Search "mato" 1062 Items

Five Five Picture Disc Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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HHV exclusive vinyl edition on purple vinyl, limited to 200 copies.

Souls Of Mischief, the Oakland, CA quartet and members of the mighty Hieroglyphics Crew, are proud to announce the first-ever vinyl release of their fifth album "Montezuma's Revenge." Notably, the album’s striking cover featured a fifth member of the group: the legendarily innovative producer Prince Paul, who executive produced the LP, handling most of the beats and overseeing the musical direction of the album from start to finish. Emcees A-Plus, Opio, Phesto, and Tajai take turns showing off the multisyllabic flows, witty similes, and smooth lyrics that have made the crew a household name in rap for over 30 years. Souls' trademark juxtaposition of complex, multi-syllabic lyricism against laid-back Cali flow remained as strong as it was in 1993 on “Montezuma’s Revenge,” and Paul’s magic touch on production took the Souls’ sound to a new level. While the aforementioned and unmistakable SOM sound remains very much intact, Paul's vision and risk-taking come through on the finished product. Tajai was comfortable from the start in working with the visionary producer: ”Paul is a perfectionist and so are we so we took time with the beats and subject matter. This album to me is a great insight into who we are as people and how important it is to progress stylistically, yet it retains a classic, timeless feel."

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Pouya

LP | 2024 | US | Original (Empire)

Montezuma's Revenge Black Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Five Five is the second studio album from the Miami-born underground rap pioneer, Pouya. Marking a slight transition into a more mature sound, Five Five showcases Pouya’s evolution as an artist while maintaining the raw authenticity that has endeared him to his fans. With tracks like "Suicidal Thoughts in the Back of the Cadillac Pt. 2" and "Handshakes," Pouya delves into themes of struggle, resilience, and personal growth, offering listeners a glimpse into his journey. In what became truly a solo effort, Five Five is limited to one feature in Night Lovell, with production primarily handled by Mikey The Magician (Track 4 produced by Chevali). The album draws from elements of Bone Thugs-N-Harmony, yet remains uniquely rooted in Pouya’s own style. Over the years, Pouya has developed a long lasting core fanbase, first bubbling up in Miami alongside artists such as Denzel Curry, and then becoming a nationally celebrated artist. Back in print for the first time since originally released in 2018. Pressed on Wire Wheel Picture Disc Vinyl and cut at 45 RPM.

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Souls Of Mischief

2LP | 2024 | US | Original (Hieroglyphics Imperium)

Diamondz And Pearlz HHV Exclusive Crystal Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Souls Of Mischief, the Oakland, CA quartet and members of the mighty Hieroglyphics Crew, are proud to announce the first-ever vinyl release of their fifth album "Montezuma's Revenge." Notably, the album’s striking cover featured a fifth member of the group: the legendarily innovative producer Prince Paul, who executive produced the LP, handling most of the beats and overseeing the musical direction of the album from start to finish. Emcees A-Plus, Opio, Phesto, and Tajai take turns showing off the multisyllabic flows, witty similes, and smooth lyrics that have made the crew a household name in rap for over 30 years. Souls' trademark juxtaposition of complex, multi-syllabic lyricism against laid-back Cali flow remained as strong as it was in 1993 on “Montezuma’s Revenge,” and Paul’s magic touch on production took the Souls’ sound to a new level. While the aforementioned and unmistakable SOM sound remains very much intact, Paul's vision and risk-taking come through on the finished product. Tajai was comfortable from the start in working with the visionary producer: ”Paul is a perfectionist and so are we so we took time with the beats and subject matter. This album to me is a great insight into who we are as people and how important it is to progress stylistically, yet it retains a classic, timeless feel."

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Vaughn Smith

2LP | 2024 | US | Original

Release: 1996 / EU – Reissue

Genre: Hip Hop

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The incredibly rare cassette-only 1996 debut of North Philly's Vaughn Smith has finally been restored on this brand-new vinyl edition from Hip-Hop Enterprise. Diamondz and Pearlz is a surprisingly mature, understated and jazzy album that sounds better now than it ever has before. Working with Smith, who produced all 14 tracks himself, the original DAT masters were recovered but severely damaged, so this release was remastered by Jee Van Cleef from an original tape in addition to further vinyl mastering. The artwork was started by LDL but due to his busy schedule Manu the Muk took over and brought everything to an impressive end. The album will also come with an insert that features an all-new, exclusive Vaughn Smith interview by Werner von Wallenrod.⁠

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Amerigo Gazaway

Soulmates Volumes 3 & 4

31,99 €*

Diamondz And Pearlz Black Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop, Electronic & Dance

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"b-sides, Remixes, Rarities: Volume 3 & 4" is the second DLP in the master of mash-up's "soul Mates" series, compiling 15 more tracks from AMERIGO's extensive catalog. Featuring Kendrick Lamar vs. Marvin Gaye, DR. DRE vs. Curtis Mayfield, Black Star vs. Aretha, and many more.

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Vaughn Smith

Where's My Receipt HHV Exclusive Colored Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Dazzie Dee

Operation: Doomsday 25th Anniversary Black Friday Record Store Day 2024 Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Dazzie Dee was originally slated to drop "Where's My Receipt?" back in 1996 on Capitol Records. After Dazzie Dee was dropped and the album was shelved he dropped "The Re-Birth" on indie label "Raging Bull Records". This album contained some of the tracks including unreleased material that didn't make the cut for "Where's My Receipt?".⁠ Now for the first time ever the album will be available on double vinyl, with the original cover of the promo CD, original tracklist and also the incredible bonus track "On My Cide (Solo Version)".

Produced by DJ Battlecat and guests include Coolio, Ice Cube, K-Dee, Tha Chill, Sqeek Da Primadonna and Mixmaster Spade.

The artwork started by LDL but due to his busy schedule Pino One took over and brought everything to an impressive end. Remastering by Jee Van Cleef in addition to further vinyl mastering.

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MF DOOM

Tape | 1999 | US | Reissue (Metal Face)

20,99 €*

The Salvation 15th Anniversary Colored Vinyl Edition

Release: 1999 / US – Reissue

Genre: Hip Hop

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 2000

MF DOOM's 1999 classic Operation: Doomsday presented for RSD Black Friday in two unique variants across three formats!

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Skyzoo

LP | 2009 | US | Reissue (Duck Down)

36,99 €*

Sir Lucious Left Foot: The Son Of Chico Dusty Vinyl Me, Please Edition

Release: 2009 / US – Reissue

Genre: Hip Hop

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Originally released September 29, 2009, Skyzoo’s first official full-length LP “The Salvation” is celebrating its 15th Anniversary this fall, via Duck Down Records. The Brooklyn-raised emcee first came to prominence on various Mix CD releases at the peak of hip hop’s blog era, but the album firmly established him as a major talent to be reckoned with, reminding hip hop fans that the hip hop music can still be true to life and heartfelt. An all-star roster of producers contributed beats to the project, including Just Blaze, 9th Wonder, Nottz, Illmind, Black Milk, and Needlz. The 15th Anniversary vinyl will be pressed on a limited edition Navy Blue and White marbled vinyl, matching the colors of the most famous fitted cap from New York.

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Big Boi

2LP | 2010 | US | Reissue (Vinyl Me, Please)

8 Miles To Moenart (10th Anniversary Edition)

Release: 2010 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
While fighting through label limbo and placing his budding film career on freeze, Antwan “Big Boi” Patton spent a couple years readying the artillery for his solo close-up. Sir Lucious Left Foot: The Son of Chico Dusty is both a testament to the maturation of Big Boi and a tribute to his late father; underneath, it’s a speakeasy at breakneck speed, sittin’ on 32s. Where many other formidable MCs would be eaten alive, Big Boi shapeshifts across every mood and landscape with his trademark tenacity. He’s an effortless showboat who can portray sleaze with ease, but he’s a true class act who’s got nothing left to prove, yet will never let it show. Flanked by his known co-conspirators and many more, Big Boi blesses the senses the way only an East Point playboy can; it’s an intergenerational time warp, and another funky ride in HD. The final product is a natural progression of his Organized Noize lineage, sent across dimensions to return with an assemblage of time-tested potent Black grooves, then pressure-cooked in the kitchen of thefinest booty club in Georgia.

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Tall Black Guy

LP | 2013 | UK | Reissue (First Word)

LP | 2024 | EU | Original (Rrc Music)

Release: 2013 / UK – Reissue

Genre: Hip Hop

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First Word Records is very proud to bring you the 10th anniversary edition of Tall Black Guy's debut LP '8 Miles to Moenart'!

It includes two brand new jazz interpretations ('From Home To Work, And Back' and 'Running The Motor'), recorded with a live band, as well as a new intro cut ('Black Detroit'), and an alternative mix of the single 'Mon Amie De'troit', previously only available on 7" vinyl.

The original vinyl LP release was a one-time limited edition pressing; this being the first time this project has been available on wax since then, and also includes entirely new artwork and photography.

From humble origins in Detroit, raised on a healthy diet of Motown, jazz and hip hop, Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the hip hop beats scene. Through a steady stream of soulful productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson, Benji B, Don Letts, Lefto, Tom Ravenscroft, Lord Finesse, Huey Morgan, Anthony Valadez and countless others, along with sessions for Boiler Room and more.

'8 Miles To Moenart' literally brought Tall Black Guy full circle, and proceeds to do so once again. Detroit was where he started making music, and it's to his hometown he took inspiration for this debut album. Taking in low-slung hip hop, downtempo house and jazz-tinged street soul, it's a record of rare focus. It encapsulated the musical heritage of Detroit, through the looking glass of Tall Black Guy's own signature sound.

Follow up releases included his sophomore First Word album 'Let's Take A Trip' (which also featured the likes of Masego, Daniel Crawford, Miles Bonny and Moonchild), and records on Ubiquity, Bastard Jazz and Street Corner Music, to name a few, along with a steady slew of limited self-released edits amd productions, most recently with his #7DayVaults series.

He's worked with a number of formidable artists worldwide, including recent extensive work with Zo! (Little Brother), Ozay Moore, Deborah Bond and Dee Jackson (80's Babies), as well as collaborations with 14kt and First Word label-mate Allysha Joy, to name just a few. He is also an integral player for DJ Jazzy Jeff's infamous PLAYlist Retreat sessions, along with more First Word family, Kaidi Tatham and Eric Lau, as well as artists like James Poyser, Ali Shaheed Muhammad and Questlove, and he was a core contributor to First Word's 'Nothing Leaves The House' series, along with Eric, Mr Thing and kidkanevil.

Tall Black Guy has firmly established himself to be one of the most influential producers working today.

Terrel says "I made the bulk of this album back in Detroit around 2012/2013, before I relocated to the UK. I've been back living and working in the States for a while now, and it's great to look back on this project. But while it's nice to reminisce, it's important to look forwards, so I wanted to include something new here to represent my progression as an artist, so there's some new versions included, that I created with the help of some jazz musician friends of mine."

'8 Miles to Moenart' (10th Anniversary Edition) will be released on digital & vinyl on October 18th 2024.

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Rakim

G.O.Ds Network - Reb7rth

30,99 €*

Tha Carter III Deluxe Limited Edition

Release: 2024 / EU – Original

Genre: Hip Hop

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Hip-hop legend Rakim is breaking new ground with his upcoming studio album, G.O.D.'S Network (reb7rth), by flexing his skills both on the mic and behind the boards. Widely lauded as the best lyricist of all time, The God MC himself is blessing the culture with the next step in his historic career.

“I feel like the battery in my back has been reenergized,” Rakim said about his new album, which arrives nearly four decades after the release of his classic debut with Eric B., Paid In Full. Since then, he’s continued to shape the landscape and culture of hip-hop as we know it, inspiring rising artists with his hype live shows and incredible studio albums. And while he’s produced some of his previous work—notably “Don’t Sweat the Technique,” “Juice (Know The Ledge),” and “Paid In Full”—this feels like new territory for the 18th Letter, whose production and scratching talents are nothing short of remarkable.

G.O.D.'S Network (reb7rth) is proof that Rakim is truly one of the most special artists we’ve known not just in hip-hop, but all of music. You can tell he feels that level of praise when speaking about the genesis of the album. “Having the ability to showcase my talents behind the boards coupled with the elite lyricism the world already knows and gives me infinite praise for alongside some of the best talents to ever do it is truly a blessing and for that I am humbled,” he said.

Rakim is more than an official triple-threat as an artist, because he’s also showing off skills as a curator. On this album’s seven tracks, he enlists a who’s-who of top hip-hop talent, including the dearly departed Nipsey Hussle, Fred the Godson, DMX, and Prodigy (of Mobb Deep). Rakim also linked with many of his contemporaries, such as Snoop Dogg, Method Man, Kxng Crooked, B.G., and Kool G. Rap, among others.

The album’s first single, “Be Ill,” is the perfect introduction, as it pairs Rakim’s raw rhymes and head-nodding production with slick guest features from Kurupt and Masta Killa. Elsewhere, Rakim slows it down for the soulful “Love Is The Message,” which features Nipsey Hussle, Planet Asia, Louis King, Snoop Dogg, Sally Green, Kobe Honeycutt, and the LA Grand Choir. And then there’s the chest-thumping “International,” a straight-up slapper with hard-hitting rhymes from Kool G. Rap, Tristate, and Joell Ortiz.

For fans of hip-hop, and especially of Rakim’s storied discography, there is so much to love on this record. You can hear his hunger as an emcee and producer on every track, as well as his desire to collaborate with so many respected artists. Despite having decades in the game and many classics to his name, it feels like Rakim is just getting started.

While the world awaits the July 26th release date, fans can catch Rakim performing live throughout the US from now until the end of year in support of G.O.D.S Network (reb7rth). In addition to debuting new material, he’ll be performing all the classics from his beloved catalog.

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Lil Wayne

3LP | 2023 | Original (Universal)

69,99 €*

Release: 2023 / Original

Genre: Hip Hop

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LP | 2022 | US | Original (600 Block)

Pugs Atomz

Test Drive

25,91 €* 35,99 € -28%

Release: 2022 / US – Original

Genre: Hip Hop

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Genocide & Juice Vinyl Me, Please Edition

The Coup

2LP | 1994 | US | Reissue (Vinyl Me, Please)

44,99 €*

Food & Liquor Vinyl Me, Please Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
“The Coup’s second album, 1994’s Genocide & Juice, was an emboldened level-up from their first full length. While early Coup material had moments that blossomed on later efforts, Genocide & Juice was where those ideas deepened, becoming more pronounced as their catalog grew. Production wise, it’s replete with colorful samples, thorough skits and big bass, a perfect intersection of ’90s sample-based ingenuity and West Coast funk.

Genocide & Juice is mainly two things: neighborhood tales and unapologetic worldviews bound with fisted activism — made by the group’s core members at the time — Riley, Pam the Funkstress and E-Roc. But there are voices and sound effects woven throughout that give it more texture. Killer production that was able to sound both clearly professional while retaining its edge. At a concise 14 tracks, this album is one of the best sophomore efforts by any group, in any genre.”

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Lupe Fiasco

2LP | 2006 | US | Reissue (Vinyl Me, Please)

They Could Never Make Me Hate You Colored Vinyl Edition

Release: 2006 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
There was no other rapper like Lupe Fiasco making this much of a splash in the mainstream in 2006. Here was this bookish kid from the ’hood who could rap circles around Jay-Z and had the gall to pose with trinkets — a Wee Ninja doll, a Nintendo DS, a copy of the Quran, a copy of his first Fahrenheit 1/15 mixtape, a toy robot — on the cover for his debut. He may have been an anachronism in his time, but looking back, it’s easy to see how he laid the groundwork for other high-minded emcees with crossover potential.

There’s moments of brilliance packed into every Lupe Fiasco album, but the equilibrium of Lupe Fiasco’s Food & Liquor has been difficult for him to recreate. To this day, it remains the most potent and well-balanced of Lupe’s work, a case of the corner boy and the scholar living in an otherworldly talented rapper’s brain working in perfect harmony.

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Pouya

LP | 2024 | UK | Original (Empire)

25,99 €*

I'm Fine, Thanks For Asking Orange, Yellow & Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Hip Hop

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They Could Never Make ME Hate YOU is the sixth studio album from Miami, FL rapper and underground rap luminary, Pouya, and first full length studio offering since 2023s Gator. The 9 track album clocks in at a blistering pace of 25 minutes long, and includes the previously released singles, “blame GAME,” “forget About Everything” & “UO OH (feat. Rick Ross).” The album marks a defining moment in Pouya's career, revealing an artist at his most raw and unfiltered. It serves as a bold declaration of resilience and defiance, where Pouya peels back the layers of his psyche to confront the pain, betrayal, and perseverance that have shaped him. The project is a sonic exploration of the highs and lows of life, intertwined with Pouya's relentless pursuit of truth, even when it hurts. 1xLP, pressed on Swamp Thing colored vinyl, and includes a double-sided 12x12 insert.

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Marv Won

LP | 2024 | US | Original (Mello Music Group)

35,99 €*

When Life Gives You Lemons, You Paint That Shit Gold Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Marv Won is a Detroit musical alchemist – a street poet laureate entrenched in the battle rap scene, as well as a cinematic world class producer as capable of channeling Dr. Dre as Donald Goines. Marv breaks new ground with his first Mello Music Group album “I’m Fine, Thanks For Asking” - a soul-baring endeavor, that weaves tales of struggle and triumph, drawing inspiration from his storied life in the Motor City. As one of the most esteemed battle rappers, Marv Won brings a lyrical ferocity to his unapologetically raw and heartfelt rhymes. This album collaboration with Mello Music Group marks a pivotal moment in his career, showcasing a seamless fusion of his word play and production. The album, featuring collaborations with Quelle Chris, Elzhi, Freeway, Rapper Big Pooh of Little Brother and more, cements Marv Won's status in the rap game. Marv Won's storytelling transcends mere verses, painting vivid portraits of life in the D. Over ten self-produced tracks Marv showcases his ability behind the boards with tracks that blend epic orchestration and Joe Louis drums that hit like Tommy Hearns.

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Atmosphere

2LP | 2008 | US | Reissue (Vinyl Me, Please)

Feet Of Clay (5th Anniversary Edition) Black Friday Record Store Day 2024 Edition

Release: 2008 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
Centered on the different paths people choose in life or how they survive their different struggles, Atmosphere’s When Life Gives You Lemons, You Paint That Shit Gold is a very heavy series of short stories that share the voice of one author and the timbre of one composer. Lyrically and sonically, it’s clear that the words and rhythms were built together, instead of some Frankenstein piecemeal fashion like many other rap songs.

For those reasons, the tracks fit near-seamlessly together. But they also stand alone as episodes worthy of solo dissection.

No matter how you consume them, some of the songs will undoubtedly bite back, making you angry for or at the characters, their circumstances and the substances that push and pull them in different directions. And that emotion is the telltale sign of this album’s impact on those who hear it.

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Earl Sweatshirt

LP | 2020 | Reissue (Warner)

Where's My Receipt Black Vinyl Edition

Release: 2020 / Reissue

Genre: Hip Hop

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 6000

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Dazzie Dee

Raheem Devaughn & Apollo Brown

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Lovesick HHV Exclusive Teal Colored Vinyl Edition

LP | 2021 | US | Original (Mello Music Group)

27,99 €*

Operation: Doomsday 25th Anniversary Longbox CD Black Friday Record Store Day 2024 Edition

Release: 2021 / US – Original

Genre: Hip Hop

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HHV Records Exclusive colored edition limited to 300 copies.

Soul is more than a sound. It is a timeless idea and an immortal condition. It can’t be borrowed or traded, bequeathed or imitated (no matter how much they try). Soul isn’t the blues, but the best blues has soul. Hip-Hop isn’t soul, but it’s the most fundamental component of its DNA. R&B is the genre, but soul is the yearning, the lust, the regret. Without soul, love is merely sex. With it, you get something like Lovesick. Lovesick is a collaboration between the 3x Grammy-nominated singer Raheem DeVaughn and the legendary hip-hop producer, Apollo Brown, best known for making hip-hop so grimy that it permanently lodges in your lungs and underneath your fingernails. It is a work of startling beauty, a blend of modern R&B, classic soul, and guttural funk that recalls Smokey Robinson, Al Green, and Marvin Gaye. Yet it doesn’t sound out of step alongside DeVaughn’s peers The-Dream, Anderson.Paak, and Miguel. It is an album that bears the echoes of Jodeci and James Brown, but it is ultimately the clarion vision of two masters of their respective forms.
Released on Mello Music, Lovesick is a stylistic departure from Apollo Brown’s coldblooded 21st century boom-bap, but it shouldn’t come as a shock considering his historical skill at soulful sample chopping. Still, it’s testament to the Michigan native’s versatility and emotional depth; he has turned a sonic left turn into an eternal groove -- an expansion that feels reminiscent of DJ Premier producing for D’Angelo, Salaam Remi collaborating with Amy Winehouse, J Dilla’s bible material with Erykah Badu, or more recently, Knxlwdge’s NxWorries project with .Paak.
Credit DeVaughn for making the extraordinary feel effortless. In Lovesick, the Love King has built a vessel to transport you to a different, better time. It is a tribute to the artists who came before him: all those aforementioned names, plus Parliament and Prince. Listening to the lead single, “When a Man,” you intuit the sweat and soulful anguish of the hardest working man in show business, but also float from Apollo’s head nod to A Tribe Called Quest’s “Luck of Lucien.” The post-modern commentary seductively fused into a warm-hearted nostalgia. “If I Made Love to You” finds DeVaughn telling his lover that he’ll play all the slow jams and quiet storm ballads for them, before unleashing a falsetto that can stop space and time. If you play this at the proper volume on the right system, the aromatic candles and incense will light themselves, and the sheets will turn to 10,000 thread count silk. A form of bedroom gospel. On “Just Fall in Love,” DeVaughn grapples with the carnal double standards that apply to men and women. For the third act, Compton’s Westside Boogie, unleashes a hyper-melodic rap lamentation, in search of loyalty, healing, and love. Elsewhere, on the album, Skyzoo and 3D Na’Tee contribute impressive lyrical 16s that are seamlessly interwoven into its satin tapestry.

For the legendary DeVaughn, it further cements his stature as one of the finest crooners of his generation. The DMV raised singer has sold hundreds of thousands of records, won BET Awards and been nominated for three Grammys, but this stands among his finest work. He has conjured the perfect record for the Sunday backyard BBQ and for riding in the car with the object of your affections, the ideal nocturnal soundtrack for when it’s time to lower the lights. For Brown, this is a panoramic expansion that shows the full range of his gifts. It is the home cooked meal, the perfectly rolled joint, soft lighting, a pledge to love and fidelity, and all the struggles with temptation. It is soul, as smooth and supernatural as it gets.

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MF DOOM

CD | 1999 | US | Reissue (Metal Face)

25,99 €*

LP | 2024 | UK | Original (KingUnderground)

Release: 1999 / US – Reissue

Genre: Hip Hop

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 2400

MF DOOM's 1999 classic Operation: Doomsday presented for RSD Black Friday in two unique variants across three formats!

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Yogi & Woof

Let Tha Dopeness Begin

23,99 €*

CD | 2024 | EU | Original (Most Wanted)

Release: 2024 / UK – Original

Genre: Hip Hop

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Yogisoul returns with his first album in 8 years, after breaking through creative blocks and discovering a newfound love for his producing craft rooted in his childhood.

A timeless throwback offering, an instant classic that will leave you wondering if you somehow missed this record reminiscent of 90’s West Coast Rap. It’s that blunt rolling record, with the deep G-Funk grooves, skits, and raps by Woof. A record inspired by the albums Yogisoul grew up listening to. A combination of his imagination of the West Coast California landscape portrayed by 90’s records on Death Row Records, and the real-life experiences of California-based rapper, Woof.

But before Yogi could get started on the project, he had some creative barriers to work through, hurdles that had him wondering if he’d continue making music at all.

“A few years back I became a father, worked as a teacher, and didn't really feel inspired by the music I was making. I was kinda fed up with the lane I was in musically and had doubts about continuing. Which was very strange since I´ve been into music so heavily since I was a kid. Time for music was a bit limited and I just hit a creative stop for a while.”

Sometimes an existential crisis is all you need to unlock the tools to look deep within and take stock of what inspired your love for making music in the first place. For producer Yogisoul, it was thinking about the golden era of hip hop that initially sparked his interest in becoming a producer, and revisiting the albums that remain deep within his canon that inspired the beginnings of his new LP, Let the Dopeness Begin! Yogisoul began an inward journey that found him trying to produce from the perspective of himself as a kid.

“I started listening back to the records I really loved as a young teen. When I listened, I loved and felt very connected to the music, but had no idea of how it was made or what went into the record-making process. I found it very refreshing trying to make music from that perspective of the young mind just feeling the music, not understanding it or breaking it down. I really found my creative output again that way. When I grew up, the rappers and producers I listened to were like superheroes, larger than life.”

As Yogi dove deeper, he was able to move past the self-doubt that had him overanalyzing what he was creating and started producing beats that he felt could set the stage for storytelling. He wanted to make music that made you feel like you were watching a movie or listening to a soundtrack, cruising the streets in a lowrider in Grand Theft Auto: San Andreas. Let The Dopeness Begin, taps into that storytelling not only with Woof’s raps but by offering multiple layers of production and sequencing that leaves room for skits that invite you into the sonic world of the album. When Yogi was trying to find a vocalist to collaborate on the album with, he had a vision for what the right voice would be for the project.

“In the process of finding my sound, I wanted to work with vocalists or artists that tell a story. Not necessarily by storytelling or in the lyrics, but just by hearing their voice you instantly know where they are from, what they represent, and what they are about. Like an outlaw on the prairie with an out-of-tune guitar is more interesting than a studio musician. Woof is that guy! Not on the prairie but in a lowrider under the streetlights sipping on gin & juice. My ability is not in living that life, but in the musical experience of knowing what can facilitate him in the best way sonically. Setting the scene for him with the beats, the talkbox, the scratches, and the skits on the record.” - Yogisoul

Yogi had become aware of Woof’s raps back in 2012, he always felt as if Woof was overlooked or going unnoticed. He made attempts to track him down, but it wasn't until more recently that Woof popped up on a social media page, which allowed Yogi to reach out in regards to the possible collaboration. The two made the record completely remotely, never even having a single conversation on the phone, it was all orchestrated via text. Yogi would send beats and Woof would send raps back, always making the recorded raps work for the beat, no matter the approach. Forcing Yogi to be creative with his production in ways he hadn’t before, testing his abilities to create a polished sonic world to lose yourself in.

“I worked a lot to make his vocals sound as good as they do, and have used a lot of analogue gear and processing to get them sounding the way they do now. The stems he had sent me have felt like a puzzle, and I pieced it together to a record in the end. I think that is what makes the record unique.” - Yogisoul

The first track they worked on was “94 Heavy”, which would become the first single on the album and is first the song on the record, past the album's introduction track. It wastes no time setting a vibe and transporting you back to 1994, the record is not just a record, it’s a time machine. A true representation of the whole record in one track, and a quintessential track within this collaboration of Yogisoul and Woof. It’s an undeniable head nodder, with smooth horns, deep synth bass that will leave no question about the record's low-end power, and a dope drum swing.

Other notable tracks on the record are “Comin Thru”, which is a braggadocious, G-Funk, banger! It contains all the ingredients of classic West Coast Rap albums. A smooth beat for Woof to weave in and out of, talkbox, scratches in the hook, and samples of legendary Los Angeles voices. A track that will make you feel like you should have a forty and a doobie nearby.

The title track, “Let the Dopeness Begin”, the self-titled track on the album is an homage to the West Coast Classics radio station on GTA: San Andreas. A cruise with the windows jam that slaps! “I want people to put this record on when the summer is incoming, when they pull their windows down, when they roll by the old court where they used to play basketball.”
For a record that comes in at just under 30 minutes, it is absolutely packed with material, and opportunities to explore the world created with the production, raps, and skits.
credits
releases August 16, 2024

All songs written by Colin Beverly AKA Woof
All songs produced by Lasse Mandelid Karlsen AKA Yogisoul
Mastered by Christian Øbermayer at Strype Audio
Recorded and mixed by Lasse Mandelid Karlsen
Vinyl lacquered by Shane "The Cutter" at Finyl Tweek
Cover art by Will Child
Art direction by Elliot Baxter

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Seagram

Death Of A Soldier

22,99 €*

LP | 2018 | US | Reissue (Fat Beats)

Release: 2024 / EU – Original

Genre: Hip Hop

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We are excited to announce the release of "Seagram - Death Of A Soldier", a collection of previously unreleased tracks by the legendary rapper Seagram, recorded between 1993 and 1996. This album features rare, never-before-heard material that showcases Seagram’s talent and impact on the West Coast rap scene.

In collaboration with Seagram Records, the rights holder, we have worked together to manufacture and distribute this exclusive release. Don't miss out on owning a piece of hip-hop history.

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Brownout

Fear Of A Brown Planet

The Kid That Did Grey Vinyl Edition

Release: 2018 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s music and revolutionary spirit.

Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the seeds for countless Public Enemy sleeper cells, one that would emerge nearly three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” is built on James Brown samples, while a teenaged Beto Martinez (guitar) alternated between metal and hip-hop in his walk-man, and Adrian Quesada (guitar/keys) remembers falling in love with Public Enemy’s sound at an early age. “When I got into Hip hop, I was looking for this aggressive outlet . . . and I didn’t even understand what they were pissed off about, because I was twelve and lived in Laredo . . . but I loved it and I felt angry along with them.”

Joseph Abajian (Fat Beats’ owner) must have sensed the deep hip-hop well lying beneath the versatile band’s Latin-Funk veneer. “I thought their sound would work covering Public Enemy songs,” Abajian says, and, “it was good to know they were P.E. fans . . . We came up with a track listing and they went to work.” Despite the band’s eagerness to work on new original material (an album of original songs is slated for next year), they couldn’t pass up the opportunity to pay homage to this iconic and influential posse.

Translating sample-based music to a live band turned out to be more of a challenge than they anticipated. Adrian tried to get inside the Bomb Squad’s [Public Enemy’s producers/beat-making team] head in order to find the inspiration to reinterpret P.E.’s songs: “imagine the Bomb Squad going back in time and getting the J.B.s [James Brown’s funky backing band] in the studio and setting up a couple analog synths and then playing those songs.” While some songs closely follow the original musical blueprint, others use the source breakbeats as jumping-off points later sweetened by Trombonist Mark “Speedy” Gonzales’ horn arrangements, synth wizardry courtesy of friend-of-the-band Peter Stopschinski, and DJ Trackstar’s turntable scratches. But don’t listen expecting to hear paint-by-numbers recreations of classic Public Enemy jams. “Our approach is never in the tribute sense,” Adrian explains. “We’ve always taken it and made it our own, whether it’s the Brown Sabbath thing or this Public Enemy thing.”

Coming off numerous tours as Brown Sabbath and even a stint backing the late legend Prince, Brownout is arguably the tightest and funkiest band on the road today and they’re psyched to bring this revolutionary music to the people. For a band without an overt political agenda, they collectively couldn’t resist the opportunity to play this music live, especially now. “If there’s any way that we can use the already political and protest nature [of P.E.’s music], we would like to try,” Beto says. “The album’s title, Fear of Brown Planet is definitely a relevant idea today and we’re not afraid to put it out there, because we want to speak out.” By reinterpreting these hip hop classics in their unique style and channeling the spirit of Public Enemy that first echoed around the world and captured their imaginations all those years ago, Brownout is doing exactly that.

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Babyface Ray

2LP | 2024 | US | Original (Empire)

2LP | 2023 | EU | Original (Colorsxstudios)

Release: 2024 / US – Original

Genre: Hip Hop

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The Kid That Did is the fourth studio album from acclaimed rapper and Detroit staple, Babyface Ray. Known for his effortless, conversational flow and sharp wordplay, Ray has been building momentum over the past few years, and his latest project promises to be another milestone in his career.

Following the success of 2022’s Face, which reached #3 on Apple Music’s all-genre chart and earned praise from outlets like Billboard and Complex, and MOB, which featured collaborations with heavyweights like Lil Durk and Blxst, Ray’s new work showcases an artist at the peak of his game. His recent singles “Green Carpet,” “Money On My Mind,” and “Understand” each pulled in over 1.5 million streams in their first week, setting the stage for The Kid That Did to be his biggest release yet.

Fresh off a label deal with Empire and riding the success of his first RIAA-certified gold record, Babyface Ray’s influence continues to grow. After a sold-out tour and major appearances, including a performance on Jimmy Fallon and being named to XXL’s 2022 Freshman Class, Ray is ready to take things to the next level with The Kid That Did.

With his signature Detroit sound and an impressive lineup of collaborators including Bossman Dlow, Peezy, Fabolous, G Herbo, DJ Esco & more, The Kid That Did is set up to be a defining moment for Ray as he solidifies his place in modern hip-hop.

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V.A.

Move:Feel

49,99 €*

The Recession Vinyl Me, Please Edition

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

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Young Jezzy

2LP | 2008 | US | Reissue (Vinyl Me, Please)

I Will Make A Baby In This Damn Economy Colored Vinyl Edition

Release: 2008 / US – Reissue

Genre: Hip Hop

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The National Bureau of Economic Research defines a recession as a significant decline in economic activity that lasts more than a few months. Sex workers, drug dealers, boosters — anyone who traffics in illicit behavior — they don’t need official word from the government to see what’s happening. They know that when money gets tight, vices are the first to be abandoned. So it’s not surprising that Young Jeezy, one of the defining gangsta rappers of the 21st century, released his third major-label album, The Recession, on September 2nd, 2008, about three months before the Nber would declare one of the largest economic crises in U.S. history.

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Fat Tony & Taydex

LP | 2023 | UK | Original (Carpark)

You Are Here, Start Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Hip Hop

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With I Will Make a Baby in this Damn Economy, Fat Tony embodies the kind of quixotic figure he would rap about; a singular entity who’s motivated, confident, and hungry; a perpetual-motion-machine locked in a staring contest with his country. It’s the latest album in his catalog produced entirely by L.A-based producer Taydex since 2020’s Wake Up. Later that same year Fat Tony released Exotica, and ever since he’s demonstrated he is in his own lane as a professional rapper with the mind of a magician, as quick to conjure an image as pull it out from under you, deftly manoeuvring through so many details and references a listener feels as if they have witnessed the work of an illusionist. He paints these canvases inside of songs that rarely spill past three minutes; they’re pocket-sized diaries replete with acute observations, character studies, microdoses of storytelling, and single-minded ruminations on a topic that bud, blossom, and fade before too long. Fat Tony & Taydex’s I Will Make a Baby in this Damn Economy cements Tony’s status as someone whose albums are not so much lyrically-lyrical as they are picaresque.

As with any Fat Tony project, the bars are tight as ever, but are so fluid for the 34-year-old it’s almost easy to take for granted the details, warmth, and humanity inside his free-associative tales of day-one friends who’ve passed, edgelord grifters who want to spit game, and nights on ketamine. Taydex’s production sprints through disparate yet simpatico styles, dipping its toes into Pi’erre Bourne-esque bass (see lead single “Spectacular”), house (“Loosen Up”), and even hyperpop. Meditations on loss and grief are woven throughout, but Tony throws a few curveballs as well: Consider “Alexis,” which sweetly reflects on a long-term platonic friendship. Taydex finds a Teddy Riley-indebted New Jack Swing groove just deep enough for the feeling to land and underlines the song’s sincere candor. This is the appeal of Fat Tony writ-large: his boisterous voice and genial personality invite you to the party, then you stick around to hear what he’s saying, which is frequently more introspective and complex than one assumes.

Written and recorded in Taydex’s new studio in North Hollywood, Tony says, “We had much more freedom and flexibility in making this album and you can hear it. It felt like a family project.” If the album is comfortable and loose, it is also dense and substantial. The album’s final two tracks contextualize the immediacy of what came before it—the mezcal with ices drank, Paul Wall swangin’ through to drop knowledge, the Polaris Prize-winning rapper Cadence Weapon providing a vibe check. “Make a Baby” accounts for Tony who’s seen everything, and knows he’s met the one to be a father with, and yet chooses to take his time to get it done. Taydex’s beat recalls turn-of-the-century R&B and the millennial promise of an endless good time. Sombre closer “Jasper, TX” is Tony coming to grips with the story of James Byrd, Jr., a Black man from East Texas dragged to his death by three white supremacists in 1998. These songs are not only trademarks of Tony’s fastidious rapping—they are deeply personal examples of his approach to artistry and life itself, where every decision is made in the shadow of history.

It’s here the mission statement of I Will Make a Baby in this Damn Economy comes into focus—you get the sense he means it, he’s ready for it, he’ll fight for it. He’s waiting to take the world at its word.

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Kaelin Ellis

LP | 2024 | US | Original (Fool's Gold)

28,99 €*

LP | 2024 | US | Original (Deathbomb Arc)

Release: 2024 / US – Original

Genre: Hip Hop

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The ever-prolific Kaelin Ellis is a rare gem of a musician. His rise to prominence has grown through his skills as a talented multi-instrumentalist and a very earnest need to build community and collaboration. This is made beautifully apparent in his Fool's Gold debut entitled, You Are Here, Start. This album is full of the melodic and rhythmic sensibilities that has made Kaelin a respected and revered household name. With features that range from Duckwrth, Guapdadd 4000 and 2-time Juno Award winning rapper TOBi, to savant pianist Anomalie and RnB/Blues crooner C.S. Armstrong, "You Are Here, Start" covers sonic ground in ways only Kaelin can. There's a certain warmth to this project that wraps around you like the sun.

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Dos Monos

Dos Atomos

39,99 €*

Mc Lars & Schäffer The Darkord

Release: 2024 / US – Original

Genre: Hip Hop

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Deathbomb Arc is thrilled to be working with Dos Monos again, for our 4th vinyl release from this groundbreaking Japanese hip hop trio. They've evolved their sound for this 11 track album, bringing old and new fans alike a heavy dose of pure blistering energy. Dos Atomos is the groups first full-length album since their debut "Dos City" (2019) and marks their biggest musical turning point. Here they make a bold leap from their signature sample-driven sound and mix everything they loved as children, from rap metal, noise rock and even J-rock, with live instrumentation and help from some guest musicians such as the legendary Otomo Yoshihide. The result is the most explosive project they've done yet. Dos Atomos is also a conceptual piece centered around the sun and nuclear power ~ especially as it relates to the group's strong desire to re-think what it means to be Japanese; a feeling that arose after touring Europe with black midi in 2022. While Japan is a country that has worshiped the sun as one of their main gods (even the national flag is the sun itself), Japan is a country suffering from "artificial sun", bombed with nuclear weapons and suffering from nuclear disaster. Nuclear power has also been a gravitating motif in modern Japanese art and culture, such as with Godzilla, Nausicaä and Takashi Murakami. This album speaks about this ambivalent relation between Japanese people and "the sun".

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999 Marbled Vinyl Edition

LP | 2024 | US | Original (Needlejuice)

28,99 €*

Tape | 2022 | US | Original (Deathbomb Arc)

Release: 2024 / US – Original

Genre: Hip Hop

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Schäffer the Darklord and my new album presents a collection of tracks inspired by beloved Disney narratives, albeit with a darker interpretation. Among the featured songs are "No Windows, No Doors," drawing inspiration from the eerie Haunted Mansion ride; "Rated G for Trauma," which revisits the most unsettling scenes across Disney films; "Rivers of Avren," based on "The Black Cauldron"; and "The Wizard's Assistant," reflecting on "Fantasia's" Sorcerer's Apprentice. The album also explores "The Mayor's Head" from "The Nightmare Before Christmas," "Finding Dreamfinder" from EPCOT's imaginative journey with Figment, and "Boogedy," inspired by the ghostly tale of Mr. Boogedy. Further tracks include "Tink of the Fae," offering a twist on "Peter Pan"; "Five Ways to Kill a Toon," hinting at the mixed universe of "Who Framed Roger Rabbit"; "Pleasure Island," channeling the cautionary tale from "Pinocchio"; and "Mr. Ravenswood," which pays homage to the lore of Phantom Manor and Big Thunder Mountain in Disneyland Paris.

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Reptile House

Repeater Taxx

15,99 €*

CD | 2022 | EU | Original (Republic)

Release: 2022 / US – Original

Genre: Hip Hop

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After years of silence, Hareld returns reborn as the group Reptile House. The angelic arrangements and sprawling hip hop compositions he was known for now expand with this collaborative work. A feeling of intimacy is only the entry point for entire other universes; romantic and mournful. This is hip hop unlike much else, truly of a commanding, distinct voice even among the diverse Deathbomb catalog.

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Post Malone

Twelve Carat Toothache

21,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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Tape | 2022 | US | Original (Knife Hits)

Grand Mantis

Fangs

13,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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Coffee & Cannabis Black Vinyl Edition

Matlock

LP | 2022 | CA | Original (Black Buffalo)

Release: 2022 / CA – Original

Genre: Hip Hop

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2LP | 2022 | US | Original (Little Butterfly)

AVR

Sankofa

39,09 €* 45,99 € -15%

Release: 2022 / US – Original

Genre: Hip Hop

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LP | 2022 | EU | Original (Bedroom Suck)

So.Crates

Malcolm After Mecca

39,99 €*

CD | 2022 | US | Original (Republic)

Release: 2022 / EU – Original

Genre: Hip Hop

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Australian hip-hop/neo soul duo SO.Crates are a boom-bap prayer sent live and direct from the heart of two of the culture's most committed students. The group features Melbourne based beatmaker and DJ Skomes alongside California-via-Adelaide MC & poet Cazeaux O.S.L.O, not to mention the MUSE, a forever changing third party who completes the creative trinity of the Crates. With a legacy built on releasing a steady flow of cold-crush records and delivering uplifting live performances to the party people, SO.Crates prove that hip-hop's golden era is not a lost date in time, but a foundational state of mind. Functioning as a considered preview of what to expect from the album to follow, the hypnotic first release 'Stars' is an auditory exploration of what happens when two opposing charges collide; the joyful and the melancholy. Here, layers of instrumentation, samples and vocals sit atop a foundation of grounding beats - the track's roots from which piano samples, live trumpet and vocal embellishments spring. "When Skomes gets in his stride, it's always a bit of a happy/sad feeling. It can go either way, like a mood ring", says Cazeaux O.S.L.O. "I guess you could say we make mood ring beats, and 'Stars' is no exception".

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Post Malone

Twelve Carat Toothache

21,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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LP | 2021 | US | Reissue (Nature Sounds)

Your Old Droog

Time

Keep Everything Your Self

Release: 2021 / US – Reissue

Genre: Hip Hop

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Your Old Droog is back with the new album, Time. It features appearances by MF Doom, Aesop Rock, Mick Jenkins, Elzhi, Blu, and Wiki.

As the title indicates, the project is the culmination of years of work. "This is basically my debut album," Droog explains. "Some of this material was recorded back in 2017, but I suppose the universe felt it would make more sense if it was released at another point in the future. Hence the name, Time."

Featuring production by Quelle Chris, 88 Keys, Edan, Mono En Stereo, and more, Time= was a surprise release on digital outlets, and is now available on vinyl for the first time.

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Jerreau

LP | 2022 | EU | Original (Diggers Factory)

46,99 €*

Sancocho Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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THE Energy WE Give TO Things That DO NOT Serve US Could AND Should BE Allocated TO What Does. From Relationships TO Behavioral Habits, TO Your Thoughts. IT IS OK TO BE Your Self, BUT NOT Absent OF Introspective AND Self-REFLECTIVE Work. BE Self-AWARE, Walk IN Your Purpose AND THE Process IS Streamlined. Because IF YOU Don’t, What Quality OF Life Will YOU Have? I Want ONE OF Fulfillment. Some OF US Will Live Decent LiveS, Even BY Leading A Life OF Mediocrity. BUT Where’s THE Honor IN Just Doing Enough? Doing THE Work Does NOT Ensure Material Riches, Fame OR Money. Because There Will BE Doors, You’ll Open, That YOU Won’t Walk Through. AND That’S Fine - PAY IT Forward.

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Crimeapple

LP | 2022 | US | Original (Fat Beats)

Almighty Warpath & China White

Release: 2022 / US – Original

Genre: Hip Hop

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Crimeapple readies another classic by way of his newest album, ’Sancocho,’ with advance single “Throw the Rice” dropping on 11/5. With go-to producer Buck Dudley back in the chair for this track, Crimeapple invites RLX and Primo Profit to share the mic atop the dark, trippy production and dirty, slamming drums. Upcoming album includes production from Ignorancia Sophisticada, Michaelangelo, Zoomo, Good Food, Brown13, Teyo, and Futurewaves.

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Chinese War Chants

LP | 2021 | EU | Original (Am Apparat / Blumeblau)

19,99 €*

CD | 2021 | US | Original (Mello Music Group)

Release: 2021 / EU – Original

Genre: Hip Hop

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China White cuttet Samples mit Katana, flippt puristisch – aber nur Filets. Almighty Warpath schwingt die Nunchaku gekonnt gewieft im Takt des Säbelrasselns und Glockenläutens. Chinese War Chants. Das Album kommt als 12inch über Am Apparat und blumeblau aus Münster.

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Solemn Brigham (Marlowe)

South Sinner Street

12,99 €*

Dark Comedy Iridescent Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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Solemn Brigham is 1/2 of the group Marlowe. His music has been featured on Gatorade's G is for Greatness ad campaign, 7-Eleven's Harmony Korine (Kids, Gummo, Spring Breakers) directed low rider bike campaign, and NBA2K22. South Sinner Street is his debut solo album coming Sept 24th.

About the Album:
It is no secret that things are getting worse. By virtually any metric––economic or medical, or ones more abstract and spiritual––American society is in decay. The feeling permeates daily life in innumerable ways, giving the present a gnawing, ambient dread.

Solemn Brigham is not content to leave this at a low hum. On his dazzling new album, South Sinner Street, Solemn examines this decay through the prism of his hometown: Albemarle, North Carolina, where the blocks he grew up on are crumbling like everything else. “What was once a vibrant area now survives as a reminder that the only thing eternal is change,” Solemn says when describing the project’s genesis. “Trash and debris flood the streets, relics of the many lives lived––each piece with a story to tell.” South Sinner Street not only traces the degradation of the world around us, but documents the way communities can come together to stave off that slow death, lifting its members up in the process.

Solemn is uniquely equipped to animate the relics of a once-thriving neighborhood with the specificity they deserve. The rapper, whose work with his fellow North Carolinian, L’Orange, as the duo Marlowe has been critically acclaimed, is one of the most vocally acrobatic working today, able to contort himself into a dizzying array of different flows and inflections, accomplishing alone the sort of musical variety that sprawling collectives try and fail to achieve. Take “Couple Towns,” where Solemn moves from a seesaw pocket into a flow that cascades over the ends of bars; contrast this with the bonus track “Relax,” where each bar sounds as if it’s the final thought spilling out of his mind at the end of an impassioned phrase. The end of “Vice North” even recalls the technically stunning runs of One Be Lo, the Michigan rapper who in the 2000s became one of the genre’s chief chroniclers of a similar country-wide disintegration.

But this is not merely a showcase for verbal acrobatics. South Sinner Street is deeply personal, juxtaposing personal growth with the decay that surrounds it. “This is no rags to riches story,” Solemn warns. Of course––it’s more complicated than that. When, on “Vantablack,” of a toddler cradled in his mother’s arms while that mother nurses a cigarette, he is not asking the listener to imagine a tragic end or a harrowing origin story. The point is that we are all, perpetually, the child and the mother: doing our best to cope, even against our better judgment; persevering despite the circumstances that surround us.

And yet South Sinner Street is buoyed by a sense of playfulness that lights up even the pitch-black corners of Albemarle. “Nothing Left” succeeds in turning end-of-your-rope sorry into something like an in joke. When, on “Vice North,” Solemn raps about putting his hands together in prayer only to find “the line still busy,” his voice bakes something amusing in the complaint––maybe the sense that a young man in a small city is irked at God the way he might be at a flaky friend from the gym. And then, speaking of gyms, comes the laugh-out-loud moment on “Dirty Whip,” when Solemn concedes that he didn’t make the basketball team “‘cause I’m me-first.’”

Across its 14 songs, South Sinner Street argues for Solemn Brigham as one of the most exciting artists in underground hip-hop, a technical virtuoso who also happens to be one of the genre’s most surprising, most deeply personal songwriters. The album evokes the feeling of climbing onto a house’s roof to survey the nearly-burning city around you, with all the peril that entails––but also all the possibility.

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Open Mike Eagle

LP | 2014 | US | Reissue (Mello Music Group)

23,39 €* 25,99 € -10%

A Pipe Dream And A Promise Instrumentals

Release: 2014 / US – Reissue

Genre: Hip Hop

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One of LA’s smartest young voices says the LA Times…which the artist suspects, may just be a covert way of saying LA is dumb. “Open” Mike Eagle wouldnt terribly mind, being born and raised in Chicago where the painful winters and his uppity grandparents kept him inside as a youth. He spent his formative years watching alternative music happen on MTV and hoping to one day be able to audition for the Native Tongues. As a young adult after graduating with a degree in Psychology, he did the next best thing and moved to Los Angeles, joining the Project Blowed collective where he made music and toured with Busdriver, Aceyalone, Abstract, Nocando, and more. He’s also gained notoriety in the world of comedy by being invited by professional funny people (Paul F. Tompkins, Hannibal Buress, Matt Besser/UCB) to rap at their shows. He’d like to be rap’s Kurt Vonnegut but recognizes that he’d first have to create something as iconic as the four-stroke illustration of an anus. He practices by releasing rap albums that delight, entertain, and confuse

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Finale

2LP | 2021 | US | Original (Refill)

30,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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LP | 2021 | US | Original (Audion Recon)

Spoken Nerd & Juan Cosby

That's The World Black Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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United by hustle and an unmatchable enthusiasm for alternative hip hop, Spoken Nerd and Juan Cosby have teamed to make the synth-pop/hip-hop-fused LP, Grapes. Grapes was actually first concocted as word of a rumored reboot of "Tales From the Crypt" landed in the ears of Nathan Conrad. The whispers of rebirth for the series stoked the fire of nostalgia in fans of former years, but simultaneously sparked a larger scheme in the Nashville based rapper, Spoken Nerd. Wheels turning, Nathan Conrad, aka Spoken Nerd, shared his ideas of cultivating a "Tales from the Crypt" mixtape to Cincinnati based producer, Juan Cosby. Surely the "on-brand" horror themed lyrics of Spoken Nerd would mesh seamlessly with the John Carpenter-esque beats by Juan to fuel fans of EC and, perhaps, catch the ears of EC themselves. Unfortunately, EC Comics went out of business in the 50's, and the internet rumors proved unfruitful of reboot, but the brainchild of Juan & Nerd's soldiered on. Much like the Crypt series, Grapes is an album that covers topics like deception, forbidden fruits, envy and sacrifice. You can hear features from E-Turn, Isaac Stinson, Darko the Super, MC Homeless and 247 of Out of Place on this project.

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Anti-Lilly & Phoniks

LP | 2019 | EU | Reissue (Don't Sleep)

29,44 €* 30,99 € -5%

Mattic & Parental (de Kalhex)

Release: 2019 / EU – Reissue

Genre: Hip Hop

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"That's The World" from Houston emcee Anti-Lilly and Portland, Maine producer Phoniks is the third installment of their hip-hop trilogy which featured 2014's "Stories From The Brass Section" and 2017's "It's Nice Outside". After going from exchanging beats over email in 2014 to now touring the world together the chemistry between the two has never been more evident than on their latest release.

Once again Anti-Lilly is laying his therapy sessions on record, speaking on his substance abuse, trust issues, relationships and coping with his parents divorce. But despite the negativity he touches on, the young Houston poet embraces the duality of life—taking the good with the bad and trying to find a ray of light in dark times. His outer pressures help craft the jewels he lays over Phoniks jazzy production as he showcases his mature, honest perspective across the albums 12 tracks.

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Down In The Rabbit Hole Deluxe Edition

2LP | 2022 | EU | Original (Akromégalie / HHV Records)

Milano Constantine & Body Bag Ben

Release: 2022 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies in deluxe 2LP outfit incl. all instrumentals of "Down In The Rabitt Hole", the collaborative effort by Mattic and Parental.

Mattic, a prolific rapper known as a member of The Others and his works with Wax Tailor, La Fine Equipe and ASM (A State of Mind), teams up with Paris-based producer Parental for another beautiful Hip-Hop album full of Jazz and Soul. The album includes features by Alcynoos, Haken Besik, YagoMeans and Green T of ASM and will be another jewel in the crates for fans of Jazz Liberatorz, Nujabes or Blu & Exile.

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Write It In Blood

CD | 2021 | EU | Original (Hip Hop Enterprise)

18,99 €*

LP | 2021 | US | Original (Matic)

Release: 2021 / EU – Original

Genre: Hip Hop

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The Nyc-ca connection of Milano Constantine & Body Bag Ben deliver that raw, hardbody hip-hop on their new collaborative album, 'Write It In Blood.' The 11 tracks on here were created out of a shared passion not just for the culture, but for creating art as a duo. After working together on Milano’s collab EP with Planet Asia, they both knew they had more to offer as a unit.

While the process of making this album during the pandemic wasn’t easy, it went as smoothly as they could have hoped. “This year’s been tough for everyone and to be honest this project was built so organically that it sounds like we recorded it together in a studio,” BBB says of working on separate coasts. “We definitely played off each other’s energy. He would send his verses, I would send him mine, and it just worked out perfectly.”

That energy is certainly palpable throughout every element of Write It In Blood, a project that demonstrates their gifts as multi-talented artists. They both rap on every track, and handled all of the production as well. Body Bag Ben produced a majority of the beats—”Hell or High Water” is his favorite of the bunch—but Milano got to showcase his talents behind the boards, too. He crafted the chilling beat on the snarling title track featuring Planet Asia, as well as the more soulful “Sparks Steak House.”

It’s only fitting, then, that Milano holds his and Body’s performances on the album in such high regard. “I want the masses to walk through this musical art gallery of emotions and leave saying they witnessed legends like Rembrandt and Basquiat,” he explains. His cohort agrees, adding that he hopes listeners “break their neck rockin’ to these joints!” With such a high level of production and writing on this album, it’s safe to say they’ll both get their wish.

Be on the lookout for even more from these two in 2021 as they both have several projects in the pipeline. All tracks produced by Body Bag Ben, except for tracks 5 & 9 which are produced by Milano Constantine. 'Write It In Blood' is finally available now on CD limited to only 200 copies!

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Breeze Brewin

Hindsight

LP | 2021 | EU | Original (Tuff Kong)

Release: 2021 / US – Original

Genre: Hip Hop

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Hindsight captures the magic of what happens when an artist sticks with what they love and shares it with the rest of the world. The 13 tracks epitomize why Breeze has been such an essential voice since he entered the scene. He delivers tack-sharp criticisms of former president Donald Trump (“Devil’s Advocate”) and the music industry (“The Application”), talks his sh*t like only he can do (“Translate It”), and gets deeply personal about friendships (“The Uninvited”) and being a teacher as a person of color (“Taking Notes”). And then there’s a track like “King Oxymoron” that is simply a whirlwind of wordplay.

With this record, Breeze is proving to himself that he can confidently, and ably, work on his own, which was a major sea change for someone who for years collaborated closely with others. “I was at times scared to proceed alone, especially considering the greatness of those I had worked with,” he says. “But it worked out. It’s OK to work with others, and it’s damn sure OK to shut the world out and work with and on yourself.”

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Fidel Kato

Black Pepper

24,64 €* 28,99 € -15%

Don't Feed The Monster HHV Exclusive White Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop

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Limited edition of 250 hand-numbered copies on black vinyl.

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Homeboy Sandman

2LP | 2020 | EU | Original (Mello Music Group)

26,99 €* 29,99 € -10%

LP | 2021 | US | Original (Fat Beats)

Release: 2020 / EU – Original

Genre: Hip Hop

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Limited to 157 copies on white vinyl. Only at HHV.

Homeboy Sandman drops a new album that is entirely produced by Quelle Chris.

Homeboy Sandman’s new album Don’t Feed The Monster, is a collaboration with producer/MC Quelle Chris. It’s also his most vulnerable & poignant work to date. Having grown up in Queens, New York, hip-hop was part of everything in life. This deep-rooted connection to the culture is evident when listening to his style of rhyming- bold, classic & deeply respectful. On Don’t Feed The Monster, he pulls back any pretense to show his most honest truth - a process that he needed both artistically and spiritually. “I was having a hard time and this record saved me thank Quelle and thank God and shout to Gabor Maté,” he said about the new album.

Album producer (and guest vocalist) Quelle Chris has been one of the most talked about and celebrated hip-hop artists on the planet these last few years. Both producing & rapping, Quelle has released critically acclaimed albums like Guns, Innocent Country 2, and Everything’s Fine with his collaborator & wife Jean Grae. “There's a certain mystic/magical power in words, sounds, rhythms, etc. It's rare to come across a brother/artist like Sandman,” he says when asked about his new album with Homeboy Sandman.

The new album Don’t Feed The Monster is a marvel of how an artist can dig deeper still, even years into his craft. The chemistry between the producer & MC has unlocked something within Sandman, surfacing memories, textures & details in a more vivid way than ever before. “(We) wanted to project growth and not regression. Being careful not to feed the monster,” Quelle says about the mission of the album. One would be right to assume that bringing two elite talents together would yield an incredible album. But, when imagining what this album brings in its entirety, Quelle says it best: “raw, pure, organic magic."

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Crimeapple

Matalos Con Mas Exitos

26,99 €*

2LP | 2020 | EU | Original (Mello Music Group)

Release: 2021 / US – Original

Genre: Hip Hop

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A toast to victories and killing enemies with more success. ‘Mátalos Con Más Éxitos’ is a bottle of expensive champagne to pop in the face of the opposition. With Buck Dudley at the helm of production and Crimeapple providing the narrative for a celebration of more life and more wins.

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Homeboy Sandman

Don't Feed The Monster

Looking At The Front Door / Watch Roger Do His Thing Turquoise Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop

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Homeboy Sandman drops a new album that is entirely produced by Quelle Chris.

Homeboy Sandman’s new album Don’t Feed The Monster, is a collaboration with producer/MC Quelle Chris. It’s also his most vulnerable & poignant work to date. Having grown up in Queens, New York, hip-hop was part of everything in life. This deep-rooted connection to the culture is evident when listening to his style of rhyming- bold, classic & deeply respectful. On Don’t Feed The Monster, he pulls back any pretense to show his most honest truth - a process that he needed both artistically and spiritually. “I was having a hard time and this record saved me thank Quelle and thank God and shout to Gabor Maté,” he said about the new album.

Album producer (and guest vocalist) Quelle Chris has been one of the most talked about and celebrated hip-hop artists on the planet these last few years. Both producing & rapping, Quelle has released critically acclaimed albums like Guns, Innocent Country 2, and Everything’s Fine with his collaborator & wife Jean Grae. “There's a certain mystic/magical power in words, sounds, rhythms, etc. It's rare to come across a brother/artist like Sandman,” he says when asked about his new album with Homeboy Sandman.

The new album Don’t Feed The Monster is a marvel of how an artist can dig deeper still, even years into his craft. The chemistry between the producer & MC has unlocked something within Sandman, surfacing memories, textures & details in a more vivid way than ever before. “(We) wanted to project growth and not regression. Being careful not to feed the monster,” Quelle says about the mission of the album. One would be right to assume that bringing two elite talents together would yield an incredible album. But, when imagining what this album brings in its entirety, Quelle says it best: “raw, pure, organic magic."

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Main Source

7" | 1990 | EU | Reissue (Mr Bongo)

17,09 €* 17,99 € -5%

LP | 2019 | EU | Original (Mello Music Group)

Release: 1990 / EU – Reissue

Genre: Hip Hop

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This edition is limited to 300 copies exclusive available at HHV.

Taken from stunning "Breaking Atoms" album. This is the first official UK release. Features Donald Byrd's Blue Note classic "Think Twice" loop and drums from Funkadelic's "You'll Like It Too".

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Chris Rivers

G.I.T.U.

16,19 €* 26,99 € -40%

Time Being Deluxe Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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“G.I.T.U., an acronym for Greatest In The Universe. The title encompasses the feeling this body of work for me. It’s my life experiences, my loves and losses, my stories about overcoming obstacles both external and internal, while learning to love myself and becoming the best version of me. Both as a person and as an artist I tried to push my boundaries and expand my limitations. Everyone’s world is their own, everyone has their own universe that they are in control of, this is mine. I’m the G.I.T.U.” – Chris Rivers

Since he first entered the rap game, every mention of Chris Rivers inevitably acknowledges the influence of his father, Big Pun, one of the art form’s all-time greats. It’s a gift that offered the Bronx MC the opportunity to be heard, but simultaneously a curse that elicits unfair comparisons. But with his Mello Music debut, G.I.T.U., Rivers achieves what would’ve been impossible for a lesser talent: he stakes his claim as a singular artist, one speaking for his generation, his culture, his familial heritage, and most crucially, himself.

If Rivers is unquestionably the son of the first solo Latin rapper with a platinum plaque, he has clearly evolved into his own man. G.I.T.U is the opportunity to tell his story--one that starts full of mourning and self-doubt but matures into a gripping tale of self-discovery. In bold declarative terms, he sketches a portrait of a life lived on the margins, weathering the storms of abuse, poverty, and the lingering shadow of high expectations.

There are struggles with addiction and suicidal thoughts, but Rivers transcends those demons to deliver audio dope that does his legacy proud. He raps with the jaw-dropping lyrical agility and syllable precision that you’d expect from his patrimony, but with the vulnerability and introspection that can only come from an artist who possesses a rare knowledge of self. You can hear the inheritance of his late great father, but also a synthesis and expansion upon the path trodden by Black Thought, Mos Def, and Lupe Fiasco.

The title itself doubles as a mantra: Greatest In The Universe. This is the self-affirmation that Rivers told himself in his most turbulent moments. It’s an inspirational credo that allowed him to keep going, but also operates as fuel to listeners -- particularly those seeking a refracted light from someone deeply familiar with the darkness.

The 16 tracks encompass nearly every mood. There’s the confessional “Perfect,” where Rivers declares “well, I never loved myself, but right now I’m in love with two bitches, I mean women, I mean prisons, I mean prisms.” In the course of a single sentence, he’s able to convey labyrinthine complications. There is “Trick,” where Rivers rumbles like a champion prizefighter, boasting about how his sisters taught him how to brawl, reminiscing on his early days as a “little Puerto Rican fat boy with a brain like an asteroid.” Over rope-a-dope drums, he creates an anthem built for stage-diving and chaos, delivering a pummeling series of references that run from MC Hammer to Cassius Clay to anime. It’s a modern iteration of a tunnel banger: riotous, rowdy, New York brass knuckle rap.

“Damaged Goods” finds the 25-year old lyricist questioning the differences between lust and love, dropped his guard to exhibit a relatable sensitivity. “Wolf Mode” pairs a poignant sax lick with a plea to be able protect oneself from the storms of life. It’s not about being bulletproof, but rather, to possess the strength to endure the chaos that we must face. Yet Rivers is willing to accept the challenges head-on, claiming that he’d “rather have the hard truth than a sweet lie.” While “N.A.S.A.” takes dead-aim at the traps of millennial life: too many useless contacts in your phone, the dim lies of clout, and the indelible need to find the real ones who will hold you down. There is also a flawless “Pakinamac” homage.

The emotional centerpiece of the album arrives on the heart-wrenching “Sincerely Me.” It’s a tribute to Big Pun, but one that refuses to bow down to over-sentimentality. You feel Rivers’ pain and sadness, the struggles of his family, and his frustration at being unable to have a father to turn towards for advice. It’s a votive to a dearly departed spirit, gone much too soon. But when the song fades out, Rivers is stronger than before. A prayer has been answered. It’s the fully fleshed out picture of a son who doesn’t want to eclipse the father but rather, who wants to be able to stand beside him, shoulder to shoulder, two of the greatest of their times.

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Cyne

3LP | 2018 | EU | Original (Project: Mooncircle)

Time Being Deluxe Green Vinyl Edition

Release: 2018 / EU – Original

Genre: Hip Hop

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Deluxe 3LP edition on regular black vinyl.

“Time Being”, originally released in 2003, was the first full-length CYNE LP, following a series of 12” singles for Beta Bodega’s imprint Botanica Del Jibaro. This Project Mooncircle reissue marks the first time that this long out-of-print album has been released on vinyl. This deluxe edition includes a remaster of the original “Time Being” album, previously released singles, instrumentals, and two previously unreleased bonus tracks (“Plain English” and “The Word”), both recorded during the “Time Being” sessions.

CYNE’s “Time Being” lineup consisted of MC’s Cise Star and Akin Yai, and producers Speck and Enoch. The four teamed up in Gainesville, Florida in 2001 and recorded “African Elephants”, which was quickly released as a 12” and set the trajectory for the group’s course. “Time Being” was created over the next year and reflects the musical and political environment of the time. Sonically the album showcases a synthesis of obscure samples filtered through the eclectic influences of Speck and Enoch, while Cise Star and Akin Yai’s lyrics cover a wide range, from conceptual, introspective, and spiritual ideas to the anxieties of post-9/11 xenophobia and being a black youth in America.

CYNE has continued to release music for more than 15 years, including projects for domestic and international labels such as Project: Mooncircle, Botanica Del Jibaro, P-Vine, Home Tapes, and City Centre Offices. Although the group’s lineup has changed for recent projects, all four members continue to work together, creating a reputation as artists that stay true to the lyrical power and gritty cut and paste aesthetic of classic Hip Hop while managing to explore new sonic territory.

Both CYNE and Akin Yai released new material in 2017; CYNE recently announced the second volume of their “Wasteland” beat tape series, while Akin Yai’s new album “Romantica”, primarily produced by Speck and Enoch, was released in April of 2017.

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Cyne

3LP | 2017 | EU | Original (Project: Mooncircle)

10th Anniversary Box Compilation HHV Bundle

Release: 2017 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on colored vinyl!

“Time Being”, originally released in 2003, was the first full-length CYNE LP, following a series of 12” singles for Beta Bodega’s imprint Botanica Del Jibaro. This Project Mooncircle reissue marks the first time that this long out-of-print album has been released on vinyl. This deluxe edition includes a remaster of the original “Time Being” album, previously released singles, instrumentals, and two previously unreleased bonus tracks (“Plain English” and “The Word”), both recorded during the “Time Being” sessions.

CYNE’s “Time Being” lineup consisted of MC’s Cise Star and Akin Yai, and producers Speck and Enoch. The four teamed up in Gainesville, Florida in 2001 and recorded “African Elephants”, which was quickly released as a 12” and set the trajectory for the group’s course. “Time Being” was created over the next year and reflects the musical and political environment of the time. Sonically the album showcases a synthesis of obscure samples filtered through the eclectic influences of Speck and Enoch, while Cise Star and Akin Yai’s lyrics cover a wide range, from conceptual, introspective, and spiritual ideas to the anxieties of post-9/11 xenophobia and being a black youth in America.

CYNE has continued to release music for more than 15 years, including projects for domestic and international labels such as Project: Mooncircle, Botanica Del Jibaro, P-Vine, Home Tapes, and City Centre Offices. Although the group’s lineup has changed for recent projects, all four members continue to work together, creating a reputation as artists that stay true to the lyrical power and gritty cut and paste aesthetic of classic Hip Hop while managing to explore new sonic territory.

Both CYNE and Akin Yai released new material in 2017; CYNE recently announced the second volume of their “Wasteland” beat tape series, while Akin Yai’s new album “Romantica”, primarily produced by Speck and Enoch, was released in April of 2017.

“Time Being” is now available on vinyl for the first time. The exclusive remastered deluxe set comes out worldwide on limited green triple vinyl and digital.

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Project: Mooncircle

LP | 2012 | EU | Original (Project: Mooncircle)

34,99 €*

LP | 2010 | EU | Original (Project: Mooncircle)

Release: 2012 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 2 white & 2 black vinyl LP’s with 32 tracks, 13 additional digital bonus tracks, a T-shirt (only at HHV) and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

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Joe Kickass

Mind Joe

11,99 €*