Search "Era – Ameno" 583 Items

"Chrome Bills is MC K-Cromozone (bkny) and DJ Steve Bills (dmv).



The duo linked out of their shared love of the golden era and 90s hip-hop which then turned into a podcast under the same name (Chrome Bills). The podcast lasted for 10 years. During that time, the show provided a showcase for underground and independent rappers. In 2019 they released “The EP” which served as the group’s first musical release together, although both artists have been active since the early 2000s.



The album features guest verses from underground heavyweights Seez Mics, Dood Computer, Dezmatic, Elsphinx, Moses Rockwell, Big Slop, Bobby Noble, and Rapswell (Penpals) and a beat from SQ (Penpals)."



This was a digital only release, but now available on physical for the first time.

A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye’s Tour DJ, OR, a former Juicero advocate, but you may not know that he had a Hip-Hop record label in the early to mid 2000’s called Audio Research Records.

During this time, Trizzy hooked up with arguably 2 of the best Hip-Hop groups to come out of that era, producing records for Little Brother and the mighty Dipset! One of the very few Little Brother records that 9th Wonder didn’t produce, “Step Off” falls right in line with the whole LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available Only on ARR 12” until now! Same story with the b-side, A-Trak teamed up with Dipset for “Don’t Fool With The Dips!” featuring 40 Cal, Hell Rell, J.R. Writer.

FlipNJay Records is excited to re-release these joints in collaboration with Fool’s Gold Records on 7 Inch vinyl along with brand new original artwork designed by Rhek!

The legendary Ultramagnetic MC touches down in London for a one-away collab with We Are The Horsemen, featuring the one and only Kaidi Tatham.

What you sayin’, Kool Keith...? Enter your spaceship for a transatlantic meeting of minds as the legendary Kool Keith links up with We Are The Horsemen (Outernational Sounds head honcho Harvinder Singh Nagi and producer Sub One) and the great Kaidi Tatham for a future-jazz flavoured trip through the great MC’s London adventures.

Kool Keith needs no introduction to hip-hop heads worldwide. As one of the greatest MCs ever to touch the mic, Keith has never stopped innovating and progressing. From his days in the seminal 1980s Bronx unit Ultramagnetic MCs, through his pioneering development of new conceptual characters and styles in the 1990s (Big Willie Smith, Dr. Octagon, Dr. Dooom, Black Elvis), to his continuous run of radically independent recordings in the 2000s and beyond, Kool Keith defines rap longevity and artistic originality. No one else in hip hop has a comparable record of continuous reinvention, conceptual boldness, and stylistic panache.

And after four decades in rap, Keith is still one of the hardest working rappers in the game, perpetually seeking new sounds to spit on and new collaborators from across the musical spectrum. Fresh off the acclaim for his new Black Elvis 2 release, the protean MC has touched down on Outernational Sounds for a unique collab with We Are The Horsemen and Kaidi Tatham. ‘London Is The Place’ finds Keith riding the Horsemen’s atmospheric, break-toughened riddim and reaching back in time to drop kaleidoscopic, stream-of-consciousness impressions of the Ultramagnetic MCs infamous 1989 tour, before flashing forward to the present in order to namecheck Honest Jons Records, saxophone star Nubiya Garcia and master keyboardist and broken beat pioneer Kaidi Tatham, who contributes trademark jazz keys and bruk steez to the AA side remix. The 12” is closed out by a third version, the Horsemen’s own Kool Jazz Mix, bringing see- sawing organ stabs and a neck-snapping Ultra-sampling hook.

Kool Keith, Kaidi Tatham and We Are The Horsemen, taking it higher and overcoming the pressure with ‘music so progressive’, to quote Keith himself! Limited press – don’t sleep on this one!!'

This edition is limited to 300.Previously unavailable on 7", this brace of 1991 sureshots is the perfect introduction to the idiosyncrasies of the Native Tongue era. Features Joe Farrell break ‘Upon This Rock’ as used by Kanye West on ‘Gone’.

Galaktic Rogue is a Beatmaker from Russia and presents 8 Songs, 2 Vocal Tracks feat. PEN PALS from New York / USA included the both Instrumental Versions of this Songs.

The other four Tracks are Instrumentals, inspired by old Movies. PLUIE DE JULLIET and GODARD is dedicated to the great French director Jean-Luc Godard, one of the pioneers of the French New Wave film movement of the 1960s.

For Fans of MF Doom or Madlib.



This wonderful 7" called VIDEODROME EP is the 50. Release on Expanded-Art-Records, a German based Indie Label foundet 2010 in Bayreuth.

This is a limited Edition of 150 handnumbered Copies. Clear Green, with Black and White Marbled Wax and a full colored Sleeve and a Bonus Promo Sticker.



“With Videodrome, Galaktic Rogue teleports you straight into his universe. The ‘gritty poems’ by PENPALS lead both sides of the 7” into an instrumental odyssey with nods to vintage sci-fi horror, French new wave cinema, echoes of golden-era boom bap beats, and other library-tinged sample flips. It’s a trip—a highly recommended one!”

Danny Veekens (Rucksack Records, Amsterdam)



"A wildly tasteful bit of Hip-hop. You’ve got a beautifully chopped, library influenced backdrop, PENPALS on mic duties, and some stunning artwork. Plus extra points for any reference to Videodrome."

Spectacular Diagnostics (Producer from Chicago)



“Galaktiс Rogue makes beats dustier than my Dads VHS collection! Pen Pals flow effortlessly on each track, great collaboration and solid release!”

Ash The Author (Rapper from Reading, UK)

And we're back in Tacoma, WA for more unreleased and unheard 1994-1995 bangers from the Thunder Jam Alliance crew. All tracks produced by Shaggy C. Such a shame a lot of this material didnt drop at the time of recording, but Herring, like Mighty Mouse, has come to save the day!!



Make sure you peep those snippets - some killer material right here for the heads!!!





Big shout out to my man Hakan Dougpark for the original connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L.



Extra Large shoutout to TJA crew member DJ Strike for the incredible mastering/engineering job -

From the mind of Deejay Irie comes the first release on The Happy Digger label. Two dance floor tested edits that will get the party going no matter where you play.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment in a full color 2XLP with full album instrumentals. Includes production from Pete Rock, Diamond D and DJ Revolution. Guest features include Jaysaun, Masta Ace, Diamond D, and also features Pete Rock rapping. In 2004, veteran MC Edo G and legendary producer Pete Rock combined
for a golden era classic, My Own Worst Enemy. Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment.

Another friday dedicated to the black gold!

Uzoo came to existence in the winter of 2015. Aware of the depth of talent in the Connecticut hip-hop scene, and fed up with being overlooked, Joey Batts called upon his closest friends to form a CT-based supergroup. By bringing the best of the best together into a cohesive unit - one that allowed for individual talents to shine alongside the overall power of the group as a whole - Uzoo brings forth a musical experience reminiscent of the 90's-era Wu-Tang Clan, reminding hip-hop fans of how revolutionary a collective has the power to be. The dynamic collective boasts an eclectic offering of artistry, as each member brings their unique style to the table. Uzoo has something for everyone. The fact that such a wide array of styles are blended together so fluently on wax is a testament to the level of talent that exists within the group. Feeding off of one another's energy, the animalistic tendencies of each emcee is apparent as they trade bars and verses over rugged, grimy production. "Attack" (2017) on the a-side of this limited edition 45 was the group's very first official single - a rugged and grimy posse joint featuring all the Uzoo members, very similar to the Wu's classic "Protect Ya Neck". The b-side contains the catchy but still raw "Hollow Soul (Remix)" with Joey Batts and Crissb. Amazing delivering another certified banger.

Originally scheduled for release way back in March 1996, “The Raw Factor” by North Carolina native Omniscence is one of the last of the unreleased mid-90’s albums to see the light of day. Despite being awarded The Source’s coveted “Hip Hop Quotable” and dropping two well-received singles (“Amazin” and “Touch Y’all”), record label politics meant the full-length “The Raw Factor” album was never released and fans were left wondering what might have been. 28 years later, “The Raw Factor” is finally being released on vinyl, CD and digital stores. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90’s Hip Hop. Omniscence haunted the same early 90's cyphers and stages that many lyrical greats from the era had to cross. With a gruff delivery and equal adeptness with punchlines and metaphors, his high finish at the 1994 edition Battle For World Supremacy at the New Music Seminar assured heads across the culture were watching. After this, Omniscence locked in with producer Fanatic (who also laced tracks for Notorious B.I.G., Ma$e and Michael Jackson). The result was “The Raw Factor” album, fifteen plus tracks of jazzed out boom-bap, replete with crackin' drums. Now Below System Records has not only given the album its first deluxe physical release (including 2xLP, CD and digital) as well as a slew of bonus/unreleased tracks.