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Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs.
Includes original inner sleeve.

Why you'll love it...
“The concept of Few Good Things is the realization of self after a search for exterior fulfillment,” shared Saba on the inspiration behind the album’s title. “It is the satisfaction and completeness you gain by simply living a life that is yours. Few is a small number, but few is not lonely. In the face of all adversity, a few good things is recognizing and accepting blessings. Few is to count them, one by one – an empty glass is full of air, an empty bank is full of lessons, and an empty heart is full of memories. Few good things is to grow comfortable with the empty, and despite that, finding your fullness.”

Limited to 2000 copies, the VMP exclusive version of Saba's Few Good Things is pressed on Tan vinyl at Precision Record Pressing (PRP). The 2 LPs will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket.

Imagine Sun Ra time-traveling to the techno-dystopia in Blade Runner, Marty McFly piloting the DeLorean through the cyberpunk cityscape in Akira. Now you’re in the headspace to digest Metropolis, the latest album of time-traveling dispatches from Nashville multi-instrumentalist, producer, and rapper Namir Blade. Inspired by and named after the 2001 anime Metropolis and its 1927 predecessor, these 16 tracks are chapters of a speculative memoir unstuck in time, a quest for joy as late-stage capitalism crumbles looking wearily to a near-future dominated by tech oligarchs. In his most vulnerable writing yet, Namir shirks wallowing in loneliness and algorithm-induced self-doubt by going to therapy, making art on his terms, and learning to cherish his hooptie. Namir’s first entirely self-produced album and third on Mello Music Group, Metropolis was recorded in his living room and mixed at home. His digital and live instrumentation hybrids are as unbound as his subject matter. The ominous yet beautiful synths Vangelis used to score Harrison Ford chasing homicidal Tyrell Co. replicants (“Hypercar”), the cavernous drums and auto-tuned croons of 808s & Heartbreak-era Kanye (“BoA”), anime samples, rays of warm gospel and soul (“Memphisto”), and ethereal trap (“Monday Michuru”) coexist and ram into one another. Namir often switches the beat mid-track, the purposeful disorientation becoming more rewarding with each listen. With features from several Nashville artists who inspire him, he brings the future to us. The ride isn’t linear or always pleasant, but as Namir challenges himself and the listener, both get closer to finding their place in the unsettling now and uncertain tomorrow.

Joell is 1/4 of the supergroup Slaughterhouse along with Joe Budden, Royce Da 5'9, and Kxng Crooked. His career started on Dr. Dre's Aftermath and then lead to Eminem's Shady Records, before joining the Mello Music Squad. He appears on Lin-Manuel Miranda's Hamilton soundtrack, as well as Eminem's most recent album "Music To Be Murdered By."

Joell's upcoming album "Autograph" features production from 9x Grammy Nominee Salaam Remi, the Grammy Winning Heatmakerz, Hesami, and Detroit legend Apollo Brown, along with features from Sheek Louch, Marc Scibilia, Kxng Crooked, Pastor LBS, and CyHi the Prynce.

Limited to 300 copies.

North Carolina-based hip-hop producer L'Orange and rapper Solemn Brigham are Marlowe. Quick-fire vocals and dusty breakbeats. With dazzling cinematic mise en scene, L’Orange crafts a world that sounds like an old-time medicine show dropped into 90s Brooklyn.

North Carolina-based hip-hop producer L'Orange and rapper Solemn Brigham are Marlowe. Quick-fire vocals and dusty breakbeats. With dazzling cinematic mise en scene, L’Orange crafts a world that sounds like an old-time medicine show dropped into 90s Brooklyn.

Black Friday Record Store Day 2022 First Release. Color: Black. Limitation: 3500.
Tommy Boy Records, the legendary hip-hop label founded in 1981, launched the careers of so many notable hip hop legends. Tommy Boy’s Baddest Beats features the greatest hits of Naughty by Nature, Digital Underground, Queen Latifah, Coolio, House of Pain, Stetsasonic, K7 and Apache. The package is 140g black vinyl in an old-style tip-on full color jacket, with full color labels, wrap and RSD sticker.

HHE presents you with a second compilation of tracks from the extensive body of work Maylay Sparks has done throughout the years ranging from 2005 up to 2017. Many of these tracks were never released before, some have never been available on CD while others are classic guest spots and collabos with producers from all over the world.



The CD will be limited to only 200 copies and once they're gone that's it, enjoy!

Shottaz 4Eva (Deluxe) is an expansion to the posthumous album, Shottaz 4Eva, from Dallas-based rapper MO3. Fusing his harmonious vocals with an almost effortless flow, the late artist quickly cemented himself as rap royalty in his hometown and well beyond. Featuring appearances from rising star Morray and Derez De'Shon, the deluxe edition gifts fans with eight new tracks that illustrate MO3's exceptional talent that was taken from us too soon. The album includes the hit songs, "Outside (Better Days) (feat. OG Bobby Billions)," & "In My Blood (feat. Morray). Long Live MO3.

Limited to 275 copies.

Solemn Brigham is 1/2 of the group Marlowe. His music has been featured on Gatorade's G is for Greatness ad campaign, 7-Eleven's Harmony Korine (Kids, Gummo, Spring Breakers) directed low rider bike campaign, and NBA2K22. South Sinner Street is his debut solo album coming Sept 24th.

About the Album:
It is no secret that things are getting worse. By virtually any metric––economic or medical, or ones more abstract and spiritual––American society is in decay. The feeling permeates daily life in innumerable ways, giving the present a gnawing, ambient dread.

Solemn Brigham is not content to leave this at a low hum. On his dazzling new album, South Sinner Street, Solemn examines this decay through the prism of his hometown: Albemarle, North Carolina, where the blocks he grew up on are crumbling like everything else. “What was once a vibrant area now survives as a reminder that the only thing eternal is change,” Solemn says when describing the project’s genesis. “Trash and debris flood the streets, relics of the many lives lived––each piece with a story to tell.” South Sinner Street not only traces the degradation of the world around us, but documents the way communities can come together to stave off that slow death, lifting its members up in the process.

Solemn is uniquely equipped to animate the relics of a once-thriving neighborhood with the specificity they deserve. The rapper, whose work with his fellow North Carolinian, L’Orange, as the duo Marlowe has been critically acclaimed, is one of the most vocally acrobatic working today, able to contort himself into a dizzying array of different flows and inflections, accomplishing alone the sort of musical variety that sprawling collectives try and fail to achieve. Take “Couple Towns,” where Solemn moves from a seesaw pocket into a flow that cascades over the ends of bars; contrast this with the bonus track “Relax,” where each bar sounds as if it’s the final thought spilling out of his mind at the end of an impassioned phrase. The end of “Vice North” even recalls the technically stunning runs of One Be Lo, the Michigan rapper who in the 2000s became one of the genre’s chief chroniclers of a similar country-wide disintegration.

But this is not merely a showcase for verbal acrobatics. South Sinner Street is deeply personal, juxtaposing personal growth with the decay that surrounds it. “This is no rags to riches story,” Solemn warns. Of course––it’s more complicated than that. When, on “Vantablack,” of a toddler cradled in his mother’s arms while that mother nurses a cigarette, he is not asking the listener to imagine a tragic end or a harrowing origin story. The point is that we are all, perpetually, the child and the mother: doing our best to cope, even against our better judgment; persevering despite the circumstances that surround us.

And yet South Sinner Street is buoyed by a sense of playfulness that lights up even the pitch-black corners of Albemarle. “Nothing Left” succeeds in turning end-of-your-rope sorry into something like an in joke. When, on “Vice North,” Solemn raps about putting his hands together in prayer only to find “the line still busy,” his voice bakes something amusing in the complaint––maybe the sense that a young man in a small city is irked at God the way he might be at a flaky friend from the gym. And then, speaking of gyms, comes the laugh-out-loud moment on “Dirty Whip,” when Solemn concedes that he didn’t make the basketball team “‘cause I’m me-first.’”

Across its 14 songs, South Sinner Street argues for Solemn Brigham as one of the most exciting artists in underground hip-hop, a technical virtuoso who also happens to be one of the genre’s most surprising, most deeply personal songwriters. The album evokes the feeling of climbing onto a house’s roof to survey the nearly-burning city around you, with all the peril that entails––but also all the possibility.

Solemn Brigham is 1/2 of the group Marlowe. His music has been featured on Gatorade's G is for Greatness ad campaign, 7-Eleven's Harmony Korine (Kids, Gummo, Spring Breakers) directed low rider bike campaign, and NBA2K22. South Sinner Street is his debut solo album coming Sept 24th.

About the Album:
It is no secret that things are getting worse. By virtually any metric––economic or medical, or ones more abstract and spiritual––American society is in decay. The feeling permeates daily life in innumerable ways, giving the present a gnawing, ambient dread.

Solemn Brigham is not content to leave this at a low hum. On his dazzling new album, South Sinner Street, Solemn examines this decay through the prism of his hometown: Albemarle, North Carolina, where the blocks he grew up on are crumbling like everything else. “What was once a vibrant area now survives as a reminder that the only thing eternal is change,” Solemn says when describing the project’s genesis. “Trash and debris flood the streets, relics of the many lives lived––each piece with a story to tell.” South Sinner Street not only traces the degradation of the world around us, but documents the way communities can come together to stave off that slow death, lifting its members up in the process.

Solemn is uniquely equipped to animate the relics of a once-thriving neighborhood with the specificity they deserve. The rapper, whose work with his fellow North Carolinian, L’Orange, as the duo Marlowe has been critically acclaimed, is one of the most vocally acrobatic working today, able to contort himself into a dizzying array of different flows and inflections, accomplishing alone the sort of musical variety that sprawling collectives try and fail to achieve. Take “Couple Towns,” where Solemn moves from a seesaw pocket into a flow that cascades over the ends of bars; contrast this with the bonus track “Relax,” where each bar sounds as if it’s the final thought spilling out of his mind at the end of an impassioned phrase. The end of “Vice North” even recalls the technically stunning runs of One Be Lo, the Michigan rapper who in the 2000s became one of the genre’s chief chroniclers of a similar country-wide disintegration.

But this is not merely a showcase for verbal acrobatics. South Sinner Street is deeply personal, juxtaposing personal growth with the decay that surrounds it. “This is no rags to riches story,” Solemn warns. Of course––it’s more complicated than that. When, on “Vantablack,” of a toddler cradled in his mother’s arms while that mother nurses a cigarette, he is not asking the listener to imagine a tragic end or a harrowing origin story. The point is that we are all, perpetually, the child and the mother: doing our best to cope, even against our better judgment; persevering despite the circumstances that surround us.

And yet South Sinner Street is buoyed by a sense of playfulness that lights up even the pitch-black corners of Albemarle. “Nothing Left” succeeds in turning end-of-your-rope sorry into something like an in joke. When, on “Vice North,” Solemn raps about putting his hands together in prayer only to find “the line still busy,” his voice bakes something amusing in the complaint––maybe the sense that a young man in a small city is irked at God the way he might be at a flaky friend from the gym. And then, speaking of gyms, comes the laugh-out-loud moment on “Dirty Whip,” when Solemn concedes that he didn’t make the basketball team “‘cause I’m me-first.’”

Across its 14 songs, South Sinner Street argues for Solemn Brigham as one of the most exciting artists in underground hip-hop, a technical virtuoso who also happens to be one of the genre’s most surprising, most deeply personal songwriters. The album evokes the feeling of climbing onto a house’s roof to survey the nearly-burning city around you, with all the peril that entails––but also all the possibility.

SIgned copies. Special Collector's Edition 12" Vinyl Version with custom artwork, sticker and gold (150 count) or color splashed (150 count) vinyl record.

Special Collector's Edition 12" Vinyl Version with custom artwork, sticker and gold (150 count) or color splashed (150 count) vinyl record.

Frozen Mugs started out back in 2020 as a soon to be classic hip hop collaboration between "Maylay Sparks", Swedish producer “K Sluggah” and “Clever 1” (one half of “Da Buze Bruvaz”). You will experience an uncanny chemistry between these 2 high caliber emcees who are providing you with the traditional sharp, tenacious, aggressive & grimey wordplay over K Sluggah's cinematic, soulful and psychedelic beats giving the listeners a vivid picture of what goes on in these dangerous times. The hard delivery and complex word patterns are descriptive gestures of loose women, action in the streets, cocktails & cold beer guzzling. Sonically this album is honed to be a masterpiece, with owner of the newly formed label “Blacbird Recs”, and revered studio engineer Joe “The Butcher” Nicolo (Ruffhouse Recs. Ceo) behind the mixing board. This is hip hop with an attitude, authentic and with no compromises!



In the midst of recording this project we experienced a severe tragedy as we lost the incomparable Malik B formerly from the Roots. The last days before his passing he recorded the verses for the album and he was supposed to record a few more as there were talks of him becoming a full fledged "Frozen Mugs" member. Sadly the talks of doing an album with Malik B on HHE never came to fruition. This project is dedicated to one of the most legendary emcees Philly ever bread and he will always be remembered as a lyrical giant. R.I.P.



IN Loving Memory OF Malik B (november 14th, 1972 – July 29th, 2020)



The CD version will be limited to only 200 copies and once these are gone that's it. The vinyl version will come in early 2022 and will be extended with extra instrumentals and acapellas.

Cloudy Melting Blue Vinyl.

Still shrink wrapped but opened.
Cover and innersleeve with seam split.

Blue vinyl! Still sealed. Seam split.

White vinyl. The Cover is close to NM.

Electric Blue Vinyl, Alternate Cover Art

Cloudy Melting Blue Vinyl, Alternate Cover Art

HHV Records Exclusive colored edition limited to 300 copies.

Soul is more than a sound. It is a timeless idea and an immortal condition. It can’t be borrowed or traded, bequeathed or imitated (no matter how much they try). Soul isn’t the blues, but the best blues has soul. Hip-Hop isn’t soul, but it’s the most fundamental component of its DNA. R&B is the genre, but soul is the yearning, the lust, the regret. Without soul, love is merely sex. With it, you get something like Lovesick. Lovesick is a collaboration between the 3x Grammy-nominated singer Raheem DeVaughn and the legendary hip-hop producer, Apollo Brown, best known for making hip-hop so grimy that it permanently lodges in your lungs and underneath your fingernails. It is a work of startling beauty, a blend of modern R&B, classic soul, and guttural funk that recalls Smokey Robinson, Al Green, and Marvin Gaye. Yet it doesn’t sound out of step alongside DeVaughn’s peers The-Dream, Anderson.Paak, and Miguel. It is an album that bears the echoes of Jodeci and James Brown, but it is ultimately the clarion vision of two masters of their respective forms.
Released on Mello Music, Lovesick is a stylistic departure from Apollo Brown’s coldblooded 21st century boom-bap, but it shouldn’t come as a shock considering his historical skill at soulful sample chopping. Still, it’s testament to the Michigan native’s versatility and emotional depth; he has turned a sonic left turn into an eternal groove -- an expansion that feels reminiscent of DJ Premier producing for D’Angelo, Salaam Remi collaborating with Amy Winehouse, J Dilla’s bible material with Erykah Badu, or more recently, Knxlwdge’s NxWorries project with .Paak.
Credit DeVaughn for making the extraordinary feel effortless. In Lovesick, the Love King has built a vessel to transport you to a different, better time. It is a tribute to the artists who came before him: all those aforementioned names, plus Parliament and Prince. Listening to the lead single, “When a Man,” you intuit the sweat and soulful anguish of the hardest working man in show business, but also float from Apollo’s head nod to A Tribe Called Quest’s “Luck of Lucien.” The post-modern commentary seductively fused into a warm-hearted nostalgia. “If I Made Love to You” finds DeVaughn telling his lover that he’ll play all the slow jams and quiet storm ballads for them, before unleashing a falsetto that can stop space and time. If you play this at the proper volume on the right system, the aromatic candles and incense will light themselves, and the sheets will turn to 10,000 thread count silk. A form of bedroom gospel. On “Just Fall in Love,” DeVaughn grapples with the carnal double standards that apply to men and women. For the third act, Compton’s Westside Boogie, unleashes a hyper-melodic rap lamentation, in search of loyalty, healing, and love. Elsewhere, on the album, Skyzoo and 3D Na’Tee contribute impressive lyrical 16s that are seamlessly interwoven into its satin tapestry.

For the legendary DeVaughn, it further cements his stature as one of the finest crooners of his generation. The DMV raised singer has sold hundreds of thousands of records, won BET Awards and been nominated for three Grammys, but this stands among his finest work. He has conjured the perfect record for the Sunday backyard BBQ and for riding in the car with the object of your affections, the ideal nocturnal soundtrack for when it’s time to lower the lights. For Brown, this is a panoramic expansion that shows the full range of his gifts. It is the home cooked meal, the perfectly rolled joint, soft lighting, a pledge to love and fidelity, and all the struggles with temptation. It is soul, as smooth and supernatural as it gets.

Solemn Brigham is 1/2 of the group Marlowe. His music has been featured on Gatorade's G is for Greatness ad campaign, 7-Eleven's Harmony Korine (Kids, Gummo, Spring Breakers) directed low rider bike campaign, and NBA2K22. South Sinner Street is his debut solo album coming Sept 24th.

About the Album:
It is no secret that things are getting worse. By virtually any metric––economic or medical, or ones more abstract and spiritual––American society is in decay. The feeling permeates daily life in innumerable ways, giving the present a gnawing, ambient dread.

Solemn Brigham is not content to leave this at a low hum. On his dazzling new album, South Sinner Street, Solemn examines this decay through the prism of his hometown: Albemarle, North Carolina, where the blocks he grew up on are crumbling like everything else. “What was once a vibrant area now survives as a reminder that the only thing eternal is change,” Solemn says when describing the project’s genesis. “Trash and debris flood the streets, relics of the many lives lived––each piece with a story to tell.” South Sinner Street not only traces the degradation of the world around us, but documents the way communities can come together to stave off that slow death, lifting its members up in the process.

Solemn is uniquely equipped to animate the relics of a once-thriving neighborhood with the specificity they deserve. The rapper, whose work with his fellow North Carolinian, L’Orange, as the duo Marlowe has been critically acclaimed, is one of the most vocally acrobatic working today, able to contort himself into a dizzying array of different flows and inflections, accomplishing alone the sort of musical variety that sprawling collectives try and fail to achieve. Take “Couple Towns,” where Solemn moves from a seesaw pocket into a flow that cascades over the ends of bars; contrast this with the bonus track “Relax,” where each bar sounds as if it’s the final thought spilling out of his mind at the end of an impassioned phrase. The end of “Vice North” even recalls the technically stunning runs of One Be Lo, the Michigan rapper who in the 2000s became one of the genre’s chief chroniclers of a similar country-wide disintegration.

But this is not merely a showcase for verbal acrobatics. South Sinner Street is deeply personal, juxtaposing personal growth with the decay that surrounds it. “This is no rags to riches story,” Solemn warns. Of course––it’s more complicated than that. When, on “Vantablack,” of a toddler cradled in his mother’s arms while that mother nurses a cigarette, he is not asking the listener to imagine a tragic end or a harrowing origin story. The point is that we are all, perpetually, the child and the mother: doing our best to cope, even against our better judgment; persevering despite the circumstances that surround us.

And yet South Sinner Street is buoyed by a sense of playfulness that lights up even the pitch-black corners of Albemarle. “Nothing Left” succeeds in turning end-of-your-rope sorry into something like an in joke. When, on “Vice North,” Solemn raps about putting his hands together in prayer only to find “the line still busy,” his voice bakes something amusing in the complaint––maybe the sense that a young man in a small city is irked at God the way he might be at a flaky friend from the gym. And then, speaking of gyms, comes the laugh-out-loud moment on “Dirty Whip,” when Solemn concedes that he didn’t make the basketball team “‘cause I’m me-first.’”

Across its 14 songs, South Sinner Street argues for Solemn Brigham as one of the most exciting artists in underground hip-hop, a technical virtuoso who also happens to be one of the genre’s most surprising, most deeply personal songwriters. The album evokes the feeling of climbing onto a house’s roof to survey the nearly-burning city around you, with all the peril that entails––but also all the possibility.

A sleek and versatile album, Imaginary Everything’s artistic vision walks the line between reality and imagination. Inspired by Woodstock energy, Foxy Lady, James Brown’s “The Big Payback” & modern underground, Imaginary Everything is a journey and an experience. It channels the spirit of the old with the experiences of modernity. A departure from the nostalgic, narrative driven records from L'Orange, Imaginary Everything is a collection of songs which are individually experiential.

Milla Thyme is a rapper, bassist and producer based in Montreal, Canada. His music is a blend of hip-hop, soul and jazz drawing from the foundations set before him, while creating a fresh new sound. As a socially-conscious rapper and proficient musician, Milla Thyme has earned critical praise among his peers, nationally and abroad. Originally from Toronto, Milla moved to Montreal to pursue music where he got experience composing, arranging and perfecting his skills on the bass. In 2016, he released his EP Eternally the Student and is now set to release his debut full-length album titled Everything Has Its Thyme, via record label Urbnet. Co-produced by Milla and also mixed by Chris Vincent, (Urban Science Brass Band, Busty and The Bass), the twelve track record features Milla’s long time backing band who plays with artists like Dominique Fils-Aimé, Shay Lia, Kallitechnis and Les Louanges. It also features collaborations with Montreal artists Clerel, Anomalie, Wayne Tennant, Myrtle Thomas and Cloves.

Dark Time Sunshine's long awaited album. First in 9 years. Cult following. Features by Ceschi, Homeboy Sandman, R.A.P. Ferreira, Hail Mary Mallon (Aesop Rock, Rob Sonic). Videos for Ayemen, Familiars, and Ritalin. PR handled by Stephanie Weiss of Sweiss PR.

Tone Spliff and Melly-Mel met in 2020, the year of the Covid-19 pandemic. Tone had just put out a #FreshStyleChallenge to eMCees on his social media platforms and was impressed with Mel's submission. He decided to collaborate with him on a project, offering Mel the option to cut a joint EP or a full album. Ecstatically, Melly-Mel chose the album route & the pair produced New People; an LP born out of a new friendship, formed in a tumultuous time. Throughout both careers, they’ve worked with heavyweight artists such as: Ruste Juxx, A-f-r-o, Sadat X, Wordsworth, El Da Sensei, Termanology, Skyzoo, Sean Price, Ras Kass, Akrobatik, Thirstin' Howl 3rd, Royce 5'9, Immortal Technique, R.A. The Rugged Man, Inspectah Deck, King Magnetic, Conway The Machine, Planet Asia, Edo G, Saigon, Apathy, Stu Bangas and countless others.

Record Store Day 2021 release limited to 1000 copies. Having teased working together numerous times in the past, Boosie Badazz and MO3 finally link up for the album Badazz MO3, shortly before MO3’s untimely passing. Featuring the hit single "Errybody (Remix)," the album is classic trap music from the pre-cap era.

R.I.P. MF DOOM

Superhero? Supervillain? Super WHAT? CZARFACE & MF DOOM's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos...inevitable (and all-powerful!). The icon MF DOOM unleashes his wizardry and wordplay throughout the record, while CZARFACE (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of RUN-DMC) and Hieroglyphics' leader Del The Funky Homosapien,
With art by longtime CZARFACE co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while COVID raged, this collaboration of masked men is finally finding its way to you on all formats.

Superhero? Supervillain? Super What? Czarface & MF Doom's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos...inevitable (and all-powerful!). The icon MF Doom unleashes his wizardry and wordplay throughout the record, while Czarface (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of Run-dmc) and Hieroglyphics' leader Del The Funky Homosapien, with art by longtime Czarface co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while Covid raged, this collaboration of masked men is finally finding its way to you on all formats.