Search "The Closest Thing to Silence" 11 Items

RSD Exclusive, Limitation: 1500

Keith Murray first came up in the world of hip-hop as a part of the group Def Squad, whose other members included Redman (later of Wu-Tang Clan) and Erick Sermon (from EPMD). On The Most Beautifullest Thing In The World Sermon serves as the main producer, with a contribution from Redman in the mix, as well as a contribution from Busta Rhymes.
In celebration of the 30th Anniversary of this stellar recording Get On Down presents The Most Beautifullest Thing in the most beautifullest fashion yet seen – as a double LP in an RSD Black Friday exclusive pressing on Ultra-Clear, Opaque BlueJay & Metallic Silver Splatter vinyl, housed in a gatefold jacket with an OBI. To make things even more beautiful, this special pressing closes out with selections previously issued only on individual 12” singles.

The fourth Jet Set series is now repressed on colored vinyl. Vanilla’s beats are anything but. This master of rhythm and sample construction hails from the UK, crafting tracks with distinction and funkiness that reveal an assortment of flavors. Vanilla’s Bandcamp-released albums have garnered hundreds of thousands of downloads and fans and earned him a wide-ranging fanbase. And his appearance on Cold Busted’s Only On Vinyl 2 LP helped fuel its ‘instant sell-out’ status. Now, Vanilla reveals Pointbreak, his debut EP for Cold Busted that brings together all the elements that confirm this rising producer as a true artist of beats. It’s also the latest installment of the Jet Set series, showcasing sonic travels to exciting, soothing places. “Pointbreak” opens the EP with syncopated keys over a strutting rhythm, conveying the listener’s arrival to an ultra-hip, neon-splattered hotel lobby. The leisure vibes continue with “Surfin' Summer,” a soundtrack for cocktails on the beach while watching the boogie boards go by. “Remember” combines a phat break with loungey bossa nova, a reassuring timewarp to simpler days. The EP closes with “Breeze,” finishing things on a jazzy, quiet storm tip that would make Lonnie Liston Smith swoon.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

Grandson is the second posthumous album from acclaimed rapper and Chicago legend, King Von. In a career that was ultimately cut far too short, King Von established himself as one of his generation's most vital storytellers, offering breathless intensity and visceral detail to animate the environment of his upbringing. Lovingly assembled by Von's closest collaborators, including producer Chopsquad DJ, the upcoming album features the same street sagas and invigorating anthems fans have come to expect. The album sees appearances from some of Von's heavy-hitting street rap peers, including Lil Durk, Polo G, Tee Grizzley, G Herbo & more. Singles include "Robberies," & "Heartless (feat. Tee Grizzley)."

Krisengebeat (born 1980) is a Beatmaker, DJ, Rapper and Graffiti artist born and raised in Berlin, Germany. His strong passion & love for the Hip-Hop culture emerged in the early age instantly after hearing his big brother spinning many oldskool rap albums like "Raising Hell" by RUN DMC...

When Onyx "Bacdafucup" was released in '93 this LP had a strong influence on Krisnegebeat. Hardcore Hip-Hop along with black hoodies became his thing! In 1997 he started to drop bombs on the neighbourhood walls with chrome & black letters.

Krisengebeat experienced his first grooves by playing the real drum set back in the days. His first analog sampler / multitrack recorder was a Roland SP-808 combined with "two turntables and a mic" and some other studio gear. After trying to combine sounds for the first time on a borrowed MPC 2000XL it became his passion! He is surrounding himself with dusty drums and samples until this day!

In the early 2000's he started to record his first rap album "Nur die Besten Überleben" as a member of the German rap group Kritische Disstanz. This project was released 4 years later in collaboration with Berlin based Teroa Label by Akte One. This was also the first LP mastered by Chillerdt in the BKStudio (Berlin) and many more followed after! This collaboration tightened over the years and last until now!

One day at the beginning of the recent worldwide mix up which affected most of us, this led to a decision between moving to the studio and chill with the closest ones or just let it flow and push the pads on MPC Renaissance and start to release some instrumental music using extra free time in a productive way. That was definetely a good decision and after a plenty of motivating feedback it became the master plan to create the “ILL Vibe” instrumental LP!

Krisengebeat's - "ILL Vibe" album as a whole piece is a 34 minutes long journey through dimension of sounds inpired by the 90's Boombap golden era and filled with pure Hip-Hop flava which is now alive more than ever! Hard hitting drums combined with 12 bit samples and original noises of analog machines like the Akai S950, real vinyl crackles and all that highlighted with analog mastering! Enjoy the ride y’all!

This project is dedicated to all beatmakers & graffiti writers wordwide!

Why you'll love it...
There are decades of history and genres infused into CeeLo’s brain. And he just unleashed it all for his debut. CeeLo was 26 when he recorded the bulk of his first record, but he was grizzled. CeeLo Green and His Perfect Imperfections is overflowing with ideas and genres, from hip-hop to funk to soul to jazz and even country. From his Goodie Mob days, the central theme of CeeLo’s music has been liberation, whether it was from the trap or from the oppressive hold of commercialization in hip-hop. On his debut, he is focused on liberation from any kind of creative confinement.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

Chillhop Music closes out the year with Essentials Winter 2020, a seasonal compilation featuring 25 curated tracks meant to soundtrack the cold months ahead.



Beginning back in 2016 and continuing with four releases a year, Chillhop Music’s Essentials series welcomes its 20th compilation in the form of Winter 2020. What better way to end a stressful and chaotic year than with 66 minutes of comfort and relaxation?



The 2xLP features 25 hip-hop instrumentals showcasing the best of Chillhop Music. From lofi to jazzhop to funk and ambient, this curated selection provides over an hour of atmospheric soundscapes and cozy beats.



Wherever you are in the world – whether up north experiencing snowfall or down south with a heatwave – we hope that this compilation helps to close out your year. A tough year for everyone, but we’re happy to still be here, enjoying good music with you.

Jahmal Padmore’s debut solo album, Esparonto, arrives via Telephone Explosion Records on May 28th, 2022. Padmore has been honing his producing, songwriting, and drumming skills since 2007, working with artists like Mstrkrft, The Carps, Just John and Brendan Philip. This extensive studio & collaboration experience has primed Jahmal for a standout debut, one that encompasses the diversity of his past musical work. Esparonto is a stunning collection of ten post-Afropunk R&B tracks that are languid, sexy and wry.

There is an undeniable sense of self-reflection that runs throughout Esperanto. Lyrics about distant regrets, ego detachment, and unconditional self-love are reoccurring, sung through Padmore’s signature lyrical croon. “... I can’t give you the things you need, without forsaking a part of me,” sings Padmore in the chorus of album opener Sorted, perfectly encapsulating the overarching vibe of Esperonto. Guitarist Benja’s foggy haze of abstract jazz chords provide a welcoming and warm atmosphere required for such deep contemplation.

Esperonto kicks it up a notch on the more hip hop-leaning tracks. Operator (ft: Matthew Progress), Ingestion (ft: Keita Juma) and Pretty are all rife with energy, with the latter taking the cake as the song most likely to be stuck in your head for the next 10 months, at least! The classic combination of a sample pack-worthy beat and a massive chorus are at work here. The song begins with the lyrics “I can’t help it if god made me pretty,” setting the hook for a stadium-sized chorus where Padmore proclaims “My ego gets me high/My ego tells me who I really am.” A follower of spiritual guru Ram Dass, Padmore appears to be one step closer to his goal of enlightenment, and is not ashamed of it.

The album closes with “So Cold,'' its most delicate track and a perfect come-down after such tireless self-evaluation. The epic crescendo sees Padmore repeatedly announcing “I’ve lost myself.” It’s clear that he has shed some unnecessary facets of his personality and is ready to move forward. Recording at Telephone Explosion’s Studio Z, the trio of Padmore, Benja and OBGMs drummer/keyboardist Colanthony Humphries began with lengthy jam sessions which eventually became the cores of each track. Padmore plucked the most progressive bass and percussion

elements from the sessions and added samples to create Esperonto’s uniquely live aesthetic. The album was then mixed by Louis Cremades at House Of Balloons (The Weeknd) and mastered by Kevin McPhee at East End Mastering.

Esparonto’s title is drawn from the name of the constructed language that Polish ophthalmologist L.L. Zamenhof created in the late 1800s. On this album, Padmore constructs a musical language all his own, with songs firmly rooted in R&B that expand to include elements of jazz, ambient, house, hip hop and pop. After years of holding space for other artists and productions, Padmore’s thrilling debut is a clear proclamation from an artist who is ready to step out of the shadows and into his own light.

Krisengebeat (born 1980) is a Beatmaker, DJ, Rapper and Graffiti artist born and raised in Berlin, Germany. His strong passion & love for the Hip-Hop culture emerged in the early age instantly after hearing his big brother spinning many oldskool rap albums like "Raising Hell" by RUN DMC...

When Onyx "Bacdafucup" was released in '93 this LP had a strong influence on Krisnegebeat. Hardcore Hip-Hop along with black hoodies became his thing! In 1997 he started to drop bombs on the neighbourhood walls with chrome & black letters.

Krisengebeat experienced his first grooves by playing the real drum set back in the days. His first analog sampler / multitrack recorder was a Roland SP-808 combined with "two turntables and a mic" and some other studio gear. After trying to combine sounds for the first time on a borrowed MPC 2000XL it became his passion! He is surrounding himself with dusty drums and samples until this day!

In the early 2000's he started to record his first rap album "Nur die Besten Überleben" as a member of the German rap group Kritische Disstanz. This project was released 4 years later in collaboration with Berlin based Teroa Label by Akte One. This was also the first LP mastered by Chillerdt in the BKStudio (Berlin) and many more followed after! This collaboration tightened over the years and last until now!

One day at the beginning of the recent worldwide mix up which affected most of us, this led to a decision between moving to the studio and chill with the closest ones or just let it flow and push the pads on MPC Renaissance and start to release some instrumental music using extra free time in a productive way. That was definetely a good decision and after a plenty of motivating feedback it became the master plan to create the “ILL Vibe” instrumental LP!

Krisengebeat's - "ILL Vibe" album as a whole piece is a 34 minutes long journey through dimension of sounds inpired by the 90's Boombap golden era and filled with pure Hip-Hop flava which is now alive more than ever! Hard hitting drums combined with 12 bit samples and original noises of analog machines like the Akai S950, real vinyl crackles and all that highlighted with analog mastering! Enjoy the ride y’all!

This project is dedicated to all beatmakers & graffiti writers wordwide!

With over ten years’ experience in the music game, including three full length albums and a slew of EPs, Sweatson Klank – formerly known as Take – is one of L.A’s longest standing producers working at the periphery of hip hop and electronic music, a man who had a direct hand in shaping L.A’s beat scene in the 00s through the Sketchbook night alongside Kutmah. Whether or not you’ve heard his music before you’ll n have felt the impact of his work. After a two-year hiatus Sweatson Klank returns with the Elevate Me EP on Project Mooncircle, five tracks that further cement him as one of the nicest and most articulate producers in the game today. Elevate Me is both a departure from Sweatson’s previous output and a continuation of what has made him a unique voice in L.A’s thriving instrumental hip hop and electronic scene.

From the opener Always You the bar is set high with music that could only come from someone with musical savoir faire born of experience and hard work. The music is intricate and playful, the rhythms are hard to resist and the melodies perfectly match the uplifting mood, qualities that are carried throughout the EP.

Own almost feels like a band is playing yet it’s all coming from one man’s mind. The track references both Sweatson’s hip hop lineage and a deep understanding of the emotional potentials of electronic dance music. The tempo might surprise you at first but once you let the music take you in you’ll be pressing play again in no time.

I Can’t Explain is an ode to Sweatson’s love of hip hop, of the beat. The crunchy breaks will make your head nod before you’ve even realised it while the melodies and samples evoke images of sunny, lazy L.A days.

All of these ideas are further explored on My Love Is Here where certain tropes of popular dance music are put to use in a way that is rarely heard today. Instead of being the all-consuming focus of the song, the bass is used to reinforce the rhythmic foundations and combined with a beautifully emotive vocal sample that can seem jarring at first yet makes perfect sense. There is a subtlety to the music that really shines through on repeated listens.

In Between closes proceedings, winding things down with a smoother mood that’s still full of musical intricacies. Combining melancholic vocal samples with uplifting melodies and intricate rhythms, Sweatson manages to push through emotions that seem to burst out of the music, rendering any discussion of genre or style irrelevant.

Elevate Me is genuine, honest music born of emotions and offered to the listener with no disguise. It’s subtle and beautiful and it lets Sweatson Klank’s experience shine through in a way that will no doubt appeal to both old and new listeners. Jump aboard and let yourself be taken on a ride.

12" EP clear vinyl - Limited edition