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Vinyl has scuffs and a few hairlines. Cover shows slight wear and a tiny torn on the front. Copy is still in shrink!

A year and a half after releasing his self-produced, independent full-length LP Saturday Morning to critical acclaim, producer and multi-instrumentalist Carrtoons plans his return to music with his next album, Homegrown. Evolving his trademark Modern Motown sound, Carrtoons continues to expand his already diverse musical repertoire in jazz, soul, hip-hop, and more. Set for release on April 20th, 2022, Homegrown is Ben Carr's inaugural release with renowned Wichita Recordings (Bloc Party, First Aid Kit, My Morning Jacket, Yeah Yeah Yeahs.) The youngest son of jazz violinist Richard Carr (Bill Laswell, Bootsy Collins), Ben received his college degree in Jazz Performance, made his debut with Mad Satta, and opened for artists like Thundercat, Nick Hakim, Gabriel Garzon Montano, and Mac Ayres. Over the last few years, he has become one of the most sought-after producers in music through his eye-catching Instagram videos, powerful bass lines, and memorable melodies. His unique fills, phrases, and compositions made him an instant favorite, leading to recent collaborations with Robert Glasper, Alex Isley, Kiefer, and Butcher Brown. The success of Saturday Morning was the first sign of evolution in Carrtoons career, with the album surpassing 2 million streams on Spotify in mid-February. The ad placement of his track "Give It Up" with Green Mountain Coffee gave him exposure to a whole new audience, while his guest feature on the Tiny Desk series rearranging the NPR theme songs for their 50th anniversary was also a hit. Starting 2022 off strong, Carrtoons' recent work with The Kount led to the release of their ultra-viral video "On My Way" and the organic growth of over 100,000 followers in 4 weeks on Instagram. His continued strides in music, along with astonishing growth across several platforms is clear indication of Ben Carr's promise and potential. More than just an album; Homegrown characterizes the hard work, seeds sown, and natural growth of a gifted musician. An artist you will want to watch!

With a name as bold as Junglepussy and an artistry to match, Shayna McHayle is New York's premier rap rule-breaker. Honest, funny, and freaky, her rhymes span from the explicitly audacious to the tenderly relatable. Her unfailingly confident flow accentuates her roots in Brooklyn (her parents are from Trinidad and Jamaica), and her bars land with cool impact. In the universe that is Junglepussy, relationships are complicated, vegetables are magic, and an excellently delivered flex on an ex is one punchline away. Jp4 is Junglepussy's stellar next phase. With contributions from vocalist Ian Isiah, rapper Gangsta Boo, and producers Dave Sitek and Nick Hook, Jp4 is Junglepussy ascended. After almost a decade of experimenting, Junglepussy feels she's finally living up to her name. The numerology of four, in its foundational symbolism, is an apt frame for Jp4. Over an eight year career, Junglepussy's music has led her to lecture at Yale and Columbia, create her own Junglepussy Juice, star in 2018 feature film Support The Girls, and embark on sold-out domestic and international tours. For Junglepussy, Jp4 is a culminating moment_one that holds the essence of closure while hinting at an exciting and expansive future.

Out-of-print and in demand since its original release in 2011, Cellar Sounds vol. 2 delves deeper into Nick Wiz's archives. Includes 41 tracks featuring Rakim, Ran Reed, Shadowz in da Dark and many more. After being requested by many fans over the years, this classic release has been reissued in a limited edition of 500 copies, don't sleep

Legendary Cologne beat smith Hulk Hodn not only wrote German indie rap history with MC Retrogott, but also helped kickstart the instrumental beat movement in the late 2000s. Under the Hodini moniker, he dabbled in lo-fi house, but now he’s back with a vengeance under his original name: 19 sparkling beat jewels that float effortlessly between classic hip-hop, jazz influences and neo soul. »Sparklez« contains a half hour of summery, relaxed little gems that will perfectly soundtrack your next Beach Cruiser ride.

These instrumentals owe a lot to Californian lo-fi heroes like Madlib or Kankick, but some of them nod approvingly to South London or Southern Cologne as well. If you’re in need for some real jazz vibes, look no further – Hulk Hodn has got you covered: Blunted beats, muffled pianos and saxophones, vocal samples from the 41st Side of 1990s Queensbridge. There’s truly no lack of instrumental chill-out beat records out there, but »Sparklez« has something that doesn’t come in handy with a downloaded plug-in and sample pack: Character. And a whole lot of that.

(Text: Stephan Kunze)

Cover with a beginning seam split at the spine.
Small light scuff on side D.

Instrumental version now available. AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE & FELA SOUL, brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl in full picture sleeve, limited to 500 copies.

Rap duo Real II Reel aka Phatheadz was formed in 1990 by Ed Gledhill aka Ease and Nick D’Amato aka Nick Nice. The boys grew up in Pennsauken NJ just outside of Philly and met while in high school. They started rapping in their late teens and pressed their first 12 “ in 1990 [2 Def – Soul On A Roll] which featured none other than DJ Royal Rocker from Krown Rulers out of Camden supplying the cuts. Ed was lucky enough [his words] to gain an internship at a studio to learn engineering and that afforded him the time to concentrate on his own production work. Most of the songs back then were recorded onto Adat. Ed used a Yamaha S-760 for sampling and Roland equipment for beats, sounds and interface for a program called Master Tracks.

They changed the name to Phatheadz shortly after the 12″ dropped because, as they felt, times were changing and the play on numbers in groups titles was getting old [and also maybe because there was a house act called Real II Real?]. They were close with a deal at Ruff House records outta Philly around 1993-1994 but unfortunately it fell through. As with many artists of a certain age, they felt they were getting older and had lives and families and responsibilities and they lost the drive to do it anymore but we are pleased to say they remained friends to this day.

Props to the fellas for letting us do this project and supplying four previously unheard and unreleased heaters. Peep the snippets yo – this is Classic, slept on 93 ish

“For fans old and new, they can expect to be reintroduced to some raw, authentic, classic Detroit Hip-Hop from beginning to end.”-Phat Kat on the Deluxe Edition re- release of “Carte Blanche”. Phat Kat’s phenomenal sophomore solo LP, “Carte Blanche”, fi rst released in ’07 via Look Records, is the sound of Detroit. It’s gritty, soulful, and raw, three key ingredients in bringing the blue-collar city’s vibe to life in music form. It’s also a modern classic that is getting the deluxe edition re-release it deserves, Below System Records is adding two rare bonus tracks produced by late Detroit legend, J Dilla. Anyone familiar with Kat or Dilla’s work knows the two shared a special bond. In fact, Dilla would often go to the gruff-voiced emcee whenever he was looking to create a particularly tough track. This friendship led to them forming the group 1st Down, and this re-release’s two bonus cuts, “World Premiere” and “It Don’t Get No Liver Than This (feat. La Peace),” which were recording in 1996 and ’97, respectively. Despite 1st Down never taking off due to label issues, Kat and Dilla remained close and recorded a number of underground classics. Those include several joints off “Carte Blanche”, such as the stirring “Don’t Nobody Care About Us”, “Game Time”, and the Elzhi-featured “Cold Steel”. It’s actually that last track that Kat picks as his favorite cut off the record. “If I gotta choose one, it would have to be ‘Cold Steel’ because it makes you wanna wild out as soon as the beat drops”, he says, adding that this was the fi rst time he got to choose a Dilla beat to rap over. “He would never let me rock over beat tape beats-he use to say ‘Nah Kat, just write to them cause I’m gonna make all ya shit from scratch.’ ” The album also boasts collaborations with other Detroit rap heavy-hitters, such as Black Milk, Guilty Simpson, Nick Speed, and T3 & Young RJ (of Slum Village). With Kat as their host, they were able to not only capture the sound of the Motor city in 2007 (when the album was originally released), but also cement its place in the greater canon of hip-hop as we know it today.

After excursions into Hip Hop, Rap and film music Austrian producer and musician Urbs has returned to the downtempo and Triphop styles that were the cornerstones of his most successful work, discovering his very own niche along the way. Using obscure samples as well as traditional instrumentation for his impressionistic instrumental pieces he takes us to „Geheimland“, the secret land of our imagination where things are not as they seem.

Born as Paul Nawrata in Lower Austria, Urbs is a veteran electronic producer and musician living in Vienna. A music fanatic from a very young age, he started writing and photographing for various fanzines in his teenage years, interviewing numerous artists as diverse as Kurt Cobain, Nick Cave and the Wu Tang Clan.

He soon felt attracted to the blossoming HipHop scene of Vienna, contributing to the radio program of legendary impressario Werner Geier aka Demon Flowers. Best described as the Austrian version of Tony Wilson, he took him under his wing and soon released his first steps in music production on his Uptight label.

In 1998 two EPs were released as Urbs & Chaoz, spawning a first success with „Closer To God“, which was not only a radio favourite, but was also used by famed director Ulrich Seidl in his early work „Models“ and remixed by none other than legendary Washington duo Thievery Corporation.

Heavily influenced by Kenny Dope, Todd Terry and Armand Van Helden’s HipHop releases,
the musical style of Urbs & Chaoz was dubbed Dope Beat in central Europe and can be seen as one of the precursors of Triphop.

His next musical partner was Cutex with whom he released „Breaks Of Dawn“ and „Peace Talks!“, two LPs of timeless instrumental HipHop, both of which are seen as classics of the genre. „The Thing“, a veritable hit on Austrian radio, was used for various commercials and even selected as one of the „Best 100 Austrian Songs“ by FM4, the leading alternative radio station in the country. Until today that song has been streamed more than two million times.

His first solo album was released on G-Stone Recordings in 2005 and was co-produced by Peter Kruder (Kruder & Dorfmeister). On „Toujours Le Meme Film“, Urbs channelled his love for film music and French Chanson. He toured Europe with a six piece band and a complex visual concept and the album became a remarkable success. Songs from „Toujours Le Meme Film“ were used for US TV shows „Grey´s Anatomy“ and „Nip:Tuck“ as well as numerous commercials; Gilles Peterson discovered the album and played „So Weit“ on his Worldwide radio shows.

Urbs began producing other musicians like Austrian MC Skero, released further EPs of instrumental HipHop and numerous remixes for the likes of Tosca, Marsmobil and Daniel Haaksmann along with countless other Austrian artists.

Together with award winning composer Karwan Marouf, he worked on film music for directors like Arash and Arman Riahi as well as Werner Boote, on commercials, documentaries and contract work for Red Bull Media.

Since the early days of social media Urbs has connected with MCs and singers from around the world and in 2017 finally released those collaborations on the (Rap-)album simply titled „Urbs“, which included contributions by MCs like Wordsworth and R.A. The Rugged Man. The song „10000 Years Behind Me“ with its spectacular video starring Austrian actress Birgit Minichmayr was another success on the alternative radio in central Europe.

While in 2020 the world was in the grip of the pandemic, Urbs, who had just become a father felt inspired by the fantasy and perception of his son. He reconnected with his roots and produced „Geheimland“ in one go, trying to find the essence of his work and musical passion and creating his very own musical language along the way.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Mista Sinista officially started DJing in 1986 and joined the X-Men in 1992. They later became the X-ecutioners and released two albums. Mista Sinista toured the world several times with the X-ecutioners and was a tour DJ for Common, Beatnuts, Joe Fatal and Lauryn Hill just to name a few. Some of his album credits include The Beatnuts Street Level LP and Common’s Resurrection LP. His work was also highlighted on Fat Joe’s sophomore release, Jealous One’s Envy. He continues to perform worldwide and is featured on The Rewind with DJ Safire which airs weekly on Beatminerz Radio. Mista Sinista’s debut LP is a mix of well-produced tracks along with live turntablism. The project features emcees Mr. VooDoo, Ill Bill, Vinnie Paz, The One Chadio, U.G. & The former MC Jean Grae to name a few. This album also features Rugged One, Q-Bert, The Cut Lieutenant, Ace & Rob Swift. Production credits on the project include Mista Sinista, Steve Dee, Nick Wiz, Statick, Eitan Noyze, Cee da Cuban & DJ Safire.

A rich assembly of soul, funk, and organic hip-hop textures, 2000's Mama's Gun is the classic second studio album from neo-soul singer Erykah Badu and follow-up to her groundbreaking 1997 debut Baduizm. The album achieved platinum status and topped the R&B charts for seven weeks bolstered by the Grammy-nominated lead single “Bag Lady.”

The song’s video paid homage to Ntozake Shange’s award-winning play, For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf, with Badu presenting a “choreopoem” performed by herself and four other dancers. Mama's Gun also marked the beginning of her collaborations with the late J Dilla, who produced the Grammy-nominated “Didn’t Cha Know” and “Kiss Me On My Neck (Hesi).”

Rolling Stone magazine proclaimed that Badu had "taken her art to the next level," and applauded the singer for taking "chances the way Stevie Wonder or Nina Simone did in their prime." Entertainment Weekly called Mama's Gun a "70s soul homage featuring live musicians and a smooth-funk sound that wouldn't be out of place on a CTI record."

Out-of-print and in demand since its original release in 2008, Cellar Sounds vol. 1 was the first place where Nick Wiz's incredible back-catalog of productions was revealed. Includes 44 tracks featuring Rakim, DMX, Pudgee, Ran Reed, and many many more. After being requested by many fans over the years, this classic release has been reissued in a limited edition of 500 copies, don't sleep!

Some emcees have preserved the gift of quality over time and Phantasm is one of these emcees. In the 90's and early 2000 Phantasm and then partner UG were signed to almighty Loud Records as Cella Dwellas (later just The Dwellas) along with several heavyweight acts on the label's roster including Wu-Tang Clan, Big Pun, Xzibit, M.O.P, and Mobb Deep. Phantasm & UG's debut album "Realms 'N Reality" (1996) debuted at #160 on the Billboard 200 charts and was mainly produced by underground mainstay beatsmith Nick Wiz. The Flatbush duo was also featured on fellow Brooklyn artist Masta Ace's classic album "Sittin' On Chrome". The Dwellas followed up with a dope second album ("The Last Shall Be First") in 2000 which featured Large Professor, Cocoa Brovaz, Organized Konfusion, Inspectah Deck (of Wu-Tang Clan), and many more.
Phantasm recently teamed up with Ill Adrenaline Records to release a timeless single ("Louder Than Ever") produced by Germany's own SP1200 maestros 12 Finger Dan and B-Base (aka Soulbrotha). Complete with a true school feel and a dope scratch hook, Phan executes with a sharp delivery with lines like "...had to pen them bars, got out the street life had to mend them scars. Praise God or Allah whoever sent us Nas." Tall Man Phan is back to basics on his latest release.

Becauseweliveit are dropping their debut release. And they're doin' it the right way. A classic black 180 gr 33,3 rpm 12" maxi-single including 3 versions plus the respective instrumentals of the smasher track “To The Fullest”.

On 12 Finger Dan's original version they got REKS, Masta Ace, and Rakaa Iriscience [of Dilated Peoples] droppin' powerful verses – that's Hamburg, Boston, New York, and Los Angeles united for the cause of that boom-bappin' true Hip Hop.

For the cuts Stevie Drumz from Munich joined 12 Finger Dan of Soulbrotha, and they went crazy. The spherical Dilla-esc Rekless remix does not only feature an extra Roger Rekless verse and him plus his companion Boshi San singin' the hook. But also some extra keys by Ningu Strom of Tribes of Jizu, and scratches by Al Rock who is one of Roger's 4zu1 crew members.

Version #3 is on a beat by Munich Boom Bap producer Roccwell. Besides REKS, Ace, and Rakaa another LA legend stepped up to the mic. Mykill Miers the Hitchcock of Hip Hop! DJ Aspect, former IDA/ITF champion, also from Munich, did what a dj gotta do.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Nick Bike returns for another 2024 Q1 appearance with a few sureshot mixes of the Queen of Soul, all respect due. Extended breaks and touches never heard before on this timeless classic. You might need two (or perhaps more if you got some heavy hands)

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!

100% produced by Swab feat. Josiah The Gift, General Backpain, Maze Overlay, Mickey Diamond, Ty Farris, Dango Forlaine, Ronnie Alpha, Che Uno & 9th Uno, Nowaah The Flood, ethemadassassin, Guy Grams, Mental Da God, Empuls, John Jigg$, Copywrite, Substance810, Supreme Cerebral, Rim, M.A.V.

100% produced by Swab feat. Josiah The Gift, General Backpain, Maze Overlay, Mickey Diamond, Ty Farris, Dango Forlaine, Ronnie Alpha, Che Uno & 9th Uno, Nowaah The Flood, ethemadassassin, Guy Grams, Mental Da God, Empuls, John Jigg$, Copywrite, Substance810, Supreme Cerebral, Rim, M.A.V.

High quality laqcuer cut 7 inch that comes with a nice booklet with photo album, lyrics, inner sleeve, PVC outer sleeve and a hype sticker! Two super cool 7-inches of Ivan Ave’s new RNB singles, featuring artists like Byron The Aquarius & Mndsgn. Both seven inches comes with a nice booklet with photo album, lyrics, inner sleeve, PVC outer sleeve and a hype sticker! Illustrations by the grand imperial Nick Dahlen. Mutual Intentions is proud to announce the long awaited comeback from one of Norway’s biggest exports of urban music - Ivan Ave - rapper turned singer.

Fudge is a collaboration between emcee Michael Christmas and producer Prefuse 73. 'Lady Parts' is their debut album.

The record came together during several sessions in the summer and fall of 2015 at Nick Hook’s Green Point studio. Prefuse 73 brought along a hard drive full of beats. Christmas wrote to the instrumentals in the studio, and recorded the vocals the same day, as friends swung by to check it out. Some of the drop-ins at the studio ended up joining in the recording, not least D.R.A.M. who brings lifted soul vocals on “All Points South”.

KutMasta Kurt and Substance Abuse pay tribute to MF Doom with this special 7” release. The A-side contains a dope 2023 remix with that KMK signature sound guaranteed to keep heads noddin’, while the B-side brings the original (2005 released) version that was actually recorded in the beginning of the 2000’s - before Doom’s rise to prominence; thanks to releases like Mad-Villain and Danger Doom. R.I.P. Doom Supreme! Limited to 200 copies.

Limited edition of 300 copies on 7" backed with the instrumental version. Comes with original single artwork.

Representing New Jersey to the fullest, Miilkbone stepped to the scene in 1994 with the piano-driven single "Keep It Real", followed by the full-length debut release "Da Miilkrate" in 1995.

In the ghetto landscapes of the Delaney projects in his hometown of Perth Amboy, New Jersey, hip hop became the soundtrack of Miilkbone's life. As b-boy kids bounced their ill pills with the mad swagger of basketball macks, the boo-boom of Rakim and Kool G Rap inspired the moods, grooves and attitudes of a new generation of rhyme slayers.

Mainly produced by the likes of former Illtown protégé Mufi, Naughty By Nature's very own Kay Gee and up-and-coming Nick Wiz, the album remains a highlight from the golden era in the catalogue of rap from New Jersey.

Available in a limited run on 2LP+7", extra 7" of "Keep It Real" in original artwork sleeve, CD in jewel case, cassette and digitally on all major platforms.

Absolutely Killer project here outta Chi-Town 92-95. You MAY know the excellent 'Universal Language' from the 1995 cd/tape released entitled 'Talent Fest' but the rest from 92-95 are proper dope. Peep an interview with Coolout Chris in the Product Info section after the track list. Lots of tasty Chicago info for the heads.



Interesting tidbit - tracks A1 and A2 were engineered by Danny Leake, former member and producer of 100% Pure Poison (WIndy C) who later became Stevie Wonders in house engineer. So some pedigree there!!



Big shout out to Dust and Dope Recordings out of Canada for the hook up. Heads will be able to cop the CD version from them soooon.

Vinyl with a couple of scuffs and hairlines. Cover with light wear.

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats

Following up his now sold out Redef debut (1996 Beat Tape, Vol 1), veteran producer DJ Spinna returns with another wave of hard hitting instrumentals. Entitled, Unpicked Treats Volume 2, the “Jigmasta” Spinna has prepared the second of an ongoing series of beats that all have a similar story. Making tracks for well over 2 decades, this latest project features a small collection of beats that were created with the intention of backing MC’s and vocalists, but were never officially used. Rather than archiving the material, DJ Spinna realized his fan base would appreciate these compositions in instrumental form. After all, he is the same producer who has garnered respect from the likes of J Dilla, Pete Rock, Jazzy Jeff and yes, the one & only Stevie Wonder himself. Without giving too much of his process away, Spinna challenged himself using a mix at the latest cutting edge software in tandem with some of his favorite gear from over the years. The end result is a glimpse into the spontaneous execution of top notch creativity. Listeners will have an unobstructed view into the ears and mind of the artist. Employing several different approaches, Unpicked Treats Volume 2 maintains a consistent vibe throughout its songs. Whether, you love beat tapes, instrumental music or are entertained by the art of sampling, this record is a commodity.

Limited edition of 750 copies on 2LP in gatefold sleeve incl. inlay card and bonus 7" ("Where'z Da' Party At?" b/w "Keep It Real (Remix)").

Representing New Jersey to the fullest, Miilkbone stepped to the scene in 1994 with the piano-driven single "Keep It Real", followed by the full-length debut release "Da Miilkrate" in 1995.

In the ghetto landscapes of the Delaney projects in his hometown of Perth Amboy, New Jersey, hip hop became the soundtrack of Miilkbone's life. As b-boy kids bounced their ill pills with the mad swagger of basketball macks, the boo-boom of Rakim and Kool G Rap inspired the moods, grooves and attitudes of a new generation of rhyme slayers.

Mainly produced by the likes of former Illtown protégé Mufi, Naughty By Nature's very own Kay Gee and up-and-coming Nick Wiz, the album remains a highlight from the golden era in the catalogue of rap from New Jersey.

Available in a limited run on 2LP+7", extra 7" of "Keep It Real" in original artwork sleeve, CD in jewel case, cassette and digitally on all major platforms.

Some emcees have preserved the gift of quality over time and Phantasm is one of these emcees. In the 90's and early 2000 Phantasm and then partner UG were signed to almighty Loud Records as Cella Dwellas (later just The Dwellas) along with several heavyweight acts on the label's roster including Wu-Tang Clan, Big Pun, Xzibit, M.O.P, and Mobb Deep. Phantasm & UG's debut album "Realms 'N Reality" (1996) debuted at #160 on the Billboard 200 charts and was mainly produced by underground mainstay beatsmith Nick Wiz. The Flatbush duo was also featured on fellow Brooklyn artist Masta Ace's classic album "Sittin' On Chrome". The Dwellas followed up with a dope second album ("The Last Shall Be First") in 2000 which featured Large Professor, Cocoa Brovaz, Organized Konfusion, Inspectah Deck (of Wu-Tang Clan), and many more.
Phantasm recently teamed up with Ill Adrenaline Records to release a timeless single ("Louder Than Ever") produced by Germany's own SP1200 maestros 12 Finger Dan and B-Base (aka Soulbrotha). Complete with a true school feel and a dope scratch hook, Phan executes with a sharp delivery with lines like "...had to pen them bars, got out the street life had to mend them scars. Praise God or Allah whoever sent us Nas." Tall Man Phan is back to basics on his latest release.

Latest mash up masterpiece from AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE, and FELA SOUL. On this new SOUL MATES project he brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl pic sleeve.

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats

Detroit rising microphone star Paradime stepped away from the mic 10 years ago with a loyal following and industry respect. Now he's back for one final album with the indie stalwart label Mello Music Group. The new album is a who's who of most respected in Detroit - including Apollo Brown, Marv Won, Guilty Simpson, Denaun Porter, Ty Farris and the incredible Wayne Gerard (Guitarist alongside Bob James and Stevie Wonder to name a few). The new album is a rooted in the Motor City and runs the gamut from Boombap to Downriver, Heartfelt to Smashmouth. Paradime's new album is one of the best to come out of Detroit this year - Period.

Detroit rising microphone star Paradime stepped away from the mic 10 years ago with a loyal following and industry respect. Now he's back for one final album with the indie stalwart label Mello Music Group. The new album is a who's who of most respected in Detroit - including Apollo Brown, Marv Won, Guilty Simpson, Denaun Porter, Ty Farris and the incredible Wayne Gerard (Guitarist alongside Bob James and Stevie Wonder to name a few). The new album is a rooted in the Motor City and runs the gamut from Boombap to Downriver, Heartfelt to Smashmouth. Paradime's new album is one of the best to come out of Detroit this year - Period.

A download code is included.

„Special thanks to my family, friends, and all those who’ve inspired me to keep making music. These compositions are a reflection of my musical journey, reminding me there’s always more room to grow.“ - Like (Pac Div)
Like is back on the solo tip with a 16-track instrumental album that uses his first name as the title - Gabriel. Spending his career producing for some of the best artists (Kendrick Lamar, Joey Bada$$, Anderson Paak, Mac Miller, Nick Grant, Curren$y ...) coming out of the hip hop genre, it is probably on this piece that we get to know LIKE's genius touch. A touch that we've, unknowingly, admired for so long. Fresh drum patterns with a fusion of diverse sonic influences on every single track, making the record a classic!

Limited edition of 750 copies on black vinyl with printed innersleeves and bonus 7" ("Dirty Cop Named Harry" b/w "Hands Of A Stranger").

Originally known as 3'Da Hard Way, the Hard Knocks dropped their only full-length release, "School Of Hard Knocks" in 1992. Comprised of MC Hardhead and DJ Stoneface, the duo's debut is a critical reflection of our society that stands the test of time.

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

The title of the most recent Atmosphere album, May 2023's So Many Other Realities Exist Simultaneously, evokes the multiversal storytelling that's recently vaulted into the mainstream consciousness. With their latest effort, the irrepressible Talk Talk EP, the Minneapolis legends dart across threads of space-time to grab hold of the one where Slug and Ant became titans of the electro-rap that was foundational to their youths. By evoking acts like Kraftwerk and Egyptian Lover, Atmosphere makes visions of the future from four decades ago seem new once again, the relentless forward churn of technological optimism reimagined as an endless loop with irresistible drums. The genesis of the Talk Talk EP was the session for a song of the same name that appeared on So Many Other Realities Exist Simultaneously. A collaboration with Lifter Puller alum Bat Flower, the song "Talk Talk" exists alongside electro classics in an uncanny valley that's been warped into a sweaty nightclub, at once vaguely alien and deeply human. Enamored with the song's outcome, Slug and Ant returned for a longer exploration of the sound, to mesmeric results. The pulsing "Rotary Telephone," where the TV antennas seem tuned to a world just slightly askew from ours, thrives on the tension between Slug's careening vocals and the song's taught structure_form matched perfectly with content. And on "Hear Hear," the struggle to make human connections is revealed as a beautiful one. For all its well-documented roots in disco and R&B, rap's connection to the electronic music of the 1970s and `80s is a core part of its DNA. The Talk Talk EP is one of the clearest articulations of this truth to emerge in many years, a testament to the communal power of programmed sound. For proof, look no further than "Traveling Forever," the haunting missive that closes out the record. Images flash: of police knees on necks, of prying cameraphones, another empty hotel room indistinguishable from the last. "I never got to learn how to dance for you," Slug raps, pointedly. "I don't know whether or not that's an attribute." A chill runs down your spine but the skull at its top keeps nodding.

If you’ve been paying close attention to what’s been happening in Buffalo, NY over the last few years then you’re most definitely familiar with the name Billie Essco. Purveyor of the finest things in life, fashion connoisseur and an incredible MC, Billie Essco literally backs up his claim of being the “illest MF that you’ve ever seen” and lives what he raps. The album features guest appearances by CJ Fly, Stevie Crooks, Jae Skees and Clovis Ochin, natural wine ambassador and friend he’s met in Paris while writing part of this album attending fashion week with Westside Gunn. Album features an incredible cover art by french artist Johanna Tordjman.

Limited edition of 100 copies on cassette.

Representing New Jersey to the fullest, Miilkbone stepped to the scene in 1994 with the piano-driven single "Keep It Real", followed by the full-length debut release "Da Miilkrate" in 1995.

In the ghetto landscapes of the Delaney projects in his hometown of Perth Amboy, New Jersey, hip hop became the soundtrack of Miilkbone's life. As b-boy kids bounced their ill pills with the mad swagger of basketball macks, the boo-boom of Rakim and Kool G Rap inspired the moods, grooves and attitudes of a new generation of rhyme slayers.

Mainly produced by the likes of former Illtown protégé Mufi, Naughty By Nature's very own Kay Gee and up-and-coming Nick Wiz, the album remains a highlight from the golden era in the catalogue of rap from New Jersey.

Available in a limited run on 2LP+7", extra 7" of "Keep It Real" in original artwork sleeve, CD in jewel case, cassette and digitally on all major platforms.

When you hear the phrase, “everything’s fine,” we immediately understand it as emotional shorthand. In daily life, we depend on those perfunctory clichés (hope all is well, good to hear from you, etc.) to spare ourselves from the psychological unpacking that the truth requires. For that, there’s art. For that, there’s Everything’s Fine from Jean Grae and Quelle Chris, a jagged, acerbic odyssey that brilliantly riffs on this dystopian zeitgeist.
The thing is, anyone without a lobotomy and a toxic red hat understands that things are definitely not fine. The crush of modern anxiety, the late capitalist scramble to survive, and the brain warp rot of social media has left most of us half crazy.
“We have a dickhead for a president, and before our eyes, racial, religious, and sexual identity rights are moving backwards,” says New York’s (by way of Detroit) Quelle Chris. “Money is still a thing (I’m waiting for Star Trek life to start). There’s war, your kids may be sick, but if someone randomly asks ""how's it going?"" most people will say ""fine.""
Released on Mello Music Group, this album replaces that reflexive cliché with honest and eloquent tangents. It’s specific and subtle in its execution, achieving equilibrium between lackadaisical detours to smell the flowers and the frantic acknowledgement that there’s an inferno raging outside.
If the great political albums are often grim polemics, Everything’s Fine achieves its goals partially through withering satire. See the opening skit, a Prince Paul-style game show in which three contestants (including a futuristic robot) numbly croak that everyone’s fine despite flying high on every imaginable drug, crying themselves to sleep at night and being unemployed for a decade and a half despite having a Master’s in Fine Arts. I promise it’s much funnier than it reads off a screen.
“We’re both perfectionists in different ways,” Jean Grae describes their working relationship. “We both see huge pictures and concepts. So while listening, pay attention to the subtleties, the nuances, the dissonance and the harmony. The conversations and pieces of ourselves in the words, the flows, the beats. All of the open spaces. .Be uncomfortable and be okay with that. Be layered and be okay with that. Be angry and be okay.”
It’s rare to find a record where two rappers are so seamlessly intertwined. Yes, that’s partially a by-product of the teamwork that goes into being in any normal relationship where you wake, sleep, and dream together. But the album also bears the hallmarks of two singular creative geniuses trading bars, collaborating on beats, and combining fun with internal therapy and external observations. It features indelible cameos from Denmark Vessey, Grammy Award winner Anna Wise, Your Old Droog and Big Tone, as well as comics Ashok “Dap” Kondabolu, Michael Che, Nick Offerman, and Hannibal Burress.
In the streaming era, we tend to naturally overlook albums that require multiple listens. This is a record that will grab you on first listen, but it’s greatness only reveals itself through its careful construction, slick wordplay, and esoteric allusions.
On “Zero,” Jean artfully references Rachmaninoff and The Donner Party in the first two bars. With “Scoop A Dirt,” she name-drops the Babadook alongside the truth bomb that Friends was little more than a whitewashed rip off off Living Single. Meanwhile, Quelle balances boasts about bags of cash the size of Chris Christie with poignant existential laments. Somewhere in between, Jean will stealthily slip in jewels like, “it took me until my 30s just to put my finger on it, once you accept the knowledge/solace doesn’t follow/honest.”
It’s a record with only a couple antecedents: De La Soul is Dead, Organized Konfusion’s Stress: The Extinction Agenda, Blackstar, and maybe Cannibal Ox’s Cold Vein. Yet it doesn't sound remotely like any of them. It’s spontaneous and free, yet refined and meticulous. Even if everything is abject, it’s a reminder that music can transcend.
“This album is full of our minds. Our hearts. Our love for production, and words. flow and a lot of musicality,” Jeans says. “We don’t approach topics, issues, writing, or making beats in the same way. I’m harsh, blunt, quick, technical, I arrange classically and play more than I sample. I make joints with 80 tracks. I’m layers upon layers upon layers. Quelle is patient, he’s kinder. More loose and minimalistic. He makes sounds work together that shouldn’t fucking work. How? I have no idea. These are dreams within dreams.”

"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

Strictly limited edition of 500 copies in funky textile cover plus printed innersleeve.

Flitz&Suppe is representing his playground Cologne with KEATS 15. 13 tracks in total with features by buddies B-Side, AK420, Nick Mitdemkopf, leaf beach & PRGMT. Available on limited vinyl as well as digitally on all platforms.

The 16th release from Heat Rock is here! Featuring a duo of 80s Funk remixes from DJ Organic (Phoenix, USA) who takes a Clinton classic to the club, while Nick Bike (Vancouver, Canada) walks a fine line between House and Hip-Hop with his Rick James flip. There's a big BPM difference between the sides which makes this one a must-have
DJ tool. Doubles are recommended!

Limited edition of 100 copies on cassette.

Originally known as 3'Da Hard Way, the Hard Knocks dropped their only full-length release "School Of Hard Knocks" in 1992. Comprised of MC Hardhead and DJ Stoneface, the duo's debut is a critical reflection of our society that stands the test of time.

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

Limited edition of 300 copies on CD in jewel case.

Representing New Jersey to the fullest, Miilkbone stepped to the scene in 1994 with the piano-driven single "Keep It Real", followed by the full-length debut release "Da Miilkrate" in 1995.

In the ghetto landscapes of the Delaney projects in his hometown of Perth Amboy, New Jersey, hip hop became the soundtrack of Miilkbone's life. As b-boy kids bounced their ill pills with the mad swagger of basketball macks, the boo-boom of Rakim and Kool G Rap inspired the moods, grooves and attitudes of a new generation of rhyme slayers.

Mainly produced by the likes of former Illtown protégé Mufi, Naughty By Nature's very own Kay Gee and up-and-coming Nick Wiz, the album remains a highlight from the golden era in the catalogue of rap from New Jersey.

Available in a limited run on 2LP+7", extra 7" of "Keep It Real" in original artwork sleeve, CD in jewel case, cassette and digitally on all major platforms.

“Live From The First”, the debut album by Pearl Gates is a sonic evolutionary process, chronicling his journey from the streets to the rap game.

The stage is set in the trenches and as it gradually shifts to a more elevated space and state of consciousness, the common thread revealing itself throughout the process is growth. The music is engaging; from gritty and ruthless sounds on “Rocks Right Now” to a virtuous and energizing vibe on “Elevate”, Gates delivers a welcoming, well balanced musical experience. “Live From The First” is brash, honest, thought provoking and highly conceptual while providing insight on everyday life in one of NYC's more bustling and enterprising communities, Washington Heights.

The first in the album title refers to the nick-name for 181st street in upper Manhattan where Pearl Gates comes from. “Most of the tracks on the album revolve around stories and experiences from the block” he reveals. That doesn’t necessarily mean all of the stories are about street life however. Gates, who is also an accomplished singer, also manages to incorporate his soulful hooks into the songs without sacrificing the Hip-Hop elements of each track. Gates says “my father was a singer and I inherited his talent of perfect pitch. I use it to flesh out my music but lately I’ve been asked to contribute hooks by Kool G Rap, Masta Ace, Wordsworth and other artists, which is flattering”.

Some notable features who appear on “Live From The First” include Torae, Geechi Suede (of Camp Lo) and Cassidy. Speaking on the latter Pearl Gates revealed “I didn’t expect Cassidy to be on the album. We have a mutual friend who is a producer and one night he brought him through just to hang out. Cassidy heard the track and said, you want me to get on this? That was all love”. Other up and coming artists will appear on the album as well.

In the last few years Pearl Gates has been making notable music and appearances. His "Diamond Mind" EP (2015) was praised by media outlets including The Source, HipHopDX, 2DopeBoyz and Respect Magazine. The "Play This" EP (2016) with fellow Washington Heights rapper Syll also received likes from media and DJs/radio shows including DJ Premier and Drake’s OVO Sound Radio. Gates also completed tours of Europe and North America with eMC and PRhyme.

Limited edition of 300 copies on CD in jewel case.

Originally known as 3'Da Hard Way, the Hard Knocks dropped their only full-length release "School Of Hard Knocks" in 1992. Comprised of MC Hardhead and DJ Stoneface, the duo's debut is a critical reflection of our society that stands the test of time.

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

Zora is a 22 year old artist, producer, singer, and rapper. She has been writing music since the age of 14, taking inspiration after Stevie Wonder, Beyonce, Janet Jackson, Prince, Kendrick Lamar, Sophie, and so many others. Zora’s sound can be described as Alternative Pop. She writes, produces, and records all of her own stuff, using instruments such as the piano, the ES2 synth, and electric guitar to bring her ideas to life.

Strictly limited edition of 500 copies on black vinyl of the 1996 debut album "Realms 'N Reality" by U.G. and Phantasm aka the Cella Dwellas. The Brooklyn-duo made a first appearance on Masta Ace's 1994 classic album "Sittin' On Chrome", which was followed by singles like "Land Of The Lost", "Good Dwellas" or "Perfect Match".

"Realms 'N Reality" is still one of the major underground gems from the golden era of Hip-Hop, with tight production mostly handled by Nick Wiz.

Strictly limited 2LP black vinyl edition of 300 copies.

"Together, California-based poets Damani Nkosi and ill Camille are HARRIETT. ill Camille's visceral and animated lyricism coupled with Damani Nkosi’s honest poetry and intricate wordplay makes for a dense, introspective and beautifully spiritual album". - Martin Boev

We are excited to announce the exclusive release of Fight Vol.1 by Stonam on apple red vinyl.

Pre- sale is now live and orders will be shipped on January 22, 2021

Stonam (formerly Royce Birth) is a multi-genre recording artist that believes “the music makes
the person” and not the other way around. Consider him a playlist in human form (without the
‘skip ad’ button). With influences ranging from Stevie Wonder, Common, George Clinton, David
Axelrod, John Coltrane, Feist, Mos Def and many more to add to this list.
Born in Toronto, Stonam started on the hip hop scene, and eventually progressed into areas of
jazz, indie, R&B and pop. Sometimes altogether as a melting pot. Sometimes individually.
What’s the common purpose? That it is all soulful.
Set to release his next creation, “Fight..Vol.1”, due in November 2020. The album sums up the
story of the perfect comeback, while the message is “we are ALL fighters”. Through life, love,
labour, and values that we stand for.
The mission for this artist, is creating ideas that can still mean something 30 years from now.
Made for your headphones only.

Debut vinyl release by underground producer Big Shawn of San Francisco’s iconic rap group Bored Stiff. Album features 19 new instrumentals showcasing B.I's love of Brazilian jazz and 70's funk fusion on fresh green vinyl.

Slingbaum One is produced by Slingbaum, Tariq Khan, and Rashad Ringo ''Tumblin Dice'' Smith and features Erykah Badu, D'Angelo, FKA twigs, Oumou Sangare, Nick Hakim, Damon Albarn, Bilal, Syd, Ahmad Jamal, Ron Carter, Cory Henry, Masayuki ''BIGYUKI'' Hirano, Jameel Bruner, Marcus Strickland, Chris Dave, Justin Brown, Keyon Harrold, Nicholas Semrad, Aaron Liao, Bendji Allonce, William ''Cito'' Vjvas, Ben Tiptonford, Rob Moose, Zach Brock, Celia Hatton, Malcolm Parson, Perrin Moss, Fernando Diaz, Simon Mavin, Jake Sherman, Paul Kowert, Amani Fela Greene, Austin Williamson, Rashad Ringo ''Tumblin Dice'' Smith, Tariq Khan, and Slingbaum. It is also co-written by all aforementioned artists.

180gram black 12'' vinyl manufactured at RTI
24-pt board sleeve in poly-vinyl bag
Total record duration is approximately sixteen minutes