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Limited TO 150 Units

Tha God Fahim has earned his spot at the forefront of hip-hop's modern underground movement, crafting immersive musical experiences rooted in raw instrumentation and elevated by razor-sharp lyricism. A frequent collaborator of enigmatic rap god Mach-Hommy, Fahim has steadily bolstered his mystique with a wealth of acclaimed releases, embodying the themes of self-empowerment and continual expansion contained in his verses. Two decades after the release of his classic debut The Disrupt, renowned California artist Oh No has become an undeniable creative force, balancing rap success with production work for Mos Def, Action Bronson, Prodigy, Dilated Peoples, Aesop Rock, Rapsody, Elzhi, and many more. Tha God Fahim recently recruited Oh No to produce the new album Berserko, and now this stellar collaboration is receiving a vinyl release for the first time ever. The collection finds Fahim in peak form, with Oh No's hypnotic sonic textures sparking some of the Atlanta emcee's most complex rhymes to date . With guest appearances by Your Old Droog and Jay NiCE, Berserko is a wild ride showcasing the unbridled creativity of two remarkable artists.

Limited TO 150 Units

From weaving thought-provoking poetics to channeling the spirit of vintage West Coast gangsta rap, acclaimed Los Angeles emcee Blu is a dynamic musical presence, forever evolving and defying expectations. Supremely talented producer and musician Shafiq Husayn has a similarly diverse skill set, with a storied history as a member of Sa-Ra Creative Partners and solo production credits for top artists across the musical spectrum, from Erykah Badu to Ice-T to Anderson .Paak to Jurassic 5 and more. After linking up for the mixtape The Blueprint back in 2018, Blu and Shafiq Husayn are reuniting for the new album Out Of The Blue, elevating their collaboration to a new level. "The Blueprint was just me rhyming over some of Shafiq's beats that I found online," Blu explains. "This time we were actually in the studio together. We've been working together since 2008, but this is our first official album." Awash in Shafiq's dense sonic architecture, Out Of The Blue showcases the intricacy of Blu's spiritual street talk while simultaneously delivering a series of bass-heavy L.A. anthems. Entirely produced by Shafiq Husayn (with assistance from Dibia$e on "I'm G (omg)"), the collection features guests MED, Exile, Chuuwee, Thurz, Speed Walton, Jimetta Rose, and Freestyle Fellowship members Myka 9 and Self Jupiter.

Record is close to VG+.

When Vic recorded the first album with OSL, Legend Laws Of Power, he was in a happy state, musically. Vic wanted to catch bodies in a legendary way, plus leaning in on being supportive to OSL who's brother has just passed away, so you heard a lot of passion in those body bags. Now they have gotten that out of their system, Vic Spencer and Original Super Legend's second album is nothing like that; it's really bodybag after bodybag. They ran out of toe tags on this one.

When Vic recorded the first album with OSL, Legend Laws Of Power, he was in a happy state, musically. Vic wanted to catch bodies in a legendary way, plus leaning in on being supportive to OSL who's brother has just passed away, so you heard a lot of passion in those body bags. Now they have gotten that out of their system, Vic Spencer and Original Super Legend's second album is nothing like that; it's really bodybag after bodybag. They ran out of toe tags on this one.

An independent hip-hop fixture for more than 15 years, famed Los Angeles emcee Blu has mastered the lost art of the album, imbuing each project with unique themes and often recruiting a single producer to craft a cohesive sonic experience. This has lead to full-length collaborations with the likes of Exile, Madlib, Shafiq Husayn, Oh No, Damu The Fudgemunk, and more, along with the 2018 classic Gods In The Spirit, Titans In The Flesh, produced by Virginia beatsmith Nottz. With major credits dating back to the late 1990s, Nottz is a production icon who has worked with Busta Rhymes, Snoop Dogg, Scarface, The Game, Pusha T, Ghostface Killah, Slaughterhouse, Rapsody, Asher Roth, Little Brother, Talib Kweli, and more. Now, Blu and Nottz are reuniting for the new album Afrika, a celebration of the rich history and culture of their ancestral homeland. With Swahili song titles and thunderous beats from Nottz, the collection finds Blu proudly embracing his roots, connecting black struggles in the U.S. to those of African peoples worldwide. This powerful message is reinforced by a legion of talented guests, as Afrika features appearances by Quelle Chris, Mickey Factz, Shad, Ill Camille, Scienze, Cashus King, and more.

The last Wu-Tang Clan member to launch a solo career, Masta Killa had fans asking when his album was dropping for more than a decade. His emphatic response was No Said Date, an expertly crafted collection that proved to be worth the wait. Killa's seminal 2004 debut heralded another unique voice emanating from hip-hop’s favorite 9-headed monster, just as iconic releases like Liquid Swords, Only Built For Cuban Linx, Ironman, and Tical, had done years earlier. Now remembered as a classic, No Said Date remains an impressive contribution to the Wu-Tang legacy: dusty, dissonant soul loops, razor-sharp lyrics, and the unmistakably sinister quality embodied by the Wu's best material. A true family affair, the album features appearances by every single member of Wu-Tang Clan, as well as vintage production from the likes of RZA, Mathematics, and True Master. Long out of print, No Said Date is now available on CD and limited-edition vinyl for the first time in years.

Lyrically gifted, socially aware, and politically insightful, Talib Kweli is one of the most influential hip-hop artists of the last 25 years. His early collaborative albums with Mos Def and Hi-Tek were among the most important releases in the genesis of modern rap, forging a future for thought-provoking lyricism and raw soundscapes at a moment when mass commercialization threatened the soul of the genre. Now more than two decades into a thrilling solo career, Kweli has evolved creatively while maintaining his artistic integrity, working with top talent across the musical spectrum in the process. Known for classic collaborative albums with artists like J Dilla, MF Doom, and Freddie Gibbs, widely celebrated producer Madlib is a sampling savant who has crafted beats for the likes of Erykah Badu, Anderson .Paak, Tyler The Creator, Logic, De La Soul, and many more. After releasing a groundbreaking collaborative project back in 2006, Madlib and Talib Kweli are reuniting for the highly-anticipated follow-up Liberation 2. Expansive in concept, the album is a vivid exploration of revolution, love, pan-Africanism, music, spirituality, and more, with Madlib’s jazz-inflected instrumentals providing the perfect soundtrack. “The materialism and debauchery that is stereotypically associated with hip hop has lost some of its luster,” Kweli explains. ìNever has there been a better time for such honest, message driven music that pays tribute to the sounds that came before us.” A global call for unity through space and time, Liberation 2 features appearances by Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu, and more, plus a posthumous verse by Mac Miller. Not on traditional digital outlets, the album is now available in physical form for the first time ever.

The legendary Ultramagnetic MC touches down in London for a one-away collab with We Are The Horsemen, featuring the one and only Kaidi Tatham.

What you sayin’, Kool Keith...? Enter your spaceship for a transatlantic meeting of minds as the legendary Kool Keith links up with We Are The Horsemen (Outernational Sounds head honcho Harvinder Singh Nagi and producer Sub One) and the great Kaidi Tatham for a future-jazz flavoured trip through the great MC’s London adventures.

Kool Keith needs no introduction to hip-hop heads worldwide. As one of the greatest MCs ever to touch the mic, Keith has never stopped innovating and progressing. From his days in the seminal 1980s Bronx unit Ultramagnetic MCs, through his pioneering development of new conceptual characters and styles in the 1990s (Big Willie Smith, Dr. Octagon, Dr. Dooom, Black Elvis), to his continuous run of radically independent recordings in the 2000s and beyond, Kool Keith defines rap longevity and artistic originality. No one else in hip hop has a comparable record of continuous reinvention, conceptual boldness, and stylistic panache.

And after four decades in rap, Keith is still one of the hardest working rappers in the game, perpetually seeking new sounds to spit on and new collaborators from across the musical spectrum. Fresh off the acclaim for his new Black Elvis 2 release, the protean MC has touched down on Outernational Sounds for a unique collab with We Are The Horsemen and Kaidi Tatham. ‘London Is The Place’ finds Keith riding the Horsemen’s atmospheric, break-toughened riddim and reaching back in time to drop kaleidoscopic, stream-of-consciousness impressions of the Ultramagnetic MCs infamous 1989 tour, before flashing forward to the present in order to namecheck Honest Jons Records, saxophone star Nubiya Garcia and master keyboardist and broken beat pioneer Kaidi Tatham, who contributes trademark jazz keys and bruk steez to the AA side remix. The 12” is closed out by a third version, the Horsemen’s own Kool Jazz Mix, bringing see- sawing organ stabs and a neck-snapping Ultra-sampling hook.

Kool Keith, Kaidi Tatham and We Are The Horsemen, taking it higher and overcoming the pressure with ‘music so progressive’, to quote Keith himself! Limited press – don’t sleep on this one!!'

Acclaimed producer, songwriter, and vocalist Shafiq Husayn has been a vital force on the Los Angeles music scene for decades. A member of trendsetting trio Sa-Ra Creative Partners, Shafiq has produced tracks for a staggering spectrum of talent, including Erykah Badu, Ty Dolla $ign, Pharoahe Monch, Robert Glasper, Ice T, Bilal, Jurassic 5, and many more. Over the last few years, the Grammy winner has also become the leader of The Dove Society, an expansive L.A. musical collective. Now, Shafiq Husayn and The Dove Society are debuting the new album So Gold, an eclectic masterpiece emerging from sessions Shafiq describes as “pure love, magic, inspiration!” A worthy follow-up to Shafiq’s acclaimed 2018 opus The Loop, the album features contributions from Anderson .Paak, Syd (of The Internet), Peyton, Thurz, Jimetta Rose, Speed Walton, and many more. Bursting with the kinetic energy of vibrant creative collaboration, the album synthesizes disparate styles into a cohesive tapestry of lush cosmic soul. “It’s new age everything and above,” Shafiq explains. “Focused and direct in the songwriting and production, but still adventurous and refreshing.”

Still sealed with hype sticker. Tiny wear. Brown vinyl deluxe edition.

32 beats for your listening pleasure!

As a member of seminal hip-hop group The Pharcyde, Fatlip helped expand the boundaries of the 1990s L.A. rap scene, releasing classic albums steeped in eccentric creative excursions rather than hard-edged gangsta bravado. Following in those footsteps, acclaimed emcee Blu has been at the forefront of the independent hip-hop landscape since the late 2000s, narrating the full range of experience in the City of Angels with impressive lyrical ingenuity. These two famed artists recently joined forces for the collaborative album Live From The End Of The World, a dazzling rhyme whirlwind boasting an overwhelming collection of West Coast lyrical talent, including Del The Funky Homosapien, Gift Of Gab, MC Eiht, and Ras Kass, along with members of iconic groups Jurassic 5, Tha Alkaholiks, Souls Of Mischief, Freestyle Fellowship, and Digital Underground. With production by Madlib, Nottz, Sa-Ra, Knxwledge, and Exile, the album is now available in physical form for the first time ever. This deluxe release includes two new bonus tracks featuring Slimkid3 (of The Pharcyde) and Pigeon John.

As a member of seminal hip-hop group The Pharcyde, Fatlip helped expand the boundaries of the 1990s L.A. rap scene, releasing classic albums steeped in eccentric creative excursions rather than hard-edged gangsta bravado. Following in those footsteps, acclaimed emcee Blu has been at the forefront of the independent hip-hop landscape since the late 2000s, narrating the full range of experience in the City of Angels with impressive lyrical ingenuity. These two famed artists recently joined forces for the collaborative album Live From The End Of The World, a dazzling rhyme whirlwind boasting an overwhelming collection of West Coast lyrical talent, including Del The Funky Homosapien, Gift Of Gab, MC Eiht, and Ras Kass, along with members of iconic groups Jurassic 5, Tha Alkaholiks, Souls Of Mischief, Freestyle Fellowship, and Digital Underground. With production by Madlib, Nottz, Sa-Ra, Knxwledge, and Exile, the album is now available in physical form for the first time ever. This deluxe release includes two new bonus tracks featuring Slimkid3 (of The Pharcyde) and Pigeon John.

Born in Ukraine and raised in Brooklyn, Your Old Droog has become a key figure in the modern hip hop landscape. Fresh off a series of acclaimed projects, the master author is back with the new album "Space Bar".

Evoking a tavern located deep within the realms of a top secret galaxy, the collection features appearances by Lil Ugly Mane, billy woods, Tha God Fahim, and Nickelus F. Despite Droog's prolific output, each of his releases are meticulously crafted, and "Space Bar" is no exception.

"This album was conceptualized around the same time as 'It Wasn’t Even Close'," YOD explains. "Throughout the years, it has evolved and taken on many different forms and shapes." With beats by 88 Keys, Nicholas Craven, SadhuGold, and Elaquent, "Space Bar" finds Your Old Droog serving up intoxicating lyricism over spaced-out production, exploring unseen terrains.

Known to keep a low profile and cause pandemonium with each reemergence, rhyme writer extraordinaire Your Old Droog is debuting the appropriately-titled single "The Return Of Sasquatch", a collaboration with legendary producer Madlib. A brash, kinetic masterpiece, the track marks a historic encounter between two of the biggest names in independent hip-hop. This limited pressing on 7" picture disc vinyl also includes an exclusive live rehearsal performance of "The Unknown Comic" on the B-Side, produced by Edan.

YRap virtuoso Your Old Droog is among the most consistent artists in hip-hop today, releasing phenomenal music at an increasingly impressive rate. Now, the Ukrainian emcee is back with the new project YOD Wave. The collection finds Droog levitating over soulful loops, conjuring pure hip-hop euphoria with sophisticated rhymes and an impeccable flow. YOD Wave features appearances by Mach-Hommy and Tha God Fahim, with all beats handled by acclaimed Montreal producer Nicholas Craven.

In recent years, SadhuGold has emerged as one of hip-hop's most exciting new sonic architects. Specializing in raw, dusty vibes with an otherworldly feel, the Philadelphia native has crafted tracks for acclaimed artists like Mach-Hommy, Westside Gunn, Your Old Droog, Rome Streetz, Tha God Fahim, and more.

Originally released on cassette tape in extremely limited quantities, the "Golden Joe" trilogy helped establish SadhuGold's signature sound and fuel the growing mystique surrounding his unique artistry. With those cassettes now rare collectibles, the enigmatic producer is unveiling an official pressing of "Golden Joe Vol. 1", launching the first ever vinyl release of his acclaimed instrumental series. Fully remastered, the collection is a journey through the imagination of the alchemically psychedelic mind that is SadhuGold.

Originally Released In The Summer Of 1997, Overcast! Markedthe Start Of A Storied Career That Still Shows No Signs Of Slowing Down. While Slug And Original Co-Member Spawn's Rhymepatterns And Passion For Wordplay May Have Hinted At Someof Their Influences, Their Creative Songwriting And Inventiveconcepts, Paired With Ant's Brooding And Melodic Production,Made The Album Stand Apart From Its Predecessors And Peers.Overcast! Covers A Range Of Topics And Moods, From Thedramatic Storytelling On "Wnd", To The Sobering Reflections On"Caved In", To The Meticulous Imagery And Cultural Dissectionon "Clay", All Joined By A Wealth Of Clever Punchlines Andmetaphors Coming Together To Form A Well-Balanced And Diversecollection Of Lyricism. Of Course, There's Also "Scapegoat", With Its Beautifully Ominous Musical Backdrop And Slug's Perfectly Scripted Satirical Rant, Which Took The Underground By Storm And Played A Significant Role In Opening Ears Around The World To Give A Listen To What Atmosphere And Rhymesayers Had To Say. Although Widely Considered An Underground Classic, The Full Length Overcast! Album Was Never Pressed On Vinyl Until Alimited Edition Run Hit Stores In 2017, In Celebration Of Thealbum's 20th Anniversary. Now Re-Packaged And Produced Forwider Distribution, Fans Everywhere Can Add This Re-Masteredmasterpiece To Their Collection. Celebrate Atmosphere'slegacy Of Creative Expression With The Album That Started It All!

Hardcore Reps were a three man crew from Far Rockaway, Queens made up of two brothers Damian and Majestic along with beat maker and producer Angelo “A.N.G.” Foukas. They never released a project on their own and just featured on Angelo’s 1996 instrumental album on the only two tracks with vocals. Angelo was introduced to the brothers way back in the early 90’s through a mutual friend.. He played them a few of his instrumentals and the boys were suitably impressed and they made a few demo tapes in 1994 that they passed around local heads. They never pursued a deal and just used the tapes to get some recognition among their peers. The demo tapes have been in a much demand and only a few have survived. We have five joints from those tapes, remastered from the original studio DATs and three tracks that have never surfaced before. The two joints from that 1996 inst album are on here but slightly different versions. Big up to my man Dougpark for the hook up – Dougpark provided the connect for the excellent Speakeasy demos we dropped a couple years back. And before anyone says it’s Full Proof not Fool Proof, no it isn’t. Enjoy!!

Strictly limited edition of 500 copies on colored vinyl in a gatefold set incl. inlay card and sticker.

Here it is, one of THE lost albums from the golden era of Hip Hop: Science Of Sound's "Kaleidoscope Phonetics" from the Tribe Called Quest-sphere. With productions and cameos by A Tribe Called Quest and Phife Dawg, Godfather Don, Grandmaster Melle Mel and more. This is true-school rap at its finest and should not be missed by any fan of the classic 90's vibe.

Here's what Ali Shaheed Muhammad is saying about it:

"Science Of Sound, a group established during the 90's "golden era" of Hip Hop. These guys are my family. We were very excited when they signed their record deal and greatly disappointed their label mishandled them. This is the lost album that was recorded in the time I was working on "Beats, Rhymes & Life". There was a lot of back in forth between Tribe's sessions and S.O.S.'s sessions. You can hear the levels they were on and it's as fresh as 20+ years later as it was when it was recorded. Any proponent of golden era Hip Hop will appreciate this find of a lost album." - Ali Shaheed Muhammad, September 3rd, 2020

Available on limited 2LP vinyl, CD and cassette as well as digitally!

2 copies max. per customer.

The black 3LP vinyl set comes with a gatefold sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!

LP+CD+7"

Tkay Maidza, the first female rapper signed to 4AD, announces details of her highly anticipated new album, Sweet Justice. The follow-up to her 2016 self-titled debut will be released on 3 November and includes the recent Flume-produced earth-shuddering single ‘Silent Assassin’. Today, Tkay shares a blistering new track, ‘Ring-A-Ling’ and official video directed by Jocelyn Anquetil.

“I’m never choosing compliance,” a defiant Maidza utters ‘Ring-A-Ling’; a warning from the Zimbabwean-born, Australian-raised, Los Angeles-based rapper, singer and producer and a mantra for Sweet Justice. Produced by Two Fresh, Tkay says of ‘Ring-A-Ling’, “I wanted to make an empowering song that tells others that my biggest focus are my goals.”

The result of a dark night of the soul—and ensuing epiphany—that led to a series of professional and personal reckonings, Sweet Justice isn’t a revenge album, but it does stem from a profound sense of karma. In a traditional sense, it’s a breakup record: about Tkay splitting off from her self-doubt and warped sense of self; the toxic figures that populated the last chapter of her life; and the idea that she should stick to any one lane.

After severing ties with old friends, she found some new ones on the same creative wavelength: Canadian producers Stint and Kaytranada, and fellow Australian Flume, all of whom contribute production. Sweet Justice is an album that embodies the beautiful contradictions of Tkay’s art: it’s a coming-of-age record by someone who’s mastered the game; an album about karmic justice and accountability that’s bright, breezy and incredibly fun. In Tkay’s mind, it’s a rebirth album, a record about harnessing the feminine power that was innate in her the whole time.

Tkay Maidza says, “Sweet Justice was a way for me to channel my emotions from what I’ve experienced in the last two years. It’s a diary of things and thoughts I’ve kept to myself. Making the record was a healing experience and I’m grateful to have worked with producers who have inspired me throughout my career.” Sweet Justice follows the 3-year-long, 24 song-strong genre-bending Last Year Was Weird trilogy exploring Maidza’s own African-Australian experience. The project earned her a 2021 ARIA Awards win for Best Soul/R&B Release and an NME Award for Best Solo Act From Australia in 2022. Following on from tours with Billie Eilish and Dua Lipa, Tkay is currently in the southern hemisphere for arena shows with Lizzo with her own headline shows to be announced soon.

Plus One is the brand-new album from Brooklyn-based artist Lindsay Powell aka Fielded. While Fielded has put out several solo projects steeped in their trademark psychedelic R&B, they also has quietly built a reputation as a genre-bending vocalist and sought-after musical collaborator. Plus One turns that dynamic on its head, bringing together an indie music elite on Fielded’s guest list including Armand Hammer, Felicia Douglass, Kenny Segal, They Hate Change, DJ Haram, Wolf Weston, The Lasso, Child Actor and Steel Tipped Dove.

“I’ve offered myself in blips and breaths and moments, sighing under a powerful lyric, or punctuating another vocalist’s breakthrough performance,” Fielded says. “We wanted to see what could happen when I brought those same artists in to add flourishes to my visions and depth to my stories.”

Plus One is executive produced by billy woods, building on a creative partnership that goes back to the rapper’s 2019 album, Terror Management. Since then Fielded has engineered, produced and performed on a slew of Backwoodz Studioz releases, in addition to putting out two projects on the label- 2020’s Demisexual Lovelace and 2021’s Young Medusa- in addition to their extensive outside commitments. That history is reflected in the breadth of Plus One’s collaborations; Fielded stole the show on Small Bills “Safehouse,” the first song on ELUCID and The Lasso’s 2019 album Don’t Play It Straight. Here they reunite, cooking up a slinky R&B banger with “Waves.” Wolf Weston and Fielded traded harmonies on Saint Mela’s 2020 EP all for this strange baptism, and Weston returns the favor to fantastic effect on “Goddess Woes.” In 2019, Fielded joined forces with Fat Tony and Steel Tipped Dove for the Houston rapper’s Don’t Move EP. On Plus One, both artists step into her world and find their footing effortlessly—Tony on the woozy numbness of “Where I Came From,” and Dove with a stumbling cascade of drum and piano on “World’s Away.” Yet, it’s some of the newest pairings that yield the ripest fruit. Kenny Segal and Fielded combine for two album highlights, and A. Billi Free pops up for the record’s biggest curveball (unless you give that to Florida rappers They Hate Change setting fire to an ELUCID beat). Through it all, Fielded holds court, always taking or leaving exactly what the song requires.

“It is an album telling full stories, walking through valleys and cities, landscapes rich and sometimes heartbreaking,” Fielded explains. ”No one is filler. Everyone has been welcomed and valued. Everyone made the work weird, wonderful and honest, and for that I am grateful.”

Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the Covid-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hiphop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others.

Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the Covid-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hiphop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others.

On January 28, 2022, Lady Wray released her Piece Of Me album. A deeply personal record that takes on the good and the bad in life from deception and abuse to the joys of motherhood and triumph. The accolades the album has received in the year it has been out speak volumes. Performing on The Stephen Colbert Show, selling out multiple US tours, cleaning up in the best of 2022 lists, and then crushing an NPR Tiny Desk on the 1 year anniversary of the album. Piece Of Me continues to find its way to new ears and has already proved itself a timeless classic. So where do you go from here? When Ghostface Killah reaches out and says he wants to do a remix of the title track you do that. The A side, "Piece Of Me" (Remix) features Ironman himself who puts down a verse about a relationship that ran its course but no one is sure they did the right thing in. Ghostface sounds right at home over the gully Leon Michels produced track and takes the already rock solid tune to another level. Then what do you do for a B side.... You call The Chocolate Boy Wonder, Pete Rock and get him to remix "Joy & Pain". Pete takes one of the stand out tunes on the album and gives it an entirely different energy with thundering drums and a bassline that shake the windows in the car.

After 2017’s 10 year anniversary tour of Below The Heavens and a b-sides/rarities release in In The Beginning many wondered whether or not Blu & Exile would ever reunite for a proper new release or if that year was as much a curtain call as it was a celebration. Putting those questions to rest, Dirty Science Records is proud to announce the True & Livin EP – as Blu & Exile’s undeniable chemistry is yet again put on display. “True and Livin feels like a spiritual call to all that have honor and truth in their being. It sees how present day and beyond is always trying to calculate or monetize what comes from God or what comes from an artist’s spirit, but it also recognizes the truth that is inside of Blu and Exile's music and brags about it, even in a humble way somehow. This might be the first hip hop braggadocio song that invites us all to feel the same about themselves as long as they connect to the spirit and truth that is inside this song and inside us all.” Exile says about the EP’s title track. Positivity and strength remain a theme on this EP, in Spread Sunshine and the stand out posse cut featuring most of the Dirty Science crew in Choosey, Johaz, Cashus King, Aloe Blacc, Fashawn & Blame One on Power To The People. Blu adds, ““Power To The People” is a call to the people, a call for the people to unite. Unification is power, power in numbers.

There are not too many artists who can maintain over a quarter of a century but the man like Kwest Tha Madd Lad dropped a superb project a few months back and we decided to combine that full project with 5 of his 1994 [unused first album joints] previously only available on CD via the now-defunct No Sleep Recordings. His first album, on Rick Rubin’s American Recordings took a couple of years to drop but was completed in 1994. After the schedule was messed around with in favour of different artists on the label, the record finally dropped in 1996. At that time Kwest decided to leave out some of his earlier recordings from the session, so they never made it onto wax. But we are proud to say that the time has finally come to give them a vinyl airing. The new EP ‘S.P.I.T.R” was produced by Aneeway Jones and X-Ray Da MIndbenda [M.I.C.] and is one of the freshest and competent releases by a “mature mc” of recent years. The ‘Old To The New’ LP spans 1994 to 2019 in a seamless homage to the timeless art of lyricism. Enjoy!!!! There will be 350 copies pressed only. This first 120 copies will be on Purple & Green mixed Colored Vinyl. The next 230 are on traditional black wax!! Cover is a plain white sleeve with full colour large 20cm x 20cm sticker.

Hailing from Massilon, Ohio, rapper Stalley has a well-deserved reputation for being a potent on-stage presence, and a force of hip-hop lyrical acumen. Throughout his career he has lent his distinctly Midwestern take on Dirty South-style rap to collaborations with veterans like Scarface, Curren$y, Ski Beatz, Paul Wall, and Rick Ross, with whom he has had a longtime association with, from his time as a signee of Ross' own Maybach Music Group label.
Now in 2018, Stalley finds himself riding solo once again, and unrestrained by a label, and creatively free. This lack of inhibitions comes out in full force on his new EP Tell The Truth Shame The Devil. Produced largely by Supah Mario (Drake, Young Thug, 2 Chainz), Tell The Truth takes an emotional detour from the familiar club anthems of his previous works, touching on issues of vulnerability, suicidal thoughts, artistic freedom, and more intense lyrical fare. (Which is not to say the album is completely free of freewheeling, boastful party rap goodness.)
Featuring guest spots from the hip-hop rapscallions of Migos, and freestyle aficionado Young Scooter, Tell The Truth Shame The Devil is uncompromising, filled equally with starkness and bare honesty as it is with revelry and ostentation.

) Back on vinyl for the first time since 2015! New remastered version with alternative cover art. Unlike all DJ Yoda’s artist albums, ‘Breakfast Of Champions’ features the same collaborators on every track effectively putting together a band. The genesis of the project was in Manchester, where the legendary Band On The Wall venue asked him to host an artistic residency. He put a call out for local musicians, did auditions, and selected three rappers. Two were local to Manchester - Truthos Mufasa and Sparkz. They were local legends making up parts of The Mouse Outfit and Lvlz. And the third was Rex Domino from down south, who was a British MC who Yoda thought would gel well with the other guys. They wrote, rehearsed and recorded intensively in Manchester - performed a memorable series of live shows (including an epic Glastonbury show), and Yoda put the finishing touches to the album back in London after the fact. “It was such an enjoyable experience” says Yoda. “Lifelong friendships were made, and most excitingly two of the band members got together (James Breen, drummer, and Claire Northey, violinist) and had two kids! So there are Breakfast of Champions humans out there too!” This new pressing features alternative artwork that was never used at the time of the album’s original release

Limited edition of 300 copies on CD in jewel case.

Set to be released in 1995, Supernatural's debut "Natural Disasters" got shelved and never saw an official release until now. 21 tracks of pure Golden Era heat by one of the most respected freestyle MC's in Hip Hop, entirely produced by Djinji Brown.

"This album was created between January - April of 1995 in Brooklyn, NYC. It was a special moment in time captured musically by two friends who had a vision. A vision that really couldn’t be labeled, but could only be put into sounds. In my mind this album could only have been created in Brooklyn at this exact juncture in time. In general NYC was on fire artistically. There was so much creativity in the air, the ground, everywhere, the streets were talking indeed. All you had to do was listen and the message was clear “Create from Creativity”! Everyone had something to say, and Supernatural had a unique way of doing it. The forces of nature work in mysterious ways and when certain elements align the result is something very unique. We truly hope you enjoy “Natural Disasters”, which is more of a journey into the minds and imaginations of two creative spirits than it is a rap album. But in the same breath it could not have been born if not for Hip Hop." - Djinji Brown

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 100 copies on cassette.

Set to be released in 1995, Supernatural's debut "Natural Disasters" got shelved and never saw an official release until now. 21 tracks of pure Golden Era heat by one of the most respected freestyle MC's in Hip Hop, entirely produced by Djinji Brown.

"This album was created between January - April of 1995 in Brooklyn, NYC. It was a special moment in time captured musically by two friends who had a vision. A vision that really couldn’t be labeled, but could only be put into sounds. In my mind this album could only have been created in Brooklyn at this exact juncture in time. In general NYC was on fire artistically. There was so much creativity in the air, the ground, everywhere, the streets were talking indeed. All you had to do was listen and the message was clear “Create from Creativity”! Everyone had something to say, and Supernatural had a unique way of doing it. The forces of nature work in mysterious ways and when certain elements align the result is something very unique. We truly hope you enjoy “Natural Disasters”, which is more of a journey into the minds and imaginations of two creative spirits than it is a rap album. But in the same breath it could not have been born if not for Hip Hop." - Djinji Brown

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 100 bundles consisting of a black Science Of Sound logo tee plus the orange 2LP vinyl (limited to 500 copies in total) in a gatefold set incl. inlay card and sticker.

Here it is, one of THE lost albums from the golden era of Hip Hop: Science Of Sound's "Kaleidoscope Phonetics" from the Tribe Called Quest-sphere. With productions and cameos by A Tribe Called Quest and Phife Dawg, Godfather Don, Grandmaster Melle Mel and more. This is true-school rap at its finest and should not be missed by any fan of the classic 90's vibe.

Here's what Ali Shaheed Muhammad is saying about it:

"Science Of Sound, a group established during the 90's "golden era" of Hip Hop. These guys are my family. We were very excited when they signed their record deal and greatly disappointed their label mishandled them. This is the lost album that was recorded in the time I was working on "Beats, Rhymes & Life". There was a lot of back in forth between Tribe's sessions and S.O.S.'s sessions. You can hear the levels they were on and it's as fresh as 20+ years later as it was when it was recorded. Any proponent of golden era Hip Hop will appreciate this find of a lost album." - Ali Shaheed Muhammad, September 3rd, 2020

Available on limited 2LP vinyl, CD and cassette as well as digitally!

1 copy max. per customer.

Strictly limited edition of 300 copies on gold colored vinyl. The 3LP gatefold set comes with soft touch sleeve, download, sticker and inlay card!

We at 90's Tapes are kind of speechless as another dream is becoming real for us with this release. As the title says, Don blesses us with beats, bangers and biscuits from his repertoire including "Status (Solo OG Home Demo" or "Burn (OG Home Demo)". We are super happy to finally share this gem with you and hope you enjoy it as much as we do!

Here are some words from the artist himself:
"This release marks an exciting collaboration between me & 90's Tapes in which I have chosen along with the crew to release some of my favorite demos fans and collectors alike have sought after and asked me to "please make available" for years in a format like this. During the whole thing the HHV staff have been super cool from the start. They listened astutely, and invited me to offer any suggestions every step of the way, and made it a smooth, easy going affair overall - resulting in what I believe is a simply marvelous release that I sincerely hope will entertain and be enjoyed by all!"
Godfather Don, May 2020

Represent the real hip hop!