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Their classic debut. Absolutely essential for all hip hop fans. Includes "PASS THE POPCORN", "GOOD MUSIC", "THE SESSION" and more. With THE ROOTS on JIMMY FALLON every weeknight all stores should have this in stock!

Deluxe Edition celebrating the 25th Anniversary of the second The Roots album. Comes with a 24-page booklet. Must have!

Do You Want More?!!!??! is the second studio album by The Roots, released on January 17, 1995. This album is a landmark in hip-hop because it showcases The Roots' use of live instrumentation rather than relying on samples and drum machines, which was the dominant production method in rap at the time. It helped establish The Roots as a unique force within hip-hop, blending genres like jazz, funk, and soul into their music and standing out as pioneers of the "alternative rap" movement.

The album is notable for its organic sound, primarily driven by live instruments, with contributions from musicians such as drummer Questlove, keyboardist Scott Storch, and bassist Leonard Hubbard.
It represents The Roots’ early jazz-influenced, laid-back sound, which sharply contrasted with the harder, sample-driven beats of mainstream hip-hop in the mid-1990s.
Do You Want More?!!!??! was the group’s first major-label release (on DGC/Geffen Records) and introduced them to a broader audience beyond their underground roots.

The album is known for its strong jazz-rap influence, with heavy use of improvisation, live drumming, and horn sections, giving it a feel akin to a live jam session.
The Roots draw from the traditions of jazz and soul music, fusing those styles with the vocal rhythms and lyrical complexity of hip-hop.
Beatboxing and vocal percussion are also used throughout the album, particularly with contributions from Rahzel, known as "The Godfather of Noyze," who uses his beatboxing skills as an instrument in several tracks.

Lyrically, Black Thought (Tariq Trotter) and Malik B (Malik Abdul Basit) address topics ranging from urban life and relationships to the state of hip-hop and artistic integrity.
Much of the album is celebratory, exploring themes like the joy of performing, living in the moment, and reflecting on personal experiences.
The lyrics are often introspective and conversational, matching the album’s laid-back, jazzy feel. Unlike the aggressive or gangsta rap style popular at the time, the focus here is more on storytelling and social commentary.

Key Tracks and Highlights:
"Proceed" – One of the album’s standout singles, with a mellow, jazzy beat and Black Thought's smooth, confident flow. This track became one of The Roots' signature songs, with several remix versions following its release.
"Distortion to Static" – A jazz-heavy, upbeat track that features both Black Thought and Malik B trading verses, with intricate lyricism and a distinct live sound. This song helped establish their reputation as lyrical craftsmen.
"Mellow My Man" – A smooth, funk-infused track that showcases The Roots' musicianship, particularly Questlove’s drumming, and explores more laid-back, reflective themes.
"Essaywhuman?!!!??!" – An almost entirely improvised, live track, with live scatting and beatboxing, blending hip-hop with jazz in real-time, giving the listener a glimpse of The Roots' live performance energy.
"Silent Treatment" – One of the few songs on the album that delves into personal relationships, specifically the emotional dynamics of a romantic relationship gone awry. The song’s smooth delivery and production make it one of the more accessible tracks on the album.
"Datskat" – A playful track with an emphasis on jazz improvisation, including a prominent saxophone section and Rahzel’s beatboxing, highlighting the album’s unique sonic experimentation.
Collaborations and Guest Appearances:
Rahzel (beatboxing) and Scott Storch (keyboards) both play significant roles on this album, contributing to its eclectic, live-instrument sound.
Saxophonist Steve Coleman and trumpeter Graham Haynes lend their jazz expertise, enhancing the album’s jazz-fusion vibe.

Do You Want More?!!!??! received critical acclaim for its innovative use of live instrumentation and jazz influences in hip-hop. Critics praised the album for its originality and the band’s musical proficiency.
The album was celebrated for breaking away from the sample-driven norm of hip-hop production in the 1990s, helping to expand the genre’s sonic possibilities.
Despite its critical success, Do You Want More?!!!??! did not achieve major commercial success at the time, but it has since gained a cult following and is regarded as a classic in both hip-hop and alternative music circles.
Themes:
A key theme in the album is the exploration of musicianship in hip-hop. By blending jazz improvisation and live performances with rap, The Roots were not just making music—they were actively challenging the boundaries of what hip-hop could be.
Cultural identity and artistic integrity also play central roles in the lyrics, with Black Thought and Malik B often ruminating on their roles as artists in a changing and often commodified hip-hop landscape.

While not a massive commercial hit upon release, Do You Want More?!!!??! has become regarded as one of the seminal albums of the jazz-rap genre and a landmark in alternative hip-hop.
The album set the stage for The Roots’ later success and is seen as an important precursor to their subsequent, more polished and socially-conscious works, like Things Fall Apart (1999).
Do You Want More?!!!??! also helped to redefine live hip-hop performance, as The Roots proved that a live band could create complex, compelling music that resonated both within and beyond the hip-hop community.
Its influence extends to many artists in hip-hop and neo-soul, especially those involved with the Soulquarians, a collective of artists like Erykah Badu, D’Angelo, and Common with whom The Roots would collaborate extensively.
The album's blend of jazz, live instrumentation, and socially-conscious lyrics helped The Roots carve out a distinct niche in the hip-hop world, making Do You Want More?!!!??! a defining moment in their career and a critical touchstone in the evolution of alternative hip-hop.

Illadelph Halflife is the third studio album by The Roots. It features a tougher and broader sound than their previous album, Do You Want More. The album was selected as one of The Source's 100 Best Rap Albums. In 2006, the album was selected as one of Hip-Hop Connection's 100 Best Rap Albums from 1995 to 2005. Continuing with its Respect The Classics campaign UMe will be reissuing this classic back on standard weight vinyl.

Finally, this Roots classic is back in print!!

A true pioneer and architect of that raw underground sound the city of Memphis, TN is famous for. Memphis Icon DJ Zirk. One of the first creating that M-Town sound and putting it on tape. His album "Looken For Tha Chewin" contains trunk rattling undergorund hits like "Lockem In Tha Trunk" & "Looken 4 Tha Chewin". Supported by features from Eightball & MJG, DJ Squeeky, Kilo G, Buckshotz and more. Including 4 Bonus Tracks. Welcome to Memphis!

A true pioneer and architect of that raw underground sound the city of Memphis, TN is famous for. Memphis Icon DJ Zirk. One of the first creating that M-Town sound and putting it on tape. His album "Looken For Tha Chewin" contains trunk rattling undergorund hits like "Lockem In Tha Trunk" & "Looken 4 Tha Chewin". Supported by features from Eightball & MJG, DJ Squeeky, Kilo G, Buckshotz and more. Including 4 Bonus Tracks. Welcome to Memphis!

A true pioneer and architect of that raw underground sound the city of Memphis, TN is famous for. Memphis Icon DJ Zirk. One of the first creating that M-Town sound and putting it on tape. His album "Looken For Tha Chewin" contains trunk rattling undergorund hits like "Lockem In Tha Trunk" & "Looken 4 Tha Chewin". Supported by features from Eightball & MJG, DJ Squeeky, Kilo G, Buckshotz and more. Including 4 Bonus Tracks. Welcome to Memphis!

2024 pressing of this classic 90s Roots gem!

Illadelph Halflife is the third studio album by the legendary hip-hop group The Roots, released on September 24, 1996. This album solidified The Roots' reputation as innovative musicians who blend live instrumentation with traditional hip-hop elements, standing out in an era where most rap groups used sample-based production.

The album features The Roots' signature blend of live instrumentation, jazz-infused beats, and socially conscious lyrics, along with skilled wordplay. The band’s drummer, Questlove, and rapper/lyricist Black Thought (Tariq Trotter) take the lead in crafting a sound that moves between laid-back grooves and more intense, intricate musical arrangements. Live instrumentation is a core element, with a focus on creating complex rhythms and organic soundscapes.

Illadelph Halflife addresses various topics, including social issues, racial identity, urban life, and the challenges of fame.
The lyrics are often introspective, with Black Thought offering sharp commentary on the struggles of African Americans, the complexities of relationships, and the pressures of navigating the music industry.
The album also explores the concept of self-doubt and searching for authenticity in both personal and societal contexts.

While not a massive commercial hit upon its release, the album was critically acclaimed for its innovative production, complex lyricism, and the tight cohesion of The Roots as a band. It has since become regarded as one of the most important hip-hop albums of the 1990s. It is celebrated for balancing underground aesthetics with more accessible sounds, paving the way for alternative hip-hop to gain a broader audience.
Some tracks that stand out:
"What They Do" – A critique of materialism and superficiality in the music industry, accompanied by a memorable video that parodied flashy rap videos.
"Concerto of the Desperado" – A harder, more aggressive track, showcasing Black Thought’s lyrical prowess and The Roots' dynamic, live sound.
"Clones" – One of the more aggressive tracks, addressing the concept of originality versus imitation in hip-hop.
"Episodes" – A dark and introspective track that delves into street life and violence.

Illadelph Halflife helped The Roots gain a devoted fan base and led to further critical recognition. It is often cited as one of the most influential hip-hop albums of the era, known for its jazz influence, conscious lyricism, and its rejection of the dominant sound in mid-90s hip-hop.
This album marked a turning point for The Roots as they began to shift towards even more experimental and politically engaged projects, which would later culminate in their landmark album Things Fall Apart in 1999.
Illadelph Halflife represents The Roots at a critical stage in their evolution, showcasing their ability to blend musicianship and message, setting them apart as one of the most innovative groups in hip-hop history.

Sealed copy! Cover corners slightly dented.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Limited to 1000 copies worldwide.

The most sought after HipHop Live-Album comes as a limited reissue upon HHV request.

The Roots Come Alive is a live album by the hip-hop group The Roots, released on November 2, 1999. This album captures the energy and musicianship of The Roots' live performances, showcasing their dynamic fusion of hip-hop, jazz, soul, and funk. It was recorded during various concerts in Europe and New York, giving listeners a front-row seat to one of the most revered live acts in hip-hop.

The Roots Come Alive is a live performance album that includes renditions of songs from their previous studio albums, as well as new improvisations and extended versions of tracks.
The Roots are known for their live instrumentation, a rarity in hip-hop at the time, and this album highlights their skills as a live band. Questlove (Ahmir Thompson) on drums and Black Thought (Tariq Trotter) as the lead MC, along with the rest of the band, exhibit a tight, cohesive sound with rich musical textures, showing their ability to translate their studio work into a live setting.

The album blends elements of hip-hop, jazz, funk, soul, and rock, reflecting The Roots' eclectic approach to music. It features live interpretations of their recorded tracks with a heavier emphasis on instrumental solos, improvised jams, and extended breakdowns that highlight the musicianship of the group. Unlike many hip-hop concerts that rely on pre-recorded tracks, The Roots perform with a full band, bringing a fresh and unique sound to each performance.

Key Tracks:
"Proceed" – A standout track, showcasing Black Thought’s lyrical dexterity with an extended instrumental jam.
"You Got Me" (featuring Erykah Badu and Jill Scott on the original studio version) – The live version is electrifying, with emotive vocals and powerful instrumentation that add extra depth to this already popular track.
"Essaywhuman?!!!??!" – A live favorite that features The Roots’ improvisational ability, blending live beatboxing, instrument solos, and crowd interaction.
"The Next Movement" – One of their hit singles, which gets a lively, expanded treatment in the concert setting, complete with additional grooves and audience interaction.
"Silent Treatment" – A jazzier, more relaxed live rendition of their classic from Do You Want More?!!!??!, with a focus on the band’s fluidity and Black Thought’s introspective lyrics.

The album does an excellent job of capturing the crowd interaction and the raw energy of The Roots' live shows. Audience cheers, call-and-response segments, and ad-libs contribute to the feel of being at a live concert. Questlove’s drumming, along with the band’s interplay, is a central feature throughout the performances, keeping the groove alive while allowing for spontaneous musical expression.

The album was well received by critics, who praised it for capturing the vitality of The Roots' live performances, which had earned them a reputation as one of the best live acts in hip-hop.
The Roots Come Alive was seen as a bold move, especially at a time when live albums were not common in the hip-hop genre. It reinforced The Roots' status as innovators, who brought an instrumental and performance-based approach to a genre dominated by turntablism and samples.

The album helped further The Roots’ reputation as a trailblazing group that could blend musicality with the raw essence of hip-hop, standing out among their contemporaries.
Their success with this live album also contributed to the growing appreciation of hip-hop as a form of live performance art, influencing other artists to explore live shows in more dynamic ways.
The Roots Come Alive is considered one of the most important live albums in the hip-hop genre, showing that the energy of a live band could be fused with the lyrical power of rap in a seamless, exciting way.

The album bridges the gap between studio precision and live improvisation, showcasing why The Roots were able to gain a wide-ranging fanbase across both hip-hop purists and lovers of live music. It stands as a testament to their creativity and musicianship.

The most sought after HipHop Live-Album comes as a limited reissue.

The Roots Come Alive is a live album by the hip-hop group The Roots, released on November 2, 1999. This album captures the energy and musicianship of The Roots' live performances, showcasing their dynamic fusion of hip-hop, jazz, soul, and funk. It was recorded during various concerts in Europe and New York, giving listeners a front-row seat to one of the most revered live acts in hip-hop.

The Roots Come Alive is a live performance album that includes renditions of songs from their previous studio albums, as well as new improvisations and extended versions of tracks.
The Roots are known for their live instrumentation, a rarity in hip-hop at the time, and this album highlights their skills as a live band. Questlove (Ahmir Thompson) on drums and Black Thought (Tariq Trotter) as the lead MC, along with the rest of the band, exhibit a tight, cohesive sound with rich musical textures, showing their ability to translate their studio work into a live setting.

The album blends elements of hip-hop, jazz, funk, soul, and rock, reflecting The Roots' eclectic approach to music. It features live interpretations of their recorded tracks with a heavier emphasis on instrumental solos, improvised jams, and extended breakdowns that highlight the musicianship of the group. Unlike many hip-hop concerts that rely on pre-recorded tracks, The Roots perform with a full band, bringing a fresh and unique sound to each performance.

Key Tracks:
"Proceed" – A standout track, showcasing Black Thought’s lyrical dexterity with an extended instrumental jam.
"You Got Me" (featuring Erykah Badu and Jill Scott on the original studio version) – The live version is electrifying, with emotive vocals and powerful instrumentation that add extra depth to this already popular track.
"Essaywhuman?!!!??!" – A live favorite that features The Roots’ improvisational ability, blending live beatboxing, instrument solos, and crowd interaction.
"The Next Movement" – One of their hit singles, which gets a lively, expanded treatment in the concert setting, complete with additional grooves and audience interaction.
"Silent Treatment" – A jazzier, more relaxed live rendition of their classic from Do You Want More?!!!??!, with a focus on the band’s fluidity and Black Thought’s introspective lyrics.

The album does an excellent job of capturing the crowd interaction and the raw energy of The Roots' live shows. Audience cheers, call-and-response segments, and ad-libs contribute to the feel of being at a live concert. Questlove’s drumming, along with the band’s interplay, is a central feature throughout the performances, keeping the groove alive while allowing for spontaneous musical expression.

The album was well received by critics, who praised it for capturing the vitality of The Roots' live performances, which had earned them a reputation as one of the best live acts in hip-hop.
The Roots Come Alive was seen as a bold move, especially at a time when live albums were not common in the hip-hop genre. It reinforced The Roots' status as innovators, who brought an instrumental and performance-based approach to a genre dominated by turntablism and samples.

The album helped further The Roots’ reputation as a trailblazing group that could blend musicality with the raw essence of hip-hop, standing out among their contemporaries.
Their success with this live album also contributed to the growing appreciation of hip-hop as a form of live performance art, influencing other artists to explore live shows in more dynamic ways.
The Roots Come Alive is considered one of the most important live albums in the hip-hop genre, showing that the energy of a live band could be fused with the lyrical power of rap in a seamless, exciting way.

The album bridges the gap between studio precision and live improvisation, showcasing why The Roots were able to gain a wide-ranging fanbase across both hip-hop purists and lovers of live music. It stands as a testament to their creativity and musicianship.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

2000 German pressing. Some audible heat or pressing damage at the very end of A5. Rest of the sides closer to VG+. Sticker on cover.

In the late 90s, Wu-Tang Clan superstar RZA developed a new persona. Based on his birth name and the fact that he was branching out into more digital production, Bobby Diggs became Bobby Digital. As RZA himself put it, “My birth name is Bobby Diggs. So at the time, creatively, I felt like I was in a digital frame…As Bobby Digital, I could use a character to describe some of the earlier days of my own life. Partying, bullshitting, going crazy, chasing women, taking drugs. It was a mixture of fiction and reality together to make a character I thought would be entertaining.” RZA released Bobby Digital In Stereo in 1998 and it was certified Gold in a matter of months. Its follow-up Digital Bullet dropped in August of 2001 continuing the conceptual story arch from …In Stereo, but with Bobby Digital growing more enlightened and becoming disillusioned with the hedonism that previously served as his fuel. Audiences reacted by driving the release up to number 24 on the Top 200 and a Top 10 position on the R&B/Hip Hop Albums chart.

CD - Remastered - Limited to 300 Copies

Classic M-Town Material by Memphis Icon DJ Zirk.

Why you'll love it...
‘’In spite of systemic challenges, there is some glory in Nappy Roots’ humble lot—at least, as they depict it. Anthems like ‘’Country Boyz,'' the down and dirty ‘’Slums,'' and ‘’Kentucky Mud'' show a kind of refreshing solidarity with people who might not have ever heard themselves in hip-hop before. That was the Nappy movement, as its creators saw it: finding the joy and beauty, where one could, in an unfair system instead of trying to cover it up. Taking qualities and status perceived as undesirable—''nappiness,'' rural living, being part of the working poor—and finding within them a sense of community and appeal without masking all the things that make them so awful.

As a new recession hit and the U.S. slid into yet another war, ‘’Po’ Folks'' reached #21 on the Hot 100; their message of humble resilience rang out everywhere. A new dimension of hip-hop had cut into the mainstream, one that was neither preachy nor apocalyptic but simply made in solidarity. As Deville put it, by way of explaining the album’s title, it’s ‘’the refreshment, the soul food—the shit that’s going to stick to you.''''

The Tipping Point is the seventh studio album by The Roots, released on July 13, 2004. Named after Malcolm Gladwell's 2000 book "The Tipping Point", which explores how small events can create a significant change in society, the album reflects on similar themes, particularly focusing on pivotal moments in personal and social contexts. The album stands out in The Roots' discography for blending their signature live instrumentation with a more mainstream sound, while still retaining their thought-provoking lyrics and genre-blending approach.

The Tipping Point represents a more commercially oriented sound for The Roots, with a balance of socially conscious lyrics and tracks that experiment with more accessible, radio-friendly production.
The album was a response to pressures from their record label, which wanted more hits, yet it still maintained the group's focus on lyrical depth and musicality.
The album’s production incorporates a mix of live instruments, samples, and digital production, with a stronger emphasis on funk, soul, and rock influences compared to their earlier, more jazz-heavy works.

The album contains a wide range of musical styles, combining live instrumentation with soul, funk, and R&B elements, but also introduces more polished and radio-friendly production than previous albums like Phrenology or Things Fall Apart.
Despite its more polished sound, Questlove's signature drumming and The Roots' musicianship are still prominent, especially in the live instrumentation, which is a hallmark of their music.
Black Thought (Tariq Trotter) remains the lyrical centerpiece, delivering complex, socially aware verses that delve into issues like racial identity, inequality, the commercialization of hip-hop, and personal reflections on fame and success.

Key Tracks and Highlights:
"Star/Pointro" – The album opens with a meditative introduction, blending Marvin Gaye's classic "Everybody’s Gotta Learn Sometime" with Black Thought’s reflective lyrics. The song transitions into a brassy, upbeat rhythm, setting the tone for the album’s experimental approach.
"I Don't Care" – A funky, groovy track where Black Thought tackles the pressures of staying relevant and true to his roots in an industry that often prioritizes commercial success over artistry.
"Don't Say Nuthin'" – One of the album's lead singles, driven by a minimalist beat and a dark, hypnotic atmosphere. Black Thought delivers a smooth, almost detached flow, commenting on the challenges of staying silent in a world full of noise and pressure.
"Guns Are Drawn" – A politically charged track with a heavy bassline and a haunting, reflective hook. Black Thought and guest MCs explore themes of social injustice, gun violence, and the struggles faced by Black communities in America.
"Stay Cool" – Built around a playful and funky beat, this track features smooth production with a retro feel, reflecting on maintaining composure and self-awareness in the face of societal pressures and distractions.
"Web" – A standout track, with Black Thought delivering a rapid-fire, no-hook lyrical performance. It's one of the most lyrically dense songs on the album, showcasing Black Thought’s verbal agility and intricate wordplay.
"Boom!" (featuring DJ Jazzy Jeff) – A tribute to classic hip-hop, with Questlove and Black Thought taking listeners back to the days of boom-bap, reminiscent of earlier hip-hop production styles, but with a modern twist. DJ Jazzy Jeff’s scratches add an old-school flavor.

Commercialization of Hip-Hop: Many tracks, such as “Don’t Say Nuthin'” and “I Don’t Care,” reflect The Roots' critique of the way mainstream hip-hop has evolved, focusing more on materialism and less on the artistry that originally defined the genre.
Socio-Political Commentary: The album delves into various social issues, such as gun violence (“Guns Are Drawn”) and racial inequality, exploring the frustrations of systemic problems that plague society.
Personal Reflection and Artistic Integrity: Black Thought explores his role as an artist in the modern music industry, balancing the need to create commercially viable music while staying true to his roots and values. This tension is a recurring theme throughout the album.

Questlove and Richard Nichols handled the bulk of the production, while Scott Storch and Damon Bryson (aka Tuba Gooding Jr.) contributed to various tracks.
DJ Jazzy Jeff made an appearance on “Boom!”, providing turntablism that adds an old-school hip-hop feel to the track.
The production on The Tipping Point is a blend of organic and digital sounds, with live instruments meshing with sampled beats, reflecting The Roots' ability to navigate both the hip-hop underground and the mainstream.

The Tipping Point received generally positive reviews from critics, though it was sometimes viewed as less groundbreaking compared to previous works like Things Fall Apart or Phrenology.
While some critics praised the album’s production and the lyrical depth of Black Thought, others felt that the more commercial sound detracted from the experimental, genre-pushing elements that had characterized The Roots’ earlier work.
The single “Don’t Say Nuthin'” became one of the group’s more successful radio hits, though it was seen as a departure from the soulfulness and live instrumentation of their previous albums.
Commercial Performance:
The album debuted at #4 on the Billboard 200, making it one of The Roots' highest-charting albums at the time, driven by the popularity of singles like “Don’t Say Nuthin'” and “Stay Cool.”
The Tipping Point did not reach the same commercial success as some later albums, but it represented a pivotal moment where The Roots began to bridge their underground sound with broader mainstream appeal.
Legacy and Impact:
The Tipping Point marked an important transition in The Roots’ career, showcasing their ability to adapt to the changing landscape of hip-hop while still maintaining their identity as a live band.
Though not as critically acclaimed as some of their other albums, it remains an important work in The Roots' discography, as it captures a moment where the group was negotiating their place within an increasingly commercialized industry.
Following The Tipping Point, The Roots would take their music in even more experimental and socially conscious directions with albums like Game Theory (2006) and Rising Down (2008), reinforcing their reputation as hip-hop innovators with a distinct voice.
In summary, The Tipping Point is a pivotal album in The Roots' evolution, blending commercial ambition with their trademark musicality and lyricism, and showcasing their ability to balance mainstream appeal with artistic depth.

Finally back on vinyl. The prophetic album named after Malcolm Gladwell's iconic book is heavily inspired by jazz, funk and soul borrowing samples from Sly and The Family Stone among other ad features such top notch guests as Devin The Dude, Jean Grae and Skillz.

Detroit, MI---“I feel like Nas before he dropped “Ether.” After shattering expectations for his
massively bootlegged 2002 debut, Rock City (which was refurbished, re-titled and officially
released Stateside as Rock City V.2.0) and on the heels of two buzz-setting mix tapes, Build
& Destroy and M.I.C. Mixtape Vol.1, Royce Da 5’9” released his highly-anticipated “true”
sophomore LP, Death Is Certain on February 24, 2004.
Cat. No.: 783141
Price code: 023
UPC: 634164605414
Config: 2LP
Genre Rap / Hip Hop
Label No: EOM-LP-46054
In the ever-changing landscape of Hiphop, only a few things remain a constant with one of
them being our unwavering love for the underdog. And through a turbulent roller-coaster ride
of personal trials and label changes Royce has proven that he is a true survivor. Fueled by
his passion for Hiphop and a yearning to once and for all shed light on the events and
circumstances that have caused so much turmoil (including a well-publicized beef with pop
music’s biggest “Shady” sensation), With Death Is Certain, Royce drew back the curtain and
let down his guard for one of the most revealing and honest LP’s bound to resonate from
your speakers. Where else are you going to hear an emcee apologize to fans for his
attempts to gain commercial acceptance? Or as Royce offers on “Regardless,” “I played
myself for radio play/I never dance/but the skill itself is a second chance.”

In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

16 tracks feat. MF Doom & Talib Kweli (killer tune !!!), Tragedy Khadafi, R.A. The Rugged Man, Timbo King, Killah Priest and many more ... incl. bonus dvd!

Hellrazah is a respected lyricist and Sunz of Man (Wu-Tang) member
who has been involved in countless projects in the field of
underground Hip-Hop. Presented for the first time anywhere, comes
his own special series of unreleased material for fans and collectors
alike, entitled Hell-Hop. The second of this series, volume two
features Timbo King, Killah Priest, J-Quest, Prodigal Sunn, 60 Second
Assassin, and Mezza Morta, among others. This is a limited edition
collectors item, and not to be missed people!

Late arrival, coming next week.
Black Friday Record Store Day 2022 Original Release. Color: Black. Limitation: The third solo effort under his Bobby Digital alias is presented on vinyl for the first time ever. Digi Snacks continues the story line from Digital Bullet (issued on vinyl for RSD 2022) and includes features from Inspectah Deck (among others). Though RZA handles the production on almost all cuts, he does pull in a few outside producers for an assist. Most notably David Banner for “Straight Up The Block.” RZA describes the project as “simply fun hip hop - a perfect blend of reality, fiction, sci-fi and martial arts.” Digi Snacks debuts on vinyl for RSD Black Friday.

Cover with a bent corner and a couple of creases

Heaven Razah marks a rebrith for Razah, who has re-fashioned himself as a modern day hip-hop prophet, spitting spiritual wisdom about the apocalypse, the presence of demons, mortality, and the afterlife. In light of recent events, his words sound even more prophetic. "It was like a premonition. I was thinking about these themes, and my destiny was already in my brain, but I didn't even know it," explains Razah in his first comments since his being hospitalized. "This is my testimonial. It's like I'm seeing the future through music."

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

Beat Soup V3 is a two-part 61-minute mix by the legendary RAS G made exclusively for HIT+RUN. Take a glance inside the artist's mind during the magic era between his classic Brainfeeder debut release 'Brotha From Anotha Planet" (2009) and his banging Leaving Records debut "El Alyien - Pt. 1`" (2010). Features original RAS G tracks, as well as songs & snippets by CO.FEE, Samiyam, Dibia$e, Madlib/dilla, Ghostface Killah / Theodore Unit, Jonwayne, Flying Lotus, Gaslamp Killer, Frank Zappa, Young Black Preachers, ODD Future, Hudson Mohawke, GB, Funkineven, Fatima, DAM Funk, Prefuse 73, THE Nonce, Teebs, SUN RA & many more. Shout out to Lord Lanique Shabazz AKA Black SUN GOD THE EMPEROR...JR.

Double vinyl LP pressing of this 2015 mixtape from the hip-hop artist and producer.

Double album set featuring instrumentals of 14 Roots' classics. Hard to find mixes all collected together here. Includes "Disortion To Static", "Adrenaline", "Clones", and many more. Pressed from the original master tapes, perfect sound quality.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

Double vinyl LP pressing of this 2013 mixtape from the hip-hop artist and producer.

Royce & Premier have created an incredible album strictly using Adrian Younge samples. Featuring Ab Soul, School Boy Q, Common, Killer Mike, Slaughter House, Dwele, Jay Electronica and Mac Miller.

Produced by Four Tet & Machinedrum!

Out of print El-Aylien Volume 1 & 2 cassettes on Leaving Records now resurfacing on wax!

Double vinyl LP pressing of this 2015 mixtape from the hip-hop artist and producer.

Record is close to NM. Digital download included.

Limited pressings of 500!

R.A.S. Posse aka "R.iddem A.nd S.oul" are the inovative collaboration of American rapper/underground producer Soul Gee (Chuck D, Das EFX etc...) and Panamanian reggae rapper Bigga Don who founded the group in Brooklyn NYC.
R.A.S. Posse had a very significant role in the movie House Party 3 and the careers of fellow LaFace Records label mates TLC, Ex Managers Steve Stoute and Kid (Kid n Play), Boyz 2 Men, Usher, OutKast, L.A. Reid etc….
This is EP Vol.1 of there previously unreleased Album on a limited green colored 12“ Vinyl.

Copy is close to NM!

Still shrink wrapped but opened.
Includes original inner sleeves.
Records are close to VG+
Includes CD in NM condition.

PRhyme 2 is the second official full-length collaboration from two of HipHop’s most respected artists. PRhyme marks the first time that DJ Premier has been part of a group since being ½ of the legendary Gang Starr. The PRhyme 2 album exclusively samples the work of composer and producer AntMan Wonder, produced by the legendary DJ Premier. Featuring Dave East, Yelawolf, CeeLo Green, 2 Chainz, Big K.R.I.T., Curren$y, and Rapsody.

“The womb is The Stargate of Humanity” says Ras G, relating to the concept of his latest proper full-length – an astral ode to woman. “Stargate Music is a record that I livicated to the Womb-man…to the Vagina, The Stargate from which beings emanate life on this planet. I gathered these sound pieces and presented it as a reflection of the life cycle of beings on this planet.”

G has always been more to us than an influential L.A. beatmaker, but rather the luminary with an infectiously heartfelt zero-fucks-given philosophy towards raw experimentation in the Los Angeles underground producer scene since the early 2000s.

“From The Primordial Water Formation we flow thru The Stargate….and one’s great journey reconnecting and returning to the sweet nectar that is The Stargate….and this is the soundtrack to the journey.”
-Ras G

Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

Strongly limited edition of 300 copies of the 10th release in our »HHV Boombap 45's« series.

This time we present another classic cut from the mid-90's on 7", "Miami Life" by Ras Kass from his debut album "Soul On Ice". The b-side includes "Goldyn Child" produced by DJ Premier!

Representing Protect Ya Neck Ent from the early days, we have a Russ Prez producer project on Herring. Russ worked with a bunch of Wu-Affiliate artists including Deadly Venoms, Killarmy and the super-dope KGB. He also produced the much in-demand Lac Rippa aka Lac Tha Rippa – Let’s Get It On 12″ on Mentally Disturbed East West. Russ dug out the 2 tracks from that grail plus 2 unreleased Lac joints, 2 unreleased joints from KGB and a heater from The Massive entitled A L L A H. Indie heads peep it, this is a bangin 7 track EP of 90’s flaaaayyyyva….

Following the first volume from earlier this year, Russ dug deeper into his archives and found DATs of these unreleased bangers. I know cats loved the KGB joints last time so here are 2 more unreleased jawns including the incredible original version of ‘Journey Through Hell’ from 1993 and ‘Boom Bang’ from 1996. Also included in this volume are 2 unreleased tracks from Madame Star which would’ve been on the Cold Chillin album had she not been dropped after 2 singles. Both Sick!! We also have for your listening pleasure 2 more joints from Coney Island MC Lac The Rippa and one unheard and unleaked track from Now Born Click’s Born-God. Peep Vol 1 Here in you missed it – Enjoy!!!