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Limited edition of 300 copies on CD in jewel case.

"Beyond Flavor" is the sophomore album by Original Flavor, the group then consisting of Ski, T-Strong and DJ Chubby Chubb. Lyrical animation over Jazz-infused beats is the formula with an overall New York vibe. Guests include young cats such as Jay-Z, Sauce Money and Dame Dash.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 100 copies on cassette. Only 1 per customer!

"Beyond Flavor" is the sophomore album by Original Flavor, the group then consisting of Ski, T-Strong and DJ Chubby Chubb. Lyrical animation over Jazz-infused beats is the formula with an overall New York vibe. Guests include young cats such as Jay-Z, Sauce Money and Dame Dash.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 300 copies on 2LP in gatefold sleeve incl. inlay card & bonus 7" ("All That" b/w "Remix"). Only 1 per customer!

"Beyond Flavor" is the sophomore album by Original Flavor, the group then consisting of Ski, T-Strong and DJ Chubby Chubb. Lyrical animation over Jazz-infused beats is the formula with an overall New York vibe. Guests include young cats such as Jay-Z, Sauce Money and Dame Dash.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Uzoo came to existence in the winter of 2015. Aware of the depth of talent in the Connecticut hip-hop scene, and fed up with being overlooked, Joey Batts called upon his closest friends to form a CT-based supergroup. By bringing the best of the best together into a cohesive unit - one that allowed for individual talents to shine alongside the overall power of the group as a whole - Uzoo brings forth a musical experience reminiscent of the 90's-era Wu-Tang Clan, reminding hip-hop fans of how revolutionary a collective has the power to be. The dynamic collective boasts an eclectic offering of artistry, as each member brings their unique style to the table. Uzoo has something for everyone. The fact that such a wide array of styles are blended together so fluently on wax is a testament to the level of talent that exists within the group. Feeding off of one another's energy, the animalistic tendencies of each emcee is apparent as they trade bars and verses over rugged, grimy production. "Attack" (2017) on the a-side of this limited edition 45 was the group's very first official single - a rugged and grimy posse joint featuring all the Uzoo members, very similar to the Wu's classic "Protect Ya Neck". The b-side contains the catchy but still raw "Hollow Soul (Remix)" with Joey Batts and Crissb. Amazing delivering another certified banger.

"Even God Has A Sense Of Humor" is the long-awaited follow up album to Maxo's critically acclaimed 2019 release Lil Big Man. Across the 14-tracks, Even God Has A Sense Of Humor pays tribute to the mercurial nature of life and includes features from Liv.e, keiyaA, LastNameDavid, and Melanie Charles along with the previously released singles "Free!," produced by Dev Morrison and "48," produced by Madlib and featuring Pink Siifu. The Fader recently sat down with Maxo to discuss the album, which they described as having "a de fi ant glow, like a bronze statue still standing after an intense tornado." Born Maxamillian Allen, Even God Has A Sense Of Humor fi nds Maxo earnest, full-hearted, and lyrically agile. His delivery punches as he poetically unpacks the trials and blessings that have marked the last three years since Lil Big Man, his stirring and meditative debut album. “Life is always gonna be life-ing,” Maxo says, speaking to the spiritual lessons that inspired this new project and an album process that has revealed to him the many ways in which he’s divinely protected. The album’s striking cover features three casted sculptures of Maxo by legendary NYC-based artist artist John Ahearn, photographed by the rapper’s friend Steven Traylor. The image both preceded the music and set the tone for the record’s overall aura. Experiencing the casting process—which required long periods of stillness for form, and breathwork to avoid claustrophobia —became a metaphor about ego death for Maxo. “I had to go to a space where I was just not there,” he says. As the molding was poured over his body and the voices of those in the room became distant, Maxo’s inner world came into focus. “By the time it hardened, it seemed like the sculpture had risen to be 20 feet above where it was fi rst— almost like it grew tall,” he explains. Eghasoh, in its aural ebbs and fl ows, honest questioning, profound revelations, and elegant verse, is Maxo standing spiritually tall following a period of challenges with family and friends.

This record will most definitely take heads back to Hahyeem's first release Silence. Drums are something horrible!



Hahyeem has been developing his rhyming style and overall artistry since we dropped Silence back then and this record is one of the nicest projects I've heard in a minute.



Entirely produced by A-1 Records employee and some say protegee of Large Professor, Karbine.

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

And we're back. Sorry about Monday night - site issue - now fixed!!



It's been 7 years since the last 12" drop by Hahyeem on Herring and here we have a stunning new album produced exclusively by NYC beatmaker, and some say, protégé of Extra P, Karbine. Cats might know Karbine from his day job, working at A1 Records in NY.



This record will most definitely take heads back to Hahyeem's first release Silence. Drums are something horrible, horrible! Ooo weee. To me,it sounds a lot like Finesse's production, so what's not to like?



Hahyeem has been developing his rhyming style and overall artistry since we dropped Silence back then and this record is one of the nicest projects I've heard in a minute. Packaged in a full colour cover reminiscent of a Blue Note jacket and all on purple wax as requested by H, this one is crazy tasty. Don't sleep...you will regret it!





There are 300 copies on Purple Wax in Full Colour Jacket.

In Emanuele Triglia's 'Moon Kin' we embark on a captivating journey where the worlds of Contemporary Jazz, Hip Hop, and Global Rhythms converge in a seamless tapestry of sound. Inspired by the likes of Karriem Riggins, Herbie Hancock, J Dilla this album pushes the boundaries of traditional jazz while embracing the raw energy of hip hop and the diverse textures of worldwide music.

At its core, "Moon Kin" is a celebration of the synchronicity between musicians and listeners, where every note, beat, and rhythm feels like a shared experience. Each track serves as a testament to the interconnectedness of musical expression, weaving together intricate melodies and infectious grooves that resonate with the soul. From the hypnotic rhythms of the drums to the sultry melodies of the trumpet, the album is a testament to the power of organic instrumentation. Layers of live instrumentation create a rich sonic landscape, where every instrument has its voice and contributes to the overall narrative of the music. "Moon Kin" is more than just an album—it's a testament to the power of music to bring people together and create moments that transcend any musical language or culture. With its innovative blend of Jazz, Hip hop, and World Music influences, this album is sure to leave a lasting impression on listeners everywhere.

"Even God Has A Sense Of Humor" is the long-awaited follow up album to Maxo's critically acclaimed 2019 release Lil Big Man. Across the 14-tracks, Even God Has A Sense Of Humor pays tribute to the mercurial nature of life and includes features from Liv.e, keiyaA, LastNameDavid, and Melanie Charles along with the previously released singles "Free!," produced by Dev Morrison and "48," produced by Madlib and featuring Pink Siifu. The Fader recently sat down with Maxo to discuss the album, which they described as having "a de fi ant glow, like a bronze statue still standing after an intense tornado." Born Maxamillian Allen, Even God Has A Sense Of Humor fi nds Maxo earnest, full-hearted, and lyrically agile. His delivery punches as he poetically unpacks the trials and blessings that have marked the last three years since Lil Big Man, his stirring and meditative debut album. “Life is always gonna be life-ing,” Maxo says, speaking to the spiritual lessons that inspired this new project and an album process that has revealed to him the many ways in which he’s divinely protected. The album’s striking cover features three casted sculptures of Maxo by legendary NYC-based artist artist John Ahearn, photographed by the rapper’s friend Steven Traylor. The image both preceded the music and set the tone for the record’s overall aura. Experiencing the casting process—which required long periods of stillness for form, and breathwork to avoid claustrophobia —became a metaphor about ego death for Maxo. “I had to go to a space where I was just not there,” he says. As the molding was poured over his body and the voices of those in the room became distant, Maxo’s inner world came into focus. “By the time it hardened, it seemed like the sculpture had risen to be 20 feet above where it was fi rst— almost like it grew tall,” he explains. Eghasoh, in its aural ebbs and fl ows, honest questioning, profound revelations, and elegant verse, is Maxo standing spiritually tall following a period of challenges with family and friends.

As one of hip hop’s premier auteurs, Danny Brown has been no stranger to conscious themes and current affairs; much of his discography features blisteringly honest verses set to explosive productions. But on his sixth album Quaranta, Danny Brown shows a new side: with his forlorn face half obscured by the shadows of his past, he delivers a raw, autobiographical clarity that we haven’t seen before.

Part of this comes with age. “Quaranta” means “forty” in Italian, marking pivotal moments and epiphanies in the years since his breakout record XXX. It’s also where the word “quarantine” originates, not only referring to the decade defining lockdowns the album was written in, but to a deep sense of isolation and self reflection that colours Danny’s storytelling. As the album’s very first line says, “This rap shit done saved my life and fucked it up at the same time”: there’s no begging for pity here, rather Danny is telling all, with ‘Maggot Brain’-esque shreds framing his bare, wisened voice.

Danny’s vanguard status as an artist allows him to school the youngins of the rap game while unpacking his own downfalls. In that way, Quaranta becomes a case study of the rapper, reckoning with the realities of his dream career. ‘Y.B.P.’ is as much an admonishment of destitute living situations as it is a celebration of Detroit’s ingenuity, leading into an abstract thesis on gentrification in ‘Jenn’s Terrific Vacation’, where musical structures are knocked down and rebuilt just as quickly as the architectural ones are, while freezing tones depict stagnation in the midst of immense change.

As one of hip hop’s premier auteurs, Danny Brown has been no stranger to conscious themes and current affairs; much of his discography features blisteringly honest verses set to explosive productions. But on his sixth album Quaranta, Danny Brown shows a new side: with his forlorn face half obscured by the shadows of his past, he delivers a raw, autobiographical clarity that we haven’t seen before.

Part of this comes with age. “Quaranta” means “forty” in Italian, marking pivotal moments and epiphanies in the years since his breakout record XXX. It’s also where the word “quarantine” originates, not only referring to the decade defining lockdowns the album was written in, but to a deep sense of isolation and self reflection that colours Danny’s storytelling. As the album’s very first line says, “This rap shit done saved my life and fucked it up at the same time”: there’s no begging for pity here, rather Danny is telling all, with ‘Maggot Brain’-esque shreds framing his bare, wisened voice.

Danny’s vanguard status as an artist allows him to school the youngins of the rap game while unpacking his own downfalls. In that way, Quaranta becomes a case study of the rapper, reckoning with the realities of his dream career. ‘Y.B.P.’ is as much an admonishment of destitute living situations as it is a celebration of Detroit’s ingenuity, leading into an abstract thesis on gentrification in ‘Jenn’s Terrific Vacation’, where musical structures are knocked down and rebuilt just as quickly as the architectural ones are, while freezing tones depict stagnation in the midst of immense change.

As one of hip hop’s premier auteurs, Danny Brown has been no stranger to conscious themes and current affairs; much of his discography features blisteringly honest verses set to explosive productions. But on his sixth album Quaranta, Danny Brown shows a new side: with his forlorn face half obscured by the shadows of his past, he delivers a raw, autobiographical clarity that we haven’t seen before.

Part of this comes with age. “Quaranta” means “forty” in Italian, marking pivotal moments and epiphanies in the years since his breakout record XXX. It’s also where the word “quarantine” originates, not only referring to the decade defining lockdowns the album was written in, but to a deep sense of isolation and self reflection that colours Danny’s storytelling. As the album’s very first line says, “This rap shit done saved my life and fucked it up at the same time”: there’s no begging for pity here, rather Danny is telling all, with ‘Maggot Brain’-esque shreds framing his bare, wisened voice.

Danny’s vanguard status as an artist allows him to school the youngins of the rap game while unpacking his own downfalls. In that way, Quaranta becomes a case study of the rapper, reckoning with the realities of his dream career. ‘Y.B.P.’ is as much an admonishment of destitute living situations as it is a celebration of Detroit’s ingenuity, leading into an abstract thesis on gentrification in ‘Jenn’s Terrific Vacation’, where musical structures are knocked down and rebuilt just as quickly as the architectural ones are, while freezing tones depict stagnation in the midst of immense change.

Copy overall closer to NM

"Gunz From Italy" by Realio Sparkzwell, produced by Tone Spliff, is a raw and gritty hip-hop album that oozes with underground flavor. The album's unique vibe is thanks in part, to the fact that all of its tracks are built around samples from Italian music, giving each song an intriguing old-world feel.

Realio Sparkzwell's rhymes are sharp, intelligent, and infused with a keen street sensibility that keeps listeners engaged from start to finish. He deftly weaves tales of his experiences growing up in Upstate New York, touching on topics like poverty and crime.

The title track "Gunz From Italy" is reminiscent of the classic mid 90's. The hypnotic beat just catches you right off the bat and the cuts are incredible. You would think the song would be glorifying guns but if you pay attention to the lyrics, Realio is talking about the worldwide tragedy and hypocrisy of it all. Overall its a deep song that is quite mesmerizing and has great playback value.

One of the standout tracks on the album is "Dynasties," on which Realio Sparkzwell takes listeners on a journey through the city, backed by a mafioso string melody. He showcases his lyrical dexterity on this track, delivering mordant one-liners alongside intricate rhymes.

Another highlight of "Gunz From Italy" is the track "Mambo," which features the album's only guest verse by Copywrite of mHZ. The two emcees spit verses over a recognizable Italian classic, showcasing their undeniable rhyme chemistry.

Tone Spliff's production on the album is top-notch, with each beat feeling like an homage to the Italian music and culture which they both come. It's clear that he and Realio Sparkzwell share a strong music-making synergy, with each track complementing the other.

Limited to 300 copies.

'Order "Moving Like a Planet" by Factor Chandelier with features by Eligh, Ceschi, AJ Suede, Alex Bent, and Dex Riley on beautifully packaged 12" vinyl LP now.

Factor Chandelier's latest offering, "Moving Like A Planet" is about to make an impact on innovative instrumental hip-hop. A Canadian producer with a veteran pedigree, Factor Chandelier has earned numerous awards for his boundary-pushing soundscapes. “Moving Like A Planet”, released on longtime esteemed left-field hip-hop label Fake Four Inc., showcases his talent for creating lush, atmospheric tracks that blur the lines between hip-hop and downtempo. While some of the songs on "Moving like A Planet" are experimental, the overall effect is surprisingly accessible. Factor Chandelier knows how to balance his sonic explorations with catchy hooks and memorable melodies, making this an album that rewards repeated listens! Guest appearances by Ceschi, Eligh, and AJ Suede only add to the album's appeal. These skilled MCs fit seamlessly into Factor Chandelier's sonic world, adding new layers of depth and meaning to the tracks they appear on. Factor Chandelier’s decades of experience and skill are on full display throughout the album. If you're a fan of spacey instrumental hip-hop and tripped-out beat-scapes, with a futuristic edge, this album is a must-hear!

Apart from the overall trend in the contemporary music industry, the second collection album on the Hydeout Productions label, a rare independent label that has gained a large following among listeners by releasing purely sound=works without any advertising activities, the 2nd Collection is the second 2LP album on the label. It was released on. It is another world of Hydeout, parallel to the Nujabes' albums Metaphorical Music and Modal Soul, with a wider range of works and people. The album is a label collection album, including 'Another Reflection', which is another chapter of 'Reflection Eternal' from the last album 'Modal soul', but also shows the label's direction after Nujabes' second album 'Modal Soul'. This work shows the direction of the label after Nujabes' second album 'Modal Soul'.

Honoring the craft and the ones that came before him through undeniably infectious beats that brace the weight of his choice samples and original layers. Getting his chops up through his younger days, Shane spent his time developing instrumental obstacle courses for local emcees to dance around including Gift Of Gab (Blackalicious),Spills (ny) Kinetic Source (Ozomatli) and Cashus King (LA.) By the age of 21 Shane threw himself into the ring of the Stones Throw beat making contest. To only the surprise of himself, Shane walked away twice as a weekly winner of the battles. After a small hiatus due to the birth of his daughter Clementine, Shane jumped back on the pads and began crafting the instrumentals for what would become Apostolos. With the instrumentals in flux Shane reached out via Instagram to an upcoming emcee out of the Duck Down Camp, a prodigy of the late, great Sean Price, Rim. After chatting back and forth for a small time, making sure Rim knew Shane was in this project for the right reasons, Rim jumped on board and even helped land other up and coming NY emcees like Eddie Kaine & Spills. From there everything snowballed. One feature led to another and soon enough the album was taking shape with features from not only Rim and Eddie Kaine, but hip hop heroes such as Masta Ace, Planet Asia, A.G. of D.I.T.C. and Geechi Suede. With a few more instrumentals and spaces to fill Shane reached out to long-time bay area engineer/producer Deegan Mack Adams to help with the mixing and mastering and overall release of the project. Apostolos gets its namesake and back cover imagery from Shane Sounds' great great Grandfather, Apostolos Christakis who immigrated to the United States from Greece at the turn of the 20th century. The documents you see on the back cover are Apostolos’s army registration documents only a week after coming to the United States. We pay our respects to the ones who came before us and allowed us to be here to create this project. Salute!

Shane Christakis, aka Shane Sounds (name bestowed upon him by the bay area legend DJ Fresh), is primed to explode. The up and coming producer/DJ from the California Bay Area, has been a devout disciple of the golden era of hip hop through and through. Honoring the craft and the ones that came before him through undeniably infectious beats that brace the weight of his choice samples and original layers. Getting his chops up through his younger days, Shane spent his time developing instrumental obstacle courses for local emcees to dance around including Gift Of Gab (Blackalicious),Spills (ny) Kinetic Source (Ozomatli) and Cashus King (LA.) By the age of 21 Shane threw himself into the ring of the Stones Throw beat making contest. To only the surprise of himself, Shane walked away twice as a weekly winner of the battles. After a small hiatus due to the birth of his daughter Clementine, Shane jumped back on the pads and began crafting the instrumentals for what would become Apostolos.

With the instrumentals in flux Shane reached out via Instagram to an upcoming emcee out of the Duck Down Camp, a prodigy of the late, great Sean Price, Rim. After chatting back and forth for a small time, making sure Rim knew Shane was in this project for the right reasons, Rim jumped on board and even helped land other up and coming NY emcees like Eddie Kaine & Spills. From there everything snowballed. One feature led to another and soon enough the album was taking shape with features from not only Rim and Eddie Kaine, but hip hop heroes such as Masta Ace, Planet Asia, A.G. of D.I.T.C. and Geechi Suede. With a few more instrumentals and spaces to fill Shane reached out to long-time bay area engineer/producer Deegan Mack Adams to help with the mixing and mastering and overall release of the project.

Apostolos gets its namesake and back cover imagery from Shane Sounds' great great Grandfather, Apostolos Christakis who immigrated to the United States from Greece at the turn of the 20th century. The documents you see on the back cover are Apostolos’s army registration documents only a week after coming to the United States. We pay our respects to the ones who came before us and allowed us to be here to create this project. Salute!

Shane Christakis, aka Shane Sounds (name bestowed upon him by the bay area legend DJ Fresh), is primed to explode. The up and coming producer/DJ from the California Bay Area, has been a devout disciple of the golden era of hip hop through and through. Honoring the craft and the ones that came before him through undeniably infectious beats that brace the weight of his choice samples and original layers. Getting his chops up through his younger days, Shane spent his time developing instrumental obstacle courses for local emcees to dance around including Gift Of Gab (Blackalicious),Spills (ny) Kinetic Source (Ozomatli) and Cashus King (LA.) By the age of 21 Shane threw himself into the ring of the Stones Throw beat making contest. To only the surprise of himself, Shane walked away twice as a weekly winner of the battles. After a small hiatus due to the birth of his daughter Clementine, Shane jumped back on the pads and began crafting the instrumentals for what would become Apostolos.

With the instrumentals in flux Shane reached out via Instagram to an upcoming emcee out of the Duck Down Camp, a prodigy of the late, great Sean Price, Rim. After chatting back and forth for a small time, making sure Rim knew Shane was in this project for the right reasons, Rim jumped on board and even helped land other up and coming NY emcees like Eddie Kaine & Spills. From there everything snowballed. One feature led to another and soon enough the album was taking shape with features from not only Rim and Eddie Kaine, but hip hop heroes such as Masta Ace, Planet Asia, A.G. of D.I.T.C. and Geechi Suede. With a few more instrumentals and spaces to fill Shane reached out to long-time bay area engineer/producer Deegan Mack Adams to help with the mixing and mastering and overall release of the project.

Apostolos gets its namesake and back cover imagery from Shane Sounds' great great Grandfather, Apostolos Christakis who immigrated to the United States from Greece at the turn of the 20th century. The documents you see on the back cover are Apostolos’s army registration documents only a week after coming to the United States. We pay our respects to the ones who came before us and allowed us to be here to create this project. Salute!

Following the success of Aesop Rock's most recent solo album, Spirit World Field Guide, he returns to deliver the instrumental version of those interdimensional adventures. Aesop has long been celebrated for his talents as a lyricist, but he has continually grown and evolved as a producer as well. While the original Spirit World Field Guide was packed with insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe, the Spirit World Field Guide Instrumentals not only set the tone but also provide the roadmap for you to take your own journey. Welcome to the Spirit World. Explore with intention.

Made in two versions - classic black and limited multicolor vinyl. Limitied Surprise Edition was pressed in 200 copies and has got an OBI.

After a six year hiatus Twardowski returns with his fourth album on U Know Me Records. The newest outing is a retrofuturistic trip to the author's two biggest influences: instrumental hip-hop and… video games. The new album eschews Twardowski's previous synth-heavy style in favor of multiple layers of chopped and mended together samples, topped off by cuts from U Know Me's own jazz guitarist/turntablist Żyńy. The album invokes video games with the track titles, the LP's title being a homage to coin-ops and via the overall sound: wonky, heavily shuffled, almost-out-of-sync rhythms sounding almost as if the tracks were done sampler in one hand gamepad in the other, over a lengthy, laid back gaming/sequencing session. Maybe if a gamepad was a sampler and instrumental hip-hop was a game, "One Coin Clear" could have been its soundtrack.

Made in two versions - classic black and limited multicolor vinyl. Limitied Surprise Edition was pressed in 200 copies and has got an OBI.

After a six year hiatus Twardowski returns with his fourth album on U Know Me Records. The newest outing is a retrofuturistic trip to the author's two biggest influences: instrumental hip-hop and… video games. The new album eschews Twardowski's previous synth-heavy style in favor of multiple layers of chopped and mended together samples, topped off by cuts from U Know Me's own jazz guitarist/turntablist Żyńy. The album invokes video games with the track titles, the LP's title being a homage to coin-ops and via the overall sound: wonky, heavily shuffled, almost-out-of-sync rhythms sounding almost as if the tracks were done sampler in one hand gamepad in the other, over a lengthy, laid back gaming/sequencing session. Maybe if a gamepad was a sampler and instrumental hip-hop was a game, "One Coin Clear" could have been its soundtrack.

Following the commercial success of the 2021 album Unf*ckwitable and an overall banner year for the Detroit rapper, Babyface Ray comes with the aptly titled and highly anticipated album, Face, which sees him stake his claim as “The Face of the City.” Production on the twenty-track album is largely handled by 808 Mafia, DJ Esco and others, and features appearances from Icewear Vezzo, Yung Lean, Pusha T, G Herbo, Wiz Khalifa, 42 Dugg & Landstrip Chip. With an already impressive list of cosigns from artists such as Future and Tyler, The Creator, Babyface Ray continues his all-out assault to put Motor City on the map and isn’t taking his foot off the gas anytime soon.

The Japan / Cold Busted connection tightens with the release of Timeless, a collaborative album from two rising figures from the Land of the Rising Sun. Buzzing in from Chiba, Bugseed has been making a name for himself in hip hop circles with finely constructed beats and clever sample riffs, inspiring a multitude of releases filtering across the globe. The Nagasaki-based DJ Motora is owner of Team Ken Records and 'genreless' DJ since 1997. Together they've concocted Timeless, a densely constructed 12 track album that's filled with gritty hip hop beats and evocative city-dwelling soundscapes. The album opens dramatically with "Vibrant," spookily laying down lost-on-the-way electric piano and a tense string line before the most crucial of beats kicks in. "Ideal" grabs another flavor with its off-kilter jazz club ambiance and snapping, minimal rhythm. More ragged beats come into play on "Hefty," accompanied by rolling stand-up bass and dreamily tinkling keys. "Cultivation" delves deep into the abstract, stereo effects and crunching percussion push and pull, giving the cut a unique rumbling and tumbling feel. Those are just some highlights — overall, this album transcends the usual 'beat record' with productions that seem to reminisce with a futuristic flair. In other words, these vibes are Timeless.

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Limited to 500 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Limited to 200 copies. Legendary Hip Hop Producer and Emcee Large Pro aka The Large Professor returns with his highly anticipated 3rd instrumental album, Beatz Volume 3. Back with his traditional signature Boomp Bap sound, LP brings you more well-crafted soulful Beatz that you can rhyme to, DJ with, skateboard, or even dance to! This album features 10 bangers that are sure to make DJs want doubles to back spin! Large Professor states: "Beatz Vol. 3 was made to lift the spirits. From the youthful "Let It Fly" to the ghetto love story sounds of "Rooftop Love", all of the Beatz on this project were made to make the listener feel good. After learning more about my family history, I had to dedicate the song "Ancestors" to my predecessors who are in the "Friendly Skies". Overall, I want to keep that original Boomp Bap style of hip hop alive for my generation, and the real ones to follow." Large Professor is a founding member of the Hip Hop group Main Source. In 1991 their classic debut album "Breaking Atoms" introduced the world to NAS, who was featured on the track "Live at the Barbeque". Some of Large Pro's production and remix credits include tracks for NAS, Eric B. & Rakim, A Tribe Called Quest, Slick Rick, Pete Rock & CL Smooth, Tragedy Khadafi, Mobb Deep, Busta Rhymes, Big Daddy Kane, Lord Finesse, Akinyele, Masta Ace, Czarface, Cormega and many more. Recent production credits: RawWattage "Eyez" (2020), "Pressure" Soundtrack (2020), The Lox/Westside Gunn & Benny "Think of the Lox" (2021), Al Skratch "Be Original" (2021), Neek The Exotic ft. Large Pro "XtraExotic" (album) (2021), K.McGyver Hemisphere (2021), Papoose "Represent" (2021), Papoose "Cold Winter" (2021) and the "All The Streets are Silent" Motion Picture Soundtrack (2021).

Pink Siifu’s latest release,GUMBO!,is another sprawling Afrocentric vision from one of the boldest voices in contemporary rap. Following up on 2020’sNEGRO, the album’s songs are as rich and varied as its titular stew. Siifu’s boundless style makes for an unpredictable but rewarding ride across the album’s 18 tracks, as he explores the diverse sounds of his influences and breaks new ground with a unique class of co-stars. Siifu, born Livingston Matthews and raised between Alabama and Cincinnati, has already notched a conspicuous list of collaborations in his burgeoning career, from legendary producer the Alchemistto Australian electronic group the Avalanches. Siifu also embodies various inspirations through a range of alter-egos, often producing under the moniker “iiye,” or as half of the duo B. Cool-Aid with Ahwlee, both of which appear onGUMBO!. The variety of guest features and production onGUMBO!only elevates Siifu’s ability to push the boundaries of genre and song structure. “Voicemails Uptown” (produced by Soulection’s Monte Booker) is the second of two back-to-back posse cuts, sporting five plus vocalists each. “Lng hair dnt care,” the album’s first single, was produced by Ted Kamal, who first garnered attention for his outside-the-box edits of contemporary rap staples. And while several of the album’s tracks are well within his bag, the jazzy, drumless loop on “Fk U Mean/Hold Me Dwn” could’ve been a cut off of his collab album with Virginia rapper Fly Anakin,FlySiifu’s. Though rife with standout tracks,GUMBO!is greater than the sum of its parts. Siifu’s ambitious range and impressive pool of features create an otherworldly listening experience. Overall, it reflects an intense desire for self-expression and creative growth, one which he shares with many of his influences. Like Outkast, Sun Ra, Baraka, or Bad Brains, his unique soundscapes re-imagine a genre without restrictions, breaking new ground in search of artistic and personal freedom.

Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”

Limited to 2000 worldwide. Deluxe Lunchbox features embossed images on the front and back. Includes: Red Velour Rally Towel printed with 'The Plugs I Met II' Logo plus 18-track Deluxe CD version of 'The Plugs I Met 2' including the song "Thanksgiving"* plus all Instrumentals* & a 20-page booklet featuring never-seen-before photos and lyrics! (*previously unavailable on CD) The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse

Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”

The 10-track release, Collection Agency, is Curren$y’s first project of 2021. The album marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ.Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, & Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. At just under 24 minutes, Curren$y delivers another unforgettable round of smooth joints and cruising music.

The 10-track release, Collection Agency, is Curren$y’s first project of 2021. The album marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ.Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, & Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. At just under 24 minutes, Curren$y delivers another unforgettable round of smooth joints and cruising music.

Brooklyn Bred MC and Independent Artist, Kota the Friend, continues to stake his claim in music, collaborating for a no frills, modern nostalgic, sharp, yet witty collaborative album with the legendary DJ, Statik Selektah. ‘To Kill A Sunrise’ arrives via Fltbys Music and Entertainment, accompanied with an introductory visual Kota and Statik released in celebration of the album. A sonic paring that’s been brewing for a few years now, ‘To Kill A Sunrise’ is a PSA, -- as Kota the Friend chants on the opening track ‘I ain't the Kota you first met… I. Can’t. LOSE.’ The confident, independent MC, over the masterful production of Statik Selektah introduces a more seasoned musician, locking his view on success, stepping out of his own way and over all those who doubt the makings of an undeniable voice of a generation. Coming off his ninth studio album, Statik Selektah takes a swing with Kota the Friend. An early co-sign and friendship has produced one of the promising rising MC’s from Brooklyn. Statik’s unique ear and keen eye for talent has made him an undeniable force for both rising rappers and legends. Staying authentic and true to himself, Statik speaks on why this collaboration was essential for hip-hop, saying: The pair show no signs of stopping. Aside from his own music, Statik has continued to make noise through the airwaves on his weekly Thursday night show “ShowOff Radio” on Shade 45 Sirius XM. In addition, he has toured all over the world DJing at festivals or backing music heavyweights like Q-Tip and Nas. From taking on independence and ownership (as discussed with The Wsj), to receiving co-signs from SZA to NoName, including LaKeith Stanfield, Erykah Badu, RZA and many others -- Kota the Friend continues to produce his own music, content, and shows under his label, Fltbys, showing how ‘pressure makes a diamond and depression makes a legend’.

Brooklyn Bred MC and Independent Artist, Kota the Friend, continues to stake his claim in music, collaborating for a no frills, modern nostalgic, sharp, yet witty collaborative album with the legendary DJ, Statik Selektah. ‘To Kill A Sunrise’ arrives via Fltbys Music and Entertainment, accompanied with an introductory visual Kota and Statik released in celebration of the album. A sonic paring that’s been brewing for a few years now, ‘To Kill A Sunrise’ is a PSA, -- as Kota the Friend chants on the opening track ‘I ain't the Kota you first met… I. Can’t. LOSE.’ The confident, independent MC, over the masterful production of Statik Selektah introduces a more seasoned musician, locking his view on success, stepping out of his own way and over all those who doubt the makings of an undeniable voice of a generation. Coming off his ninth studio album, Statik Selektah takes a swing with Kota the Friend. An early co-sign and friendship has produced one of the promising rising MC’s from Brooklyn. Statik’s unique ear and keen eye for talent has made him an undeniable force for both rising rappers and legends. Staying authentic and true to himself, Statik speaks on why this collaboration was essential for hip-hop, saying: The pair show no signs of stopping. Aside from his own music, Statik has continued to make noise through the airwaves on his weekly Thursday night show “ShowOff Radio” on Shade 45 Sirius XM. In addition, he has toured all over the world DJing at festivals or backing music heavyweights like Q-Tip and Nas. From taking on independence and ownership (as discussed with The Wsj), to receiving co-signs from SZA to NoName, including LaKeith Stanfield, Erykah Badu, RZA and many others -- Kota the Friend continues to produce his own music, content, and shows under his label, Fltbys, showing how ‘pressure makes a diamond and depression makes a legend’.

Produced Entirely by Harry Fraud. Features by 2 Chainz, Fat Joe, French Montana, Jim Jones, Chinx and Rick Hyde. Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny is back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”

Double colored vinyl LP pressing in gatefold jacket. For the first time ever on vinyl - KMK's stellar 2005 self-titled album! Features guest appearances by South LA hip hop icons Cypress Hill plus rapper/producer Tech N9ne. This is the band's sixth studio album (seventh release overall) and landed at the #2 spot on Billboard's Top Rap Albums chart!

Following up on his celebrated Petrichor EP, Roane Namuh releases a perfect complimentary album, the Petrichor Remixes & Instrumentals. The new Remixes & Instrumental LP features incredible reworks by some of our personal favorite producers, as well as the instrumentals to Roane's original versions.

Frequent Liquid Beat collaborator Buscrates sets things off with his remix and his signature funk & boogie vibes that are sure to be a DJ favorite. DJ Spinna steps up next with an incredible remix of Smoke ft. Blossom & Stanley Ipkuss. Increasing the bpms slightly, Spinna imbues the track with the future focused boom-bap he is known for.

Proh Mic takes on History ft. Vurstayl & Libretto and gives the song a powerful cinematic Hip-Hop groove that matches the tone and subject matter perfectly. Germany's Hodini utilizes Crimson's instrumentation and transforms the original into an unexpected synth heavy House track.

Coupled with all these great remixes are Roane's original Instrumentals to the songs that appear on his Petrichor EP. Roane's beats give insight into his layered and detailed production, and act as stand alone songs in their own right.

Working in conjunction with each other, the Petrichor Remixes & Instrumental release, coupled with the original Petrichor EP, completes the overall vision for this great project.

"Be not afraid! Whether you’re simply sightseeing, enjoying temporary flights of fancy or considering a more permanent relocation, the all-new Spirit World Field Guide offers twenty-one insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe. The narrator’s vast expertise of multiple global entry points and various modes of inter-dimensional transport informs a rich tapestry of tips, tricks and tools to unfailingly aid in your ultimate survival. If you are among the countless individuals who find themselves feeling both dead and alive at the same time, the information contained within may serve as an invaluable asset to your journey. Godspeed and good luck."

Those are the words of the album’s narrator -- an attempt to prepare listeners, both old and new, for a safe entry into the Spirit World.

It’s been a long road for Aesop Rock to get here, releasing a steady stream of impressive albums, singles, and collaborative projects that have continued to invigorate, solidify and grow his diverse fan base, but he shows no signs of slowing down or deviating from his path, constantly pushing his creative limits. Last year saw the release of Malibu Ken, a joint effort featuring the psychedelic and trippy sounds of producer Tobacco, providing a different type of intrigue for Aesop's descriptive, compelling, and often humorous, writing. Then, he kicked 2020 off with a hard-driving single, "Rogue Wave", followed not long after by Freedom Finger, which found Aesop immersing himself in the video game world that the music was written and produced for. And this year still has a few exciting releases on the horizon yet, a 20-year anniversary vinyl release of his debut album, Float, and now his brand new album, Spirit World Field Guide.

Since his debut in the late nineties, Aesop Rock’s writing has been of the highest caliber, but one thing that has continually evolved is his near-flawless and diverse flow, now perfectly infused with his personality and a gift for visual imagery. On Spirit World Field Guide, characters, inanimate objects, and their surrounding environments vividly come to life as Aesop describes each passing moment throughout the album’s twenty-one chapters. Welcome to the Spirit World. Explore with intention.

Custom Pink and Teal Colored Double Vinyl, 12" Gatefold Jacket, Printed Record Sleeves and Free Digital Download Card. After an 11-year hiatus, Murs and Slug are back with their fourth Felt album, Felt 4 U. Their musical journey began back in 2002, with the release of Felt: A Tribute to Christina Ricci, which soon became one of Rhymesayers' most-cherished releases. That continued with the release of Felt 2: A Tribute to Lisa Bonet, in 2005, by which time Murs & Slug's creative partnership had been elevated to a cult-like status, and intensified further in 2009, with the release of Felt 3: A Tribute to Rosie Perez. While their personal relationship is fundamental to Felt's legacy, with their comradery establishing itself as a driving force for their creativity, the production on Felt albums has also been a major part of their success. The beats on the first release were provided by another member of Murs' Living Legends crew, The Grouch, while the second album was produced by Ant of Atmosphere, and the third by Aesop Rock. With notable changes in the sonic backdrops for each album, the MC's were allowed to share a unique side of themselves each release, while fine-tuning their styles and showcasing their own growth. The decision to use different producers for those albums was an integral part of the group's journey. A lot has changed since their last release in 2009, including for Murs and Slug themselves in both their personal and professional lives. Their careers have continued to elevate and their families have continued to grow, and this fourth album is something of a reflection of those changes, starting with the title of the project itself. Felt 4 U seemed the simplest, most direct way of saluting the fanbase that has made Felt what they are, a thank you to the dedicated; as well as moving away from the perhaps more male gaze-feel of the previous titles. Even amidst the changes we still find familiarities, like Ant making a return to handle full production on Felt 4 U. Sonically, the album is overflowing with the influences of funk, soul, blues and even country flavors. While Felt 3 had a wintery feel, Felt 2 sounded perfect in autumn and the first Felt captured the blossoming sounds of spring, this is a distinctly summery album, with the richness of Ant's production creating an overall warmth that envelops the whole project. From the opening chords of "Never's Enough", with its funk-fueled, vaguely retro feel, to the outrageously smooth vibes of "Underwater", this is a rap album that demands as much attention for the music, as it does for the rappers themselves. The album is unique to the Felt catalog for its inclusion of guest artists though, with four features making their way onto the final cut. The aforementioned "Underwater" features an excellent appearance from Blimes, who brings her inimitable style to the hook, and Blueprint is credited as his alter-ego, Shepard Albertson, thanks to his vocal support on "Crimson Skies", while The Grouch and Aesop Rock join in on "Hologram" making the perfect Easter egg for Felt fans, thanks to their contributions on previous projects. Overall, this album provides the perfect segue into Felt's next chapter. It reflects changing attitudes in the culture and in the world as a whole, and it reflects the changes in Murs and Slug as well. Whereas before, when some songs were delivered with perhaps a slight tone of judgement - for want of a better word - on Felt 4 U we find two artists offering us their opinions and viewpoints in the hopes of furthering discussion. It's exactly what's needed in the current climate and also a sign that the Felt story is far from over.

"Be not afraid! Whether you’re simply sightseeing, enjoying temporary flights of fancy or considering a more permanent relocation, the all-new Spirit World Field Guide offers twenty-one insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe. The narrator’s vast expertise of multiple global entry points and various modes of inter-dimensional transport informs a rich tapestry of tips, tricks and tools to unfailingly aid in your ultimate survival. If you are among the countless individuals who find themselves feeling both dead and alive at the same time, the information contained within may serve as an invaluable asset to your journey. Godspeed and good luck."

Those are the words of the album’s narrator -- an attempt to prepare listeners, both old and new, for a safe entry into the Spirit World.

It’s been a long road for Aesop Rock to get here, releasing a steady stream of impressive albums, singles, and collaborative projects that have continued to invigorate, solidify and grow his diverse fan base, but he shows no signs of slowing down or deviating from his path, constantly pushing his creative limits. Last year saw the release of Malibu Ken, a joint effort featuring the psychedelic and trippy sounds of producer Tobacco, providing a different type of intrigue for Aesop's descriptive, compelling, and often humorous, writing. Then, he kicked 2020 off with a hard-driving single, "Rogue Wave", followed not long after by Freedom Finger, which found Aesop immersing himself in the video game world that the music was written and produced for. And this year still has a few exciting releases on the horizon yet, a 20-year anniversary vinyl release of his debut album, Float, and now his brand new album, Spirit World Field Guide.

Since his debut in the late nineties, Aesop Rock’s writing has been of the highest caliber, but one thing that has continually evolved is his near-flawless and diverse flow, now perfectly infused with his personality and a gift for visual imagery. On Spirit World Field Guide, characters, inanimate objects, and their surrounding environments vividly come to life as Aesop describes each passing moment throughout the album’s twenty-one chapters. Welcome to the Spirit World. Explore with intention.

“The Realm of Realness" is The New Album from Neek The Exotic. The title Track Is Melodic and takes your mind away. The first music video: "Good Cop Bad Cop" stands out as it hits on all cylinders with thought provoking lyrics featuring some of Hip Hops Best, Napeleon Da Legend, Punchline, Kooltajthegr8, innocent? & GeeBag. The Album impacts From Start to Finish with tracks such as the Intro "It’s a New Beginning" to The Gritty "Rappers Step Up To This". This album is produced by Kapital, J.Depina and William Bostick. Over all Its one of The Best Album’s out now showing and proving that Neek The Exotic Never Fakes The Funk and is Still One Of The Best In The Game Period.

Strictly limited edition of 300 copies on CD.

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

Strictly limited edition of 100 copies on gold colored tape!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

Strictly limited edition of 300 copies on gold colored vinyl. The 3LP gatefold set comes with soft touch sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

The black 3LP vinyl set comes with a gatefold sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

Shabazz Palaces' Black Up, the group's Sub Pop debut, was recently hailed as one of the best albums of the decade by outlets like Pitchfork, Gorilla Vs Bear, and Variety. Pitchfork summed it up thusly: "Black Up is drowned in murky instrumentals and bombastic, introspective rhymes. The sounds flirt with jazz but also root themselves in a firm understanding of silence, or the sparse magic of simplicity. The songs teem with unexpected climaxes...From great mystery exploded an album of impossible vision." That "impossible vision" has continued to confound and engage Shabazz Palaces fans over the course of four acclaimed albums and two EPs. Each release feels like an evolution, letting the music speak for itself, while slowly revealing more about its creator. With The Don of Diamond Dreams, the group's fifth album, that spirit remains, this time embracing modernism in hip-hop and rap. Featuring 10 tracks in 43 minutes, the album features the highlights "Fast Learner (ft. Purple Tape Nate)," "Chocolate Souffle," "Bad Bitch Walking (ft. Stas THEE Boss), and "Thanking The Girls." It also features contributions from singer/keyboardist Darrius Willrich, Seattle's OCnotes (who collaborated with Shabazz leader Ishmael Butler on the Knife Knights project), Los Angeles musician Carlos Overall, and bassist Evan Flory-Barnes. The Don of Diamond Dreams was recorded throughout 2019 and produced by Shabazz Palaces at Protect and Exalt: A Black Space in Seattle, mixed and engineered by Erik Blood at Studio 4 Labs in Venice, California, and mastered by Scott Sedillo at Bernie Grundman Mastering in Los Angeles.

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

Shabazz Palaces' Black Up, the group's Sub Pop debut, was recently hailed as one of the best albums of the decade by outlets like Pitchfork, Gorilla Vs Bear, and Variety. Pitchfork summed it up thusly: "Black Up is drowned in murky instrumentals and bombastic, introspective rhymes. The sounds flirt with jazz but also root themselves in a firm understanding of silence, or the sparse magic of simplicity. The songs teem with unexpected climaxes...From great mystery exploded an album of impossible vision." That "impossible vision" has continued to confound and engage Shabazz Palaces fans over the course of four acclaimed albums and two EPs. Each release feels like an evolution, letting the music speak for itself, while slowly revealing more about its creator. With The Don of Diamond Dreams, the group's fifth album, that spirit remains, this time embracing modernism in hip-hop and rap. Featuring 10 tracks in 43 minutes, the album features the highlights "Fast Learner (ft. Purple Tape Nate)," "Chocolate Souffle," "Bad Bitch Walking (ft. Stas THEE Boss), and "Thanking The Girls." It also features contributions from singer/keyboardist Darrius Willrich, Seattle's OCnotes (who collaborated with Shabazz leader Ishmael Butler on the Knife Knights project), Los Angeles musician Carlos Overall, and bassist Evan Flory-Barnes. The Don of Diamond Dreams was recorded throughout 2019 and produced by Shabazz Palaces at Protect and Exalt: A Black Space in Seattle, mixed and engineered by Erik Blood at Studio 4 Labs in Venice, California, and mastered by Scott Sedillo at Bernie Grundman Mastering in Los Angeles.

Shabazz Palaces' Black Up, the group's Sub Pop debut, was recently hailed as one of the best albums of the decade by outlets like Pitchfork, Gorilla Vs Bear, and Variety. Pitchfork summed it up thusly: "Black Up is drowned in murky instrumentals and bombastic, introspective rhymes. The sounds flirt with jazz but also root themselves in a firm understanding of silence, or the sparse magic of simplicity. The songs teem with unexpected climaxes...From great mystery exploded an album of impossible vision." That "impossible vision" has continued to confound and engage Shabazz Palaces fans over the course of four acclaimed albums and two EPs. Each release feels like an evolution, letting the music speak for itself, while slowly revealing more about its creator. With The Don of Diamond Dreams, the group's fifth album, that spirit remains, this time embracing modernism in hip-hop and rap. Featuring 10 tracks in 43 minutes, the album features the highlights "Fast Learner (ft. Purple Tape Nate)," "Chocolate Souffle," "Bad Bitch Walking (ft. Stas THEE Boss), and "Thanking The Girls." It also features contributions from singer/keyboardist Darrius Willrich, Seattle's OCnotes (who collaborated with Shabazz leader Ishmael Butler on the Knife Knights project), Los Angeles musician Carlos Overall, and bassist Evan Flory-Barnes. The Don of Diamond Dreams was recorded throughout 2019 and produced by Shabazz Palaces at Protect and Exalt: A Black Space in Seattle, mixed and engineered by Erik Blood at Studio 4 Labs in Venice, California, and mastered by Scott Sedillo at Bernie Grundman Mastering in Los Angeles.

Tuff Kong info: NY native emcee Madhattan teams up with producer NV to deliver “Repercussions”, one of the most interesting projects of the year. The Vermon native NY-based beat maker managed to tailor a perfect soundscape for Madhattan to deliver some gritty NY raps, perfectly matching the overall vibe given by the artwork and title of the album. Featuring guest appearances by Conway and Fastlife, and executive produced by Icerocks, the two managed to deliver one true masterpiece with that classic NY hip-hop flavor. The record is released on vinyl as a limited edition of 250 numbered copies, 150 on black vinyl and 100 on gold / black marbled.

The mighty Oxygen returns to AE Productions with a highly anticipated full-length album produced entirely by the multi-talented Tea Sea Records owner and producer/MC Tom Caruana.
Anyone familiar with AE Productions releases will know that Oxygen has been rolling with us for many years so we’re hyped to be able to release his debut solo long player. His first AE appearance was on the now classic Phill Most Chill & Paul Nice Fabreeze Brothers album on the track Golden Crown back in 2015, then in 2017 alongside his Soundsci cohorts Audessey (Jack Jones) and U-George featuring on the debut Cut Beetlez 12” single Droppin’ Needles and most recently in 2018 AE dropped his Body Language 7” produced by Paul Nice, which does not appear on the LP.
The aptly titled Age Appropriate was released on download and on physical pre-order on Oxygen’s 50th birthday and the long wait was worth it! This is Hip Hop through the lens of an MC that has a vast experience in the world of Hip Hop and life in general and covers an array of topics, some personal and some of the verbal word play dexterity that we have come to expect from one of the finest and underrated MC’s around today.
Some track titles may be familiar such as ‘Guillotine 16’s’, ‘The Process’ and ‘33.3’ that have previously appeared as single releases but presented here are all brand new versions that had a better fit with the overall soundscape co-ordinated by Tom Caruana so every track on the album is new material.
We’re also treated to some help from Emskee, Dr Becket, Jesus Mason, BusCrates, Apani B, Jack Jones and U-George plus some turntable duties covered by DJ Presyce and Jazz Spastiks. The timeless design by artwork supremo Mr Krum perfectly encapsulates the contents of the album.

Whats up, its Von Pea

"City For Sale" is a breakup album. A relationship album. Instead of a woman its about my hometown...YOUR hometown...your old way of living. Growing apart from a place, from people, from who you once were, because I'm from a currently gentrifying city that theme is on the surface of the album but the overall narrative is for any person that feels unfamiliar in a space that was familiar to them. This album is me finding my new comfort zone because I have to.

This "City For Sale" album is the first time I've produced an entire album on my own including making every beat. Even Donwill's "One Word No Spaces" LP (which I'm credited as the producer) was co produced and co arranged by Donwill, (thats something we always wanted to do). City For Sale is another personal goal for me. I've been afraid to do an entire album alone until now....if this shit is wack its all my fault. With that said this is my calling card album. This is the one I will hopefully be known for when its all said and done.

City For Sale features additional vocals by Homeboy Sandman, Donwill, Fresh Daily, and Moses Rockwell, with additional instrumentation by Classicbeatz, Greg F. and Brizzo.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Now the vinyl for Danny Watts' "Black Boy Meets World" on Jonwayne’s imprint Authors Recording Company. Beats were supplied in full by Jonwayne, creating the environments that mesh to Danny Watts’ introspective lyricism and soulful cadences on the mic. The Houston based rapper has created a body of work that details his life experiences with an honest and uncompromising lens, jumping out of the Authors Recording Company gates as the first release after the critically acclaimed Rap Album Two.

Danny Watts and Jonwayne recently captured Black Boy Meets World in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo. Danny also wrote all of the lyrics to the album in this same window, finishing up to three songs per day as the Cosmic Zoo sessions occurred in an intense yet efficient form. Mixing and mastering was completed by Low End Theory’s Daddy Kev and artwork was supplied by Authors’ creative director Shane Sakanoi. With executive oversight and production on every track supplied by Jonwayne, guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others. The overall effect presents the ethos of hip-hop’s many forms, pulled into the weight of classic sounding kicks, snares, hi-hats, basslines, keys, synths, and horns.

Indie Exclusive - Coalmine Records digs into their storied discography to unveil their ten-year anniversary reissue of Highway Robbery, the collaborative concept album from Detroit’s heavyweight emcee Guilty Simpson and Philly beat smith Small Professor. Weighing in at 11 tracks, the project places the listener in a seemingly post-apocalyptic Detroit where the mentality is feast or famine. Highway Robbery plays as one long narrative of Guilty’s day-to-day survival in Detroit’s concrete jungle, all set to the tone of Small Professor’s foreboding, percussion heavy production. Featuring guest appearances from Detroit’s Boldy James, A.G. (of D.I.T.C.), Elucid and Castle, the album is further highlighted with the meticulous turntablism of both Statik Selektah and DJ Revolution. This reissue also boasts the Zilla Rocca remix of “Go” which features Audible Doctor on the cuts. A decade removed from its original release, Highway Robbery remains a gratifying listen and strong addition to anyone’s hiphop record collection with its high-level lyricism, avant-garde production value and overall creativity.

Vinyl with a couple of light scuffs. Cover has some light wear on the back. Witho Flexi 7". Overall copy closer to VG+

Overall close to VG+

Madvillainy is the debut and only studio album by Madvillain, a collaboration between legendary rapper MF DOOM (Daniel Dumile) and acclaimed producer Madlib (Otis Jackson Jr.), released on March 23, 2004 by Stones Throw Records. The album is often hailed as a masterpiece of underground hip-hop, characterized by its unconventional structure, eclectic production, and MF DOOM’s intricate, surreal lyrics.

Madvillainy was a highly anticipated project in the underground hip-hop scene, bringing together two of its most respected figures. MF DOOM, known for his complex wordplay and villainous persona, and Madlib, celebrated for his experimental and sample-heavy production, combined to create a dense, atmospheric album.
The project was recorded over several years, with Madlib working on beats while traveling and MF DOOM crafting his lyrics with a stream-of-consciousness style.
The album has a lo-fi aesthetic, featuring short, fragmented tracks, many of which do not follow traditional song structures like verses and hooks. Instead, Madvillainy is more of a collage, with some tracks acting as interludes or musical sketches.

Madlib’s production is eclectic and layered, drawing from jazz, soul, Brazilian music, obscure soundtracks, and 1970s psychedelia, creating a moody and experimental backdrop for MF DOOM’s vocals.
The album’s beats are sample-heavy, often gritty, and feature unorthodox tempos and time signatures. Madlib also uses interludes and vocal samples from obscure sources, giving the album a cinematic, almost comic book-like feel.
MF DOOM delivers his signature abstract and multi-syllabic rhymes, filled with internal rhyme schemes, pop culture references, and complex wordplay. His delivery is intentionally offbeat, which complements the nontraditional structure of the production.

Lyrically, Madvillainy is a blend of surrealism, humor, and complex storytelling. MF DOOM’s persona as the masked supervillain is ever-present, with much of the album reflecting his mischievous, sardonic view of the world.
His lyrics often appear cryptic, with layers of meaning that reward close listening. He plays with words in ways that defy conventional hip-hop norms, eschewing clear narratives in favor of dense, puzzle-like rhymes.
Themes in the album include betrayal, paranoia, and the villain’s perspective, often narrated from a detached, almost nihilistic point of view. However, DOOM’s approach is often playful, filled with irony and wit.

Key Tracks and Highlights:
"Accordion" – A minimalist, standout track where MF DOOM delivers one of his most well-known verses over a sparse accordion loop. The track captures DOOM’s style perfectly, with cryptic, tightly-packed bars and Madlib’s minimalist approach.
"Meat Grinder" – A haunting, jazz-infused beat serves as the backdrop for MF DOOM’s dense wordplay, as he raps with a stream-of-consciousness flow, dropping surreal imagery and twisted humor.
"America’s Most Blunted" (featuring Quasimoto) – A playful, weed-themed track featuring Madlib’s alter ego, Quasimoto. The track is both funky and chaotic, with vocal samples interspersed between DOOM and Quasimoto’s verses.
"Curls" – One of the shorter tracks, with a smooth, almost nostalgic beat. DOOM’s verses are filled with detailed, vivid descriptions, encapsulating his ability to turn everyday observations into poetic rhymes.
"All Caps" – Perhaps the most iconic track on the album, known for its booming beat and DOOM’s punchy, comic book-inspired verses. The title refers to MF DOOM’s alias, urging fans to spell it in all capital letters, reinforcing his larger-than-life persona.
"Rhinestone Cowboy" – The album’s closer, featuring a soulful, downtempo beat and some of DOOM’s most introspective and reflective lyrics. It’s a contemplative end to an otherwise chaotic and fragmented album.

Madvillainy is a nonlinear album, with many of the tracks flowing directly into each other without clear transitions. It’s constructed more like a sonic collage, making the album feel like a continuous, abstract narrative rather than a collection of separate songs.
The album contains numerous interludes and brief tracks, some less than a minute long, but all contributing to the overall mood and atmosphere. Tracks like "Sickfit" and "Do Not Fire!" are instrumental breaks that give Madlib’s production room to shine.

Upon release, Madvillainy was met with widespread critical acclaim. It was praised for its innovation, lyrical complexity, and cohesive production, with critics noting its departure from conventional hip-hop formulas.
It quickly became regarded as one of the most important and influential underground hip-hop albums of all time, with its influence extending beyond just hip-hop into broader experimental music.
MF DOOM’s and Madlib’s artistic approach on Madvillainy helped solidify their reputations as avant-garde artists, unafraid to push the boundaries of the genre.
The album is frequently included in lists of the greatest hip-hop albums of all time and is particularly beloved by fans of alternative and underground hip-hop. It has been noted for its lasting influence on the sound and style of future hip-hop artists, especially in the abstract, lo-fi, and experimental spaces.
Impact on MF DOOM and Madlib's Careers:
MF DOOM further cemented his legacy as one of hip-hop’s most enigmatic and talented lyricists. His use of the supervillain persona, combined with his intricate rhyming style, made him a cult figure in the genre.
Madlib also gained widespread recognition for his unique production style, which merged elements of hip-hop, jazz, and experimental music. His ability to create deeply layered and textured beats without sacrificing their lo-fi charm became a hallmark of his production style.
Madvillainy’s success paved the way for other projects in the underground scene and inspired a new wave of artists who saw hip-hop as a medium for abstract, avant-garde expression.

Madvillainy continues to be revered as a benchmark in underground hip-hop. Its influence can be heard in the work of countless artists, from Earl Sweatshirt and Tyler, The Creator to more experimental producers and MCs who were inspired by Madlib's and MF DOOM’s fearless approach to crafting an album.
The mystique surrounding MF DOOM, especially after his untimely death in 2020, only added to the album’s legendary status, with Madvillainy often considered his definitive work.
The album’s blend of complex lyricism, unorthodox production, and nontraditional structure helped redefine what could be done in the hip-hop genre, making it a timeless work of art.
In summary, Madvillainy is a landmark album in hip-hop, pushing the boundaries of both lyricism and production. Its influence is far-reaching, and its status as one of the greatest underground albums remains unchallenged. The partnership between MF DOOM and Madlib resulted in a project that is as dense, surreal, and captivating as it is groundbreaking.

On Seeds, Georgia Muldrow takes a step back and leaves the beatmaking to Otis Jackson Jr., aka Madlib. As producers, Muldrow and Jackson are not worlds apart, so the switch requires no adjustment on the part of the listener. That said, this is one dense and tight set, barely over half-an-hour in length, and it's definitely in contention for Muldrow's most focused, funkiest, and (somewhat ironically) personal release to date. Throughout the record, the emphasis remains heavily fixated on her family as a unit of salvation and purpose. The most direct track of the lot is "Husfriend," where she honors her relationship with Dudley Perkins (a/k/a Declaime, who appears on “The Few”). Muldrow can't quite divorce the planetary and personal issues, heard vividly on "Best Love," which sounds just like a simple, sweet, straight-ahead love song until she starts asking her other half for money to build water wells on three continents ("We can make a difference if we try now"). Overall, Seeds is another left-field deviation in Muldrow's career: it's one of her most captivating and immediate front-to-back statements of purpose as a singer, but it's also the first album where she's handed over all the production duties to somebody else. In celebration of this album’s decenary run, Someothaship Connect is pleased to reintroduce an anniversary edition repress of this captivating release in partnership with Fat Beats.

Overall close to NM

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

Limited edition of 3000 copies, only available at HHV!

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

Madvillainy is the debut and only studio album by Madvillain, a collaboration between legendary rapper MF DOOM (Daniel Dumile) and acclaimed producer Madlib (Otis Jackson Jr.), released on March 23, 2004 by Stones Throw Records. The album is often hailed as a masterpiece of underground hip-hop, characterized by its unconventional structure, eclectic production, and MF DOOM’s intricate, surreal lyrics.

Madvillainy was a highly anticipated project in the underground hip-hop scene, bringing together two of its most respected figures. MF DOOM, known for his complex wordplay and villainous persona, and Madlib, celebrated for his experimental and sample-heavy production, combined to create a dense, atmospheric album.
The project was recorded over several years, with Madlib working on beats while traveling and MF DOOM crafting his lyrics with a stream-of-consciousness style.
The album has a lo-fi aesthetic, featuring short, fragmented tracks, many of which do not follow traditional song structures like verses and hooks. Instead, Madvillainy is more of a collage, with some tracks acting as interludes or musical sketches.

Madlib’s production is eclectic and layered, drawing from jazz, soul, Brazilian music, obscure soundtracks, and 1970s psychedelia, creating a moody and experimental backdrop for MF DOOM’s vocals.
The album’s beats are sample-heavy, often gritty, and feature unorthodox tempos and time signatures. Madlib also uses interludes and vocal samples from obscure sources, giving the album a cinematic, almost comic book-like feel.
MF DOOM delivers his signature abstract and multi-syllabic rhymes, filled with internal rhyme schemes, pop culture references, and complex wordplay. His delivery is intentionally offbeat, which complements the nontraditional structure of the production.

Lyrically, Madvillainy is a blend of surrealism, humor, and complex storytelling. MF DOOM’s persona as the masked supervillain is ever-present, with much of the album reflecting his mischievous, sardonic view of the world.
His lyrics often appear cryptic, with layers of meaning that reward close listening. He plays with words in ways that defy conventional hip-hop norms, eschewing clear narratives in favor of dense, puzzle-like rhymes.
Themes in the album include betrayal, paranoia, and the villain’s perspective, often narrated from a detached, almost nihilistic point of view. However, DOOM’s approach is often playful, filled with irony and wit.

Key Tracks and Highlights:
"Accordion" – A minimalist, standout track where MF DOOM delivers one of his most well-known verses over a sparse accordion loop. The track captures DOOM’s style perfectly, with cryptic, tightly-packed bars and Madlib’s minimalist approach.
"Meat Grinder" – A haunting, jazz-infused beat serves as the backdrop for MF DOOM’s dense wordplay, as he raps with a stream-of-consciousness flow, dropping surreal imagery and twisted humor.
"America’s Most Blunted" (featuring Quasimoto) – A playful, weed-themed track featuring Madlib’s alter ego, Quasimoto. The track is both funky and chaotic, with vocal samples interspersed between DOOM and Quasimoto’s verses.
"Curls" – One of the shorter tracks, with a smooth, almost nostalgic beat. DOOM’s verses are filled with detailed, vivid descriptions, encapsulating his ability to turn everyday observations into poetic rhymes.
"All Caps" – Perhaps the most iconic track on the album, known for its booming beat and DOOM’s punchy, comic book-inspired verses. The title refers to MF DOOM’s alias, urging fans to spell it in all capital letters, reinforcing his larger-than-life persona.
"Rhinestone Cowboy" – The album’s closer, featuring a soulful, downtempo beat and some of DOOM’s most introspective and reflective lyrics. It’s a contemplative end to an otherwise chaotic and fragmented album.

Madvillainy is a nonlinear album, with many of the tracks flowing directly into each other without clear transitions. It’s constructed more like a sonic collage, making the album feel like a continuous, abstract narrative rather than a collection of separate songs.
The album contains numerous interludes and brief tracks, some less than a minute long, but all contributing to the overall mood and atmosphere. Tracks like "Sickfit" and "Do Not Fire!" are instrumental breaks that give Madlib’s production room to shine.

Upon release, Madvillainy was met with widespread critical acclaim. It was praised for its innovation, lyrical complexity, and cohesive production, with critics noting its departure from conventional hip-hop formulas.
It quickly became regarded as one of the most important and influential underground hip-hop albums of all time, with its influence extending beyond just hip-hop into broader experimental music.
MF DOOM’s and Madlib’s artistic approach on Madvillainy helped solidify their reputations as avant-garde artists, unafraid to push the boundaries of the genre.
The album is frequently included in lists of the greatest hip-hop albums of all time and is particularly beloved by fans of alternative and underground hip-hop. It has been noted for its lasting influence on the sound and style of future hip-hop artists, especially in the abstract, lo-fi, and experimental spaces.
Impact on MF DOOM and Madlib's Careers:
MF DOOM further cemented his legacy as one of hip-hop’s most enigmatic and talented lyricists. His use of the supervillain persona, combined with his intricate rhyming style, made him a cult figure in the genre.
Madlib also gained widespread recognition for his unique production style, which merged elements of hip-hop, jazz, and experimental music. His ability to create deeply layered and textured beats without sacrificing their lo-fi charm became a hallmark of his production style.
Madvillainy’s success paved the way for other projects in the underground scene and inspired a new wave of artists who saw hip-hop as a medium for abstract, avant-garde expression.

Madvillainy continues to be revered as a benchmark in underground hip-hop. Its influence can be heard in the work of countless artists, from Earl Sweatshirt and Tyler, The Creator to more experimental producers and MCs who were inspired by Madlib's and MF DOOM’s fearless approach to crafting an album.
The mystique surrounding MF DOOM, especially after his untimely death in 2020, only added to the album’s legendary status, with Madvillainy often considered his definitive work.
The album’s blend of complex lyricism, unorthodox production, and nontraditional structure helped redefine what could be done in the hip-hop genre, making it a timeless work of art.
In summary, Madvillainy is a landmark album in hip-hop, pushing the boundaries of both lyricism and production. Its influence is far-reaching, and its status as one of the greatest underground albums remains unchallenged. The partnership between MF DOOM and Madlib resulted in a project that is as dense, surreal, and captivating as it is groundbreaking.

Straight off the heavy buzz of his debut 12 inch Room With A View Brother Ali delivers his highly anticipated full length album Shadows On The Sun. An emcee, producer and overall party starter, Brother Ali is a student of Hip Hop's Golden age. Shadows on the Sun has been crafted with this foundation and Ali's ability to write creative songs with passion and personality. Produced entirely by ANT and features guest appearances by Slug.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

Indie Exclusive Black Vinyl Edition.

Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

Don't forget to grab your Stakes Is High poster from our Bonus Coin section.

Word...Life is the debut studio album by O.C., released on October 18, 1994, through Wild Pitch Records. O.C. (Omar Credle), a member of the Diggin' in the Crates Crew (D.I.T.C.), was highly regarded for his thoughtful and intricate lyricism. Word...Life is considered a classic East Coast hip-hop album, reflecting the 90s boom-bap sound with its jazzy, soul-infused beats and introspective lyrics.

The production on Word...Life was handled by prominent figures in the New York hip-hop scene, including Buckwild and Lord Finesse, both members of the D.I.T.C. collective. The beats feature a mix of jazz samples, soulful loops, and hard-hitting drums, typical of the 90s East Coast sound.
O.C.’s delivery on the album is laid-back yet razor-sharp, and his rhymes are filled with vivid imagery, social commentary, and personal reflections. The album is celebrated for its lyrical depth, with O.C. blending storytelling and wordplay seamlessly throughout.

"Time's Up" – This is O.C.’s most famous track and a standout from the album. The song addresses the fakeness in the rap industry, calling out rappers who portray false images of success and street life. The production, courtesy of Buckwild, is minimal yet powerful, with its heavy bassline and sparse drums giving space for O.C.’s sharp lyrics.
"Born 2 Live" – A reflective and nostalgic track where O.C. looks back on his youth, reminiscing about childhood experiences and the loss of friends. The beat, produced by Buckwild, is soulful and smooth, underscoring the bittersweet tone of the lyrics.
"Word...Life" – The title track is a declaration of O.C.’s philosophy and approach to hip-hop. His rhymes are thoughtful and reflective, addressing real-life struggles, growth, and staying true to one’s self. The beat features a jazzy piano loop, characteristic of the album’s overall production style.
"O-Zone" – A track that showcases O.C.’s lyrical prowess, where he delivers intricate wordplay and multisyllabic rhymes. The beat is more aggressive, with a harder bassline and sharp drum patterns, complementing the confident tone of O.C.’s verses.
"Ga Head" – This track has a more laid-back vibe, with O.C. discussing the realities of life in the streets, success, and staying grounded. The production is smooth, and the track has a reflective quality similar to “Born 2 Live.”

Authenticity in Hip-Hop: A major theme on the album, especially on tracks like "Time's Up", where O.C. critiques rappers who fabricate stories about their street credibility or success.
Reflection and Growth: O.C. often reflects on his life, past experiences, and the journey of growing up in a tough environment. "Born 2 Live" is one of the best examples of this theme, where he revisits childhood memories and the impact of losing friends.
Intellectual and Philosophical Insights: O.C.’s lyrics often touch on deeper, more philosophical ideas about life, the challenges of success, and the importance of staying true to oneself.

Buckwild, Lord Finesse, and O.C. himself contributed to the production on Word...Life. The beats are built around soulful and jazz-infused samples, and the production maintains a gritty, underground feel. The album’s production fits well within the aesthetic of 90s boom-bap hip-hop but is elevated by the thoughtfulness and precision of the samples and drum programming.

Word...Life was praised for its lyrical depth and intellectual approach to hip-hop, standing out in a year when many classic albums were released. Critics and fans alike admired O.C.’s smooth flow and ability to tackle both personal and broader social issues in his rhymes.
The album did not achieve massive commercial success upon release, but it has since been recognized as a cult classic and a staple of 90s underground hip-hop.
"Time’s Up" in particular became a defining moment in O.C.’s career and has been used in various hip-hop compilations and media over the years.

Word...Life has influenced many artists, particularly in the underground and conscious hip-hop scenes, where lyricism and authenticity are highly valued.
O.C. has continued to be an important figure in hip-hop, and his work on Word...Life is seen as a critical contribution to the legacy of East Coast rap, alongside artists like Nas, Big L, and other members of the D.I.T.C. collective.

Word...Life is a cornerstone of 90s underground hip-hop, showcasing O.C.’s lyrical prowess and commitment to authenticity. The album's introspective themes, sophisticated wordplay, and soulful production make it a classic that continues to resonate with fans of conscious and lyrical rap.

The item comes with a slight corner bump.

Limited to 1994 copies worldwide. US customers, please order with Get On Down. Pressed ON Blue AND Butter Cream Colored Vinyl

With Hand Numbered OBI Limited to 1994 Copies

Deluxe edition vinyl which includes the original album plus 3 Resurrection remixes with liner notes featuring interviews with Common and NO I.D all in a beautiful gatefold jacket.

Get On Down is proud to present, Commons sophomore album, Resurrection. While the album was originally neglected by the mainstream, it has since received a great deal of critical acclaim and is now on The Sources 100 Best Rap Albums. In comparison to his debut album, Commons musical style evolved lyrically by his expressing of himself rather than just describing street life. With its Jazz and Hip Hop flavors, Resurrection furthered the growth of both genres. Overall, the album is commonly perceived as an underrated Rap classic and now this legendary album is available in a much anticipated, 2xLP gatefold jacket edition.

Resurrection was produced almost entirely by No I.D., who has gone on to work with heavyweights like Usher, Alicia Keys and Rihanna, and he recently produced the first two singles for Jay-Zs new album The Blueprint 3. In addition, No I.D. is credited as the man who introduced Kan ye West to Hip Hop production, inviting him to his sessions with Common when West was only starting out.

The 2xLP features the original 15 album tracks (all cuts remastered from the original masters) and three remixes of Resurrection. Two of the remixes were produced by the one and only Large Professor of Main Source fame and the third is another track by No I.D. The gatefold jacket art features in-depth liner notes written by Brian Coleman with Common and No I.D.

Limited to 1000 boxes for the European market, 3000 in total worldwide.
In Europe exclusively available at HHV.

HHV is thrilled to be able to offer this milestone of rap history, one of the most iconic and important albums of all time as a limited box set of 45s. We can not be happier. Illmatic 30th Anniversary Box Set Includes:

-The full album plus 2 remixes on six big-hole 7-inches pressed on black vinyl.

-The 7-inches are housed in a custom hardbound casebook that includes a 64-page book of extended liner notes by Sacha Jenkins with full lyrics, photos, and 12-inch singles discography.

-The casebook is housed in a premium outer slipcase, featuring the iconic album art printed in gold.

-Limited to 3000 copies worldwide

Thirty years ago on April 19, 1994, Nasir "Nas" Jones dropped Illmatic which is regarded by many as the greatest hip-hop album of all time. Before 1994, Nas (under the name "Nasty Nas") was rapping and making demo tapes with Large Professor, and in 1991 performed an unforgettable verse on Main Source's "Live at the Barbeque." The next year Nas released "Halftime" for the Zebrahead soundtrack, another Large Pro cut, and signed a deal to record an album for Columbia Records. Nas was being compared to one of the lyrical greats, Rakim, and the pressure was on to drop a debut album to top all rappers. A dream team of hip-hop producers including DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S. was assembled to work on what would become the 5 Mic classic Illmatic. Not only did it establish Nas as the Best Rapper Alive in 1994, but it also raised the stakes for hip-hop production, lyrical technique, content, and overall artistic ambition.

Illmatic is the crown jewel of the mid-90s classics that still define the genre. No filler, one intro, and 9 tracks of hip-hop perfection. Every song on this album matters. From Premier's masterful "N.Y State Of Mind" to the AZ-assisted "Life's A Bitch" and Pete Rock's piano-laced "The World Is Yours" Illmatic starts with a powerful trio of songs that easily could solidify this album as classic if it stopped right there. Other tracks such as "Memory Lane" and "One Love" show Nas focusing on his neighborhood and local legends that molded him into the person he was which made them all just as important to us. Large Professor delivers the album's first single "It Ain't Hard To Tell" while Premier delivers the album's certified street anthem "Represent". Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year-old Nas stood on the shoulders of his predecessors and made them proud with this one. Thirty years later the album stands the test of time, where time is truly illmatic.

To commemorate the 30th anniversary of the release of Illmatic, Get On Down in partnership with Sony's Certified is proud to present the entire album on six 7-inches with 2 remixes.

Limited to 1994 copies worldwide. US customers, please order with Get On Down. Pressed ON Blue AND Butter Cream Colored Vinyl

With Hand Numbered OBI Limited TO 1994 Copies

Deluxe edition vinyl which includes the original album plus 3 Resurrection remixes with liner notes featuring interviews with Common and NO I.D all in a beautiful gatefold jacket.

Get On Down is proud to present, Commons sophomore album, Resurrection. While the album was originally neglected by the mainstream, it has since received a great deal of critical acclaim and is now on The Sources 100 Best Rap Albums. In comparison to his debut album, Commons musical style evolved lyrically by his expressing of himself rather than just describing street life. With its Jazz and Hip Hop flavors, Resurrection furthered the growth of both genres. Overall, the album is commonly perceived as an underrated Rap classic and now this legendary album is available in a much anticipated, 2xLP gatefold jacket edition.

Resurrection was produced almost entirely by No I.D., who has gone on to work with heavyweights like Usher, Alicia Keys and Rihanna, and he recently produced the first two singles for Jay-Zs new album The Blueprint 3. In addition, No I.D. is credited as the man who introduced Kan ye West to Hip Hop production, inviting him to his sessions with Common when West was only starting out.

The 2xLP features the original 15 album tracks (all cuts remastered from the original masters) and three remixes of Resurrection. Two of the remixes were produced by the one and only Large Professor of Main Source fame and the third is another track by No I.D. The gatefold jacket art features in-depth liner notes written by Brian Coleman with Common and No I.D.

Intro is an American R&B group that emerged in the early 1990s. The group consisted of members Jeff Sanders, Clinton "Buddy" Wike, and lead vocalist/songwriter Kenny "G-Love" Greene. They gained popularity during the golden era of R&B and enjoyed success with their soulful harmonies and smooth ballads.
In 1993, INTRO released their self-titled debut album Intro, which featured the hit singles "Come Inside," "Let Me Be The One," and "Love Thang." The album received critical acclaim and showcased their ability to deliver heartfelt ballads and merging R&B tracks over hip hop beats. The smooth harmonies and passionate vocals of Kenny Greene and the group's overall chemistry made their music stand out.
To celebrate its 30th anniversary, we are proud to reissue the band's debut album for the first time as an expanded 2LP edition. Intro (Expanded) is available as a 30th anniversary edition of 750 individually numbered copies on orange (LP1) and green (LP2) coloured vinyl. Its D-side consists of 3 bonus tracks from their album New Life.

The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.

The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.

The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.