full album, “Bass Creator!!”, wasn’t released until 1988 under his moniker Nation Def Grooves. “Bass Way 1988” was also released that year, the first release on his own Bass Way Records label.

In 1989 Jubwa took his talents across the whole West Coast and South West with the release of “Gangster Feelin”. After a concert in Tulsa, OK that also featured Salt-N-Pepa, Slick Rick and LL Cool J, Jubwa passed off his “Def Cars” tape single he released back in 1987 to the shuttle driver and everybody started jamming and praising the track. The next year LL releases “The Boomin’ System” on the “Mama Said Knock You Out” album copying Def Cars’ flow, beat concept and even some lyrics.

More than 30 years after Gangster Feelin’ was released on tape and LP, Hip-Hop Enterprise has worked along with Jubwa to bring you a very limited CD edition of “Gangster Feelin”. The artwork was entirely handled by Spek the Architek and the mastering was done by our dear friend Jee Van Cleef. To make it extra special we will include the infamous “Def Cars” track as a bonus. Enjoy!

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Stezo

7" | 1989 | UK | Reissue (Sleeping Bag)

13,99 €*

Release: 1989 / UK – Reissue

Genre: Hip Hop

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This hip hop dancefloor gem from 1989 has been lovingly remastered and reissued in Tribute to Stezo's sad and far too early passing last year! The original '89 copies, backed with the equally strong "It's My Turn" are changing hands for £100+ and the iconic label Sleeping Bag Records can't have that! This isn't Antiques Roadshow, music is for all...but this is a rare find! Original '89 designed Sleeping Bag Sleeve. Often played by Steve Lamaq on 6 Music which surprises us too.

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CD | 1989 | EU | Reissue (Chrysalis)

3 Feet High And Rising

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally back on vinyl. Now also back on CD, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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3 Feet High And Rising Green Tape Edition

Tape | 1989 | EU | Reissue (Chrysalis)

20,99 €*

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally back on vinyl. Now also back on tape, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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3 Feet High And Rising Blue Tape Edition

Tape | 1989 | EU | Reissue (Chrysalis)

20,99 €*

Release: 1989 / EU – Reissue

Genre: Hip Hop

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3 Feet High And Rising Black Vinyl Edition

2LP | 1989 | EU | Reissue (Chrysalis)

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally back on vinyl. Now as a double vinyl LP, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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3 Feet High And Rising Yellow Vinyl Edition

2LP | 1989 | EU | Reissue (Chrysalis)

36,99 €*

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally, back on vinyl. Now as a double vinyl LP, officially reissued. This is the yellow indie exclusive vinyl edition. Must have!

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me, Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll in 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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3 Feet High And Rising Magenta Vinyl Edition

2LP | 1989 | EU | Reissue (Chrysalis)

16,99 €*

Release: 1989 / EU – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-01

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7" | 1989 | US | Reissue (Chrysalis)

Me, Myself & I

14,99 €*

Stone Cold Rhymin' Vinyl Me, Please Edition

Release: 1989 / US – Reissue

Genre: Hip Hop

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If De la Soul is one of the greatest hip-hop bands in the world and 'Me Myself & I' one of their greatest singles, then that makes this 7" a pretty essential one. It is an indie exclusive via Chrysalis and comes as much of the American pioneers back catalogue has been made available for the first time digitally and via several vinyl reissues. It is one of the daisy age power group's most feel good, happy and poppy singles with plenty of samples, not least of Funkadelic's 'Knee Deep.' All these years later it is still an injection of good times direct into the veins.

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Young M.C.

LP | 1989 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 1989 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
Released on September 5, 1989, Stone Cold Rhymin’ contains 13 songs and zero curse words. The sepia-toned album cover depicts Young in profile, cradling an old broadcast microphone and looking more like a dapper doo-wopper than a hip-hop hero. In terms of playing it straight, the songs are shocking in their innocence. At the 1990 Grammy Awards, “Bust A Move” won for Best Rap Performance. It was clear that hip-hop wasn’t going to back the NY-or-nothing mentality, and New York’s ire was real. Grumpy Village Voice don Robert Christgau deigned to give Stone Cold Rhymin’ a “B+” in his letter-grade consumer guide. “His polysyllables and quick lips aren't as fresh as he thinks they are,” sniffed Christgau. Au contraire: Stone Cold Rhymin’ still sounds fresh after all these years.

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CD | 1990 | US | Reissue (Sbme)

Edutainment

12,99 €*

Release: 1990 / US – Reissue

Genre: Hip Hop

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Edutainment Record Store Day 2024 Opaque Black & Canary Yellow Vinyl Edition

2LP | 1990 | US | Reissue (Get On Down)

33,99 €* 39,99 € -15%

Release: 1990 / US – Reissue

Genre: Hip Hop

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Available for Record Store Dayy 2024 in an Opaque Black and Canary Yellow Color in Color Vinyl Pressing. The Double LP is Housed in a Gatefold Jacket and includes an insert with Lyrics and an OBI. The fourth studio album by the legendary Boogie Down Productions. Originally released in 1990 this album features production from D-Nice as well as KRS-One himself. KRS’s unmatched lyricism comes correct over hard boom bap beats as he touches on topics that include materialism, racism, police corruption and violence and more. So it’s fitting that many of the skits - billed here as “exhibits” - feature civil rights pioneer Kwame Ture (previously known Stokely Carmichael) as to complement the conscious lyricism of KRS-One. The release went on to be certified Gold within months. This is the first time Edutainment has seen an LP release since 1990.

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CD | 1991 | EU | Original (Jive)

The Low End Theory

Release: 1991 / EU – Original

Genre: Hip Hop

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The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.

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2LP | 1991 | US | Reissue (Jive)

The Low End Theory

42,99 €*

2LP | 1991 | US | Reissue (Interscope)

Release: 1991 / US – Reissue

Genre: Hip Hop

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2Pac

2Pacalypse Now

47,99 €*

2LP | 1991 | EU | Reissue (Interscope)

Release: 1991 / US – Reissue

Genre: Hip Hop

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2Pacalypse Now is the debut studio album by 2Pac. The album is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls".

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2Pac

2Pacalypse Now

29,99 €*

Cypress Hill Colored Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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In commemoration of its 25th anniversary Interscope presents the reissue of “2Pacalypse Now”. “2Pacalypse Now” is the debut studio album by American rapper 2Pac. It was released on November 1991, by Interscope Records and EastWest Records America. Less polished than it later proceed with his studio album, “2Pacalypse Now”, which is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy, some issues giving a lyrical glimpse into the world of a young black man on the urban streets of the United States. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". 2Pacalypse Now was certified gold by the Recording Industry Association of America (RIAA) 1995 for sales of 500,000 copies in the United States.

The album generated significant controversy stemming from then-U.S. Vice President Dan Quayle's public criticism after Ronald Ray Howard murdered a Texas state trooper and his defense attorney claimed he was influenced by “2Pacalypse Now” and its strong theme of police brutality. Quayle made the statement, "There's no reason for a record like this to be released. It has no place in our society."

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Cypress Hill

LP | 1991 | EU | Reissue (Get On Down)

24,99 €*

7" | 1991 | EU | Reissue (Mr Bongo)

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope.
The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bringintensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “[By the late ‘80s] the undisputed
Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes -
complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.” Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.

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Black Sheep

Stobelite Honey

The Choice Is Yours Black Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Black Sheep – and their 1991 ‘A Wolf in Sheep’s Clothing’ album - were definitely an outlier in the Native Tongues fold. They were raunchier and more playful than their peers which, given that those peers were A Tribe Called Quest, De La Soul and Jungle Brothers, is really saying something.
‘Strobelite Honey’ catches that difference perfectly, leaning heavily on a pair of 1980 disco samples rather than the jazz of their brethren, and taking a somewhat less chivalrous approach to women. ‘Strobelite’s slender but fun narrative sees rapper Dres up in the club and fooled by the lights – approaching a girl he likes the look off but backing off when they reveal she’s not what he expected. Charmed, we’re sure.
Dres and his partner Mr. Lawnge were always willing to push boundaries, and that extends to the often confusing labelling of the various remixes of this choice single. 12”s dropped with the ‘No We Didn’t Mix’, ‘Yes We Did Mix’ and ‘Maybe We Did Mix’ (not to mention a separate 12” of House mixes).
The last and best of these accompanied the original version on the now-rare 1991 7”, as it does here. The ‘Maybe We Did Mix’ adds urgent horns - almost like the buzzing of a bee - and a new beat to completely reconfigure the sound into something much more of its era. It’s a reminder of when remixes were about much more than the same beat with different rappers.

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Black Sheep

7" | 1991 | EU | Reissue (Mr Bongo)

Hazardous Black Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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If you collect vintage 70's soul-jazz vinyl, there is a good chance that you already own a record that features the amazing vocal talents of Dee Dee Bridgewater. Whether it be Roy Ayers, Norman Connors, Billy Parker or Carlos Garnett - Dee Dee is the glue that fuses these artists together. Although best known for her jazz work, Dee Dee has had a wonderfully rich and varied career encompassing soul, musicals, gospel, and underground disco from the 70's to the present day. She is still active as a vocalist, composer, and producer and remains one of our favourite vocalists at Mr Bongo HQ. We take things back to the early years of Dee Dee's career with her debut album 'Afro Blue'. Recorded in Tokyo in 1974, the album was released exclusively in Japan via two different Japanese labels (Trio Records in 1974 and All Art in 1985 respectively). Each release had unique cover art and we have opted to present the album in its original 1974 form. 'Afro Blue' features an exquisite collaboration of American and Japanese musicians, such as Cecil & Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue'. It is arguably one of the finest albums in its genre. This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.

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Godfather Don

LP | 1991 | EU | Reissue (Select)

18,69 €* 33,99 € -45%

Cypress Hill Black Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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The debut album of New York based rapper and producer Godfather Don was originally released in 1991 via Select Records and gained an undeniable grail status amongst fans and collectors. Entirely produced by Don himself, the album is a hard-hitter from front to back and now it's back.

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Cypress Hill

LP | 1991 | US | Reissue (Get On Down)

32,99 €*

M.C. Breed & Dfc Pink Acid Wash Vinyl Edition

Release: 1991 / US – Reissue

Genre: Hip Hop

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Repress ! Somewhere in between the rock-star mischief of the Beastie Boys and the slow-creeping funk of Dr. Dre, Cypress Hill introduced their hazy-eyed sound to the world on their self-titled 1991 debut and things have never quite been the same since. The original Cypress Hill album captures the group at their risk-taking best, mixing gangster posturing, LA street politics, Latin flavor and warped humor together under a thick cloud of weed smoke and innovative beats. Nasal-voiced rapper B-Real and his partner Sen Dog, backed by the adventurous production styles of DJ Muggs, produce classics records like "How I Could Just Kill a Man," "Pigs," "Stoned is the Way of the Walk" and "Hand on the Pump." Since its release, the album has won acclaim as one of Rolling Stone's "Essential Recordings of the 90s" and "Top 100 Best Rap Albums" by The Source magazine.

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M.C. Breed & Dfc

LP | 1991 | US | Reissue (Phase One)

Hazardous Black Vinyl Edition

Release: 1991 / US – Reissue

Genre: Hip Hop

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Limited to 1000 copies. Flint, Michigan-based rapped MC Breed and his crew DFC (Da Funk Clan aka Dope Flint Connection) put the Midwest on the map in 1991 with the release of their self-titled debut album, an underrated gem of the early 90s. The lead single, "Ain't No Future in Yo' Frontin'" with a boomin’ west coast sound would get radio play across the country and video rotation on YO! MTV Raps, BET’s Rap City, and Ralph McDaniels' Video Music Box. The album’s second single “Just Kickin’ It” with MC Breed’s laid-back vocal style over a funky groove landed in the top 10 on the Hot Rap Singles Chart. Tracks like “Underground Slang” have an 80s electro vibe and “Better Terms” has Breed rapping a little faster over a Bomb Squad influenced beat with his DJ on the cut. MC Breed would go on to release another 11 albums and collaborated with artists such as 2Pac on "Gotta Get Mine" and Too $hortís "Gettin It” as well as features with Slum Village, Pimp C, Kurupt, Erick Sermon, and The D.O.C. among others. Breed passed away in 2008 from kidney failure, but his legacy lives on having influenced other Midwest artists including Eminem, Proof, D12, Common, and Slum Village. Out of print on vinyl since 2018, Get On Down is bringing back this Midwest 90s classic on limited edition colored vinyl.

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Godfather Don

LP | 1991 | EU | Reissue (Select)

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

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2LP | 1991 | EU | Reissue (Sony Music Catalog)

The Low End Theory

29,99 €*

The Ruler's Back HHV Retail Exclusive Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Slick Rick

LP | 1991 | WW | Reissue (Def Jam)

Release: 1991 / WW – Reissue

Genre: Hip Hop

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The Low End Theory Vinyl Me, Please Edition

2LP | 1991 | US | Reissue (Vinyl Me, Please)

43,99 €*

Release: 1991 / US – Reissue

Genre: Hip Hop

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CD | 1992 | EU | Reissue (Southwest Enterprise)

True 2 Da Game

15,29 €* 17,99 € -15%

Release: 1992 / EU – Reissue

Genre: Hip Hop

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SWE in collaboration with Dust & Dope are excited to announce the release of legendary Nola rapper/producer Ice Mike's debut "True 2 Da Game!" originally released back in 1992 on cassette only. For the first time ever on CD and limited to only 300 copies.

The tracklist has been re-arranged and improved. An extra track has been added and the last 2 tracks of the original tracklist have been replaced. The love song "Good 2 U" and the shoutout outro "Atdasamtyme!" have been cut. Here's what Ice Mike had to say about "Good 2 U": "We were experimenting. I was the wrong artist to record it. Good song but, at the time I was recording all my ideas and back then i was trying to fill up the tape minutes as much as possible for the people with music in their mitsubishi trucks and somehow chose that one."

We have now included the hard hitting "Still A WestBank Thang" Introducing the Disturbed Young Hustlaz who later on in 1998 released the classic "Homiez N My Head". This track received radio play back in the days and was used at live shows but never actually made it to an album due to street beef.

"I Got Game" which originally was the B-Side of the "Doin' My Thang" 12" was added as well and then we have another previously unreleased gem called "Bad Attitude" which will surely please everyone. All tracks were taken from the OG Dats to give you top notch quality.

The vinyl headz will be taken care of as well of course, and the record will become available in early 2022 with pre-orders coming later on.

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True 2 Da Game Black Vinyl Edition

2LP | 1992 | EU | Reissue (Southwest Enterprise)

39,99 €*

Release: 1992 / EU – Reissue

Genre: Hip Hop

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SWE in collaboration with Dust & Dope are excited to announce the release of legendary Nola rapper/producer Ice Mike's debut "True 2 Da Game!" originally released back in 1992 on cassette only. All tracks were taken from the OG Dats to give you top notch quality. Let's get into the album a little deeper...

Fresh off the heels of producing for other New Orleans West Bank artists such as Bust Down and Mobo Records, “True 2 Da Game!” is the first full-length album from legendary New Orleans hip-hop pioneer Ice Mike. The follow-up to his 1991 debut as a solo artist is almost entirely self-produced (except for some co-production with DJ Lowdown & 8-ball The DJ). The writing, production, scratching, mixing, concepts, vocal and edit arrangements, piano and drum overdubs, and performances were all done by one man - Ice Mike. This feat is more impressive considering Ice Mike arranged and spliced the studio masters by hand with a razor blade and splicing tape, resulting in a level of mixing and editing that most couldn’t achieve until digital software was invented for computers.

The tracklist has been re-arranged and improved. An extra track has been added and the last 2 tracks of the original tracklist have been replaced. The love song "Good 2 U" and the shoutout outro "Atdasamtyme!" have been cut. Here's what Ice Mike had to say about "Good 2 U": "We were experimenting. I was the wrong artist to record it. Good song but, at the time I was recording all my ideas and back then i was trying to fill up the tape minutes as much as possible for the people with music in their mitsubishi trucks and somehow chose that one."

The Album also introduces Jr. Mack, Da Playa Bum & Kock Desil as "The Disturbed Young Hustlaz" on the the hard hitting "Still A WestBank Thang". This track received radio play back in the days and was used at live shows but never actually made it to an album due to street beef. "I Got Game" which originally was the B-Side of the "Doin' My Thang" 12" was added as well and then we have another previously unreleased gem called "Bad Attitude" which will surely please everyone.

From the raw raps on ‘Flow Down’ and ‘Bring Da Heat’, to the Pimptations-esque precursors ‘Fnalluslipnikkashoes’ and ‘Da Mack Game’, to the lyrically literal dope rhymes in ‘Man-N-Da-Hole’, “True 2 Da Game!” is an album packing a variety of concepts presented with polished analog production.

For the first time on vinyl, this edition will come housed in a beautiful gatefold edition and will be limited to only 250 copies. There will be 100 copies on transparent yellow vinyl and 150 copies on black vinyl.

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True 2 Da Game Yellow Vinyl Edition

2LP | 1992 | EU | Reissue (Southwest Enterprise)

42,99 €*

2LP | 1992 | Reissue (Interscope)

Release: 1992 / EU – Reissue

Genre: Hip Hop

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SWE in collaboration with Dust & Dope are excited to announce the release of legendary Nola rapper/producer Ice Mike's debut "True 2 Da Game!" originally released back in 1992 on cassette only. All tracks were taken from the OG Dats to give you top notch quality. Let's get into the album a little deeper...

Fresh off the heels of producing for other New Orleans West Bank artists such as Bust Down and Mobo Records, “True 2 Da Game!” is the first full-length album from legendary New Orleans hip-hop pioneer Ice Mike. The follow-up to his 1991 debut as a solo artist is almost entirely self-produced (except for some co-production with DJ Lowdown & 8-ball The DJ). The writing, production, scratching, mixing, concepts, vocal and edit arrangements, piano and drum overdubs, and performances were all done by one man - Ice Mike. This feat is more impressive considering Ice Mike arranged and spliced the studio masters by hand with a razor blade and splicing tape, resulting in a level of mixing and editing that most couldn’t achieve until digital software was invented for computers.

The tracklist has been re-arranged and improved. An extra track has been added and the last 2 tracks of the original tracklist have been replaced. The love song "Good 2 U" and the shoutout outro "Atdasamtyme!" have been cut. Here's what Ice Mike had to say about "Good 2 U": "We were experimenting. I was the wrong artist to record it. Good song but, at the time I was recording all my ideas and back then i was trying to fill up the tape minutes as much as possible for the people with music in their mitsubishi trucks and somehow chose that one."

The Album also introduces Jr. Mack, Da Playa Bum & Kock Desil as "The Disturbed Young Hustlaz" on the the hard hitting "Still A WestBank Thang". This track received radio play back in the days and was used at live shows but never actually made it to an album due to street beef. "I Got Game" which originally was the B-Side of the "Doin' My Thang" 12" was added as well and then we have another previously unreleased gem called "Bad Attitude" which will surely please everyone.

From the raw raps on ‘Flow Down’ and ‘Bring Da Heat’, to the Pimptations-esque precursors ‘Fnalluslipnikkashoes’ and ‘Da Mack Game’, to the lyrically literal dope rhymes in ‘Man-N-Da-Hole’, “True 2 Da Game!” is an album packing a variety of concepts presented with polished analog production.

For the first time on vinyl, this edition will come housed in a beautiful gatefold edition and will be limited to only 250 copies. There will be 100 copies on transparent yellow vinyl and 150 copies on black vinyl.

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Dr. Dre

The Chronic

CD | 1992 | EU | Reissue (Interscope)

Release: 1992 / Reissue

Genre: Hip Hop

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It's all over the news right now, Dr. Dre finally got all the rights back and now we can all relax and get The Chronic on vinyl, CD and even on streaming platforms if there is no turntable nearby.

Now coming via Interscope who bought the physical distribution rights we are happy to get fresh copies of CDs and vinyl for you. Pressed on double vinyl, black and 180g.

The blueprint of early 90s Westcoast Gangsta Rap. If you say you like Gangsta Rap and you don't own a copy, there is no excuse for that.

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Dr. Dre

The Chronic

Too Hard To Swallow Clear Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Hip Hop

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It's all over the news right now, Dr. Dre finally got all the rights back and now we can all relax and get The Chronic on vinyl, CD and even on streaming platforms if there is no turntable nearby.

Now coming via Interscope who bought the physical distribution rights we are happy to get fresh copies of CDs and vinyl for you.

The blueprint of early 90s Westcoast Gangsta Rap. If you say you like Gangsta Rap and you don't own a copy, there is no excuse for that.

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UGK

2LP | 1992 | US | Reissue (Get On Down)

35,99 €*

Black Mafia Life Splatter Vinyl Edition

Release: 1992 / US – Reissue

Genre: Hip Hop

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At that, giving the strutting, funky grooves the chance to really stretch out on your system.
Back in 1992, Southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from New York and LA. The Geto Boys and 2 Live Crew had made strong cases by the earliest ‘90s, and Pimp C and Bun B were ready to make their own. Most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes – in later years they would build their sound into something even fuller and deeper. Self-produced with additional work from Houston locals Bernie Bismark and Shetoro Henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely.

You can hear the beginnings of the group’s true greatness in these early lyrical workouts – several taken from the regional cassette-only EP The Southern Way that got them signed to Jive – with tales of street hustles, relationships and self-reliance in a world stacked against them. They may have been done early-on, but that doesn’t mean they aren’t crucial to UGK’s legacy – cases in point being the three singles: “Something
Good”; a charismatic update to Bill Withers’ “Use Me Up”; and “Pocket Full Of Stones” (the latter featured on the Menace II Society soundtrack). Beyond the singles, deeper cuts like “I’m So Bad,” “Feels Like I’m The One Who’s Doin’ Dope” and “Cramping My Style” made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

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Above The Law

2LP | 1992 | US | Reissue (West World)

45,99 €*

Release: 1992 / US – Reissue

Genre: Hip Hop

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The 1992 sophomore album of the legendary Pomona, CA group Above the Law. This album is by many considered as the foundation of G-Funk due to tracks like "4 The Funk Of It" and "Call It What U Want" that featured 2Pac. Also the last album that featured DJ Go Mack who left the group after completion. Now back on vinyl courtesy of SCMD Records.

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Sex And Violence Colored Vinyl Edition

2LP | 1992 | US | Reissue (Get On Down)

36,99 €*

Release: 1992 / US – Reissue

Genre: Hip Hop

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In the early 1990s gangsta rap was becoming more popular. KRS-One took to the mic and continued to write socially conscious raps resulting in the hard-hitting 1992 album Sex And Violence which would be the fifth and final studio album under the Boogie Down Productions name. Produced by KRS-One, Pal Joey, Kenny Parker, D-Square, and Prince Paul, the album explores the darkest sides of the American urban landscape and psyche, with KRS as narrator, detailing all sides of the matrix. While singles like the alarming drum-driven "Duck Down" and the funky-as-hell "We In There" got most of the attention in ‘92, the deeper sequence reveals plenty of additional gems: the history lesson of the dark and dusty "Drug Dealer"; "Ruff Ruff", with scowling MC favorite Freddie Foxxx (aka Bumpy Knuckles); the grooving "Questions and Answers," and the frantic record industry track "How Not To Get Jerked." The album kicks off with an intro skit featuring KRS-One as a DJ in panic needing vinyl which at the time was a dying format while cassettes and CDs became the dominant format. Thirty-two years later vinyl DJs and Hip-Hop vinyl collectors no longer need to panic. Get On Down in partnership with Sony Music's Certified is proud to bring back to vinyl this underrated gem in the BDP catalog. Featuring one of the dopest album covers by American artist Robert Williams, Sex and Violence is pressed on colored vinyl and packaged in a gatefold jacket with full lyrics.

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CD | 1993 | EU | Original (Jive)

Release: 1993 / EU – Original

Genre: Hip Hop

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lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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CD | 1993 | US | Original (Jive)

12,99 €*

Release: 1993 / US – Original

Genre: Hip Hop

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LP | 1993 | EU | Reissue (Jive)

Release: 1993 / EU – Reissue

Genre: Hip Hop

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LP | 1993 | EU | Reissue (Sony)

24,99 €*

CD | 1993 | EU | Reissue (Southwest Enterprise)

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Midnight Marauders is the third studio album by A Tribe Called Quest, released on November 9, 1993. It is widely regarded as one of the greatest hip-hop albums of all time, known for its sophisticated jazz-infused production, smooth lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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U.N.L.V.

6th & Baronne

18,99 €*

Release: 1993 / EU – Reissue

Genre: Hip Hop

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SWE is back with another heater, the 1993 debut album from "Uptown Niggas Living Violent". This release will contain additional liner notes and has been entirely remastered by Pyra-C. As an extra bonus we will add the Eddie Bow (Radio Version) as well, which was a different version than the album version. This album has been dedicated to Yella Boy (R.I.P.)

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LP | 1993 | UK | Original (Big Life)

Buhlōōne Mind State

149,99 €* 199,99 € -25%

Kids From Foreign Black Friday Record Store Day 2024 Edition

Release: 1993 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam wear, corner wear, slight bents and small sticker resdiue and tear on the back! Records with scuffs and slight scratches!

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Born Jamericans

LP | 1994 | US | Reissue (Craft)

TBA

The final price is not yet known.

Release: 1994 / US – Reissue

Genre: Hip Hop

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 1500

The debut album from the influential hip-hop reggae fusion duo Born Jamericans is back on vinyl for the first time in decades! Featuring the Top 20 single ""Boom Shak-a-Tack," Kids from Foreign has been remastered from the original analog tapes in celebration of the cult-classic album’s 30th anniversary.

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Common

Resurrection

LP | 1994 | US | Reissue (Relativity)

Between A Rock And A Hard Place

Release: 1994 / US – Reissue

Genre: Hip Hop

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Entirely produced by No I.D. ... critically acclaimed back when it came out and a classic today!

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Artifacts

CD | 1994 | US | Reissue (Big Beat)

22,99 €*

Release: 1994 / US – Reissue

Genre: Hip Hop

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Illmatic Black Vinyl Edition

Nas

LP | 1994 | US | Reissue (Get On Down)

Southernplayalisticadillacmuzik

Release: 1994 / US – Reissue

Genre: Hip Hop

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"Now let me take a trip down memory lane"....It's 1994 and the hype behind Queensbridge native Nasir "Nas" Jones had already reached a fever pitch. Coming off already classics such as "Live at the BBQ" and (his solo debut song) "Halftime" all eyes were on Nas. From the moment you popped in your cassette, CD, or dropped the needle on the vinyl, you knew you were listening to authentic Hip Hop. Right out the gate you were met with the sound of subway cars, a snippet from Nas on "Live at the BBQ" and finally the Wild Style Theme. These 3 elements seem subtle upon first listen, but once you digest the album you realize Nas was setting a tone. God's Son had arrived.

Backed by an all-star cast of producers including DJ Premier, Large Professor, Q Tip, Pete Rock and then unknown L.E.S, Illmatic never lets up. Nas was able to take you into his world, each beat seemed like it was hand crafted, tailored to precisely match each line of Nas' dense lyrics and unmatched flow.

During the week of its release, everyone now knew the hype was real. Nas, being barley 20 at the time, stood on the shoulders of his predecessors and let everyone know he'd arrived. Illmatic became the debut that from that moment on rappers from Jay Z to Kendrick Lamar got compared to, "is this (insert rappers name here)'s Illmatic?". It was a game changer, not just for Nas, but for New York.. for Hip Hop. The Source broke their unwritten rule of not giving 5 Mics (the highest honor at that time) to a debut - Illmatic got just that. So join us, as we pay homage to one of our favorite albums and revisit the album that became one of the most talked about debuts in Hip Hop’s recorded history.

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OutKast

LP | 1994 | US | Reissue (Legacy)

LP | 1994 | US | Reissue (Def Jam)

Release: 1994 / US – Reissue

Genre: Hip Hop

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Back in print for the 20th anniversary!

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Method Man

Tical

37,99 €*

LP | 1994 | EU | Reissue (Interscope)

Release: 1994 / US – Reissue

Genre: Hip Hop

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Back in print! The 1st real Wu-Tang solo album!

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2Pac (Thug Life)

Thug Life (Volume 1)

12" | 1994 | UK | Reissue (Chopped Herring)

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Thug Life: Volume 1 is the only studio album by American hip hop group Thug Life, started by 2Pac. It was released on September 26, 1994 by Interscope Records. The group featured Big Syke, Macadoshis, Mopreme, The Rated R and 2Pac.

Among the notable tracks on the album are "Bury Me a G", "Cradle to the Grave", "Pour Out a Little Liquor" (which also appears on the soundtrack to the 1994 film Above the Rim), "How Long Will They Mourn Me?" and "Str8 Ballin'."

The album is Gold-certified by the RIAA.

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Born-God

Who's That On The Track?

26,99 €* 29,99 € -10%

2LP | 1994 | US | Reissue (Geffen / Ume)

Release: 1994 / UK – Reissue

Genre: Hip Hop

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This is a real low key one, but a helladope one. Cats will know Born-God from NY mid 90’s crew Now Born Click. His cousin, producer and mentor you will know from the previous release on Herring, Russ Prez – and he is responsible for the dope production on this flavasome EP. This project only had a limited cassette release back in 1994 and is extremely hard to find. So we had to bring it on wax for the headz. All joints transferred from the original studio DATs and included is a previously unreleased banger!! R.I.P. Born-God. Shout out to Thomas Stephansen!

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Mary J. Blige

My Life

Let Me Explain Black Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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My Life is the second studio album by Mary J. Blige, released on 29th November, 1994 by Uptown Records. Unlike her debut, What’s the 411? (1992), Blige co-wrote fourteen of the album’s tracks, making it her most introspective and personal album at the time. Similar to her debut album, My Life features vast production from Sean “Puffy” Combs for his newly founded label, Bad Boy Entertainment, which was at the time backed by Arista Records.

Considered to be her breakthrough album, My Life became Mary J. Blige’s second album to reach the top ten on the Billboard 200 chart, peaking at number seven, and debuting at number one on the Top R&B/Hip-Hop Albums chart for eight weeks. In 1996, the album was nominated for Best R&B Album at the 38th Grammy Awards, while in December of the same year, the album was certified triple platinum by the RIAA, for shipments of three million copies in the United States. It also won the 1995 Billboard Music Award for Top R&B Album.

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Mysterme & DJ 20/20

LP | 1994 | EU | Reissue (SCMD Music)

27,99 €*

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Taha and JTLM records in association with IteM records are happy to present you the 1994 underground classic album “Let Me Explain” vinyl LP by Mysterme and DJ 20/20.
Pucho (aka Mysterme) grew up in the Bronx of Puerto Rican heritage; his early influences were old-school rap, especially Run DMC. He first met and worked with Lamar Gardner (aka DJ 20/20) when they attended South Bronx High School, one of the toughest schools in the country.
Mysterme moved to San Francisco after graduation to find a record deal but after Joe Quixx produced his “Unsolved Mysterme” single, he moved back to New York, where DJ 20/20 had already produced some local hardcore rap. The duo began recording and were soon signed by Gee Street Records.
A remix of “Unsolved Mysterme” was their first single; Let Me Explain (1994) is autobiographical and showed the group as socially conscious hardcore rappers speaking out against violence on songs such as “Happy like Death” and “Playtime’s Over.”
With the release of the album, Mysterme and DJ 20/20 establish their modus operandi as straight-up hard, no chaser, Boogie Down Bronx style

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CD | 1994 | EU | Reissue (Southwest Enterprise)

Slammin' Theez Hoz

Release: 1994 / EU – Reissue

Genre: Hip Hop

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SWE is excited to announce the reissue of legendary Nola rapper/producer Ice Mike's sophomore album "Slammin' Theez Hoz" originally released back in 1994 on CD and Tape only. It was time to revisit this classic and we did it in a major way. All tracks were taken from the OG Dats and we have included 3 bonus tracks on top! One previously unreleased track that was recorded around 1996-1997 and 2 tracks where Ice Mike is going off on the wheels of steels cutting it up. The CD version will be limited to 300 copies only!

The vinyl headz will be taken care of as well of course, and the record will become available in early 2022 with pre-orders coming later on.

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Ready To Die Black Vinyl Edition

2LP | 1994 | EU | Reissue (Bad Boy)

26,99 €*

CD | 1994 | EU | Reissue (Hip Hop Enterprise)

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Original artwork edition pressed on 2x140g black vinyl.

One of the greatest albums in HipHop ever with one of the most iconic album covers of all time - right next to Nas' Illmatic and Wu-Tangs "Enter The Wu". How to describe this album with words that have not been used over and over again? Without superlatives? Not possible. It's simply one of the best albums ever, one that every rap fan can talk about with lyrics everyone can quote - or should be able to quote from. From the recording process to the label situation, the legal hustle provoked by the samples, it is not just one story, it's multiple stories surrounding this album.

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Mysterme & DJ 2020

Let Me Explain

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Pucho (aka Mysterme) grew up in the Bronx of Puerto Rican heritage; his early influences were old-school rap, especially Run DMC. He first met and worked with Lamar Gardner (aka DJ 20/20) when they attended South Bronx High School, one of the toughest schools in the country. Mysterme moved to San Francisco after graduation to find a record deal but after Joe Quixx produced his “Unsolved Mysterme” single, he moved back to New York, where DJ 20/20 had already produced some local hardcore rap. The duo began recording and were soon signed by Gee Street Records. Let Me Explain (1994) is autobiographical and showed the group as socially conscious hardcore rappers speaking out against violence on songs such as “Happy like Death” and “Playtime’s Over.” With the release of the album, Mysterme and DJ 20/20 establish their modus operandi as straight-up hard, no chaser, Boogie Down Bronx style. Now back in print in limited fashion of 250 copies only with 4 bonus tracks, including the original version of "Unsolved Mysterme" recorded in 1992! All tracks remastered by Jee Van Cleef!

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Ready To Die Japan Import Edition

CD | 1994 | JP | Reissue (Warner)

Release: 1994 / JP – Reissue

Genre: Hip Hop

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CD | 1994 | EU | Reissue (Hip Hop Enterprise)

Earthquake

9.9 Richter Scale

18,99 €*

The East Flatbush Project

Release: 1994 / EU – Reissue

Genre: Hip Hop

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A sick heavy hitter originally released back in 1994 on CD and tape only. Back in print now on HHE, this pressing is limited to only 250 copies and includes a bonus track the "Only For The Wicked (Remix)" track.

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A Madman's Dream / Can't Hold It Back Black Vinyl Edition

7" | 1994 | CA | Reissue (Funky Dividends)

Release: 1994 / CA – Reissue

Genre: Hip Hop

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Ready To Die Gold Vinyl Edition

2LP | 1994 | US | Reissue (Warner)

45,99 €*

Hard To Earn White Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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Biggie’s debut LP includes monster hits “Juicy” and “Big Poppa” as well as fan favorites “Everyday Struggle,” “Machine Gun Funk,” “Suicidal Thoughts,” and “Who Shot Ya?”.

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Gang Starr

2LP | 1994 | US | Reissue (Virgin)

43,99 €*

Release: 1994 / US – Reissue

Genre: Hip Hop

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2023 repress without the 'Respect The Classics' sticker.

This Gang Starr classic from the golden 90s back on the scene.

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Slammin' Theez Hoz Black Vinyl Edition

2LP | 1994 | EU | Reissue (Southwest Enterprise)

44,99 €*

Release: 1994 / EU – Reissue

Genre: Hip Hop

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SWE is excited to announce the reissue of legendary Nola rapper/producer Ice Mike's sophomore album "Slammin' Theez Hoz" originally released back in 1994 on CD and Tape only. It was time to revisit this classic and we did it in a major way. All tracks were taken from the OG Dats and we have included 3 bonus tracks on top! One previously unreleased track that was recorded around 1996-1997 and 2 tracks where Ice Mike is going off on the wheels of steels cutting it up.

The vinyl version will be limited to 280 copies only, 100 on transparant blue vinyl and 180 on black vinyl!

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Slammin' Theez Hoz Blue Vinyl Edition

2LP | 1994 | EU | Reissue (Southwest Enterprise)

47,99 €*

Super Tight Clear Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Hip Hop

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SWE is excited to announce the reissue of legendary Nola rapper/producer Ice Mike's sophomore album "Slammin' Theez Hoz" originally released back in 1994 on CD and Tape only. It was time to revisit this classic and we did it in a major way. All tracks were taken from the OG Dats and we have included 3 bonus tracks on top! One previously unreleased track that was recorded around 1996-1997 and 2 tracks where Ice Mike is going off on the wheels of steels cutting it up.

The vinyl version will be limited to 280 copies only, 100 on transparant blue vinyl and 180 on black vinyl!

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UGK

2LP | 1994 | US | Reissue (Get On Down)

Let Me Explain Brown Marbled Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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“Super Tight…” is the second album from Hip Hop legends UGK, originally released in 1994. The title of the album is taken from its stand out single “Front, Back & Side to Side”. Bun B and Pimp C (R.I.P.) were already on fire from their debut album a few years prior but they perfected the Southern Playa sound with this record. At the time of its release “Super Tight…” was only issued on Cassette and CD so it’s a must for fans and collectors to grab the vinyl now that it’s available for the very first time. The album kicks off with “Return”, which after a few snare hits and the bluster of Pimp C’s voice it is clear to the world - the underground kings are back. Countless tracks like “Three Sixteens” (featuring DJ DMD), “Stoned Junkee”, “It’s Supposed to Bubble”, “I Left It Wet for You” and the previously mentioned “Front, Back, & Side To Side” all perfectly showcase the chemistry between Bun B & Pimp C over deep southern funk grooves. The production on this album is stellar, all bass heavy and features Meters lead guitarist Leo Nocentelli. Like their debut album Too Hard to Swallow Bun B and Pimp C were ahead of the game, and with “Super Tight…” they perfected it. Finally, this great release is available for the first time on clear vinyl.

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Mysterme & DJ 20/20

LP | 1994 | EU | Reissue (SCMD Music)

27,99 €*

The East Flatbush Project

Release: 1994 / EU – Reissue

Genre: Hip Hop

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A Madman's Dream / Can't Hold It Back Red Vinyl Edition

7" | 1994 | CA | Reissue (Funky Dividends)

19,99 €*

Release: 1994 / CA – Reissue

Genre: Hip Hop

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A Madman's Dream / Can't Hold It Back

East Flatbush Project

12" | 1994 | US | Original (10/30 Uproar)

118,99 €* 169,99 € -30%

Word...Life Vinyl Me, Please Edition

Release: 1994 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl has a few scuffs and scratches! Close to VG+!

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O.C.

2LP | 1994 | US | Reissue (Vinyl Me, Please)

43,99 €*

Tical Vinyl Me, Please Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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Word...Life is the debut studio album by O.C., released on October 18, 1994, through Wild Pitch Records. O.C. (Omar Credle), a member of the Diggin' in the Crates Crew (D.I.T.C.), was highly regarded for his thoughtful and intricate lyricism. Word...Life is considered a classic East Coast hip-hop album, reflecting the 90s boom-bap sound with its jazzy, soul-infused beats and introspective lyrics.

The production on Word...Life was handled by prominent figures in the New York hip-hop scene, including Buckwild and Lord Finesse, both members of the D.I.T.C. collective. The beats feature a mix of jazz samples, soulful loops, and hard-hitting drums, typical of the 90s East Coast sound.
O.C.’s delivery on the album is laid-back yet razor-sharp, and his rhymes are filled with vivid imagery, social commentary, and personal reflections. The album is celebrated for its lyrical depth, with O.C. blending storytelling and wordplay seamlessly throughout.

"Time's Up" – This is O.C.’s most famous track and a standout from the album. The song addresses the fakeness in the rap industry, calling out rappers who portray false images of success and street life. The production, courtesy of Buckwild, is minimal yet powerful, with its heavy bassline and sparse drums giving space for O.C.’s sharp lyrics.
"Born 2 Live" – A reflective and nostalgic track where O.C. looks back on his youth, reminiscing about childhood experiences and the loss of friends. The beat, produced by Buckwild, is soulful and smooth, underscoring the bittersweet tone of the lyrics.
"Word...Life" – The title track is a declaration of O.C.’s philosophy and approach to hip-hop. His rhymes are thoughtful and reflective, addressing real-life struggles, growth, and staying true to one’s self. The beat features a jazzy piano loop, characteristic of the album’s overall production style.
"O-Zone" – A track that showcases O.C.’s lyrical prowess, where he delivers intricate wordplay and multisyllabic rhymes. The beat is more aggressive, with a harder bassline and sharp drum patterns, complementing the confident tone of O.C.’s verses.
"Ga Head" – This track has a more laid-back vibe, with O.C. discussing the realities of life in the streets, success, and staying grounded. The production is smooth, and the track has a reflective quality similar to “Born 2 Live.”

Authenticity in Hip-Hop: A major theme on the album, especially on tracks like "Time's Up", where O.C. critiques rappers who fabricate stories about their street credibility or success.
Reflection and Growth: O.C. often reflects on his life, past experiences, and the journey of growing up in a tough environment. "Born 2 Live" is one of the best examples of this theme, where he revisits childhood memories and the impact of losing friends.
Intellectual and Philosophical Insights: O.C.’s lyrics often touch on deeper, more philosophical ideas about life, the challenges of success, and the importance of staying true to oneself.

Buckwild, Lord Finesse, and O.C. himself contributed to the production on Word...Life. The beats are built around soulful and jazz-infused samples, and the production maintains a gritty, underground feel. The album’s production fits well within the aesthetic of 90s boom-bap hip-hop but is elevated by the thoughtfulness and precision of the samples and drum programming.

Word...Life was praised for its lyrical depth and intellectual approach to hip-hop, standing out in a year when many classic albums were released. Critics and fans alike admired O.C.’s smooth flow and ability to tackle both personal and broader social issues in his rhymes.
The album did not achieve massive commercial success upon release, but it has since been recognized as a cult classic and a staple of 90s underground hip-hop.
"Time’s Up" in particular became a defining moment in O.C.’s career and has been used in various hip-hop compilations and media over the years.

Word...Life has influenced many artists, particularly in the underground and conscious hip-hop scenes, where lyricism and authenticity are highly valued.
O.C. has continued to be an important figure in hip-hop, and his work on Word...Life is seen as a critical contribution to the legacy of East Coast rap, alongside artists like Nas, Big L, and other members of the D.I.T.C. collective.

Word...Life is a cornerstone of 90s underground hip-hop, showcasing O.C.’s lyrical prowess and commitment to authenticity. The album's introspective themes, sophisticated wordplay, and soulful production make it a classic that continues to resonate with fans of conscious and lyrical rap.

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Method Man

LP | 1994 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 1994 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
Tical calls back to an oft-romanticized period when rockin’ the mic was more than enough, with no filler in sight.

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Ready To Die 30th Anniversary Edition

2LP | 1994 | Reissue (Rhino)

41,99 €*

Daily Operation HHV Retail Exclusive Vinyl Edition

Release: 1994 / Reissue

Genre: Hip Hop

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Classic album in a new designed sleeve

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Gang Starr

2LP | 1994 | WW | Reissue (Virgin)

Organized Konfusion (Pharoahe Monch & Prince Po)

Release: 1994 / WW – Reissue

Genre: Hip Hop

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Daily Operation is the third studio album by Gang Starr, released on May 5, 1992. The duo, consisting of rapper Guru (Keith Elam) and DJ/producer DJ Premier (Christopher Martin), was already known for blending jazz and hip-hop in innovative ways, but Daily Operation marked a pivotal moment in their career. The album is widely considered a classic of East Coast hip-hop, combining DJ Premier’s minimalist, sample-heavy production with Guru’s intellectual and streetwise lyrics.

Daily Operation was a defining record in early 90s New York hip-hop, with a gritty, boom-bap sound that became emblematic of the era.
The album blends jazz samples, hard-hitting beats, and Guru’s deep, monotone delivery, creating a unique soundscape that is both cerebral and raw.
Lyrically, Guru addresses a wide range of topics, including social issues, loyalty, the state of hip-hop, and personal reflection, all delivered with his trademark cool, calm demeanor.

The production on Daily Operation is quintessential DJ Premier: he uses chopped-up jazz and soul samples, deep basslines, and hard drums, with frequent scratches and vocal samples from other rappers as hooks.
Premier’s use of jazz horns, piano loops, and understated but funky basslines gives the album a smooth, sophisticated feel, while still maintaining the rugged edge of early 90s East Coast rap.
The album’s minimalist production style was a departure from the heavier, layered sound that dominated other hip-hop albums of the time, helping to cement Gang Starr’s reputation as pioneers of jazz rap.

Key Tracks and Highlights:
"Take It Personal" – The lead single from the album, this track is often seen as a diss song directed at those who have betrayed or doubted Guru. The beat is simple but powerful, with a rolling piano loop and Premier’s sharp scratches. It became one of the group’s signature songs.
"Ex Girl to Next Girl" – One of the more laid-back tracks on the album, it features Guru discussing moving on from a toxic relationship. The track is driven by a jazzy, smooth beat and features Guru’s classic calm, reflective delivery.
"Soliloquy of Chaos" – A storytelling track where Guru describes the chaos of a violent night at a club, offering insight into the dangers and unpredictability of life in the streets. The haunting piano loop and somber tone of the track reflect the gravity of the subject matter.
"I'm the Man" (featuring Lil Dap and Jeru the Damaja) – This posse cut features verses from Lil Dap (of Group Home) and Jeru the Damaja, introducing listeners to these future Gang Starr Foundation members. The track has a hard, aggressive beat, and each rapper delivers strong performances.
"The Place Where We Dwell" – An ode to Brooklyn, where DJ Premier lived, and Boston, where Guru was from. The track pays tribute to the cities that shaped them, over a jazzy, uptempo beat.
"2 Deep" – This track features Guru reflecting on life’s struggles and his pursuit of success, set to one of Premier’s most atmospheric beats. The bass-heavy production and moody saxophone sample give the song a contemplative feel.
"Flip the Script" – A hard-hitting track where Guru flexes his lyrical skills, delivering sharp, precise verses over a gritty, bass-heavy beat. It’s one of the more aggressive tracks on the album, with a punchy delivery and tough production.

Self-Reflection and Growth: Many tracks, such as "Take It Personal" and "Ex Girl to Next Girl," focus on Guru’s personal experiences with betrayal, relationships, and self-growth. His lyrics often take a philosophical approach, offering wisdom and life lessons.
Street Life and Social Commentary: Tracks like "Soliloquy of Chaos" delve into the violence and unpredictability of street life, while others, like "2 Deep," explore the challenges of navigating a world filled with obstacles and injustices.

Throughout the album, Guru expresses his loyalty to authentic hip-hop culture and addresses the importance of staying true to oneself, which is a recurring theme in Gang Starr’s music.
Production and Collaborations:
DJ Premier’s production on Daily Operation is minimalist yet innovative, marking a shift toward the stripped-down, sample-heavy sound that he would later perfect. He heavily utilizes jazz samples, drawing on his deep knowledge of jazz and soul records to create sophisticated, head-nodding beats.
Jeru the Damaja and Lil Dap appear on the album, marking their introduction to the broader hip-hop world through the Gang Starr Foundation, a collective of artists associated with the duo. Both rappers would go on to have influential careers, especially Jeru, who became a critical voice in underground hip-hop.

Daily Operation received widespread acclaim upon its release and has since been regarded as one of the best hip-hop albums of the 1990s. Critics praised its blend of lyrical sophistication and innovative production, as well as the balance between jazz influences and hardcore hip-hop beats.
The album was recognized for its intellectual depth, with Guru’s thoughtful, reflective lyrics offering a counterpoint to the more aggressive or party-focused styles that were dominant at the time.
The album did not achieve massive commercial success but became an underground classic, solidifying Gang Starr’s reputation as one of the most influential acts in hip-hop.

Daily Operation is often considered one of the defining albums of the boom-bap era of East Coast hip-hop, influencing countless artists with its combination of jazz sampling and gritty production.
DJ Premier’s production on this album helped shape the sound of 90s hip-hop, setting the template for his later work with Nas, Jay-Z, and others.
Guru’s smooth, intellectual lyricism was seen as a refreshing contrast to the more aggressive styles of the time, earning him respect as one of the genre’s most thoughtful MCs.
The album also played a key role in establishing the Gang Starr Foundation, paving the way for artists like Jeru the Damaja and Group Home to make their mark on hip-hop.

Daily Operation is a classic East Coast hip-hop album, showcasing Gang Starr at the height of their powers. DJ Premier’s innovative, jazz-infused production combined with Guru’s thoughtful and commanding lyricism created a timeless project that resonates with hip-hop fans decades after its release.
The album’s influence can be heard in the work of numerous hip-hop artists, particularly in the boom-bap and jazz rap subgenres. It remains a landmark in both Gang Starr’s career and the broader landscape of 90s hip-hop, revered for its subtle sophistication and gritty realism.

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Stress: The Extinction Agenda 30th Anniversary Edition

3LP | 1994 | US | Reissue (Fat Beats)

49,99 €*

Organized Konfusion (Pharoahe Monch & Prince Po)

Release: 1994 / US – Reissue

Genre: Hip Hop

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The Queens-based duo of Pharoahe Monch and Prince Po shined brightest on their 1994 sophomore LP “Stress: The Extinction Agenda,” which is receiving a reissue to mark its 30th Anniversary. Backed by dark, bass-heavy, and jazzy production, “Stress” showcased Pharoahe and Po’s dynamic and ever-shifting rhyme styles and electric chemistry from start to finish, creating an album that is an undisputed classic among hardcore Hip Hop fans.

The classic album featured guest appearances by Q-Tip from A Tribe Called Quest and O.C., with guest production by Buckwild and Rockwilder. In 1998, the album was included as one of The Source's 100 Best Rap Albums. In an era where flexing original styles was mandatory to gain respect, few Hip Hop groups were more respected than Organized Konfusion.

Deluxe triple-vinyl includes full album instrumentals, non-album bonus tracks, plus a stunning tri-fold gatefold jacket featuring contemporaneous liner notes by Jeff Chang (originally published in 1994) and newly unearthed archival photos from B+.

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Stress: The Extinction Agenda

Tape | 1994 | US | Reissue (Fat Beats)

Organized Konfusion (Pharoahe Monch & Prince Po)

Release: 1994 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-15

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Stress: The Extinction Agenda 30th Anniversary Edition

2CD | 1994 | US | Reissue (Fat Beats)

22,99 €*