Search "garage" 78 Items

Limited editon of 500 copies on black vinyl.

“Drivin’ Far Away” is not a way to avoid reality, but a process of going further to find your own paths, especially in harder times. A trip you don’t necessarily need to take alone. B Dom, Brous One and Greco Murillo found the route together in the search of a unique sound, crossing borders and finding travelers with different perspectives along the way.
With “Drivin’ Far Away” the three Chilean artists put together their first EP, a six-song selection with influences that ranges from Jazz, Funk, and Soul to Hip-Hop with a Lo-Fi aesthetic. It all began with Brous One looking for a team of musicians to create the perfect soundtrack to let you feel and release your emotions. A very intimate project with deep sensations and at times sexy feelings.

To round it all up, every single track was remixed by some of the best European producers at the moment. FloFilz, Psalm Trees, Philanthrope & Leavv, Retrogott, Spaze Windu, and Misha gave their own touch and perspective to make a good project even greater.

“Ben Buck B Sides” is a remix compilation by rapper/beatboxer/producer, Ben Buck. Born and raised in Austin Texas, Ben Buck has become a mainstay of the underground hip hop scene in Texas for the past several years. “B Sides” came about during the height of the 2020 corona virus epidemic. With limited ways to collaborate with other artists face to face, Buck came up with a way to re-tool his past discography by sending out the acapellas from his past 3 albums (Kilroy, Speaker Bump Deluxe and The Marquee) to producers all over the country. What came about was the first volume of “Ben Buck B Sides”. With deep influences in the golden era and traditional styles of underground hip hop, Ben Buck strives to innovate and continue the legacy of artists who paved the way before him. Hailing from a musical family, Ben Buck’s father Mike Buck was a founding member of the legendary blues group “The Fabulous Thunderbirds”. Mike Buck is also the co-owner of the historic Antone’s Record Shop in Austin Texas where both Ben and his sister Billie work. His sister Billie Buck is also the frontwoman for the garage/punk band “Sailor Poon” (Austin Chronicle’s Best Punk Band 2018, 2019 and 2020). She is a gifted graphic designer and poster artist, and frequently does designs for Ben’s merchandising and album covers. Over the course of his musical career, Ben Buck has beatboxed on stage alongside several hip hop legends on their tour dates through Texas including: Ghostface Killah and Inspectah Deck (Wu Tang Clan), Skyzoo, Bushwick Bill (Geto Boys), Czarface, RA The Rugged Man, Aceyalone (Freestyle Fellowship, Project Blowed) and many others. Buck’s live performance centers around high energy lyricism and live beatbox looping, with large emphasis on crowd work, reminiscent of a blend of artists such as Reggie Watts, Rahzel and Action Bronson.

Secrets & Escapes is a compendium of Brother Ali's time with Evidence over the course of three trips to California, recording in a Venice garage with no regard for pleasing the internet or competing with the music industry. Ev chopped up records on old-school samplers and ran them through a compressor (2 track) so they couldn’t be re-arranged or mixed. Brother Ali sat with the mic and spit rhymes as they came to him, without writing or organizing them into songs. Ev smoked a lot of weed, Ali prayed a lot, and their influences on each other can be heard in the recordings. Every time they made something that reminded them of what they’ve become known for, they threw it away and started something new. Talib Kweli, Pharoahe Monch and CS Armstrong all came through to bless the project with contributions too. This album is two friends making rap music for no other reason than because it’s what they love to do

Secrets & Escapes is a compendium of Brother Ali's time with Evidence over the course of three trips to California, recording in a Venice garage with no regard for pleasing the internet or competing with the music industry. Ev chopped up records on old-school samplers and ran them through a compressor (2 track) so they couldn’t be re-arranged or mixed. Brother Ali sat with the mic and spit rhymes as they came to him, without writing or organizing them into songs. Ev smoked a lot of weed, Ali prayed a lot, and their influences on each other can be heard in the recordings. Every time they made something that reminded them of what they’ve become known for, they threw it away and started something new. Talib Kweli, Pharoahe Monch and CS Armstrong all came through to bless the project with contributions too. This album is two friends making rap music for no other reason than because it’s what they love to do

"No Hope For Tomorrow", the new album by Bry.Zen, was created as if produced from a sci-fi inspired post apocalyptic universe.Imagine the producer as a wasteland wanderer, stumbling upon a lost studio and spending his time composing music based on inspiration and memories from before the catastrophic events. The music breaks boundries and expresses itself freely. To correlate to reality, this music reminds us that as much as we've seen things crumble around the globe the past year there's always a light that can shine and guide us forward.

This latest release is a switch up for Bry.Zen, reaching out from hip hop and delving into other exciting genres like garage, house, footwork and boom bap, all which share similar sonic qualities. When mixed together, the final project makes for a very unique album. Approach it with an open mind, and you're bound to be inspired!

Insert included.

Check out the “Flying Crossfader EP” by Carl Hang - Our latest Deck 2 Deck Records imprint. 4 Tracks you will play on an endless loop due to the highly addictive nature of the finger-licking good club sounds & scratches Carl presents on this record. In the "Flying Crossfader EP," Carl Hang's production wizardry takes center stage. This release is a sway fusion of styles, blending garage, UK bass, and ghettotech music. He has expertly crafted a sonic landscape transcending inescapable genre boundaries, taking you through Berlin's backyard flavor-infused basslines while still sticking to the likes of old-school hood anthems

Chris Crack is back with a brand new album called, Growthfully Developed. Fans and critics alike are already calling it the Westside Chicago native’s best album in the last few years. Pitchfork said “Crack’s latest album is a delicate balance of fresh and familiar from one of the funniest and most thoughtful rappers working today.” With song titles like “Pussy Better When You Eat It First” and “Shitting With The Door Open,” it’s no wonder why he’s said to have the best song titles in the game. Whether it’s heavy hitting 808’s, soul loops or head nodding boom bap Chris laces up the variety of beats with style and finesse. Praised by media outlets such as Billboard and Rolling Stone as well as by iconic hip hop artists such as Earl Sweatshirt and Madlib. Like the album title suggests, Chris has fully grown and developed to reach this point in his career and critics will believe that Growthfully Developed be looked back upon as a pivotal album in his prolific career.

Strongly limited edition of 300 copies of the 26th release in our »HHV Boombap 45's« series.

Not much left to say about this double sided donut. Craig Mack's "Flava In Ya Ear" gets the 45 treatment, backed with Q-Tip's "Get Down Remix". Hurry!

Strictly limited edition of 300 copies on colored 2LP vinyl!

Best known for one of THE 90's jams, "Flava In Ya Ear", Craig Mack's debut album from 1994 contains a lot more heat mainly produced by Mack himself and Easy Mo Bee. R.I.P Craig Mack!

Another essential gem from the golden era that should not be missed in any 90's classics collection!

D.A.M. drops with "1904" his second solo rap LP. An uncompromisingly political record, completely produced by Freiburg's Boom Bap virtuoso Georgy Whistler. Features by Yustus Malick (Am Apparat) & Shubangi / Cuts by Maxcarpone.

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

With vivid flows that radiate effortless complexity, Detroit rapper Elzhi is among the most masterful lyricists on the planet. The gifted emcee rose to fame as the youngest member of legendary group Slum Village, but has since graduated from prodigy to sensei, with a thriving solo career bolstered by several acclaimed projects, plus memorable collaborations with artists like Westside Gunn, Royce Da 5’9”, Ghostface Killah, Conway, Danny Brown, Little Brother, and many more.

Georgia Anne Muldrow is a supremely talented musician, producer, and vocalist whose eclectic work blends elements of jazz, hip-hop, funk, soul, rock, and beyond. The prolific artist has released more than 20 albums, earned a Grammy nomination without a major label, and worked with the likes of Erykah Badu, Mos Def, Madlib, Bilal, Kool G Rap, Robert Glasper, and more.

Now, Elzhi and Georgia Anne Muldrow are joining forces for the collaborative album "Zhigeist". A carefully crafted mix of psychedelic instrumentation and whirlwind lyricism, the project is entirely produced by Georgia, who also contributes vocals on several tracks. An inspired fusion of styles and textures, Zhigeist is an aesthetic triumph infused with an undeniable message.

If HiTech were wrapped into one person, you would get Fullbodydurag, an awesome producer and DJ spinning everything from Ghetto Tech to House to Hip-Hop and Jazz. This LP features all his friends including Fxhe label head Omar S on "Trillionaire" and "Juice." Hello :) proves there's tons of young talent in Detroit that deserve to be heard — Omar S heard their passion and desire to keep Detroit on the map for at least another 100 years and this LP is the epitome of their talent

Georgia Anne Muldrow and Dudley Perkins aka Declaime, collectively known as G&D present their new album ‘Black Love & War’ which will be released August 9, 2019. Both life and musical partners, G&D have been together for over 13 years raising 3 children together. The album celebrates ‘black love’ and the unity of the black family, but the album also delves into many of the socio-economic and racial issues that still have them at ‘war.’ The album features production from Oh No and Mike & Keys (Nipsey Hussle). Vocal features include Aloe Blacc, Latoiya Williams, Sean Biggs and Ms. Dezy.

Original inner sleeve. Close to NM. Saw cut in opening.

Cover is close to VG+!

Pink/Red split vinyl seems unplayed. Textured cover with OBI. With inserts. Numbered Limited edition. Original inner sleeve.

Picture disc!

On Seeds, Georgia Muldrow takes a step back and leaves the beatmaking to Otis Jackson Jr., aka Madlib. As producers, Muldrow and Jackson are not worlds apart, so the switch requires no adjustment on the part of the listener. That said, this is one dense and tight set, barely over half-an-hour in length, and it's definitely in contention for Muldrow's most focused, funkiest, and (somewhat ironically) personal release to date. Throughout the record, the emphasis remains heavily fixated on her family as a unit of salvation and purpose. The most direct track of the lot is "Husfriend," where she honors her relationship with Dudley Perkins (a/k/a Declaime, who appears on “The Few”). Muldrow can't quite divorce the planetary and personal issues, heard vividly on "Best Love," which sounds just like a simple, sweet, straight-ahead love song until she starts asking her other half for money to build water wells on three continents ("We can make a difference if we try now"). Overall, Seeds is another left-field deviation in Muldrow's career: it's one of her most captivating and immediate front-to-back statements of purpose as a singer, but it's also the first album where she's handed over all the production duties to somebody else. In celebration of this album’s decenary run, Someothaship Connect is pleased to reintroduce an anniversary edition repress of this captivating release in partnership with Fat Beats.

Still shrink wrapped but opened.
Record is close to VG+.

i'd like to thank the silence
it's the womb of all vibration
and very rare to find
because most of the time
everything is singing
but when it does arrive
it's a healing force too.
i'd like to thank the wind
for being so dear.
i wanna thank the blues
for helping me out
and the fonk
for setting me free
as i can possibly be
under this oligarchy.
and a special thanks
to the sweet scent
the rain leaves behind itself
cause
it makes me wanna make music
i wanna thank you
for sharing this moment with me.
uhuru na haki
g
produced mixed and recorded by g.a.m. at SomeOthaShip
mastered by Romeo "D.J. ROMES" Jimenez

Over the last few years upstate NY has been breeding some stone-cold killers in the rap game, and the mysterious natural-born storyteller Grea8gawd is one of the standout names, turning people’s heads with his cold-blooded rhymes and catching the attention of many legends in the game getting co-signs from the likes of Roc Marciano and Benny The Butcher among many others. Gritty tales of street life viciously delivered over productions by Merc Betz, who curated the entire album with Grea8gawd himself, as well as Whip Beats, Thanos Beats, Inkwelltwowords, Sypooda, Alcatracks, Agallah, Nomass, Big Skoon, and guest appearances by Hell Rell, Joey Majors and Rellion

Rising star Kilder releases his 10-track debut EP ‘Don’t Hide’, taking listeners on a whirlwind ride through club music as heard through Kilder’s ears: emotive house, hard-edged bass and divine indie-disco bring the energy, while more cerebral ambient tracks wind things down. Although it’s largely club music, there’s a pop sensibility at play throughout, with punchy song structures and a keen ear for melody that poke at the pop zeitgeist. Guests on the EP range from established names like underground legend Trim and Japanese soulstress Friday Night Plans to art-school-upcomers Jasper Lotti, Lyzza, k_anti and Lyam. As a debut body of work, it’s a product of self-discovery and a bold first statement that speaks of big things to come. Kilder has released half the record as warmup singles, starting with the title track ‘Don’t Hide’ back in July which reverberated in underground circles and saw him featured by Dazed, Dummy, The Line Of Best Fit and The Independent in addition to heavy tastemaker playlist support across all DSPs. Since then, the producer has racked up over 2 million streams, received plaudits from Jack Saunders’ Future Artists show on BBC Radio 1 and was dubbed “one to watch” by Notion magazine. At just 20 years old, the Amsterdam based producer is an essential new addition to your record box and a thrilling new talent for 2021.

Available on vinyl for the first time by Taz Records! Officially licensed from Highness Records/Me & Mine Entertainment.



Limited edition of 300 machine numbered copies. Double heavy weight gold nugget vinyl, restored artwork and audio, audiophile grade inner sleeves. Truly a pressing fit for a kingpin.



This album is for playas and hustlers only!

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

"The Remedy," is I G Culture's latest album under Likwid Continutal Space Motion, Culture draws parallels between the complex world of fungi and London's Underground dance music scene. Both are intricate networks that thrive beneath the surface, connecting diverse elements and influencing one another. The London dance music scene, like fungi, encompasses a variety of styles and genres, from drum and bass to Garage Dance Subcultures may go unnoticed to the casual observer but are musical corner stones in our society. Dance floors and clubs serve as spaces for communal healing, allowing people to let go of daily stresses and connect through music and dance. I G Culture's "The Remedy" celebrates this vibrant underground culture and highlights the interconnectedness of all musical styles. Through his innovative production and thematic depth, he underscores the transformative power of dance music, emphasizing its role in promoting well-being and unity. The idea of Fungi also is expressed in the artwork by Amsterdams 'Machine' with IG's direction, who used fungi in an original collage revealing a secret world.

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

Beat Konducta in Africa is a 37-track instrumental hip-hop album produced & mixed with Madlib, featuring J. Rocc. This album bases itself on the obscure vinyl gems from the afro-beat, funk, psych-rock, garage-rock & soul movements of African countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and Ivory Coast

You know the names as individual members of the world-renowned Living Legends Crew, Murs & The Grouch – however you have never seen the two names together as a group, until now. The two legendary west coast wordsmiths who laid the blueprint for the independent game join forces for their new group, Thees Handz. Recorded at The Grouch's studio during a time when Murs was expecting a new addition to his family. The album touches on all aspects of their personalities, the gritty, thoughtful, spiritual, and energetic. The album opens with the catchy Carpe Diem that features Reverie that pushes for a sense of urgency and get-up-and-go for themselves and their listeners' dreams and aspirations.

When hip-hop fans mention the Living Legends Crew - the 8 member collective from California that kicked open the doors for rap music that highlighted the everyday man - they often think of two members: Murs and The Grouch. While the two built a name for themselves within the crew, and as solo artists, they never collaborated on an official project with each other, until now.

The relationship between the two could be likened to college roommates who once shared living spaces together in their formative years, who went on to become successful in their own paths but remained rooted to their beginnings. After years of collaborating with other Living Legends crew members (The Grouch & Eligh, Three Melancholy Gypsies), and people outside of the crew (Atmosphere, Strange Music, Slightly Stoopid), the two decided to make a full project together - Thees Handz. They have both had success in the live space as well; Murs was the first rapper to have his own festival, Paid Dues, and The Grouch with his annual tour, How The Grouch Stole Christmas. While ruminating on who to tour with for the 12th and final year of the Grouch's Christmas Tour, a light bulb went off and The Grouch reached out to his brother, Murs. After discussing joining him on tour the two also decided to give their fans something they never knew they wanted - a joint album from Murs & The Grouch. Clocking in at 10 tracks - a reference to the title, by way of the number of fingers on two hands - the project is effective in it's succinctness. With tracks that run the gamut from braggadocious to introspective, Thees Handz will touch the listener one or another. The production is handled by The Grouch, Ant of Atmosphere, Eligh, DJ Fresh, DJ Rek, and Brady Watt. The album features Reverie, Rabbitt, Brady Watt, with scratches by DJ Abilities.

Bristol don Nicky Soft Touch makes his eagerly awaited return with the follow up to his last TIN release, Lonely City Sampler. Set for release almost exactly one year on, Lonely City Cuts sees Soft Touch continue in his deft explorations of sampling, chopping and rearranging beats using cuts from helter skelter and sidewinder tapes. Much like his previous release, as well as the self-released projects he's shared in the meantime, the LP is centred around a DIY aesthetic, making intimacy and introspection two of its defining features.

Conceived during a stint living in London, the series is imbued with a sense of place. Delivered via raw production techniques, voice recordings and off-kilter, broken garage beats, this positions the release amongst the moody, urban landscapes which provide the backdrop for Burial and Actress' music. On Volume One, this sounds like narling basslines that ricochet around swung percussion, and plaintive ambience that immerses you in its shadowy worlds. On Volume Two, like hip hop interludes, deep house grooves and hyper referential skits.

Vinyl with a couple of scuffs and hairlines. Cover with light wear.

Over the last decade RAST has made a name for himself as one of the undergrounds most original voices. RAST has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, RAST held down the 90’s as part of the New York Graffiti crew RFC. It was
during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and RAST worked together on the vision and the direction they wanted to go with for the
album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a RAST & 7L title. For me it was really all about RAST, and his
story is so personal that it just made sense for him to be the only voice you hear”. From the albums start, “Base” sets things off with organs that sound
straight off old Surf footage accompanied by a pounding break beat. RAST’s signature gruff voice goes from rugged raps to melodic singing and back. On “The Devils Playground” RAST delivers some of his most honest lines recalling his youth and battles with depression. On “I Lost My Mind and Found God” RAST states plainly in the hook “I ain’t gonna see no doctor unless I die". RAST delivers these lines with the maturity of a seasoned blues man. "Runaway Slave" is another great example of this, as the track roars with a powerful hook as if he were exorcising his demons over what sounds like a dusted church organ.
Other stand out gems like "Children of Attica", “The Little Boy Who Lived in a Tree” and “The Remarkable Story of the Silent Machine Gun” show that RAST is cut from a different cloth. “I Know Why the Caged Bird
Sings” is an album where, as pointed out in the albums intro "Caged", is RAST at his most honest and vulnerable.

Zelda properties are trademarks or registered trademarks of Nintendo Co., Ltd.. Curaga Records / Materia Music Inc. and the artists on this album are no way affiliated, associated, authorized, endorsed by, or in any way officially connected to Nintendo Co., Ltd. with respect to this album. Musical compositions are © Nintendo and are used with permission. Sound Recordings ©2021 Materia Music Inc. Lofi VGM is a trademark or registered trademark of Materia Music INC. All Rights Reserved.

Debut album by UK trio following their “Undertones” EP on Meltin Pot
Music, the label that brought you Twit One, FloFilz, Suff Daddy, Brenk
Sinatra, Dexter and others!
"Uhuru" is the debut album by Summers Sons & C.Tappin from London and Bristol.
The journey of this album started back in 2015 and was inspired by the people and
places of Tanzania. After three years of channelling the vibe into beats and bars, it is
finally here!
Summers Sons are Turt (rap) + Slim (beats) who are actually brothers. They are
longtime friends with vocalist and pianist C.Tappin. Their music can be described as
rap with a lot of jazz. We like to call it cool bap.
Turt first got into hip-hop through Grime but also cites UK wordsmith Jehst as a
major influence. Slim was doing UK Garage for a while, when his brother asked him
for some more chilled beats to rap to. Tappin came up in a musical family, picked up
the piano as a kid and played in indie bands.
With such diverse backgrounds Summers Sons and C.Tappin are not your average
rap group. They would actually rather name their crew a band. Which makes total
sense when you catch them live. Slim slices up the beats on his SP404. Tappin gets
busy on the keys and adds vocal harmonies while Turt holds down the vibe on the
mic, spitting lyrics with a message.
Still only in their early twenties Turt, Slim and Tappin are somehow old souls when it
comes to music. If you listen to "Uhuru" you are unmistakably reminded of the
Soulquarians school of fusing hip-hop, soul and jazz. Follow the Sons' "Road To
Uhuru" playlist on Spotify and you are treated with gems from D'Angelo, Dilla, Badu
and Bilal back to back with new UK Jazz tunes from Alfa Mist or Ezra Collective.
Rounded up with a selection of dusty beats from German beatmakers like Hubert
Davis and Twit One. On their own songs Summers Sons and C.Tappin are
connecting these dots in their very own style and fashion.
While Slim had already released beats on Banoffee Pies and Brownswood, Turt and
Tappin made their official debut on the "Hay Luv" album by Twit One , who they had
met when he played a DJ gig in Bristol some years ago. With the release of the
Summers Sons' "Undertones" EP on MPM in early 2018 the London - Cologne
connection became official. The six tracker introduced the sound of the Summers
and Tappin to a bigger audience and included remixes by FloFilz and Twit One.
Now get yourself ready for "Uhuru" ! To learn more about the album we recommend
the liner notes: We’re all as simple complex as the next man. No one really comes
correct with a set plan. It’s all guesswork. Feet stepping, Keep checking with my
head first.

Strictly limited 2LP vinyl edition of 300 copies on black wax of the 4th installment in the "Beats For Brothels" series. The Doppelgangaz' trademark sound at it's best, perfect to nod your head to. Tip!

Strictly limited edition of 300 copies on black vinyl of next Beats For Brothels instalment. The Groggy Pack is back on the boards and presents the 5th episode of their beat tapes with yet another instrumental headnodder selection!

Strictly limited edition of 300 copies on black vinyl of the sixth installment in the "Beats For Brothels" saga. Matter Ov Fact & EP just did it again on 14 tracks, so better get your cloaks on and bump to this!

Record is close to VG+.

Limited "10th Anniversary" edition of 300 copies on triple vinyl incl. 10 instrumental versions of "HARK".

Originally released in 2013, "HARK" is the third studio album from The Doppelgangaz cherishing the Black Cloak Lifestyle in all its glory.

Dogeared cover.

Limited edition of 500 copies on white colored 2LP vinyl.

The Grouch's sixth album from 2003, "Crusader For Justice", gets its first ever vinyl edition. Being a founding member of the Living Legends crew, The Grouch has made his name from the mid-90's on as one of the leading artists out of the flourishing Westcoast Underground scene. All independently, all DIY. We at HHV are very excited to finally get his full back catalogue out on vinyl, for the first time ever!

Limited edition of 500 copies on yellow colored 2LP vinyl.

The Grouch's third album from 1997, "Success Is Destiny", gets its first ever 2LP vinyl edition. Being a founding member of the Living Legends crew, The Grouch has made his name from the mid-90's on as one of the leading artists out of the flourishing Westcoast Underground scene. All independently, all DIY. We at HHV are very excited to finally get his full back catalogue out on vinyl, for the first time ever!

Limited edition of 500 copies on gold colored vinyl!

A true fan-favorite finally gets a proper vinyl release, The Grouch's "They Don't Have This". Includes features by The Cuf, Bicasso, PSC and a few more usual suspects.

Limited edition of 300 copies on white colored vinyl!

The most recent The Grouch album gets a proper vinyl release. Includes feature artists and guest producers such as Eligh, Gift Of Gab, Amp Live of Zion I, YMTK, Myka 9, Scarub, Kelli Love, Elusive, Kenny Segal and more!

All bangers on a replica of the original promo record to promote both albums.

Given out as part of the ''B.I.G. MACK'' promo only package from Bad Boy Entertainment in 1994. To
create a buzz around the new record label and these artists Puff Daddy came out with an unforgettable marketing campaign. The results would exceed everyone's expectations. Craig Mack's Funk Da World would go gold and the single ''Flava In Your Ear'' would go platinum. As everyone knows Biggie's career went into the stratosphere with his
album Ready To Die eventually going 6x platinum and the single ''Juicy'' going gold that same year.

Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever.

With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: Past, Re-imagined AND Future: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards.

With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham.

From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad.

Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material.

Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous Shouts compilations - whose sole aim is to shine light on new music from emerging artists

Following in the steps of last year's mysterious "Beyond the Garage" 12 inch, L.I.E.S. throws another curveball with a 30 track continuous LP from veteran West Coast producers, Vinny+Charlie. Each side running 20 minutes, this can best be described as a smoked out, haze filled afterparty beat tape on wax. Obscure samples, dusty sp-12 crushed beats, head nodding loops, sweet low rider soul..chopped, sped up, slowed down and ready to wreck your system. Limited edition white label housed in a lp jacket with custom art by LA artist SOB Story. 300 copies worldwide.

Price tag.